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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC1F92 it is the complementary color #33E06D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC1F92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC1F92 shade: #D11F8D, #E231A0, #F343B3, #FF55C6 and #FF67D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC1F92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC1F92 shade: #CC1F92, #BB0D7F, #AA006C, #990059 and #880046

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC1F92 shade: #CC1E92, #CC1E63, #CC1E34 and #CC1E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC1F92 shade: #CC1E92, #CC1EC1, #A91ECC, #7A1ECC and #4B1ECC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC1F92 shade matches the following richer shades: #CC1E92 and #DF0C98

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC1F92 shade: #CC1E92, #B9318C, #A64485, #93577F and #806A79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC1F92 shade: #A91ECC, #CC1EC1, #CC1E92, #CC1E64 and #CC1E36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC1F92 shade: #84145F, #A81978, #CC1E92, #E133A6 and #E657B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC1F92 shade: #CC1F92, #CC7B1E and #1ECCC1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC1F92 shade: #CC1F92, #92CC1E and #1E92CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC1F92 shade: #CC1F92, #CC7B1E, #1ECC58 and #1E70CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC1F92 shade: #CC1F92, #CCAF1E, #1ECC58 and #1E3BCC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 28 / 20

HEX #CC1F92

RGB 204 31 146

HSL 320.12, 0.74%, 0.46%

LAB 46.83, 71.78, -19.83

 

Complementary color

CMYK 77 / 0 / 51 / 12

HEX #33E06D

RGB 51 224 109

HSL 140.12, 0.74%, 0.54%

LAB 79.11, -66.59, 44.04

 

CMYK 0 / 85 / 33 / 18

HEX #D11F8D

RGB 209 31 141

HSL 322.92, 0.74%, 0.47%

LAB 47.57, 72.34, -15.6

 

CMYK 0 / 78 / 29 / 11

HEX #E231A0

RGB 226 49 160

HSL 322.37, 0.75%, 0.54%

LAB 52.84, 74.19, -18.63

 

CMYK 0 / 72 / 26 / 5

HEX #F343B3

RGB 243 67 179

HSL 321.82, 0.88%, 0.61%

LAB 58.34, 75.24, -21.07

 

CMYK 0 / 67 / 22 / 0

HEX #FF55C6

RGB 255 85 198

HSL 320.12, 1%, 0.67%

LAB 63.21, 74.45, -24.33

 

CMYK 0 / 60 / 15 / 0

HEX #FF67D9

RGB 255 103 217

HSL 315, 1%, 0.7%

LAB 66.5, 70, -29.96

 

CMYK 0 / 85 / 28 / 20

HEX #CC1F92

RGB 204 31 146

HSL 320.12, 0.74%, 0.46%

LAB 46.83, 71.78, -19.83

 

CMYK 0 / 93 / 32 / 27

HEX #BB0D7F

RGB 187 13 127

HSL 320.69, 0.87%, 0.39%

LAB 41.82, 68.84, -16.19

 

CMYK 0 / 100 / 36 / 33

HEX #AA006C

RGB 170 0 108

HSL 321.88, 1%, 0.33%

LAB 37.17, 64.63, -11.69

 

CMYK 0 / 100 / 42 / 40

HEX #990059

RGB 153 0 89

HSL 325.1, 1%, 0.3%

LAB 32.91, 59.04, -6.25

 

CMYK 0 / 100 / 49 / 47

HEX #880046

RGB 136 0 70

HSL 329.12, 1%, 0.27%

LAB 28.58, 53.4, -0.48

 

CMYK 0 / 85 / 28 / 20

HEX #CC1E92

RGB 204 30 146

HSL 320, 0.74%, 0.46%

LAB 46.77, 71.98, -19.93

 

CMYK 0 / 85 / 51 / 20

HEX #CC1E63

RGB 204 30 99

HSL 336.21, 0.74%, 0.46%

LAB 45.17, 67.49, 6.54

 

CMYK 0 / 85 / 75 / 20

HEX #CC1E34

RGB 204 30 52

HSL 352.41, 0.74%, 0.46%

LAB 44.25, 64.81, 34.31

 

CMYK 0 / 85 / 85 / 20

HEX #CC1E1E

RGB 204 30 30

HSL 0, 0.74%, 0.46%

LAB 44.03, 64.15, 46.25

 

CMYK 0 / 85 / 28 / 20

HEX #CC1E92

RGB 204 30 146

HSL 320, 0.74%, 0.46%

LAB 46.77, 71.98, -19.93

 

CMYK 0 / 85 / 5 / 20

HEX #CC1EC1

RGB 204 30 193

HSL 303.79, 0.74%, 0.46%

LAB 49.03, 78.06, -44.22

 

CMYK 17 / 85 / 0 / 20

HEX #A91ECC

RGB 169 30 204

HSL 287.93, 0.74%, 0.46%

LAB 43.83, 73.7, -59.26

 

CMYK 40 / 85 / 0 / 20

HEX #7A1ECC

RGB 122 30 204

HSL 271.72, 0.74%, 0.46%

LAB 36.79, 66.79, -71.04

 

CMYK 63 / 85 / 0 / 20

HEX #4B1ECC

RGB 75 30 204

HSL 255.52, 0.74%, 0.46%

LAB 31.31, 61.79, -80.26

 

CMYK 0 / 85 / 28 / 20

HEX #CC1E92

RGB 204 30 146

HSL 320, 0.74%, 0.46%

LAB 46.77, 71.98, -19.93

 

CMYK 0 / 95 / 32 / 13

HEX #DF0C98

RGB 223 12 152

HSL 320.19, 0.9%, 0.46%

LAB 49.76, 79.09, -18.63

 

CMYK 0 / 85 / 28 / 20

HEX #CC1E92

RGB 204 30 146

HSL 320, 0.74%, 0.46%

LAB 46.77, 71.98, -19.93

 

CMYK 0 / 74 / 24 / 27

HEX #B9318C

RGB 185 49 140

HSL 319.85, 0.58%, 0.46%

LAB 44.81, 61.81, -19.6

 

CMYK 0 / 59 / 20 / 35

HEX #A64485

RGB 166 68 133

HSL 320.2, 0.42%, 0.46%

LAB 44.14, 47.9, -16.65

 

CMYK 0 / 41 / 14 / 42

HEX #93577F

RGB 147 87 127

HSL 320, 0.26%, 0.46%

LAB 45.01, 30.75, -11.93

 

CMYK 0 / 17 / 5 / 50

HEX #806A79

RGB 128 106 121

HSL 319.09, 0.09%, 0.46%

LAB 47.34, 11.48, -5.07

 

CMYK 17 / 85 / 0 / 20

HEX #A91ECC

RGB 169 30 204

HSL 287.93, 0.74%, 0.46%

LAB 43.83, 73.7, -59.26

 

CMYK 0 / 85 / 5 / 20

HEX #CC1EC1

RGB 204 30 193

HSL 303.79, 0.74%, 0.46%

LAB 49.03, 78.06, -44.22

 

CMYK 0 / 85 / 28 / 20

HEX #CC1E92

RGB 204 30 146

HSL 320, 0.74%, 0.46%

LAB 46.77, 71.98, -19.93

 

CMYK 0 / 85 / 51 / 20

HEX #CC1E64

RGB 204 30 100

HSL 335.86, 0.74%, 0.46%

LAB 45.2, 67.57, 5.96

 

CMYK 0 / 85 / 74 / 20

HEX #CC1E36

RGB 204 30 54

HSL 351.72, 0.74%, 0.46%

LAB 44.28, 64.88, 33.15

 

CMYK 0 / 85 / 28 / 48

HEX #84145F

RGB 132 20 95

HSL 319.82, 0.74%, 0.3%

LAB 29.99, 51.42, -14.99

 

CMYK 0 / 85 / 29 / 34

HEX #A81978

RGB 168 25 120

HSL 320.14, 0.74%, 0.38%

LAB 38.51, 61.88, -17.24

 

CMYK 0 / 85 / 28 / 20

HEX #CC1E92

RGB 204 30 146

HSL 320, 0.74%, 0.46%

LAB 46.77, 71.98, -19.93

 

CMYK 0 / 77 / 26 / 12

HEX #E133A6

RGB 225 51 166

HSL 320.34, 0.74%, 0.54%

LAB 53.09, 74.12, -21.81

 

CMYK 0 / 62 / 21 / 10

HEX #E657B6

RGB 230 87 182

HSL 320.14, 0.74%, 0.62%

LAB 58.99, 64.97, -21.99

 

CMYK 0 / 85 / 28 / 20

HEX #CC1F92

RGB 204 31 146

HSL 320.12, 0.74%, 0.46%

LAB 46.83, 71.78, -19.83

 

CMYK 0 / 40 / 85 / 20

HEX #CC7B1E

RGB 204 123 30

HSL 32.07, 0.74%, 0.46%

LAB 59.06, 25.08, 58.96

 

CMYK 85 / 0 / 5 / 20

HEX #1ECCC1

RGB 30 204 193

HSL 176.21, 0.74%, 0.46%

LAB 74.39, -42.67, -6.2

 

CMYK 0 / 85 / 28 / 20

HEX #CC1F92

RGB 204 31 146

HSL 320.12, 0.74%, 0.46%

LAB 46.83, 71.78, -19.83

 

CMYK 28 / 0 / 85 / 20

HEX #92CC1E

RGB 146 204 30

HSL 80, 0.74%, 0.46%

LAB 75.69, -41.41, 71.01

 

CMYK 85 / 28 / 0 / 20

HEX #1E92CC

RGB 30 146 204

HSL 200, 0.74%, 0.46%

LAB 57.26, -10.13, -38.42

 

CMYK 0 / 85 / 28 / 20

HEX #CC1F92

RGB 204 31 146

HSL 320.12, 0.74%, 0.46%

LAB 46.83, 71.78, -19.83

 

CMYK 0 / 40 / 85 / 20

HEX #CC7B1E

RGB 204 123 30

HSL 32.07, 0.74%, 0.46%

LAB 59.06, 25.08, 58.96

 

CMYK 85 / 0 / 57 / 20

HEX #1ECC58

RGB 30 204 88

HSL 140, 0.74%, 0.46%

LAB 72.34, -65.23, 45.69

 

CMYK 85 / 45 / 0 / 20

HEX #1E70CC

RGB 30 112 204

HSL 211.72, 0.74%, 0.46%

LAB 47.27, 10.27, -54.29

 

CMYK 0 / 85 / 28 / 20

HEX #CC1F92

RGB 204 31 146

HSL 320.12, 0.74%, 0.46%

LAB 46.83, 71.78, -19.83

 

CMYK 0 / 14 / 85 / 20

HEX #CCAF1E

RGB 204 175 30

HSL 50, 0.74%, 0.46%

LAB 71.95, -2.97, 69.63

 

CMYK 85 / 0 / 57 / 20

HEX #1ECC58

RGB 30 204 88

HSL 140, 0.74%, 0.46%

LAB 72.34, -65.23, 45.69

 

CMYK 85 / 71 / 0 / 20

HEX #1E3BCC

RGB 30 59 204

HSL 230, 0.74%, 0.46%

LAB 33.49, 44.31, -76.75

 

Description

Color code: HEX #CC1F92 | qconv.com Color code: HEX #CC1F92 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 31 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 31 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 28 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 28% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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