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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBEDD200 it is the complementary color #34122D00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBEDD200. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CBEDD200 shade: #D0EDCD00, #E1FFE000, #F2FFF300 and #FFFFFF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBEDD200. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CBEDD200 shade: #CBEDD200, #BADBBF00, #A9C9AC00, #98B79900 and #87A58600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CBEDD200 shade: #CAEDD1, #CCEDCA, #D5EDCA, #DFEDCA and #E8EDCA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CBEDD200 shade: #CAEDD1, #CAEDDA, #CAEDE4, #CAECED and #CAE3ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CBEDD200 shade matches the following richer shades: #CAEDD1, #C4F3CE, #BEF8CA and #B8FEC7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CBEDD200 shade: #CAEDD1, #D0E7D4, #D5E1D8, #DBDBDB and #E1D6DF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CBEDD200 shade: #D5EDCA, #CCEDCA, #CAEDD1, #CAEDDA and #CAEDE3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CBEDD200 shade: #8CD89C, #ABE2B6, #CAEDD1, #E9F7EC and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CBEDD200 shade: #CBEDD2, #CADFED and #EDCAD1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CBEDD200 shade: #CBEDD2, #D1CAED and #EDD1CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CBEDD200 shade: #CBEDD2, #CADFED, #EDCAE6 and #EDD8CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CBEDD200 shade: #CBEDD2, #CAD4ED, #EDCAE6 and #EDE2CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #CBEDD200

RGBA 203 237 210 0

HSLA 132.35, 0.49%, 0.86%, 0

LABA 90.74, -16.12, 9.39, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #34122D00

RGBA 52 18 45 0

HSLA 312.35, 0.49%, 0.14%, 0

LABA 11.64, 21.32, -10.19, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D0EDCD00

RGBA 208 237 205 0

HSLA 114.38, 0.47%, 0.87%, 0

LABA 90.96, -15.33, 12.34, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E1FFE000

RGBA 225 255 224 0

HSLA 118.06, 1%, 0.94%, 0

LABA 97.19, -15.28, 11.56, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F2FFF300

RGBA 242 255 243 0

HSLA 124.62, 1%, 0.97%, 0

LABA 98.78, -6.38, 4.25, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF00

RGBA 255 255 255 0

HSLA 0, 0%, 1%, 0

LABA 100, 0.01, -0.01, 0

 

CMYK 0 / 0 / 0 / 0

HEX #CBEDD200

RGBA 203 237 210 0

HSLA 132.35, 0.49%, 0.86%, 0

LABA 90.74, -16.12, 9.39, 0

 

CMYK 0 / 0 / 0 / 0

HEX #BADBBF00

RGBA 186 219 191 0

HSLA 129.09, 0.31%, 0.79%, 0

LABA 84.41, -16.2, 10.16, 0

 

CMYK 0 / 0 / 0 / 0

HEX #A9C9AC00

RGBA 169 201 172 0

HSLA 125.63, 0.23%, 0.73%, 0

LABA 77.99, -16.29, 10.96, 0

 

CMYK 0 / 0 / 0 / 0

HEX #98B79900

RGBA 152 183 153 0

HSLA 121.94, 0.18%, 0.66%, 0

LABA 71.45, -16.4, 11.8, 0

 

CMYK 0 / 0 / 0 / 0

HEX #87A58600

RGBA 135 165 134 0

HSLA 118.06, 0.15%, 0.59%, 0

LABA 64.79, -16.53, 12.7, 0

 

CMYK 15 / 0 / 12 / 7

HEX #CAEDD1

RGB 202 237 209

HSL 132, 0.49%, 0.86%

LAB 90.66, -16.62, 9.78

 

CMYK 14 / 0 / 15 / 7

HEX #CCEDCA

RGB 204 237 202

HSL 116.57, 0.49%, 0.86%

LAB 90.63, -17.19, 13.39

 

CMYK 10 / 0 / 15 / 7

HEX #D5EDCA

RGB 213 237 202

HSL 101.14, 0.49%, 0.86%

LAB 91.22, -14.14, 14.32

 

CMYK 6 / 0 / 15 / 7

HEX #DFEDCA

RGB 223 237 202

HSL 84, 0.49%, 0.86%

LAB 91.92, -10.69, 15.4

 

CMYK 2 / 0 / 15 / 7

HEX #E8EDCA

RGB 232 237 202

HSL 68.57, 0.49%, 0.86%

LAB 92.57, -7.54, 16.41

 

CMYK 15 / 0 / 12 / 7

HEX #CAEDD1

RGB 202 237 209

HSL 132, 0.49%, 0.86%

LAB 90.66, -16.62, 9.78

 

CMYK 15 / 0 / 8 / 7

HEX #CAEDDA

RGB 202 237 218

HSL 147.43, 0.49%, 0.86%

LAB 90.87, -14.98, 5.39

 

CMYK 15 / 0 / 4 / 7

HEX #CAEDE4

RGB 202 237 228

HSL 164.57, 0.49%, 0.86%

LAB 91.11, -13.08, 0.54

 

CMYK 15 / 0 / 0 / 7

HEX #CAECED

RGB 202 236 237

HSL 181.71, 0.49%, 0.86%

LAB 91.08, -10.8, -4.2

 

CMYK 15 / 4 / 0 / 7

HEX #CAE3ED

RGB 202 227 237

HSL 197.14, 0.49%, 0.86%

LAB 88.74, -6.22, -7.66

 

CMYK 15 / 0 / 12 / 7

HEX #CAEDD1

RGB 202 237 209

HSL 132, 0.49%, 0.86%

LAB 90.66, -16.62, 9.78

 

CMYK 19 / 0 / 15 / 5

HEX #C4F3CE

RGB 196 243 206

HSL 132.77, 0.66%, 0.86%

LAB 91.82, -22.06, 12.94

 

CMYK 23 / 0 / 19 / 3

HEX #BEF8CA

RGB 190 248 202

HSL 132.41, 0.81%, 0.86%

LAB 92.73, -27.09, 16.24

 

CMYK 28 / 0 / 22 / 0

HEX #B8FEC7

RGB 184 254 199

HSL 132.86, 0.97%, 0.86%

LAB 93.97, -32.32, 19.47

 

CMYK 15 / 0 / 12 / 7

HEX #CAEDD1

RGB 202 237 209

HSL 132, 0.49%, 0.86%

LAB 90.66, -16.62, 9.78

 

CMYK 10 / 0 / 8 / 9

HEX #D0E7D4

RGB 208 231 212

HSL 130.43, 0.32%, 0.86%

LAB 89.54, -11.1, 6.66

 

CMYK 5 / 0 / 4 / 12

HEX #D5E1D8

RGB 213 225 216

HSL 135, 0.17%, 0.86%

LAB 88.43, -5.65, 3

 

CMYK 0 / 0 / 0 / 14

HEX #DBDBDB

RGB 219 219 219

HSL 0, 0%, 0.86%

LAB 87.41, 0, -0.01

 

CMYK 0 / 5 / 1 / 12

HEX #E1D6DF

RGB 225 214 223

HSL 310.91, 0.15%, 0.86%

LAB 86.72, 5.36, -3.08

 

CMYK 10 / 0 / 15 / 7

HEX #D5EDCA

RGB 213 237 202

HSL 101.14, 0.49%, 0.86%

LAB 91.22, -14.14, 14.32

 

CMYK 14 / 0 / 15 / 7

HEX #CCEDCA

RGB 204 237 202

HSL 116.57, 0.49%, 0.86%

LAB 90.63, -17.19, 13.39

 

CMYK 15 / 0 / 12 / 7

HEX #CAEDD1

RGB 202 237 209

HSL 132, 0.49%, 0.86%

LAB 90.66, -16.62, 9.78

 

CMYK 15 / 0 / 8 / 7

HEX #CAEDDA

RGB 202 237 218

HSL 147.43, 0.49%, 0.86%

LAB 90.87, -14.98, 5.39

 

CMYK 15 / 0 / 4 / 7

HEX #CAEDE3

RGB 202 237 227

HSL 162.86, 0.49%, 0.86%

LAB 91.09, -13.28, 1.02

 

CMYK 35 / 0 / 28 / 15

HEX #8CD89C

RGB 140 216 156

HSL 132.63, 0.49%, 0.7%

LAB 80.23, -35.85, 22.33

 

CMYK 24 / 0 / 19 / 11

HEX #ABE2B6

RGB 171 226 182

HSL 132, 0.49%, 0.78%

LAB 85.21, -26.19, 15.89

 

CMYK 15 / 0 / 12 / 7

HEX #CAEDD1

RGB 202 237 209

HSL 132, 0.49%, 0.86%

LAB 90.66, -16.62, 9.78

 

CMYK 6 / 0 / 4 / 3

HEX #E9F7EC

RGB 233 247 236

HSL 132.86, 0.47%, 0.94%

LAB 95.96, -6.57, 3.68

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 14 / 0 / 11 / 7

HEX #CBEDD2

RGB 203 237 210

HSL 132.35, 0.49%, 0.86%

LAB 90.74, -16.12, 9.39

 

CMYK 15 / 6 / 0 / 7

HEX #CADFED

RGB 202 223 237

HSL 204, 0.49%, 0.86%

LAB 87.7, -4.16, -9.2

 

CMYK 0 / 15 / 12 / 7

HEX #EDCAD1

RGB 237 202 209

HSL 348, 0.49%, 0.86%

LAB 84.41, 13.43, 1.09

 

CMYK 14 / 0 / 11 / 7

HEX #CBEDD2

RGB 203 237 210

HSL 132.35, 0.49%, 0.86%

LAB 90.74, -16.12, 9.39

 

CMYK 12 / 15 / 0 / 7

HEX #D1CAED

RGB 209 202 237

HSL 252, 0.49%, 0.86%

LAB 82.87, 9.11, -16.38

 

CMYK 0 / 12 / 15 / 7

HEX #EDD1CA

RGB 237 209 202

HSL 12, 0.49%, 0.86%

LAB 85.94, 8.63, 7.04

 

CMYK 14 / 0 / 11 / 7

HEX #CBEDD2

RGB 203 237 210

HSL 132.35, 0.49%, 0.86%

LAB 90.74, -16.12, 9.39

 

CMYK 15 / 6 / 0 / 7

HEX #CADFED

RGB 202 223 237

HSL 204, 0.49%, 0.86%

LAB 87.7, -4.16, -9.2

 

CMYK 0 / 15 / 3 / 7

HEX #EDCAE6

RGB 237 202 230

HSL 312, 0.49%, 0.86%

LAB 84.98, 17, -9.25

 

CMYK 0 / 9 / 15 / 7

HEX #EDD8CA

RGB 237 216 202

HSL 24, 0.49%, 0.86%

LAB 87.67, 4.99, 9.52

 

CMYK 14 / 0 / 11 / 7

HEX #CBEDD2

RGB 203 237 210

HSL 132.35, 0.49%, 0.86%

LAB 90.74, -16.12, 9.39

 

CMYK 15 / 11 / 0 / 7

HEX #CAD4ED

RGB 202 212 237

HSL 222.86, 0.49%, 0.86%

LAB 84.87, 1.58, -13.42

 

CMYK 0 / 15 / 3 / 7

HEX #EDCAE6

RGB 237 202 230

HSL 312, 0.49%, 0.86%

LAB 84.98, 17, -9.25

 

CMYK 0 / 5 / 15 / 7

HEX #EDE2CA

RGB 237 226 202

HSL 41.14, 0.49%, 0.86%

LAB 90.17, -0.17, 13.07

 

Description

Color code: HEX #CBEDD200 | qconv.com Color code: HEX #CBEDD200 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 237 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 237 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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