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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBED48 it is the complementary color #3412B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBED48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CBED48 shade: #D0ED43, #E1FF56, #F2FF69, #FFFF7C and #FFFF8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBED48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CBED48 shade: #CBED48, #BADB35, #A9C922, #98B70F and #87A500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CBED48 shade: #CCED4A, #EDE34A, #EDB74A, #ED8B4A and #ED5F4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CBED48 shade: #CCED4A, #A0ED4A, #74ED4A, #4AED4C and #4AED78

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CBED48 shade matches the following richer shades: #CCED4A and #D5FD3A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CBED48 shade: #CCED4A, #C2DD5A, #B9CD6A, #AFBD7A and #A6AD8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CBED48 shade: #EDB74A, #EDE24A, #CCED4A, #A1ED4A and #75ED4A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CBED48 shade: #A9D015, #C1E924, #CCED4A, #D6F170 and #E1F595

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CBED48 shade: #CBED48, #4AED8B and #CC4AED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CBED48 shade: #CBED48, #4ACCED and #ED4ACC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CBED48 shade: #CBED48, #4AED8B, #6B4AED and #ED4AAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CBED48 shade: #CBED48, #4AEDBC, #6B4AED and #ED4A7B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 70 / 7

HEX #CBED48

RGB 203 237 72

HSL 72.36, 0.82%, 0.61%

LAB 88.8, -32.33, 72.14

 

Complementary color

CMYK 72 / 90 / 0 / 28

HEX #3412B7

RGB 52 18 183

HSL 252.36, 0.82%, 0.39%

LAB 25.51, 58.54, -77.57

 

CMYK 12 / 0 / 72 / 7

HEX #D0ED43

RGB 208 237 67

HSL 70.24, 0.83%, 0.6%

LAB 89.1, -30.62, 74.27

 

CMYK 12 / 0 / 66 / 0

HEX #E1FF56

RGB 225 255 86

HSL 70.65, 1%, 0.67%

LAB 95.24, -31.24, 74.06

 

CMYK 5 / 0 / 59 / 0

HEX #F2FF69

RGB 242 255 105

HSL 65.2, 1%, 0.71%

LAB 96.58, -23.38, 68.36

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7C

RGB 255 255 124

HSL 60, 1%, 0.74%

LAB 97.73, -16.86, 61.73

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8F

RGB 255 255 143

HSL 60, 1%, 0.78%

LAB 97.94, -15.21, 53.26

 

CMYK 14 / 0 / 70 / 7

HEX #CBED48

RGB 203 237 72

HSL 72.36, 0.82%, 0.61%

LAB 88.8, -32.33, 72.14

 

CMYK 15 / 0 / 76 / 14

HEX #BADB35

RGB 186 219 53

HSL 71.93, 0.7%, 0.53%

LAB 82.57, -31.68, 72.04

 

CMYK 16 / 0 / 83 / 21

HEX #A9C922

RGB 169 201 34

HSL 71.5, 0.71%, 0.46%

LAB 76.27, -30.86, 71.17

 

CMYK 17 / 0 / 92 / 28

HEX #98B70F

RGB 152 183 15

HSL 71.07, 0.85%, 0.39%

LAB 69.88, -29.85, 69.09

 

CMYK 18 / 0 / 100 / 35

HEX #87A500

RGB 135 165 0

HSL 70.91, 1%, 0.32%

LAB 63.39, -28.63, 65.49

 

CMYK 14 / 0 / 69 / 7

HEX #CCED4A

RGB 204 237 74

HSL 72.15, 0.82%, 0.61%

LAB 88.88, -31.83, 71.53

 

CMYK 0 / 4 / 69 / 7

HEX #EDE34A

RGB 237 227 74

HSL 56.32, 0.82%, 0.61%

LAB 88.66, -13.7, 72.12

 

CMYK 0 / 23 / 69 / 7

HEX #EDB74A

RGB 237 183 74

HSL 40.12, 0.82%, 0.61%

LAB 77.5, 8.77, 60.77

 

CMYK 0 / 41 / 69 / 7

HEX #ED8B4A

RGB 237 139 74

HSL 23.93, 0.82%, 0.61%

LAB 67.25, 31.99, 49.77

 

CMYK 0 / 60 / 69 / 7

HEX #ED5F4A

RGB 237 95 74

HSL 7.73, 0.82%, 0.61%

LAB 58.68, 53.59, 40.03

 

CMYK 14 / 0 / 69 / 7

HEX #CCED4A

RGB 204 237 74

HSL 72.15, 0.82%, 0.61%

LAB 88.88, -31.83, 71.53

 

CMYK 32 / 0 / 69 / 7

HEX #A0ED4A

RGB 160 237 74

HSL 88.34, 0.82%, 0.61%

LAB 86.27, -48.22, 68.05

 

CMYK 51 / 0 / 69 / 7

HEX #74ED4A

RGB 116 237 74

HSL 104.54, 0.82%, 0.61%

LAB 84.37, -61.96, 65.48

 

CMYK 69 / 0 / 68 / 7

HEX #4AED4C

RGB 74 237 76

HSL 120.74, 0.82%, 0.61%

LAB 83.2, -71.23, 63.14

 

CMYK 69 / 0 / 49 / 7

HEX #4AED78

RGB 74 237 120

HSL 136.93, 0.82%, 0.61%

LAB 83.64, -66.07, 44.49

 

CMYK 14 / 0 / 69 / 7

HEX #CCED4A

RGB 204 237 74

HSL 72.15, 0.82%, 0.61%

LAB 88.88, -31.83, 71.53

 

CMYK 16 / 0 / 77 / 1

HEX #D5FD3A

RGB 213 253 58

HSL 72.31, 0.98%, 0.61%

LAB 93.75, -36.37, 81.51

 

CMYK 14 / 0 / 69 / 7

HEX #CCED4A

RGB 204 237 74

HSL 72.15, 0.82%, 0.61%

LAB 88.88, -31.83, 71.53

 

CMYK 12 / 0 / 59 / 13

HEX #C2DD5A

RGB 194 221 90

HSL 72.37, 0.66%, 0.61%

LAB 83.92, -27.22, 59.78

 

CMYK 10 / 0 / 48 / 20

HEX #B9CD6A

RGB 185 205 106

HSL 72.12, 0.5%, 0.61%

LAB 79.05, -21.63, 46.68

 

CMYK 7 / 0 / 35 / 26

HEX #AFBD7A

RGB 175 189 122

HSL 72.54, 0.34%, 0.61%

LAB 74.13, -15.73, 32.3

 

CMYK 4 / 0 / 20 / 32

HEX #A6AD8A

RGB 166 173 138

HSL 72, 0.18%, 0.61%

LAB 69.35, -8.62, 17.19

 

CMYK 0 / 23 / 69 / 7

HEX #EDB74A

RGB 237 183 74

HSL 40.12, 0.82%, 0.61%

LAB 77.5, 8.77, 60.77

 

CMYK 0 / 5 / 69 / 7

HEX #EDE24A

RGB 237 226 74

HSL 55.95, 0.82%, 0.61%

LAB 88.4, -13.21, 71.86

 

CMYK 14 / 0 / 69 / 7

HEX #CCED4A

RGB 204 237 74

HSL 72.15, 0.82%, 0.61%

LAB 88.88, -31.83, 71.53

 

CMYK 32 / 0 / 69 / 7

HEX #A1ED4A

RGB 161 237 74

HSL 87.98, 0.82%, 0.61%

LAB 86.33, -47.87, 68.12

 

CMYK 51 / 0 / 69 / 7

HEX #75ED4A

RGB 117 237 74

HSL 104.17, 0.82%, 0.61%

LAB 84.4, -61.69, 65.53

 

CMYK 19 / 0 / 90 / 18

HEX #A9D015

RGB 169 208 21

HSL 72.51, 0.82%, 0.45%

LAB 78.23, -34.44, 75.35

 

CMYK 17 / 0 / 85 / 9

HEX #C1E924

RGB 193 233 36

HSL 72.18, 0.82%, 0.53%

LAB 86.87, -35.92, 80.37

 

CMYK 14 / 0 / 69 / 7

HEX #CCED4A

RGB 204 237 74

HSL 72.15, 0.82%, 0.61%

LAB 88.88, -31.83, 71.53

 

CMYK 11 / 0 / 54 / 5

HEX #D6F170

RGB 214 241 112

HSL 72.56, 0.82%, 0.69%

LAB 90.95, -27.11, 58.46

 

CMYK 8 / 0 / 39 / 4

HEX #E1F595

RGB 225 245 149

HSL 72.5, 0.83%, 0.77%

LAB 93.23, -21.15, 44.01

 

CMYK 14 / 0 / 70 / 7

HEX #CBED48

RGB 203 237 72

HSL 72.36, 0.82%, 0.61%

LAB 88.8, -32.33, 72.14

 

CMYK 69 / 0 / 41 / 7

HEX #4AED8B

RGB 74 237 139

HSL 143.93, 0.82%, 0.61%

LAB 83.91, -63.04, 35.56

 

CMYK 14 / 69 / 0 / 7

HEX #CC4AED

RGB 204 74 237

HSL 287.85, 0.82%, 0.61%

LAB 55.94, 72.68, -58.29

 

CMYK 14 / 0 / 70 / 7

HEX #CBED48

RGB 203 237 72

HSL 72.36, 0.82%, 0.61%

LAB 88.8, -32.33, 72.14

 

CMYK 69 / 14 / 0 / 7

HEX #4ACCED

RGB 74 204 237

HSL 192.15, 0.82%, 0.61%

LAB 76.53, -25.08, -26.64

 

CMYK 0 / 69 / 14 / 7

HEX #ED4ACC

RGB 237 74 204

HSL 312.15, 0.82%, 0.61%

LAB 59.22, 74.72, -34.14

 

CMYK 14 / 0 / 70 / 7

HEX #CBED48

RGB 203 237 72

HSL 72.36, 0.82%, 0.61%

LAB 88.8, -32.33, 72.14

 

CMYK 69 / 0 / 41 / 7

HEX #4AED8B

RGB 74 237 139

HSL 143.93, 0.82%, 0.61%

LAB 83.91, -63.04, 35.56

 

CMYK 55 / 69 / 0 / 7

HEX #6B4AED

RGB 107 74 237

HSL 252.15, 0.82%, 0.61%

LAB 44.43, 54.67, -77.47

 

CMYK 0 / 69 / 27 / 7

HEX #ED4AAC

RGB 237 74 172

HSL 323.93, 0.82%, 0.61%

LAB 57.92, 70.54, -17.74

 

CMYK 14 / 0 / 70 / 7

HEX #CBED48

RGB 203 237 72

HSL 72.36, 0.82%, 0.61%

LAB 88.8, -32.33, 72.14

 

CMYK 69 / 0 / 21 / 7

HEX #4AEDBC

RGB 74 237 188

HSL 161.96, 0.82%, 0.61%

LAB 84.82, -53.17, 11.68

 

CMYK 55 / 69 / 0 / 7

HEX #6B4AED

RGB 107 74 237

HSL 252.15, 0.82%, 0.61%

LAB 44.43, 54.67, -77.47

 

CMYK 0 / 69 / 48 / 7

HEX #ED4A7B

RGB 237 74 123

HSL 341.96, 0.82%, 0.61%

LAB 56.42, 65.48, 8.8

 

Description

Color code: HEX #CBED48 | qconv.com Color code: HEX #CBED48 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 237 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 237 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 70 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 70% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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