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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBE597 it is the complementary color #341A68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBE597. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CBE597 shade: #D0E592, #E1F7A5, #F2FFB8, #FFFFCB and #FFFFDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBE597. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CBE597 shade: #CBE597, #BAD384, #A9C171, #98AF5E and #879D4B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CBE597 shade: #CCE699, #E1E699, #E6D699, #E6C199 and #E6AC99

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CBE597 shade: #CCE699, #B7E699, #A3E699, #99E6A4 and #99E6B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CBE597 shade matches the following richer shades: #CCE699, #CFF08F and #D3FA84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CBE597 shade: #CCE699, #C9DBA3, #C5D1AE, #C2C7B8 and #BEBCC2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CBE597 shade: #E6D699, #E0E699, #CCE699, #B8E699 and #A3E699

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CBE597 shade: #ABD557, #BBDD78, #CCE699, #DDEEBA and #EDF6DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CBE597 shade: #CBE597, #99E6C2 and #E099E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CBE597 shade: #CBE597, #99CCE6 and #E699CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CBE597 shade: #CBE597, #99E6C2, #B399E6 and #E699BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CBE597 shade: #CBE597, #99E6D9, #B399E6 and #E699A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 34 / 10

HEX #CBE597

RGB 203 229 151

HSL 80, 0.6%, 0.75%

LAB 87.47, -21.32, 35.27

 

Complementary color

CMYK 50 / 75 / 0 / 59

HEX #341A68

RGB 52 26 104

HSL 260, 0.6%, 0.25%

LAB 17.77, 32.36, -41.12

 

CMYK 9 / 0 / 36 / 10

HEX #D0E592

RGB 208 229 146

HSL 75.18, 0.61%, 0.74%

LAB 87.74, -20.1, 38.2

 

CMYK 9 / 0 / 33 / 3

HEX #E1F7A5

RGB 225 247 165

HSL 76.1, 0.84%, 0.81%

LAB 93.99, -20.2, 37.1

 

CMYK 5 / 0 / 28 / 0

HEX #F2FFB8

RGB 242 255 184

HSL 70.99, 1%, 0.86%

LAB 97.57, -15.44, 32.59

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCB

RGB 255 255 203

HSL 60, 1%, 0.9%

LAB 98.86, -8.19, 24.92

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDE

RGB 255 255 222

HSL 60, 1%, 0.94%

LAB 99.24, -5.41, 15.79

 

CMYK 11 / 0 / 34 / 10

HEX #CBE597

RGB 203 229 151

HSL 80, 0.6%, 0.75%

LAB 87.47, -21.32, 35.27

 

CMYK 12 / 0 / 37 / 17

HEX #BAD384

RGB 186 211 132

HSL 78.99, 0.47%, 0.67%

LAB 81.12, -21.27, 36.39

 

CMYK 12 / 0 / 41 / 24

HEX #A9C171

RGB 169 193 113

HSL 78, 0.39%, 0.6%

LAB 74.68, -21.18, 37.54

 

CMYK 13 / 0 / 46 / 31

HEX #98AF5E

RGB 152 175 94

HSL 77.04, 0.34%, 0.53%

LAB 68.13, -21.05, 38.73

 

CMYK 14 / 0 / 52 / 38

HEX #879D4B

RGB 135 157 75

HSL 76.1, 0.35%, 0.45%

LAB 61.46, -20.86, 39.91

 

CMYK 11 / 0 / 33 / 10

HEX #CCE699

RGB 204 230 153

HSL 80.26, 0.61%, 0.75%

LAB 87.84, -21.18, 34.76

 

CMYK 2 / 0 / 33 / 10

HEX #E1E699

RGB 225 230 153

HSL 63.9, 0.61%, 0.75%

LAB 89.35, -13.34, 37.02

 

CMYK 0 / 7 / 33 / 10

HEX #E6D699

RGB 230 214 153

HSL 47.53, 0.61%, 0.75%

LAB 85.61, -3.36, 32.17

 

CMYK 0 / 16 / 33 / 10

HEX #E6C199

RGB 230 193 153

HSL 31.17, 0.61%, 0.75%

LAB 80.33, 7.56, 25.07

 

CMYK 0 / 25 / 33 / 10

HEX #E6AC99

RGB 230 172 153

HSL 14.81, 0.61%, 0.75%

LAB 75.22, 18.71, 18.06

 

CMYK 11 / 0 / 33 / 10

HEX #CCE699

RGB 204 230 153

HSL 80.26, 0.61%, 0.75%

LAB 87.84, -21.18, 34.76

 

CMYK 20 / 0 / 33 / 10

HEX #B7E699

RGB 183 230 153

HSL 96.62, 0.61%, 0.75%

LAB 86.48, -28.72, 32.72

 

CMYK 29 / 0 / 33 / 10

HEX #A3E699

RGB 163 230 153

HSL 112.21, 0.61%, 0.75%

LAB 85.34, -35.49, 30.99

 

CMYK 33 / 0 / 29 / 10

HEX #99E6A4

RGB 153 230 164

HSL 128.57, 0.61%, 0.75%

LAB 85.02, -36.89, 24.83

 

CMYK 33 / 0 / 20 / 10

HEX #99E6B9

RGB 153 230 185

HSL 144.94, 0.61%, 0.75%

LAB 85.44, -33.09, 14.5

 

CMYK 11 / 0 / 33 / 10

HEX #CCE699

RGB 204 230 153

HSL 80.26, 0.61%, 0.75%

LAB 87.84, -21.18, 34.76

 

CMYK 14 / 0 / 40 / 6

HEX #CFF08F

RGB 207 240 143

HSL 80.41, 0.76%, 0.75%

LAB 90.58, -26.13, 43.32

 

CMYK 16 / 0 / 47 / 2

HEX #D3FA84

RGB 211 250 132

HSL 79.83, 0.92%, 0.75%

LAB 93.4, -30.56, 52.16

 

CMYK 11 / 0 / 33 / 10

HEX #CCE699

RGB 204 230 153

HSL 80.26, 0.61%, 0.75%

LAB 87.84, -21.18, 34.76

 

CMYK 8 / 0 / 26 / 14

HEX #C9DBA3

RGB 201 219 163

HSL 79.29, 0.44%, 0.75%

LAB 84.86, -15.48, 25.6

 

CMYK 6 / 0 / 17 / 18

HEX #C5D1AE

RGB 197 209 174

HSL 80.57, 0.28%, 0.75%

LAB 82.12, -10.2, 16.01

 

CMYK 3 / 0 / 8 / 22

HEX #C2C7B8

RGB 194 199 184

HSL 80, 0.12%, 0.75%

LAB 79.49, -4.42, 6.9

 

CMYK 2 / 3 / 0 / 24

HEX #BEBCC2

RGB 190 188 194

HSL 260, 0.05%, 0.75%

LAB 76.56, 1.82, -2.78

 

CMYK 0 / 7 / 33 / 10

HEX #E6D699

RGB 230 214 153

HSL 47.53, 0.61%, 0.75%

LAB 85.61, -3.36, 32.17

 

CMYK 3 / 0 / 33 / 10

HEX #E0E699

RGB 224 230 153

HSL 64.68, 0.61%, 0.75%

LAB 89.27, -13.72, 36.9

 

CMYK 11 / 0 / 33 / 10

HEX #CCE699

RGB 204 230 153

HSL 80.26, 0.61%, 0.75%

LAB 87.84, -21.18, 34.76

 

CMYK 20 / 0 / 33 / 10

HEX #B8E699

RGB 184 230 153

HSL 95.84, 0.61%, 0.75%

LAB 86.55, -28.37, 32.81

 

CMYK 29 / 0 / 33 / 10

HEX #A3E699

RGB 163 230 153

HSL 112.21, 0.61%, 0.75%

LAB 85.34, -35.49, 30.99

 

CMYK 20 / 0 / 59 / 16

HEX #ABD557

RGB 171 213 87

HSL 80, 0.6%, 0.59%

LAB 80.14, -32.64, 56.45

 

CMYK 15 / 0 / 46 / 13

HEX #BBDD78

RGB 187 221 120

HSL 80.2, 0.6%, 0.67%

LAB 83.77, -27.14, 45.71

 

CMYK 11 / 0 / 33 / 10

HEX #CCE699

RGB 204 230 153

HSL 80.26, 0.61%, 0.75%

LAB 87.84, -21.18, 34.76

 

CMYK 7 / 0 / 22 / 7

HEX #DDEEBA

RGB 221 238 186

HSL 79.62, 0.6%, 0.83%

LAB 91.71, -14.36, 23.35

 

CMYK 4 / 0 / 11 / 4

HEX #EDF6DB

RGB 237 246 219

HSL 80, 0.6%, 0.91%

LAB 95.59, -7.61, 11.97

 

CMYK 11 / 0 / 34 / 10

HEX #CBE597

RGB 203 229 151

HSL 80, 0.6%, 0.75%

LAB 87.47, -21.32, 35.27

 

CMYK 33 / 0 / 16 / 10

HEX #99E6C2

RGB 153 230 194

HSL 151.95, 0.61%, 0.75%

LAB 85.64, -31.33, 10.07

 

CMYK 3 / 33 / 0 / 10

HEX #E099E6

RGB 224 153 230

HSL 295.32, 0.61%, 0.75%

LAB 72.46, 38.92, -28.3

 

CMYK 11 / 0 / 34 / 10

HEX #CBE597

RGB 203 229 151

HSL 80, 0.6%, 0.75%

LAB 87.47, -21.32, 35.27

 

CMYK 33 / 11 / 0 / 10

HEX #99CCE6

RGB 153 204 230

HSL 200.26, 0.61%, 0.75%

LAB 79.43, -10.37, -18.19

 

CMYK 0 / 33 / 11 / 10

HEX #E699CC

RGB 230 153 204

HSL 320.26, 0.61%, 0.75%

LAB 72.21, 36.27, -14.33

 

CMYK 11 / 0 / 34 / 10

HEX #CBE597

RGB 203 229 151

HSL 80, 0.6%, 0.75%

LAB 87.47, -21.32, 35.27

 

CMYK 33 / 0 / 16 / 10

HEX #99E6C2

RGB 153 230 194

HSL 151.95, 0.61%, 0.75%

LAB 85.64, -31.33, 10.07

 

CMYK 22 / 33 / 0 / 10

HEX #B399E6

RGB 179 153 230

HSL 260.26, 0.61%, 0.75%

LAB 68.08, 25.15, -35.42

 

CMYK 0 / 33 / 18 / 10

HEX #E699BD

RGB 230 153 189

HSL 331.95, 0.61%, 0.75%

LAB 71.74, 33.88, -6.73

 

CMYK 11 / 0 / 34 / 10

HEX #CBE597

RGB 203 229 151

HSL 80, 0.6%, 0.75%

LAB 87.47, -21.32, 35.27

 

CMYK 33 / 0 / 6 / 10

HEX #99E6D9

RGB 153 230 217

HSL 169.87, 0.61%, 0.75%

LAB 86.19, -26.48, -1.21

 

CMYK 22 / 33 / 0 / 10

HEX #B399E6

RGB 179 153 230

HSL 260.26, 0.61%, 0.75%

LAB 68.08, 25.15, -35.42

 

CMYK 0 / 33 / 28 / 10

HEX #E699A6

RGB 230 153 166

HSL 349.87, 0.61%, 0.75%

LAB 71.12, 30.55, 5.11

 

Description

Color code: HEX #CBE597 | qconv.com Color code: HEX #CBE597 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 229 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 229 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 34 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 34% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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