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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC114E it is the complementary color #33EEB1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC114E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC114E shade: #D11149, #E2235C, #F3356F, #FF4782 and #FF5995

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC114E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC114E shade: #CC114E, #BB003B, #AA0028, #990015 and #880002

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC114E shade: #CA104D, #CA101A and #CA1010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC114E shade: #CA104D, #CA107F, #CA10B1, #B110CA and #7F10CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC114E shade matches the following richer shades: #CA104D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC114E shade: #CA104D, #B92253, #A73359, #95455F and #835765

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC114E shade: #CA10B1, #CA1080, #CA104E, #CA101C and #CA3510

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC114E shade: #7E0A30, #A40D3E, #CA104D, #EC185D and #EF3E78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC114E shade: #CC114E, #CAB110 and #1099CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC114E shade: #CC114E, #4ECA10 and #104ECA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC114E shade: #CC114E, #CAB110, #10CA8C and #1029CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC114E shade: #CC114E, #ABCA10, #10CA8C and #2F10CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 62 / 20

HEX #CC114E

RGB 204 17 78

HSL 340.43, 0.85%, 0.43%

LAB 43.93, 68.24, 17.94

 

Complementary color

CMYK 79 / 0 / 26 / 7

HEX #33EEB1

RGB 51 238 177

HSL 160.43, 0.85%, 0.57%

LAB 84.5, -58.87, 16.9

 

CMYK 0 / 92 / 65 / 18

HEX #D11149

RGB 209 17 73

HSL 342.5, 0.85%, 0.44%

LAB 44.85, 69.19, 22.46

 

CMYK 0 / 85 / 59 / 11

HEX #E2235C

RGB 226 35 92

HSL 342.09, 0.77%, 0.51%

LAB 49.67, 71.52, 17.76

 

CMYK 0 / 78 / 54 / 5

HEX #F3356F

RGB 243 53 111

HSL 341.68, 0.89%, 0.58%

LAB 54.81, 72.89, 13.84

 

CMYK 0 / 72 / 49 / 0

HEX #FF4782

RGB 255 71 130

HSL 340.76, 1%, 0.64%

LAB 59.32, 72.18, 9.22

 

CMYK 0 / 65 / 42 / 0

HEX #FF5995

RGB 255 89 149

HSL 338.31, 1%, 0.67%

LAB 62.15, 67.42, 2.2

 

CMYK 0 / 92 / 62 / 20

HEX #CC114E

RGB 204 17 78

HSL 340.43, 0.85%, 0.43%

LAB 43.93, 68.24, 17.94

 

CMYK 0 / 100 / 68 / 27

HEX #BB003B

RGB 187 0 59

HSL 341.07, 1%, 0.37%

LAB 39.38, 64.92, 23.31

 

CMYK 0 / 100 / 76 / 33

HEX #AA0028

RGB 170 0 40

HSL 345.88, 1%, 0.33%

LAB 35.4, 59.95, 29.64

 

CMYK 0 / 100 / 86 / 40

HEX #990015

RGB 153 0 21

HSL 351.76, 1%, 0.3%

LAB 31.41, 55.05, 35.71

 

CMYK 0 / 100 / 99 / 47

HEX #880002

RGB 136 0 2

HSL 359.12, 1%, 0.27%

LAB 27.4, 50.24, 39.63

 

CMYK 0 / 92 / 62 / 21

HEX #CA104D

RGB 202 16 77

HSL 340.32, 0.85%, 0.43%

LAB 43.45, 67.82, 17.85

 

CMYK 0 / 92 / 87 / 21

HEX #CA101A

RGB 202 16 26

HSL 356.77, 0.85%, 0.43%

LAB 42.77, 65.9, 46.98

 

CMYK 0 / 92 / 92 / 21

HEX #CA1010

RGB 202 16 16

HSL 0, 0.85%, 0.43%

LAB 42.71, 65.74, 51.29

 

CMYK 0 / 92 / 62 / 21

HEX #CA104D

RGB 202 16 77

HSL 340.32, 0.85%, 0.43%

LAB 43.45, 67.82, 17.85

 

CMYK 0 / 92 / 37 / 21

HEX #CA107F

RGB 202 16 127

HSL 324.19, 0.85%, 0.43%

LAB 44.88, 71.73, -11.26

 

CMYK 0 / 92 / 12 / 21

HEX #CA10B1

RGB 202 16 177

HSL 308.06, 0.85%, 0.43%

LAB 47.11, 77.55, -37.92

 

CMYK 12 / 92 / 0 / 21

HEX #B110CA

RGB 177 16 202

HSL 291.94, 0.85%, 0.43%

LAB 44.21, 77.01, -57.43

 

CMYK 37 / 92 / 0 / 21

HEX #7F10CA

RGB 127 16 202

HSL 275.81, 0.85%, 0.43%

LAB 36.27, 70.11, -70.71

 

CMYK 0 / 92 / 62 / 21

HEX #CA104D

RGB 202 16 77

HSL 340.32, 0.85%, 0.43%

LAB 43.45, 67.82, 17.85

 

CMYK 0 / 92 / 62 / 21

HEX #CA104D

RGB 202 16 77

HSL 340.32, 0.85%, 0.43%

LAB 43.45, 67.82, 17.85

 

CMYK 0 / 82 / 55 / 27

HEX #B92253

RGB 185 34 83

HSL 340.53, 0.69%, 0.43%

LAB 41.35, 60.46, 10.64

 

CMYK 0 / 69 / 47 / 35

HEX #A73359

RGB 167 51 89

HSL 340.34, 0.53%, 0.43%

LAB 40.09, 50.2, 4.6

 

CMYK 0 / 54 / 36 / 42

HEX #95455F

RGB 149 69 95

HSL 340.5, 0.37%, 0.43%

LAB 40.36, 36.47, 0.85

 

CMYK 0 / 34 / 23 / 49

HEX #835765

RGB 131 87 101

HSL 340.91, 0.2%, 0.43%

LAB 42.13, 20.36, -0.59

 

CMYK 0 / 92 / 12 / 21

HEX #CA10B1

RGB 202 16 177

HSL 308.06, 0.85%, 0.43%

LAB 47.11, 77.55, -37.92

 

CMYK 0 / 92 / 37 / 21

HEX #CA1080

RGB 202 16 128

HSL 323.87, 0.85%, 0.43%

LAB 44.92, 71.83, -11.82

 

CMYK 0 / 92 / 61 / 21

HEX #CA104E

RGB 202 16 78

HSL 340, 0.85%, 0.43%

LAB 43.47, 67.88, 17.25

 

CMYK 0 / 92 / 86 / 21

HEX #CA101C

RGB 202 16 28

HSL 356.13, 0.85%, 0.43%

LAB 42.78, 65.94, 46.01

 

CMYK 0 / 74 / 92 / 21

HEX #CA3510

RGB 202 53 16

HSL 11.94, 0.85%, 0.43%

LAB 45.83, 56.93, 53.33

 

CMYK 0 / 92 / 62 / 51

HEX #7E0A30

RGB 126 10 48

HSL 340.34, 0.85%, 0.27%

LAB 26.35, 47.41, 10.99

 

CMYK 0 / 92 / 62 / 36

HEX #A40D3E

RGB 164 13 62

HSL 340.53, 0.85%, 0.35%

LAB 35.06, 57.84, 14.81

 

CMYK 0 / 92 / 62 / 21

HEX #CA104D

RGB 202 16 77

HSL 340.32, 0.85%, 0.43%

LAB 43.45, 67.82, 17.85

 

CMYK 0 / 90 / 61 / 7

HEX #EC185D

RGB 236 24 93

HSL 340.47, 0.85%, 0.51%

LAB 51.01, 75.9, 19.29

 

CMYK 0 / 74 / 50 / 6

HEX #EF3E78

RGB 239 62 120

HSL 340.34, 0.85%, 0.59%

LAB 55.23, 69.88, 8.94

 

CMYK 0 / 92 / 62 / 20

HEX #CC114E

RGB 204 17 78

HSL 340.43, 0.85%, 0.43%

LAB 43.93, 68.24, 17.94

 

CMYK 0 / 12 / 92 / 21

HEX #CAB110

RGB 202 177 16

HSL 51.94, 0.85%, 0.43%

LAB 72.25, -5.17, 72.53

 

CMYK 92 / 24 / 0 / 21

HEX #1099CA

RGB 16 153 202

HSL 195.81, 0.85%, 0.43%

LAB 59.12, -15.56, -34.4

 

CMYK 0 / 92 / 62 / 20

HEX #CC114E

RGB 204 17 78

HSL 340.43, 0.85%, 0.43%

LAB 43.93, 68.24, 17.94

 

CMYK 61 / 0 / 92 / 21

HEX #4ECA10

RGB 78 202 16

HSL 100, 0.85%, 0.43%

LAB 72.16, -62.42, 69.37

 

CMYK 92 / 61 / 0 / 21

HEX #104ECA

RGB 16 78 202

HSL 220, 0.85%, 0.43%

LAB 37.52, 30.81, -68.96

 

CMYK 0 / 92 / 62 / 20

HEX #CC114E

RGB 204 17 78

HSL 340.43, 0.85%, 0.43%

LAB 43.93, 68.24, 17.94

 

CMYK 0 / 12 / 92 / 21

HEX #CAB110

RGB 202 177 16

HSL 51.94, 0.85%, 0.43%

LAB 72.25, -5.17, 72.53

 

CMYK 92 / 0 / 31 / 21

HEX #10CA8C

RGB 16 202 140

HSL 160, 0.85%, 0.43%

LAB 72.39, -56.14, 19.46

 

CMYK 92 / 80 / 0 / 21

HEX #1029CA

RGB 16 41 202

HSL 231.94, 0.85%, 0.43%

LAB 29.31, 53.18, -82.51

 

CMYK 0 / 92 / 62 / 20

HEX #CC114E

RGB 204 17 78

HSL 340.43, 0.85%, 0.43%

LAB 43.93, 68.24, 17.94

 

CMYK 15 / 0 / 92 / 21

HEX #ABCA10

RGB 171 202 16

HSL 70, 0.85%, 0.43%

LAB 76.64, -30.94, 74.86

 

CMYK 92 / 0 / 31 / 21

HEX #10CA8C

RGB 16 202 140

HSL 160, 0.85%, 0.43%

LAB 72.39, -56.14, 19.46

 

CMYK 77 / 92 / 0 / 21

HEX #2F10CA

RGB 47 16 202

HSL 250, 0.85%, 0.43%

LAB 27.41, 63.87, -85.65

 

Description

Color code: HEX #CC114E | qconv.com Color code: HEX #CC114E | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 17 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 17 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 62 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 62% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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