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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBED9C it is the complementary color #341263. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBED9C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CBED9C shade: #D0ED97, #E1FFAA, #F2FFBD, #FFFFD0 and #FFFFE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBED9C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CBED9C shade: #CBED9C, #BADB89, #A9C976, #98B763 and #87A550

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CBED9C shade: #CAEC9B, #E0EC9B, #ECE39B, #ECCD9B and #ECB79B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CBED9C shade: #CAEC9B, #B5EC9B, #9FEC9B, #9BECAE and #9BECC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CBED9C shade matches the following richer shades: #CAEC9B and #CCF692

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CBED9C shade: #CAEC9B, #C9E3A5, #C7D9AE, #C6D0B8 and #C4C6C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CBED9C shade: #ECE39B, #E0EC9B, #CBEC9B, #B5EC9B and #9FEC9B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CBED9C shade: #A6E056, #B8E679, #CAEC9B, #DDF3BE and #EFF9E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CBED9C shade: #CBED9C, #9BECCD and #EC9BEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CBED9C shade: #CBED9C, #9BCBEC and #EC9BCB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CBED9C shade: #CBED9C, #9BECCD, #BD9BEC and #EC9BBA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CBED9C shade: #CBED9C, #9BECE6, #BD9BEC and #EC9BA2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 34 / 7

HEX #CBED9C

RGB 203 237 156

HSL 85.19, 0.69%, 0.77%

LAB 89.7, -24.54, 35.69

 

Complementary color

CMYK 47 / 82 / 0 / 61

HEX #341263

RGB 52 18 99

HSL 265.19, 0.69%, 0.23%

LAB 15.82, 35.09, -41.03

 

CMYK 12 / 0 / 36 / 7

HEX #D0ED97

RGB 208 237 151

HSL 80.23, 0.7%, 0.76%

LAB 89.96, -23.36, 38.58

 

CMYK 12 / 0 / 33 / 0

HEX #E1FFAA

RGB 225 255 170

HSL 81.18, 1%, 0.83%

LAB 96.17, -23.4, 37.49

 

CMYK 5 / 0 / 26 / 0

HEX #F2FFBD

RGB 242 255 189

HSL 71.82, 1%, 0.87%

LAB 97.66, -14.78, 30.19

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD0

RGB 255 255 208

HSL 60, 1%, 0.91%

LAB 98.96, -7.48, 22.52

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE3

RGB 255 255 227

HSL 60, 1%, 0.95%

LAB 99.35, -4.64, 13.39

 

CMYK 14 / 0 / 34 / 7

HEX #CBED9C

RGB 203 237 156

HSL 85.19, 0.69%, 0.77%

LAB 89.7, -24.54, 35.69

 

CMYK 15 / 0 / 37 / 14

HEX #BADB89

RGB 186 219 137

HSL 84.15, 0.53%, 0.7%

LAB 83.39, -24.54, 36.8

 

CMYK 16 / 0 / 41 / 21

HEX #A9C976

RGB 169 201 118

HSL 83.13, 0.43%, 0.63%

LAB 76.99, -24.51, 37.95

 

CMYK 17 / 0 / 46 / 28

HEX #98B763

RGB 152 183 99

HSL 82.14, 0.37%, 0.55%

LAB 70.49, -24.46, 39.12

 

CMYK 18 / 0 / 52 / 35

HEX #87A550

RGB 135 165 80

HSL 81.18, 0.35%, 0.48%

LAB 63.87, -24.35, 40.3

 

CMYK 14 / 0 / 34 / 7

HEX #CAEC9B

RGB 202 236 155

HSL 85.19, 0.68%, 0.77%

LAB 89.35, -24.55, 35.72

 

CMYK 5 / 0 / 34 / 7

HEX #E0EC9B

RGB 224 236 155

HSL 68.89, 0.68%, 0.77%

LAB 90.87, -16.44, 37.99

 

CMYK 0 / 4 / 34 / 7

HEX #ECE39B

RGB 236 227 155

HSL 53.33, 0.68%, 0.77%

LAB 89.46, -7.42, 36.32

 

CMYK 0 / 13 / 34 / 7

HEX #ECCD9B

RGB 236 205 155

HSL 37.04, 0.68%, 0.77%

LAB 83.89, 3.85, 28.93

 

CMYK 0 / 22 / 34 / 7

HEX #ECB79B

RGB 236 183 155

HSL 20.74, 0.68%, 0.77%

LAB 78.5, 15.4, 21.61

 

CMYK 14 / 0 / 34 / 7

HEX #CAEC9B

RGB 202 236 155

HSL 85.19, 0.68%, 0.77%

LAB 89.35, -24.55, 35.72

 

CMYK 23 / 0 / 34 / 7

HEX #B5EC9B

RGB 181 236 155

HSL 100.74, 0.68%, 0.77%

LAB 88.06, -31.94, 33.77

 

CMYK 33 / 0 / 34 / 7

HEX #9FEC9B

RGB 159 236 155

HSL 117.04, 0.68%, 0.77%

LAB 86.86, -39.19, 31.97

 

CMYK 34 / 0 / 26 / 7

HEX #9BECAE

RGB 155 236 174

HSL 134.07, 0.68%, 0.77%

LAB 87, -37.28, 22.41

 

CMYK 34 / 0 / 17 / 7

HEX #9BECC4

RGB 155 236 196

HSL 150.37, 0.68%, 0.77%

LAB 87.46, -33.17, 11.63

 

CMYK 14 / 0 / 34 / 7

HEX #CAEC9B

RGB 202 236 155

HSL 85.19, 0.68%, 0.77%

LAB 89.35, -24.55, 35.72

 

CMYK 17 / 0 / 41 / 4

HEX #CCF692

RGB 204 246 146

HSL 85.2, 0.85%, 0.77%

LAB 92.05, -29.69, 43.69

 

CMYK 14 / 0 / 34 / 7

HEX #CAEC9B

RGB 202 236 155

HSL 85.19, 0.68%, 0.77%

LAB 89.35, -24.55, 35.72

 

CMYK 11 / 0 / 27 / 11

HEX #C9E3A5

RGB 201 227 165

HSL 85.16, 0.53%, 0.77%

LAB 87.03, -19.16, 27.52

 

CMYK 8 / 0 / 20 / 15

HEX #C7D9AE

RGB 199 217 174

HSL 85.12, 0.36%, 0.77%

LAB 84.39, -13.55, 19.2

 

CMYK 5 / 0 / 12 / 18

HEX #C6D0B8

RGB 198 208 184

HSL 85, 0.2%, 0.77%

LAB 82.15, -7.69, 10.75

 

CMYK 1 / 0 / 3 / 22

HEX #C4C6C1

RGB 196 198 193

HSL 84, 0.04%, 0.77%

LAB 79.6, -1.6, 2.25

 

CMYK 0 / 4 / 34 / 7

HEX #ECE39B

RGB 236 227 155

HSL 53.33, 0.68%, 0.77%

LAB 89.46, -7.42, 36.32

 

CMYK 5 / 0 / 34 / 7

HEX #E0EC9B

RGB 224 236 155

HSL 68.89, 0.68%, 0.77%

LAB 90.87, -16.44, 37.99

 

CMYK 14 / 0 / 34 / 7

HEX #CBEC9B

RGB 203 236 155

HSL 84.44, 0.68%, 0.77%

LAB 89.42, -24.19, 35.81

 

CMYK 23 / 0 / 34 / 7

HEX #B5EC9B

RGB 181 236 155

HSL 100.74, 0.68%, 0.77%

LAB 88.06, -31.94, 33.77

 

CMYK 33 / 0 / 34 / 7

HEX #9FEC9B

RGB 159 236 155

HSL 117.04, 0.68%, 0.77%

LAB 86.86, -39.19, 31.97

 

CMYK 26 / 0 / 62 / 12

HEX #A6E056

RGB 166 224 86

HSL 85.22, 0.69%, 0.61%

LAB 82.96, -39.59, 59.92

 

CMYK 20 / 0 / 47 / 10

HEX #B8E679

RGB 184 230 121

HSL 85.32, 0.69%, 0.69%

LAB 86.09, -32.37, 48.03

 

CMYK 14 / 0 / 34 / 7

HEX #CAEC9B

RGB 202 236 155

HSL 85.19, 0.68%, 0.77%

LAB 89.35, -24.55, 35.72

 

CMYK 9 / 0 / 22 / 5

HEX #DDF3BE

RGB 221 243 190

HSL 84.91, 0.69%, 0.85%

LAB 93.1, -16.23, 23.21

 

CMYK 4 / 0 / 10 / 2

HEX #EFF9E1

RGB 239 249 225

HSL 85, 0.67%, 0.93%

LAB 96.63, -7.44, 10.38

 

CMYK 14 / 0 / 34 / 7

HEX #CBED9C

RGB 203 237 156

HSL 85.19, 0.69%, 0.77%

LAB 89.7, -24.54, 35.69

 

CMYK 34 / 0 / 13 / 7

HEX #9BECCD

RGB 155 236 205

HSL 157.04, 0.68%, 0.77%

LAB 87.66, -31.35, 7.23

 

CMYK 0 / 34 / 0 / 7

HEX #EC9BEB

RGB 236 155 235

HSL 300.74, 0.68%, 0.77%

LAB 74.36, 42.51, -27.99

 

CMYK 14 / 0 / 34 / 7

HEX #CBED9C

RGB 203 237 156

HSL 85.19, 0.69%, 0.77%

LAB 89.7, -24.54, 35.69

 

CMYK 34 / 14 / 0 / 7

HEX #9BCBEC

RGB 155 203 236

HSL 204.44, 0.68%, 0.77%

LAB 79.46, -7.82, -21.34

 

CMYK 0 / 34 / 14 / 7

HEX #EC9BCB

RGB 236 155 203

HSL 324.44, 0.68%, 0.77%

LAB 73.28, 37.06, -12.1

 

CMYK 14 / 0 / 34 / 7

HEX #CBED9C

RGB 203 237 156

HSL 85.19, 0.69%, 0.77%

LAB 89.7, -24.54, 35.69

 

CMYK 34 / 0 / 13 / 7

HEX #9BECCD

RGB 155 236 205

HSL 157.04, 0.68%, 0.77%

LAB 87.66, -31.35, 7.23

 

CMYK 20 / 34 / 0 / 7

HEX #BD9BEC

RGB 189 155 236

HSL 265.19, 0.68%, 0.77%

LAB 69.7, 28.38, -36.13

 

CMYK 0 / 34 / 21 / 7

HEX #EC9BBA

RGB 236 155 186

HSL 337.04, 0.68%, 0.77%

LAB 72.77, 34.46, -3.47

 

CMYK 14 / 0 / 34 / 7

HEX #CBED9C

RGB 203 237 156

HSL 85.19, 0.69%, 0.77%

LAB 89.7, -24.54, 35.69

 

CMYK 34 / 0 / 3 / 7

HEX #9BECE6

RGB 155 236 230

HSL 175.56, 0.68%, 0.77%

LAB 88.29, -25.93, -4.95

 

CMYK 20 / 34 / 0 / 7

HEX #BD9BEC

RGB 189 155 236

HSL 265.19, 0.68%, 0.77%

LAB 69.7, 28.38, -36.13

 

CMYK 0 / 34 / 31 / 7

HEX #EC9BA2

RGB 236 155 162

HSL 354.81, 0.68%, 0.77%

LAB 72.15, 31.15, 8.9

 

Description

Color code: HEX #CBED9C | qconv.com Color code: HEX #CBED9C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 237 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 237 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 34 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 34% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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