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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC1AE6 it is the complementary color #33E519. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC1AE6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC1AE6 shade: #D11AE1, #E22CF4, #F33EFF, #FF50FF and #FF62FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC1AE6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC1AE6 shade: #CC1AE6, #BB08D3, #AA00C0, #9900AD and #88009A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC1AE6 shade: #CB1AE6, #E61AC8, #E61A91, #E61A5A and #E61A23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC1AE6 shade: #CB1AE6, #941AE6, #5D1AE6, #261AE6 and #1A1AE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC1AE6 shade matches the following richer shades: #CB1AE6 and #DB05FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC1AE6 shade: #CB1AE6, #BC2ED1, #AD43BC, #9D57A8 and #8E6C93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC1AE6 shade: #5D1AE6, #941AE6, #CA1AE6, #E61ACA and #E61A94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC1AE6 shade: #8A119B, #AB15C0, #CB1AE6, #D43FEA and #DC64EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC1AE6 shade: #CC1AE6, #E6271A and #1AE679

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC1AE6 shade: #CC1AE6, #E6CA1A and #1AE6CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC1AE6 shade: #CC1AE6, #E6271A, #35E61A and #1AD8E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC1AE6 shade: #CC1AE6, #E6641A, #35E61A and #1A9BE6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 89 / 0 / 10

HEX #CC1AE6

RGB 204 26 230

HSL 292.35, 0.8%, 0.5%

LAB 51.02, 84.4, -62.24

 

Complementary color

CMYK 78 / 0 / 89 / 10

HEX #33E519

RGB 51 229 25

HSL 112.35, 0.8%, 0.5%

LAB 80.07, -75.35, 74.43

 

CMYK 7 / 88 / 0 / 12

HEX #D11AE1

RGB 209 26 225

HSL 295.18, 0.79%, 0.49%

LAB 51.53, 84.41, -58.55

 

CMYK 7 / 82 / 0 / 4

HEX #E22CF4

RGB 226 44 244

HSL 294.6, 0.9%, 0.56%

LAB 56.59, 86.93, -60.97

 

CMYK 5 / 76 / 0 / 0

HEX #F33EFF

RGB 243 62 255

HSL 296.27, 1%, 0.62%

LAB 61.41, 87.32, -59.21

 

CMYK 0 / 69 / 0 / 0

HEX #FF50FF

RGB 255 80 255

HSL 300, 1%, 0.66%

LAB 65.13, 84.28, -53.17

 

CMYK 0 / 62 / 0 / 0

HEX #FF62FF

RGB 255 98 255

HSL 300, 1%, 0.69%

LAB 67.44, 77.81, -49.53

 

CMYK 11 / 89 / 0 / 10

HEX #CC1AE6

RGB 204 26 230

HSL 292.35, 0.8%, 0.5%

LAB 51.02, 84.4, -62.24

 

CMYK 11 / 96 / 0 / 17

HEX #BB08D3

RGB 187 8 211

HSL 292.91, 0.93%, 0.43%

LAB 46.23, 80.81, -59.27

 

CMYK 11 / 100 / 0 / 25

HEX #AA00C0

RGB 170 0 192

HSL 293.13, 1%, 0.38%

LAB 41.77, 75.95, -55.6

 

CMYK 12 / 100 / 0 / 32

HEX #9900AD

RGB 153 0 173

HSL 293.06, 1%, 0.34%

LAB 37.46, 70.29, -51.46

 

CMYK 12 / 100 / 0 / 40

HEX #88009A

RGB 136 0 154

HSL 292.99, 1%, 0.3%

LAB 33.07, 64.51, -47.25

 

CMYK 12 / 89 / 0 / 10

HEX #CB1AE6

RGB 203 26 230

HSL 292.06, 0.8%, 0.5%

LAB 50.86, 84.24, -62.51

 

CMYK 0 / 89 / 13 / 10

HEX #E61AC8

RGB 230 26 200

HSL 308.82, 0.8%, 0.5%

LAB 53.74, 84.5, -40.52

 

CMYK 0 / 89 / 37 / 10

HEX #E61A91

RGB 230 26 145

HSL 325, 0.8%, 0.5%

LAB 51.39, 78.24, -11.84

 

CMYK 0 / 89 / 61 / 10

HEX #E61A5A

RGB 230 26 90

HSL 341.18, 0.8%, 0.5%

LAB 49.86, 73.99, 19.37

 

CMYK 0 / 89 / 85 / 10

HEX #E61A23

RGB 230 26 35

HSL 357.35, 0.8%, 0.5%

LAB 49.11, 71.86, 50.23

 

CMYK 12 / 89 / 0 / 10

HEX #CB1AE6

RGB 203 26 230

HSL 292.06, 0.8%, 0.5%

LAB 50.86, 84.24, -62.51

 

CMYK 36 / 89 / 0 / 10

HEX #941AE6

RGB 148 26 230

HSL 275.88, 0.8%, 0.5%

LAB 42.38, 76.49, -76.68

 

CMYK 60 / 89 / 0 / 10

HEX #5D1AE6

RGB 93 26 230

HSL 259.71, 0.8%, 0.5%

LAB 35.56, 70.98, -88.17

 

CMYK 83 / 89 / 0 / 10

HEX #261AE6

RGB 38 26 230

HSL 243.53, 0.8%, 0.5%

LAB 31.5, 68.17, -95.03

 

CMYK 89 / 89 / 0 / 10

HEX #1A1AE6

RGB 26 26 230

HSL 240, 0.8%, 0.5%

LAB 31.05, 67.88, -95.79

 

CMYK 12 / 89 / 0 / 10

HEX #CB1AE6

RGB 203 26 230

HSL 292.06, 0.8%, 0.5%

LAB 50.86, 84.24, -62.51

 

CMYK 12 / 98 / 0 / 2

HEX #DB05FA

RGB 219 5 250

HSL 292.41, 0.96%, 0.5%

LAB 54.1, 91.88, -68.38

 

CMYK 12 / 89 / 0 / 10

HEX #CB1AE6

RGB 203 26 230

HSL 292.06, 0.8%, 0.5%

LAB 50.86, 84.24, -62.51

 

CMYK 10 / 78 / 0 / 18

HEX #BC2ED1

RGB 188 46 209

HSL 292.27, 0.64%, 0.5%

LAB 48.57, 73.89, -54.35

 

CMYK 8 / 64 / 0 / 26

HEX #AD43BC

RGB 173 67 188

HSL 292.56, 0.47%, 0.5%

LAB 47.66, 59.54, -43.79

 

CMYK 7 / 48 / 0 / 34

HEX #9D57A8

RGB 157 87 168

HSL 291.85, 0.32%, 0.5%

LAB 48.02, 41.74, -31.66

 

CMYK 3 / 27 / 0 / 42

HEX #8E6C93

RGB 142 108 147

HSL 292.31, 0.15%, 0.5%

LAB 50.2, 20.66, -16.07

 

CMYK 60 / 89 / 0 / 10

HEX #5D1AE6

RGB 93 26 230

HSL 259.71, 0.8%, 0.5%

LAB 35.56, 70.98, -88.17

 

CMYK 36 / 89 / 0 / 10

HEX #941AE6

RGB 148 26 230

HSL 275.88, 0.8%, 0.5%

LAB 42.38, 76.49, -76.68

 

CMYK 12 / 89 / 0 / 10

HEX #CA1AE6

RGB 202 26 230

HSL 291.76, 0.8%, 0.5%

LAB 50.7, 84.09, -62.79

 

CMYK 0 / 89 / 12 / 10

HEX #E61ACA

RGB 230 26 202

HSL 308.24, 0.8%, 0.5%

LAB 53.84, 84.76, -41.51

 

CMYK 0 / 89 / 36 / 10

HEX #E61A94

RGB 230 26 148

HSL 324.12, 0.8%, 0.5%

LAB 51.5, 78.53, -13.48

 

CMYK 11 / 89 / 0 / 39

HEX #8A119B

RGB 138 17 155

HSL 292.61, 0.8%, 0.34%

LAB 34.34, 62.51, -45.79

 

CMYK 11 / 89 / 0 / 25

HEX #AB15C0

RGB 171 21 192

HSL 292.63, 0.8%, 0.42%

LAB 42.76, 73.67, -53.98

 

CMYK 12 / 89 / 0 / 10

HEX #CB1AE6

RGB 203 26 230

HSL 292.06, 0.8%, 0.5%

LAB 50.86, 84.24, -62.51

 

CMYK 9 / 73 / 0 / 8

HEX #D43FEA

RGB 212 63 234

HSL 292.28, 0.8%, 0.58%

LAB 55.58, 77.63, -57.12

 

CMYK 8 / 58 / 0 / 7

HEX #DC64EE

RGB 220 100 238

HSL 292.17, 0.8%, 0.66%

LAB 62.09, 65.71, -48.92

 

CMYK 11 / 89 / 0 / 10

HEX #CC1AE6

RGB 204 26 230

HSL 292.35, 0.8%, 0.5%

LAB 51.02, 84.4, -62.24

 

CMYK 0 / 83 / 89 / 10

HEX #E6271A

RGB 230 39 26

HSL 3.82, 0.8%, 0.5%

LAB 49.92, 69.22, 54.96

 

CMYK 89 / 0 / 47 / 10

HEX #1AE679

RGB 26 230 121

HSL 147.94, 0.8%, 0.5%

LAB 80.85, -68.98, 40.36

 

CMYK 11 / 89 / 0 / 10

HEX #CC1AE6

RGB 204 26 230

HSL 292.35, 0.8%, 0.5%

LAB 51.02, 84.4, -62.24

 

CMYK 0 / 12 / 89 / 10

HEX #E6CA1A

RGB 230 202 26

HSL 51.76, 0.8%, 0.5%

LAB 81.37, -5.73, 79.02

 

CMYK 89 / 0 / 12 / 10

HEX #1AE6CA

RGB 26 230 202

HSL 171.76, 0.8%, 0.5%

LAB 82.42, -51.47, 0.78

 

CMYK 11 / 89 / 0 / 10

HEX #CC1AE6

RGB 204 26 230

HSL 292.35, 0.8%, 0.5%

LAB 51.02, 84.4, -62.24

 

CMYK 0 / 83 / 89 / 10

HEX #E6271A

RGB 230 39 26

HSL 3.82, 0.8%, 0.5%

LAB 49.92, 69.22, 54.96

 

CMYK 77 / 0 / 89 / 10

HEX #35E61A

RGB 53 230 26

HSL 112.06, 0.8%, 0.5%

LAB 80.42, -75.35, 74.57

 

CMYK 89 / 6 / 0 / 10

HEX #1AD8E6

RGB 26 216 230

HSL 184.12, 0.8%, 0.5%

LAB 79.07, -37.39, -19.1

 

CMYK 11 / 89 / 0 / 10

HEX #CC1AE6

RGB 204 26 230

HSL 292.35, 0.8%, 0.5%

LAB 51.02, 84.4, -62.24

 

CMYK 0 / 57 / 89 / 10

HEX #E6641A

RGB 230 100 26

HSL 21.76, 0.8%, 0.5%

LAB 58.05, 47.14, 61.03

 

CMYK 77 / 0 / 89 / 10

HEX #35E61A

RGB 53 230 26

HSL 112.06, 0.8%, 0.5%

LAB 80.42, -75.35, 74.57

 

CMYK 89 / 33 / 0 / 10

HEX #1A9BE6

RGB 26 155 230

HSL 202.06, 0.8%, 0.5%

LAB 61.11, -6.02, -46.87

 

Description

Color code: HEX #CC1AE6 | qconv.com Color code: HEX #CC1AE6 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 26 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 26 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 89 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 89% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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