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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC0687 it is the complementary color #33F978. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC0687. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC0687 shade: #D10682, #E21895, #F32AA8, #FF3CBB and #FF4ECE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC0687. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC0687 shade: #CC0687, #BB0074, #AA0061, #99004E and #88003B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC0687 shade: #CB0686, #CB0651, #CB061C and #CB0606

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC0687 shade: #CB0686, #CB06BB, #A506CB, #7006CB and #3B06CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC0687 shade matches the following richer shades: #CB0686

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC0687 shade: #CB0686, #BA1781, #A9287C, #983977 and #874A72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC0687 shade: #A406CB, #CB06BE, #CB0689, #CB0655 and #CB0620

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC0687 shade: #7B0451, #A3056C, #CB0686, #F308A1 and #F82BB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC0687 shade: #CC0687, #CB6F06 and #06CBBE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC0687 shade: #CC0687, #89CB06 and #0689CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC0687 shade: #CC0687, #CB6F06, #06CB48 and #0662CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC0687 shade: #CC0687, #CBAA06, #06CB48 and #0627CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 97 / 34 / 20

HEX #CC0687

RGB 204 6 135

HSL 320.91, 0.94%, 0.41%

LAB 45.24, 73.94, -15.58

 

Complementary color

CMYK 80 / 0 / 52 / 2

HEX #33F978

RGB 51 249 120

HSL 140.91, 0.94%, 0.59%

LAB 86.9, -73.18, 48.43

 

CMYK 0 / 97 / 38 / 18

HEX #D10682

RGB 209 6 130

HSL 323.35, 0.94%, 0.42%

LAB 46.04, 74.49, -11.23

 

CMYK 0 / 89 / 34 / 11

HEX #E21895

RGB 226 24 149

HSL 322.87, 0.81%, 0.49%

LAB 50.68, 78.06, -15.39

 

CMYK 0 / 83 / 31 / 5

HEX #F32AA8

RGB 243 42 168

HSL 322.39, 0.89%, 0.56%

LAB 55.62, 80.57, -18.82

 

CMYK 0 / 76 / 27 / 0

HEX #FF3CBB

RGB 255 60 187

HSL 320.92, 1%, 0.62%

LAB 59.96, 81.06, -23.03

 

CMYK 0 / 69 / 19 / 0

HEX #FF4ECE

RGB 255 78 206

HSL 316.61, 1%, 0.65%

LAB 62.65, 77.93, -29.73

 

CMYK 0 / 97 / 34 / 20

HEX #CC0687

RGB 204 6 135

HSL 320.91, 0.94%, 0.41%

LAB 45.24, 73.94, -15.58

 

CMYK 0 / 100 / 38 / 27

HEX #BB0074

RGB 187 0 116

HSL 322.78, 1%, 0.37%

LAB 40.94, 69.05, -10.69

 

CMYK 0 / 100 / 43 / 33

HEX #AA0061

RGB 170 0 97

HSL 325.76, 1%, 0.33%

LAB 36.76, 63.57, -5.29

HEX #AA0061

CMYK 0 / 100 / 49 / 40

HEX #99004E

RGB 153 0 78

HSL 329.41, 1%, 0.3%

LAB 32.53, 58.06, 0.41

HEX #99004E

CMYK 0 / 100 / 57 / 47

HEX #88003B

RGB 136 0 59

HSL 333.97, 1%, 0.27%

LAB 28.25, 52.52, 6.47

HEX #88003B

CMYK 0 / 97 / 34 / 20

HEX #CB0686

RGB 203 6 134

HSL 321.02, 0.94%, 0.41%

LAB 45.01, 73.63, -15.35

 

CMYK 0 / 97 / 60 / 20

HEX #CB0651

RGB 203 6 81

HSL 337.16, 0.94%, 0.41%

LAB 43.39, 69.32, 15.29

 

CMYK 0 / 97 / 86 / 20

HEX #CB061C

RGB 203 6 28

HSL 353.3, 0.94%, 0.41%

LAB 42.63, 67.24, 45.97

 

CMYK 0 / 97 / 97 / 20

HEX #CB0606

RGB 203 6 6

HSL 0, 0.94%, 0.41%

LAB 42.52, 66.94, 54.64

 

CMYK 0 / 97 / 34 / 20

HEX #CB0686

RGB 203 6 134

HSL 321.02, 0.94%, 0.41%

LAB 45.01, 73.63, -15.35

 

CMYK 0 / 97 / 8 / 20

HEX #CB06BB

RGB 203 6 187

HSL 304.87, 0.94%, 0.41%

LAB 47.51, 79.99, -43.14

 

CMYK 19 / 97 / 0 / 20

HEX #A506CB

RGB 165 6 203

HSL 288.43, 0.94%, 0.41%

LAB 41.91, 76.46, -61.83

 

CMYK 45 / 97 / 0 / 20

HEX #7006CB

RGB 112 6 203

HSL 272.28, 0.94%, 0.41%

LAB 33.75, 70.17, -75.51

 

CMYK 71 / 97 / 0 / 20

HEX #3B06CB

RGB 59 6 203

HSL 256.14, 0.94%, 0.41%

LAB 27.77, 66.61, -85.6

 

CMYK 0 / 97 / 34 / 20

HEX #CB0686

RGB 203 6 134

HSL 321.02, 0.94%, 0.41%

LAB 45.01, 73.63, -15.35

 

CMYK 0 / 97 / 34 / 20

HEX #CB0686

RGB 203 6 134

HSL 321.02, 0.94%, 0.41%

LAB 45.01, 73.63, -15.35

 

CMYK 0 / 88 / 31 / 27

HEX #BA1781

RGB 186 23 129

HSL 320.98, 0.78%, 0.41%

LAB 42.21, 67.38, -16.85

 

CMYK 0 / 76 / 27 / 34

HEX #A9287C

RGB 169 40 124

HSL 320.93, 0.62%, 0.41%

LAB 40.26, 58.61, -17.02

 

CMYK 0 / 63 / 22 / 40

HEX #983977

RGB 152 57 119

HSL 320.84, 0.45%, 0.41%

LAB 39.47, 46.66, -15.39

 

CMYK 0 / 45 / 16 / 47

HEX #874A72

RGB 135 74 114

HSL 320.66, 0.29%, 0.41%

LAB 40.02, 31.57, -11.69

 

CMYK 19 / 97 / 0 / 20

HEX #A406CB

RGB 164 6 203

HSL 288.12, 0.94%, 0.41%

LAB 41.74, 76.32, -62.1

 

CMYK 0 / 97 / 6 / 20

HEX #CB06BE

RGB 203 6 190

HSL 303.96, 0.94%, 0.41%

LAB 47.68, 80.41, -44.63

 

CMYK 0 / 97 / 33 / 20

HEX #CB0689

RGB 203 6 137

HSL 320.1, 0.94%, 0.41%

LAB 45.13, 73.93, -17

 

CMYK 0 / 97 / 58 / 20

HEX #CB0655

RGB 203 6 85

HSL 335.94, 0.94%, 0.41%

LAB 43.48, 69.57, 12.9

 

CMYK 0 / 97 / 84 / 20

HEX #CB0620

RGB 203 6 32

HSL 352.08, 0.94%, 0.41%

LAB 42.66, 67.32, 43.94

 

CMYK 0 / 97 / 34 / 52

HEX #7B0451

RGB 123 4 81

HSL 321.18, 0.94%, 0.25%

LAB 26.42, 50.77, -11.37

 

CMYK 0 / 97 / 34 / 36

HEX #A3056C

RGB 163 5 108

HSL 320.89, 0.94%, 0.33%

LAB 35.94, 62.53, -13.69

 

CMYK 0 / 97 / 34 / 20

HEX #CB0686

RGB 203 6 134

HSL 321.02, 0.94%, 0.41%

LAB 45.01, 73.63, -15.35

 

CMYK 0 / 97 / 34 / 5

HEX #F308A1

RGB 243 8 161

HSL 320.94, 0.94%, 0.49%

LAB 53.82, 84.34, -17.45

 

CMYK 0 / 83 / 29 / 3

HEX #F82BB1

RGB 248 43 177

HSL 320.78, 0.94%, 0.57%

LAB 56.94, 82.43, -21.99

 

CMYK 0 / 97 / 34 / 20

HEX #CC0687

RGB 204 6 135

HSL 320.91, 0.94%, 0.41%

LAB 45.24, 73.94, -15.58

 

CMYK 0 / 45 / 97 / 20

HEX #CB6F06

RGB 203 111 6

HSL 31.98, 0.94%, 0.41%

LAB 56.17, 30.67, 62.57

 

CMYK 97 / 0 / 6 / 20

HEX #06CBBE

RGB 6 203 190

HSL 176.04, 0.94%, 0.41%

LAB 73.85, -44.12, -5.39

 

CMYK 0 / 97 / 34 / 20

HEX #CC0687

RGB 204 6 135

HSL 320.91, 0.94%, 0.41%

LAB 45.24, 73.94, -15.58

 

CMYK 33 / 0 / 97 / 20

HEX #89CB06

RGB 137 203 6

HSL 80.1, 0.94%, 0.41%

LAB 74.85, -44.84, 73.67

 

CMYK 97 / 33 / 0 / 20

HEX #0689CB

RGB 6 137 203

HSL 200.1, 0.94%, 0.41%

LAB 54.28, -6.54, -42.56

 

CMYK 0 / 97 / 34 / 20

HEX #CC0687

RGB 204 6 135

HSL 320.91, 0.94%, 0.41%

LAB 45.24, 73.94, -15.58

 

CMYK 0 / 45 / 97 / 20

HEX #CB6F06

RGB 203 111 6

HSL 31.98, 0.94%, 0.41%

LAB 56.17, 30.67, 62.57

 

CMYK 97 / 0 / 65 / 20

HEX #06CB48

RGB 6 203 72

HSL 140.1, 0.94%, 0.41%

LAB 71.7, -68.27, 52.02

 

CMYK 97 / 52 / 0 / 20

HEX #0662CB

RGB 6 98 203

HSL 211.98, 0.94%, 0.41%

LAB 42.89, 17.68, -60.8

 

CMYK 0 / 97 / 34 / 20

HEX #CC0687

RGB 204 6 135

HSL 320.91, 0.94%, 0.41%

LAB 45.24, 73.94, -15.58

 

CMYK 0 / 16 / 97 / 20

HEX #CBAA06

RGB 203 170 6

HSL 49.95, 0.94%, 0.41%

LAB 70.5, -1.17, 72.53

 

CMYK 97 / 0 / 65 / 20

HEX #06CB48

RGB 6 203 72

HSL 140.1, 0.94%, 0.41%

LAB 71.7, -68.27, 52.02

 

CMYK 97 / 81 / 0 / 20

HEX #0627CB

RGB 6 39 203

HSL 229.95, 0.94%, 0.41%

LAB 28.91, 54.31, -83.77

 

Description

Color code: HEX #CC0687 | qconv.com Color code: HEX #CC0687 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 6 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 6 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 97 magenta, 34 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 97% 34% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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