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Color name
HEX #CC264F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC264F it is the complementary color #33D9B0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC264F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC264F shade: #D1264A, #E2385D, #F34A70, #FF5C83 and #FF6E96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC264F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC264F shade: #CC264F, #BB143C, #AA0229, #990016 and #880003

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC264F shade: #CB254E and #CB2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC264F shade: #CB254E, #CB257B, #CB25A7, #C125CB and #9525CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC264F shade matches the following richer shades: #CB254E and #DE1244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC264F shade: #CB254E, #B73958, #A44C62, #905F6B and #7D7375

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC264F shade: #CB25A7, #CB257B, #CB254F, #CB2825 and #CB5425

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC264F shade: #851833, #A81F41, #CB254E, #DB3D64 and #E26080

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC264F shade: #CC264F, #CBC225 and #2591CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC264F shade: #CC264F, #4FCB25 and #254FCB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC264F shade: #CC264F, #CBC225, #25CBA1 and #252DCB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC264F shade: #CC264F, #A1CB25, #25CBA1 and #4F25CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 61 / 20

HEX #CC264F

RGB 204 38 79

HSL 345.18, 0.69%, 0.47%

LAB 45.34, 64.3, 19.2

 

Complementary color

CMYK 76 / 0 / 19 / 15

HEX #33D9B0

RGB 51 217 176

HSL 165.18, 0.69%, 0.53%

LAB 78.15, -50.82, 8.44

 

CMYK 0 / 82 / 65 / 18

HEX #D1264A

RGB 209 38 74

HSL 347.37, 0.69%, 0.48%

LAB 46.23, 65.36, 23.62

 

CMYK 0 / 75 / 59 / 11

HEX #E2385D

RGB 226 56 93

HSL 346.94, 0.75%, 0.55%

LAB 51.6, 66.18, 19.75

 

CMYK 0 / 70 / 54 / 5

HEX #F34A70

RGB 243 74 112

HSL 346.51, 0.88%, 0.62%

LAB 57.19, 66.36, 16.54

 

CMYK 0 / 64 / 49 / 0

HEX #FF5C83

RGB 255 92 131

HSL 345.64, 1%, 0.68%

LAB 62.13, 64.6, 12.6

 

CMYK 0 / 57 / 41 / 0

HEX #FF6E96

RGB 255 110 150

HSL 343.45, 1%, 0.72%

LAB 65.45, 58.71, 6.39

 

CMYK 0 / 81 / 61 / 20

HEX #CC264F

RGB 204 38 79

HSL 345.18, 0.69%, 0.47%

LAB 45.34, 64.3, 19.2

 

CMYK 0 / 89 / 68 / 27

HEX #BB143C

RGB 187 20 60

HSL 345.63, 0.81%, 0.41%

LAB 40.23, 62.55, 23.76

 

CMYK 0 / 99 / 76 / 33

HEX #AA0229

RGB 170 2 41

HSL 346.07, 0.98%, 0.34%

LAB 35.5, 59.74, 29.13

 

CMYK 0 / 100 / 86 / 40

HEX #990016

RGB 153 0 22

HSL 351.37, 1%, 0.3%

LAB 31.42, 55.08, 35.15

 

CMYK 0 / 100 / 98 / 47

HEX #880003

RGB 136 0 3

HSL 358.68, 1%, 0.27%

LAB 27.41, 50.26, 39.22

 

CMYK 0 / 82 / 62 / 20

HEX #CB254E

RGB 203 37 78

HSL 345.18, 0.69%, 0.47%

LAB 45.04, 64.22, 19.38

 

CMYK 0 / 82 / 82 / 20

HEX #CB2525

RGB 203 37 37

HSL 0, 0.69%, 0.47%

LAB 44.45, 62.43, 42.95

 

CMYK 0 / 82 / 62 / 20

HEX #CB254E

RGB 203 37 78

HSL 345.18, 0.69%, 0.47%

LAB 45.04, 64.22, 19.38

 

CMYK 0 / 82 / 39 / 20

HEX #CB257B

RGB 203 37 123

HSL 328.92, 0.69%, 0.47%

LAB 46.24, 67.79, -6.75

 

CMYK 0 / 82 / 18 / 20

HEX #CB25A7

RGB 203 37 167

HSL 313.01, 0.69%, 0.47%

LAB 48.02, 72.85, -30.56

 

CMYK 5 / 82 / 0 / 20

HEX #C125CB

RGB 193 37 203

HSL 296.39, 0.69%, 0.47%

LAB 48.23, 76.12, -51.41

 

CMYK 27 / 82 / 0 / 20

HEX #9525CB

RGB 149 37 203

HSL 280.48, 0.69%, 0.47%

LAB 41.26, 68.52, -63

 

CMYK 0 / 82 / 62 / 20

HEX #CB254E

RGB 203 37 78

HSL 345.18, 0.69%, 0.47%

LAB 45.04, 64.22, 19.38

 

CMYK 0 / 92 / 69 / 13

HEX #DE1244

RGB 222 18 68

HSL 345.29, 0.85%, 0.47%

LAB 47.47, 72.02, 29.4

 

CMYK 0 / 82 / 62 / 20

HEX #CB254E

RGB 203 37 78

HSL 345.18, 0.69%, 0.47%

LAB 45.04, 64.22, 19.38

 

CMYK 0 / 69 / 52 / 28

HEX #B73958

RGB 183 57 88

HSL 345.24, 0.53%, 0.47%

LAB 43.8, 52.71, 10.87

 

CMYK 0 / 54 / 40 / 36

HEX #A44C62

RGB 164 76 98

HSL 345, 0.37%, 0.47%

LAB 44.15, 38.61, 4.76

 

CMYK 0 / 34 / 26 / 44

HEX #905F6B

RGB 144 95 107

HSL 345.31, 0.21%, 0.47%

LAB 45.87, 21.75, 1.41

 

CMYK 0 / 8 / 6 / 51

HEX #7D7375

RGB 125 115 117

HSL 348, 0.04%, 0.47%

LAB 49.38, 4.24, 0.29

 

CMYK 0 / 82 / 18 / 20

HEX #CB25A7

RGB 203 37 167

HSL 313.01, 0.69%, 0.47%

LAB 48.02, 72.85, -30.56

 

CMYK 0 / 82 / 39 / 20

HEX #CB257B

RGB 203 37 123

HSL 328.92, 0.69%, 0.47%

LAB 46.24, 67.79, -6.75

 

CMYK 0 / 82 / 61 / 20

HEX #CB254F

RGB 203 37 79

HSL 344.82, 0.69%, 0.47%

LAB 45.06, 64.28, 18.79

 

CMYK 0 / 80 / 82 / 20

HEX #CB2825

RGB 203 40 37

HSL 1.08, 0.69%, 0.47%

LAB 44.73, 61.65, 43.21

 

CMYK 0 / 59 / 82 / 20

HEX #CB5425

RGB 203 84 37

HSL 16.99, 0.69%, 0.47%

LAB 50.89, 44.91, 49.01

 

CMYK 0 / 82 / 62 / 48

HEX #851833

RGB 133 24 51

HSL 345.14, 0.69%, 0.31%

LAB 29.1, 46.23, 12.94

 

CMYK 0 / 82 / 61 / 34

HEX #A81F41

RGB 168 31 65

HSL 345.11, 0.69%, 0.39%

LAB 37.27, 55.32, 15.98

 

CMYK 0 / 82 / 62 / 20

HEX #CB254E

RGB 203 37 78

HSL 345.18, 0.69%, 0.47%

LAB 45.04, 64.22, 19.38

 

CMYK 0 / 72 / 54 / 14

HEX #DB3D64

RGB 219 61 100

HSL 345.19, 0.69%, 0.55%

LAB 51.06, 63.03, 14.58

 

CMYK 0 / 58 / 43 / 11

HEX #E26080

RGB 226 96 128

HSL 345.23, 0.69%, 0.63%

LAB 58.13, 53.44, 8.04

 

CMYK 0 / 81 / 61 / 20

HEX #CC264F

RGB 204 38 79

HSL 345.18, 0.69%, 0.47%

LAB 45.34, 64.3, 19.2

 

CMYK 0 / 4 / 82 / 20

HEX #CBC225

RGB 203 194 37

HSL 56.75, 0.69%, 0.47%

LAB 76.93, -13.02, 72.01

 

CMYK 82 / 29 / 0 / 20

HEX #2591CB

RGB 37 145 203

HSL 200.96, 0.69%, 0.47%

LAB 57.03, -9.35, -38.21

 

CMYK 0 / 81 / 61 / 20

HEX #CC264F

RGB 204 38 79

HSL 345.18, 0.69%, 0.47%

LAB 45.34, 64.3, 19.2

 

CMYK 61 / 0 / 82 / 20

HEX #4FCB25

RGB 79 203 37

HSL 104.82, 0.69%, 0.47%

LAB 72.57, -61.76, 65.49

 

CMYK 82 / 61 / 0 / 20

HEX #254FCB

RGB 37 79 203

HSL 224.82, 0.69%, 0.47%

LAB 38.37, 31.81, -68.13

 

CMYK 0 / 81 / 61 / 20

HEX #CC264F

RGB 204 38 79

HSL 345.18, 0.69%, 0.47%

LAB 45.34, 64.3, 19.2

 

CMYK 0 / 4 / 82 / 20

HEX #CBC225

RGB 203 194 37

HSL 56.75, 0.69%, 0.47%

LAB 76.93, -13.02, 72.01

 

CMYK 82 / 0 / 21 / 20

HEX #25CBA1

RGB 37 203 161

HSL 164.82, 0.69%, 0.47%

LAB 73.34, -50.21, 9.57

 

CMYK 82 / 78 / 0 / 20

HEX #252DCB

RGB 37 45 203

HSL 237.11, 0.69%, 0.47%

LAB 30.84, 52.26, -80.54

 

CMYK 0 / 81 / 61 / 20

HEX #CC264F

RGB 204 38 79

HSL 345.18, 0.69%, 0.47%

LAB 45.34, 64.3, 19.2

 

CMYK 21 / 0 / 82 / 20

HEX #A1CB25

RGB 161 203 37

HSL 75.18, 0.69%, 0.47%

LAB 76.33, -34.91, 70.28

 

CMYK 82 / 0 / 21 / 20

HEX #25CBA1

RGB 37 203 161

HSL 164.82, 0.69%, 0.47%

LAB 73.34, -50.21, 9.57

 

CMYK 61 / 82 / 0 / 20

HEX #4F25CB

RGB 79 37 203

HSL 255.18, 0.69%, 0.47%

LAB 32.47, 59.24, -77.74

 

Description

Color code: HEX #CC264F | qconv.com Color code: HEX #CC264F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 38 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 38 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 61 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 61% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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