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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC2394 it is the complementary color #33DC6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC2394. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC2394 shade: #D1238F, #E235A2, #F347B5, #FF59C8 and #FF6BDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC2394. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC2394 shade: #CC2394, #BB1181, #AA006E, #99005B and #880048

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC2394 shade: #CD2395, #CD2367, #CD2339 and #CD2323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC2394 shade: #CD2395, #CD23C2, #AA23CD, #7C23CD and #4E23CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC2394 shade matches the following richer shades: #CD2395 and #E00F9B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC2394 shade: #CD2395, #BA368E, #A64A87, #935D81 and #7F707A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC2394 shade: #A823CD, #CD23C4, #CD2397, #CD236A and #CD233C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC2394 shade: #861761, #AA1D7B, #CD2395, #DE3BA8 and #E45EB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC2394 shade: #CC2394, #CD7B23 and #23CDBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC2394 shade: #CC2394, #97CD23 and #2397CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC2394 shade: #CC2394, #CD7B23, #23CD59 and #2375CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC2394 shade: #CC2394, #CDAE23, #23CD59 and #2342CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 27 / 20

HEX #CC2394

RGB 204 35 148

HSL 319.88, 0.71%, 0.47%

LAB 47.21, 71.17, -20.46

 

Complementary color

CMYK 77 / 0 / 51 / 14

HEX #33DC6B

RGB 51 220 107

HSL 139.88, 0.71%, 0.53%

LAB 77.85, -65.55, 43.44

 

CMYK 0 / 83 / 32 / 18

HEX #D1238F

RGB 209 35 143

HSL 322.76, 0.71%, 0.48%

LAB 47.93, 71.74, -16.25

 

CMYK 0 / 77 / 28 / 11

HEX #E235A2

RGB 226 53 162

HSL 322.2, 0.75%, 0.55%

LAB 53.3, 73.33, -19.11

 

CMYK 0 / 71 / 26 / 5

HEX #F347B5

RGB 243 71 181

HSL 321.63, 0.88%, 0.62%

LAB 58.88, 74.19, -21.4

 

CMYK 0 / 65 / 22 / 0

HEX #FF59C8

RGB 255 89 200

HSL 319.88, 1%, 0.67%

LAB 63.82, 73.22, -24.53

 

CMYK 0 / 58 / 14 / 0

HEX #FF6BDB

RGB 255 107 219

HSL 314.59, 1%, 0.71%

LAB 67.19, 68.61, -30

 

CMYK 0 / 83 / 27 / 20

HEX #CC2394

RGB 204 35 148

HSL 319.88, 0.71%, 0.47%

LAB 47.21, 71.17, -20.46

 

CMYK 0 / 91 / 31 / 27

HEX #BB1181

RGB 187 17 129

HSL 320.47, 0.83%, 0.4%

LAB 42.08, 68.55, -17.03

 

CMYK 0 / 100 / 35 / 33

HEX #AA006E

RGB 170 0 110

HSL 321.18, 1%, 0.33%

LAB 37.25, 64.84, -12.84

 

CMYK 0 / 100 / 41 / 40

HEX #99005B

RGB 153 0 91

HSL 324.31, 1%, 0.3%

LAB 32.98, 59.24, -7.44

 

CMYK 0 / 100 / 47 / 47

HEX #880048

RGB 136 0 72

HSL 328.24, 1%, 0.27%

LAB 28.65, 53.58, -1.72

 

CMYK 0 / 83 / 27 / 20

HEX #CD2395

RGB 205 35 149

HSL 319.76, 0.71%, 0.47%

LAB 47.43, 71.51, -20.7

 

CMYK 0 / 83 / 50 / 20

HEX #CD2367

RGB 205 35 103

HSL 336, 0.71%, 0.47%

LAB 45.85, 66.98, 5.05

 

CMYK 0 / 83 / 72 / 20

HEX #CD2339

RGB 205 35 57

HSL 352.24, 0.71%, 0.47%

LAB 44.91, 64.17, 32.14

 

CMYK 0 / 83 / 83 / 20

HEX #CD2323

RGB 205 35 35

HSL 0, 0.71%, 0.47%

LAB 44.66, 63.43, 44.35

 

CMYK 0 / 83 / 27 / 20

HEX #CD2395

RGB 205 35 149

HSL 319.76, 0.71%, 0.47%

LAB 47.43, 71.51, -20.7

 

CMYK 0 / 83 / 5 / 20

HEX #CD23C2

RGB 205 35 194

HSL 303.88, 0.71%, 0.47%

LAB 49.59, 77.42, -43.9

 

CMYK 17 / 83 / 0 / 20

HEX #AA23CD

RGB 170 35 205

HSL 287.65, 0.71%, 0.47%

LAB 44.46, 72.89, -58.82

 

CMYK 40 / 83 / 0 / 20

HEX #7C23CD

RGB 124 35 205

HSL 271.41, 0.71%, 0.47%

LAB 37.65, 65.8, -70.19

 

CMYK 62 / 83 / 0 / 20

HEX #4E23CD

RGB 78 35 205

HSL 255.18, 0.71%, 0.47%

LAB 32.32, 60.47, -79.16

 

CMYK 0 / 83 / 27 / 20

HEX #CD2395

RGB 205 35 149

HSL 319.76, 0.71%, 0.47%

LAB 47.43, 71.51, -20.7

 

CMYK 0 / 93 / 31 / 12

HEX #E00F9B

RGB 224 15 155

HSL 319.81, 0.87%, 0.47%

LAB 50.16, 79.33, -19.79

 

CMYK 0 / 83 / 27 / 20

HEX #CD2395

RGB 205 35 149

HSL 319.76, 0.71%, 0.47%

LAB 47.43, 71.51, -20.7

 

CMYK 0 / 71 / 24 / 27

HEX #BA368E

RGB 186 54 142

HSL 320, 0.55%, 0.47%

LAB 45.68, 60.6, -19.47

 

CMYK 0 / 55 / 19 / 35

HEX #A64A87

RGB 166 74 135

HSL 320.22, 0.38%, 0.47%

LAB 45.3, 45.32, -16.1

 

CMYK 0 / 37 / 12 / 42

HEX #935D81

RGB 147 93 129

HSL 320, 0.23%, 0.47%

LAB 46.47, 27.69, -10.95

 

CMYK 0 / 12 / 4 / 50

HEX #7F707A

RGB 127 112 122

HSL 320, 0.06%, 0.47%

LAB 48.89, 7.75, -3.38

 

CMYK 18 / 83 / 0 / 20

HEX #A823CD

RGB 168 35 205

HSL 286.94, 0.71%, 0.47%

LAB 44.14, 72.55, -59.35

 

CMYK 0 / 83 / 4 / 20

HEX #CD23C4

RGB 205 35 196

HSL 303.18, 0.71%, 0.47%

LAB 49.7, 77.72, -44.89

 

CMYK 0 / 83 / 26 / 20

HEX #CD2397

RGB 205 35 151

HSL 319.06, 0.71%, 0.47%

LAB 47.52, 71.74, -21.77

 

CMYK 0 / 83 / 48 / 20

HEX #CD236A

RGB 205 35 106

HSL 334.94, 0.71%, 0.47%

LAB 45.94, 67.22, 3.31

 

CMYK 0 / 83 / 71 / 20

HEX #CD233C

RGB 205 35 60

HSL 351.18, 0.71%, 0.47%

LAB 44.95, 64.3, 30.39

 

CMYK 0 / 83 / 28 / 47

HEX #861761

RGB 134 23 97

HSL 320, 0.71%, 0.31%

LAB 30.75, 51.38, -15.09

 

CMYK 0 / 83 / 28 / 33

HEX #AA1D7B

RGB 170 29 123

HSL 320, 0.71%, 0.39%

LAB 39.33, 61.79, -17.81

 

CMYK 0 / 83 / 27 / 20

HEX #CD2395

RGB 205 35 149

HSL 319.76, 0.71%, 0.47%

LAB 47.43, 71.51, -20.7

 

CMYK 0 / 73 / 24 / 13

HEX #DE3BA8

RGB 222 59 168

HSL 319.88, 0.71%, 0.55%

LAB 53.48, 71.3, -22.43

 

CMYK 0 / 59 / 19 / 11

HEX #E45EB8

RGB 228 94 184

HSL 319.7, 0.71%, 0.63%

LAB 59.85, 61.73, -21.85

 

CMYK 0 / 83 / 27 / 20

HEX #CC2394

RGB 204 35 148

HSL 319.88, 0.71%, 0.47%

LAB 47.21, 71.17, -20.46

 

CMYK 0 / 40 / 83 / 20

HEX #CD7B23

RGB 205 123 35

HSL 31.06, 0.71%, 0.47%

LAB 59.22, 25.64, 57.42

 

CMYK 83 / 0 / 7 / 20

HEX #23CDBF

RGB 35 205 191

HSL 175.06, 0.71%, 0.47%

LAB 74.69, -43.32, -4.67

 

CMYK 0 / 83 / 27 / 20

HEX #CC2394

RGB 204 35 148

HSL 319.88, 0.71%, 0.47%

LAB 47.21, 71.17, -20.46

 

CMYK 26 / 0 / 83 / 20

HEX #97CD23

RGB 151 205 35

HSL 79.06, 0.71%, 0.47%

LAB 76.29, -39.78, 70.51

 

CMYK 83 / 26 / 0 / 20

HEX #2397CD

RGB 35 151 205

HSL 199.06, 0.71%, 0.47%

LAB 58.88, -12.18, -36.44

 

CMYK 0 / 83 / 27 / 20

HEX #CC2394

RGB 204 35 148

HSL 319.88, 0.71%, 0.47%

LAB 47.21, 71.17, -20.46

 

CMYK 0 / 40 / 83 / 20

HEX #CD7B23

RGB 205 123 35

HSL 31.06, 0.71%, 0.47%

LAB 59.22, 25.64, 57.42

 

CMYK 83 / 0 / 57 / 20

HEX #23CD59

RGB 35 205 89

HSL 139.06, 0.71%, 0.47%

LAB 72.72, -64.96, 45.69

 

CMYK 83 / 43 / 0 / 20

HEX #2375CD

RGB 35 117 205

HSL 211.06, 0.71%, 0.47%

LAB 48.87, 7.92, -52.29

 

CMYK 0 / 83 / 27 / 20

HEX #CC2394

RGB 204 35 148

HSL 319.88, 0.71%, 0.47%

LAB 47.21, 71.17, -20.46

 

CMYK 0 / 15 / 83 / 20

HEX #CDAE23

RGB 205 174 35

HSL 49.06, 0.71%, 0.47%

LAB 71.81, -1.87, 68.25

 

CMYK 83 / 0 / 57 / 20

HEX #23CD59

RGB 35 205 89

HSL 139.06, 0.71%, 0.47%

LAB 72.72, -64.96, 45.69

 

CMYK 83 / 68 / 0 / 20

HEX #2342CD

RGB 35 66 205

HSL 229.06, 0.71%, 0.47%

LAB 35.32, 40.68, -74.29

 

Description

Color code: HEX #CC2394 | qconv.com Color code: HEX #CC2394 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 35 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 35 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 27 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 27% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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