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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC0F5F it is the complementary color #33F0A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC0F5F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC0F5F shade: #D10F5A, #E2216D, #F33380, #FF4593 and #FF57A6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC0F5F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC0F5F shade: #CC0F5F, #BB004C, #AA0039, #990026 and #880013

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC0F5F shade: #CC0F5F, #CC0F2C and #CC0F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC0F5F shade: #CC0F5F, #CC0F92, #CC0FC5, #A00FCC and #6D0FCC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC0F5F shade matches the following richer shades: #CC0F5F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC0F5F shade: #CC0F5F, #BA2162, #A83365, #974567 and #85566A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC0F5F shade: #CC0FC6, #CC0F93, #CC0F61, #CC0F2F and #CC220F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC0F5F shade: #7F0A3B, #A60C4D, #CC0F5F, #EE1772 and #F03D89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC0F5F shade: #CC0F5F, #CCA00F and #0FADCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC0F5F shade: #CC0F5F, #61CC0F and #0F61CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC0F5F shade: #CC0F5F, #CCA00F, #0FCC7A and #0F3BCC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC0F5F shade: #CC0F5F, #BFCC0F, #0FCC7A and #1C0FCC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 53 / 20

HEX #CC0F5F

RGB 204 15 95

HSL 334.6, 0.86%, 0.43%

LAB 44.24, 69.59, 7.71

 

Complementary color

CMYK 79 / 0 / 33 / 6

HEX #33F0A0

RGB 51 240 160

HSL 154.6, 0.86%, 0.57%

LAB 84.77, -63.23, 26.04

 

CMYK 0 / 93 / 57 / 18

HEX #D10F5A

RGB 209 15 90

HSL 336.8, 0.87%, 0.44%

LAB 45.13, 70.43, 12.23

 

CMYK 0 / 85 / 52 / 11

HEX #E2216D

RGB 226 33 109

HSL 336.37, 0.77%, 0.51%

LAB 49.93, 73.06, 7.73

 

CMYK 0 / 79 / 47 / 5

HEX #F33380

RGB 243 51 128

HSL 335.94, 0.89%, 0.58%

LAB 55.05, 74.7, 4.01

 

CMYK 0 / 73 / 42 / 0

HEX #FF4593

RGB 255 69 147

HSL 334.84, 1%, 0.64%

LAB 59.55, 74.29, -0.43

 

CMYK 0 / 66 / 35 / 0

HEX #FF57A6

RGB 255 87 166

HSL 331.79, 1%, 0.67%

LAB 62.36, 69.93, -7.3

 

CMYK 0 / 93 / 53 / 20

HEX #CC0F5F

RGB 204 15 95

HSL 334.6, 0.86%, 0.43%

LAB 44.24, 69.59, 7.71

 

CMYK 0 / 100 / 59 / 27

HEX #BB004C

RGB 187 0 76

HSL 335.61, 1%, 0.37%

LAB 39.73, 65.85, 12.91

 

CMYK 0 / 100 / 66 / 33

HEX #AA0039

RGB 170 0 57

HSL 339.88, 1%, 0.33%

LAB 35.68, 60.7, 19.12

 

CMYK 0 / 100 / 75 / 40

HEX #990026

RGB 153 0 38

HSL 345.1, 1%, 0.3%

LAB 31.61, 55.59, 25.56

 

CMYK 0 / 100 / 86 / 47

HEX #880013

RGB 136 0 19

HSL 351.62, 1%, 0.27%

LAB 27.52, 50.56, 31.88

 

CMYK 0 / 93 / 53 / 20

HEX #CC0F5F

RGB 204 15 95

HSL 334.6, 0.86%, 0.43%

LAB 44.24, 69.59, 7.71

 

CMYK 0 / 93 / 78 / 20

HEX #CC0F2C

RGB 204 15 44

HSL 350.79, 0.86%, 0.43%

LAB 43.3, 66.98, 37.96

 

CMYK 0 / 93 / 93 / 20

HEX #CC0F0F

RGB 204 15 15

HSL 0, 0.86%, 0.43%

LAB 43.08, 66.37, 52.11

 

CMYK 0 / 93 / 53 / 20

HEX #CC0F5F

RGB 204 15 95

HSL 334.6, 0.86%, 0.43%

LAB 44.24, 69.59, 7.71

 

CMYK 0 / 93 / 28 / 20

HEX #CC0F92

RGB 204 15 146

HSL 318.41, 0.86%, 0.43%

LAB 45.98, 74.26, -21.14

 

CMYK 0 / 93 / 3 / 20

HEX #CC0FC5

RGB 204 15 197

HSL 302.22, 0.86%, 0.43%

LAB 48.52, 80.78, -47.35

 

CMYK 22 / 93 / 0 / 20

HEX #A00FCC

RGB 160 15 204

HSL 286.03, 0.86%, 0.43%

LAB 41.49, 74.95, -63.12

 

CMYK 47 / 93 / 0 / 20

HEX #6D0FCC

RGB 109 15 204

HSL 269.84, 0.86%, 0.43%

LAB 33.88, 68.76, -75.88

 

CMYK 0 / 93 / 53 / 20

HEX #CC0F5F

RGB 204 15 95

HSL 334.6, 0.86%, 0.43%

LAB 44.24, 69.59, 7.71

 

CMYK 0 / 93 / 53 / 20

HEX #CC0F5F

RGB 204 15 95

HSL 334.6, 0.86%, 0.43%

LAB 44.24, 69.59, 7.71

 

CMYK 0 / 82 / 47 / 27

HEX #BA2162

RGB 186 33 98

HSL 334.51, 0.7%, 0.43%

LAB 41.86, 62.18, 1.94

 

CMYK 0 / 70 / 40 / 34

HEX #A83365

RGB 168 51 101

HSL 334.36, 0.53%, 0.43%

LAB 40.63, 51.73, -2.15

 

CMYK 0 / 54 / 32 / 41

HEX #974567

RGB 151 69 103

HSL 335.12, 0.37%, 0.43%

LAB 40.92, 38.23, -3.28

 

CMYK 0 / 35 / 20 / 48

HEX #85566A

RGB 133 86 106

HSL 334.47, 0.21%, 0.43%

LAB 42.28, 22.56, -3.41

 

CMYK 0 / 93 / 3 / 20

HEX #CC0FC6

RGB 204 15 198

HSL 301.9, 0.86%, 0.43%

LAB 48.58, 80.92, -47.84

 

CMYK 0 / 93 / 28 / 20

HEX #CC0F93

RGB 204 15 147

HSL 318.1, 0.86%, 0.43%

LAB 46.02, 74.37, -21.68

 

CMYK 0 / 93 / 52 / 20

HEX #CC0F61

RGB 204 15 97

HSL 333.97, 0.86%, 0.43%

LAB 44.29, 69.73, 6.53

 

CMYK 0 / 93 / 77 / 20

HEX #CC0F2F

RGB 204 15 47

HSL 349.84, 0.86%, 0.43%

LAB 43.34, 67.08, 36.24

 

CMYK 0 / 83 / 93 / 20

HEX #CC220F

RGB 204 34 15

HSL 6.03, 0.86%, 0.43%

LAB 44.26, 63.01, 52.85

 

CMYK 0 / 92 / 54 / 50

HEX #7F0A3B

RGB 127 10 59

HSL 334.87, 0.85%, 0.27%

LAB 26.86, 48.51, 4.23

 

CMYK 0 / 93 / 54 / 35

HEX #A60C4D

RGB 166 12 77

HSL 334.68, 0.87%, 0.35%

LAB 35.8, 59.51, 6.13

 

CMYK 0 / 93 / 53 / 20

HEX #CC0F5F

RGB 204 15 95

HSL 334.6, 0.86%, 0.43%

LAB 44.24, 69.59, 7.71

 

CMYK 0 / 90 / 52 / 7

HEX #EE1772

RGB 238 23 114

HSL 334.6, 0.86%, 0.51%

LAB 51.84, 77.86, 7.72

 

CMYK 0 / 75 / 43 / 6

HEX #F03D89

RGB 240 61 137

HSL 334.53, 0.86%, 0.59%

LAB 55.75, 71.91, -0.39

 

CMYK 0 / 93 / 53 / 20

HEX #CC0F5F

RGB 204 15 95

HSL 334.6, 0.86%, 0.43%

LAB 44.24, 69.59, 7.71

 

CMYK 0 / 22 / 93 / 20

HEX #CCA00F

RGB 204 160 15

HSL 46.03, 0.86%, 0.43%

LAB 68.03, 4.71, 69.59

 

CMYK 93 / 15 / 0 / 20

HEX #0FADCC

RGB 15 173 204

HSL 189.84, 0.86%, 0.43%

LAB 65.24, -25.42, -26.05

 

CMYK 0 / 93 / 53 / 20

HEX #CC0F5F

RGB 204 15 95

HSL 334.6, 0.86%, 0.43%

LAB 44.24, 69.59, 7.71

 

CMYK 52 / 0 / 93 / 20

HEX #61CC0F

RGB 97 204 15

HSL 93.97, 0.86%, 0.43%

LAB 73.39, -58.22, 70.77

 

CMYK 93 / 52 / 0 / 20

HEX #0F61CC

RGB 15 97 204

HSL 213.97, 0.86%, 0.43%

LAB 42.78, 19.05, -61.55

 

CMYK 0 / 93 / 53 / 20

HEX #CC0F5F

RGB 204 15 95

HSL 334.6, 0.86%, 0.43%

LAB 44.24, 69.59, 7.71

 

CMYK 0 / 22 / 93 / 20

HEX #CCA00F

RGB 204 160 15

HSL 46.03, 0.86%, 0.43%

LAB 68.03, 4.71, 69.59

 

CMYK 93 / 0 / 40 / 20

HEX #0FCC7A

RGB 15 204 122

HSL 153.97, 0.86%, 0.43%

LAB 72.69, -60.63, 29.3

 

CMYK 93 / 71 / 0 / 20

HEX #0F3BCC

RGB 15 59 204

HSL 226.03, 0.86%, 0.43%

LAB 33.11, 43.66, -77.38

 

CMYK 0 / 93 / 53 / 20

HEX #CC0F5F

RGB 204 15 95

HSL 334.6, 0.86%, 0.43%

LAB 44.24, 69.59, 7.71

 

CMYK 6 / 0 / 93 / 20

HEX #BFCC0F

RGB 191 204 15

HSL 64.13, 0.86%, 0.43%

LAB 78.63, -23.58, 77.16

 

CMYK 93 / 0 / 40 / 20

HEX #0FCC7A

RGB 15 204 122

HSL 153.97, 0.86%, 0.43%

LAB 72.69, -60.63, 29.3

 

CMYK 86 / 93 / 0 / 20

HEX #1C0FCC

RGB 28 15 204

HSL 244.13, 0.86%, 0.43%

LAB 26.59, 64.09, -88.21

 

Description

Color code: HEX #CC0F5F | qconv.com Color code: HEX #CC0F5F | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 15 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 15 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 53 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 53% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to PANTONE®

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RAL® to Sherwin Williams®

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PANTONE® to HEX

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PANTONE® to HKS®

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Sherwin Williams® to HKS®

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convert from Sherwin Williams®-number (SW 0000) to Pantone®-number (Pantone 0000)

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