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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC19C2 it is the complementary color #33E63D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC19C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC19C2 shade: #D119BD, #E22BD0, #F33DE3, #FF4FF6 and #FF61FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC19C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC19C2 shade: #CC19C2, #BB07AF, #AA009C, #990089 and #880076

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC19C2 shade: #CC19C2, #CC1992, #CC1962, #CC1931 and #CC1919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC19C2 shade: #CC19C2, #A619CC, #7619CC, #4519CC and #1919CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC19C2 shade matches the following richer shades: #CC19C2 and #DF07D3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC19C2 shade: #CC19C2, #BA2CB2, #A73EA1, #955191 and #826480

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC19C2 shade: #7619CC, #A519CC, #CC19C3, #CC1994 and #CC1964

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC19C2 shade: #83107C, #A8159F, #CC19C2, #E52ADA and #E94FE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC19C2 shade: #CC19C2, #CC4619 and #19CC8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC19C2 shade: #CC19C2, #C3CC19 and #19C3CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC19C2 shade: #CC19C2, #CC4619, #19CC22 and #19A0CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC19C2 shade: #CC19C2, #CC7C19, #19CC22 and #196ACC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 5 / 20

HEX #CC19C2

RGB 204 25 194

HSL 303.35, 0.78%, 0.45%

LAB 48.79, 79.05, -45.17

 

Complementary color

CMYK 78 / 0 / 73 / 10

HEX #33E63D

RGB 51 230 61

HSL 123.35, 0.78%, 0.55%

LAB 80.54, -73.77, 65.66

 

CMYK 0 / 88 / 10 / 18

HEX #D119BD

RGB 209 25 189

HSL 306.52, 0.79%, 0.46%

LAB 49.4, 79.27, -41.24

 

CMYK 0 / 81 / 8 / 11

HEX #E22BD0

RGB 226 43 208

HSL 305.9, 0.76%, 0.53%

LAB 54.5, 81.77, -43.96

 

CMYK 0 / 75 / 7 / 5

HEX #F33DE3

RGB 243 61 227

HSL 305.27, 0.88%, 0.6%

LAB 59.83, 83.37, -46.12

 

CMYK 0 / 69 / 4 / 0

HEX #FF4FF6

RGB 255 79 246

HSL 303.07, 1%, 0.65%

LAB 64.57, 83.23, -49.1

 

CMYK 0 / 62 / 0 / 0

HEX #FF61FF

RGB 255 97 255

HSL 300, 1%, 0.69%

LAB 67.3, 78.2, -49.75

 

CMYK 0 / 88 / 5 / 20

HEX #CC19C2

RGB 204 25 194

HSL 303.35, 0.78%, 0.45%

LAB 48.79, 79.05, -45.17

 

CMYK 0 / 96 / 6 / 27

HEX #BB07AF

RGB 187 7 175

HSL 304, 0.93%, 0.38%

LAB 43.96, 75.45, -41.89

 

CMYK 0 / 100 / 8 / 33

HEX #AA009C

RGB 170 0 156

HSL 304.94, 1%, 0.33%

LAB 39.49, 70.48, -37.82

 

CMYK 0 / 100 / 10 / 40

HEX #990089

RGB 153 0 137

HSL 306.27, 1%, 0.3%

LAB 35.16, 64.75, -33.26

 

CMYK 0 / 100 / 13 / 47

HEX #880076

RGB 136 0 118

HSL 307.94, 1%, 0.27%

LAB 30.74, 58.91, -28.55

 

CMYK 0 / 88 / 5 / 20

HEX #CC19C2

RGB 204 25 194

HSL 303.35, 0.78%, 0.45%

LAB 48.79, 79.05, -45.17

 

CMYK 0 / 88 / 28 / 20

HEX #CC1992

RGB 204 25 146

HSL 319.44, 0.78%, 0.45%

LAB 46.46, 72.87, -20.41

 

CMYK 0 / 88 / 52 / 20

HEX #CC1962

RGB 204 25 98

HSL 335.53, 0.78%, 0.45%

LAB 44.82, 68.35, 6.66

 

CMYK 0 / 88 / 76 / 20

HEX #CC1931

RGB 204 25 49

HSL 351.96, 0.78%, 0.45%

LAB 43.88, 65.66, 35.66

 

CMYK 0 / 88 / 88 / 20

HEX #CC1919

RGB 204 25 25

HSL 0, 0.78%, 0.45%

LAB 43.66, 65.02, 48.34

 

CMYK 0 / 88 / 5 / 20

HEX #CC19C2

RGB 204 25 194

HSL 303.35, 0.78%, 0.45%

LAB 48.79, 79.05, -45.17

 

CMYK 19 / 88 / 0 / 20

HEX #A619CC

RGB 166 25 204

HSL 287.26, 0.78%, 0.45%

LAB 43.01, 74.24, -60.62

 

CMYK 42 / 88 / 0 / 20

HEX #7619CC

RGB 118 25 204

HSL 271.17, 0.78%, 0.45%

LAB 35.8, 67.61, -72.68

 

CMYK 66 / 88 / 0 / 20

HEX #4519CC

RGB 69 25 204

HSL 254.75, 0.78%, 0.45%

LAB 30.21, 63, -82.11

 

CMYK 88 / 88 / 0 / 20

HEX #1919CC

RGB 25 25 204

HSL 240, 0.78%, 0.45%

LAB 27.47, 60.99, -86.74

 

CMYK 0 / 88 / 5 / 20

HEX #CC19C2

RGB 204 25 194

HSL 303.35, 0.78%, 0.45%

LAB 48.79, 79.05, -45.17

 

CMYK 0 / 97 / 5 / 13

HEX #DF07D3

RGB 223 7 211

HSL 303.33, 0.94%, 0.45%

LAB 52.45, 86.61, -48.97

 

CMYK 0 / 88 / 5 / 20

HEX #CC19C2

RGB 204 25 194

HSL 303.35, 0.78%, 0.45%

LAB 48.79, 79.05, -45.17

 

CMYK 0 / 76 / 4 / 27

HEX #BA2CB2

RGB 186 44 178

HSL 303.38, 0.62%, 0.45%

LAB 46.25, 69, -40.04

 

CMYK 0 / 63 / 4 / 35

HEX #A73EA1

RGB 167 62 161

HSL 303.43, 0.46%, 0.45%

LAB 44.57, 55.37, -32.83

 

CMYK 0 / 46 / 3 / 42

HEX #955191

RGB 149 81 145

HSL 303.53, 0.3%, 0.45%

LAB 44.69, 38.02, -23.26

 

CMYK 0 / 23 / 2 / 49

HEX #826480

RGB 130 100 128

HSL 304, 0.13%, 0.45%

LAB 46.2, 17.2, -10.94

 

CMYK 42 / 88 / 0 / 20

HEX #7619CC

RGB 118 25 204

HSL 271.17, 0.78%, 0.45%

LAB 35.8, 67.61, -72.68

 

CMYK 19 / 88 / 0 / 20

HEX #A519CC

RGB 165 25 204

HSL 286.93, 0.78%, 0.45%

LAB 42.84, 74.08, -60.89

 

CMYK 0 / 88 / 4 / 20

HEX #CC19C3

RGB 204 25 195

HSL 303.02, 0.78%, 0.45%

LAB 48.85, 79.2, -45.67

 

CMYK 0 / 88 / 27 / 20

HEX #CC1994

RGB 204 25 148

HSL 318.77, 0.78%, 0.45%

LAB 46.54, 73.1, -21.48

 

CMYK 0 / 88 / 51 / 20

HEX #CC1964

RGB 204 25 100

HSL 334.86, 0.78%, 0.45%

LAB 44.88, 68.51, 5.49

 

CMYK 0 / 88 / 5 / 49

HEX #83107C

RGB 131 16 124

HSL 303.65, 0.78%, 0.29%

LAB 31, 56.24, -32

 

CMYK 0 / 88 / 5 / 34

HEX #A8159F

RGB 168 21 159

HSL 303.67, 0.78%, 0.37%

LAB 40.19, 67.91, -38.54

 

CMYK 0 / 88 / 5 / 20

HEX #CC19C2

RGB 204 25 194

HSL 303.35, 0.78%, 0.45%

LAB 48.79, 79.05, -45.17

 

CMYK 0 / 82 / 5 / 10

HEX #E52ADA

RGB 229 42 218

HSL 303.53, 0.78%, 0.53%

LAB 55.46, 83.98, -48.11

 

CMYK 0 / 66 / 3 / 9

HEX #E94FE1

RGB 233 79 225

HSL 303.12, 0.78%, 0.61%

LAB 60.21, 75.13, -44.51

 

CMYK 0 / 88 / 5 / 20

HEX #CC19C2

RGB 204 25 194

HSL 303.35, 0.78%, 0.45%

LAB 48.79, 79.05, -45.17

 

CMYK 0 / 66 / 88 / 20

HEX #CC4619

RGB 204 70 25

HSL 15.08, 0.78%, 0.45%

LAB 48.62, 51.23, 52.25

 

CMYK 88 / 0 / 30 / 20

HEX #19CC8E

RGB 25 204 142

HSL 159.22, 0.78%, 0.45%

LAB 73.12, -55.95, 19.41

 

CMYK 0 / 88 / 5 / 20

HEX #CC19C2

RGB 204 25 194

HSL 303.35, 0.78%, 0.45%

LAB 48.79, 79.05, -45.17

 

CMYK 4 / 0 / 88 / 20

HEX #C3CC19

RGB 195 204 25

HSL 63.02, 0.78%, 0.45%

LAB 78.96, -21.72, 76.04

 

CMYK 88 / 4 / 0 / 20

HEX #19C3CC

RGB 25 195 204

HSL 183.02, 0.78%, 0.45%

LAB 71.96, -35.64, -15.81

 

CMYK 0 / 88 / 5 / 20

HEX #CC19C2

RGB 204 25 194

HSL 303.35, 0.78%, 0.45%

LAB 48.79, 79.05, -45.17

 

CMYK 0 / 66 / 88 / 20

HEX #CC4619

RGB 204 70 25

HSL 15.08, 0.78%, 0.45%

LAB 48.62, 51.23, 52.25

 

CMYK 88 / 0 / 83 / 20

HEX #19CC22

RGB 25 204 34

HSL 123.02, 0.78%, 0.45%

LAB 71.9, -70.57, 65.29

 

CMYK 88 / 22 / 0 / 20

HEX #19A0CC

RGB 25 160 204

HSL 194.75, 0.78%, 0.45%

LAB 61.4, -18.17, -31.97

 

CMYK 0 / 88 / 5 / 20

HEX #CC19C2

RGB 204 25 194

HSL 303.35, 0.78%, 0.45%

LAB 48.79, 79.05, -45.17

 

CMYK 0 / 39 / 88 / 20

HEX #CC7C19

RGB 204 124 25

HSL 33.18, 0.78%, 0.45%

LAB 59.27, 24.42, 60.67

 

CMYK 88 / 0 / 83 / 20

HEX #19CC22

RGB 25 204 34

HSL 123.02, 0.78%, 0.45%

LAB 71.9, -70.57, 65.29

 

CMYK 88 / 48 / 0 / 20

HEX #196ACC

RGB 25 106 204

HSL 212.85, 0.78%, 0.45%

LAB 45.46, 13.74, -57.2

 

Description

Color code: HEX #CC19C2 | qconv.com Color code: HEX #CC19C2 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 25 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 25 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 5 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 5% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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