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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBE2C8 it is the complementary color #341D37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBE2C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CBE2C8 shade: #D0E2C3, #E1F4D6, #F2FFE9, #FFFFFC and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBE2C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CBE2C8 shade: #CBE2C8, #BAD0B5, #A9BEA2, #98AC8F and #879A7C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CBE2C8 shade: #CCE3CA, #D3E3CA, #DAE3CA, #E1E3CA and #E3DECA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CBE2C8 shade: #CCE3CA, #CAE3CD, #CAE3D4, #CAE3DB and #CAE3E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CBE2C8 shade matches the following richer shades: #CCE3CA, #C7E9C3, #C2F0BC, #BDF7B6 and #B8FDAF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CBE2C8 shade: #CCE3CA, #D2DCD0, #D7D6D7, #DCCFDD and #E1C8E4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CBE2C8 shade: #DAE3CA, #D3E3CA, #CDE3CA, #CAE3CD and #CAE3D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CBE2C8 shade: #99C694, #B3D5AF, #CCE3CA, #E6F1E5 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CBE2C8 shade: #CBE2C8, #CAE1E3 and #E3CAD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CBE2C8 shade: #CBE2C8, #CACDE3 and #E3CACD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CBE2C8 shade: #CBE2C8, #CAE1E3, #E0CAE3 and #E3CCCA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CBE2C8 shade: #CBE2C8, #CAD9E3, #E0CAE3 and #E3D3CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 12 / 11

HEX #CBE2C8

RGB 203 226 200

HSL 113.08, 0.31%, 0.84%

LAB 87.61, -12.38, 10.14

 

Complementary color

CMYK 5 / 47 / 0 / 78

HEX #341D37

RGB 52 29 55

HSL 293.08, 0.31%, 0.16%

LAB 14.87, 16.53, -12.39

 

CMYK 8 / 0 / 14 / 11

HEX #D0E2C3

RGB 208 226 195

HSL 94.84, 0.35%, 0.83%

LAB 87.84, -11.52, 13.13

 

CMYK 8 / 0 / 12 / 4

HEX #E1F4D6

RGB 225 244 214

HSL 98, 0.58%, 0.9%

LAB 94.13, -11.54, 12.34

 

CMYK 5 / 0 / 9 / 0

HEX #F2FFE9

RGB 242 255 233

HSL 95.45, 1%, 0.96%

LAB 98.54, -8.09, 9.04

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFC

RGB 255 255 252

HSL 60, 1%, 0.99%

LAB 99.93, -0.52, 1.42

HEX #FFFFFC

CMYK 10 / 0 / 12 / 11

HEX #CBE2C8

RGB 203 226 200

HSL 113.08, 0.31%, 0.84%

LAB 87.61, -12.38, 10.14

 

CMYK 11 / 0 / 13 / 18

HEX #BAD0B5

RGB 186 208 181

HSL 108.89, 0.22%, 0.76%

LAB 81.23, -12.4, 10.92

 

CMYK 11 / 0 / 15 / 25

HEX #A9BEA2

RGB 169 190 162

HSL 105, 0.18%, 0.69%

LAB 74.74, -12.43, 11.74

 

CMYK 12 / 0 / 17 / 33

HEX #98AC8F

RGB 152 172 143

HSL 101.38, 0.15%, 0.62%

LAB 68.14, -12.47, 12.61

 

CMYK 12 / 0 / 19 / 40

HEX #879A7C

RGB 135 154 124

HSL 98, 0.13%, 0.55%

LAB 61.41, -12.51, 13.54

 

CMYK 10 / 0 / 11 / 11

HEX #CCE3CA

RGB 204 227 202

HSL 115.2, 0.31%, 0.84%

LAB 87.99, -12.2, 9.64

 

CMYK 7 / 0 / 11 / 11

HEX #D3E3CA

RGB 211 227 202

HSL 98.4, 0.31%, 0.84%

LAB 88.47, -9.81, 10.39

 

CMYK 4 / 0 / 11 / 11

HEX #DAE3CA

RGB 218 227 202

HSL 81.6, 0.31%, 0.84%

LAB 88.97, -7.39, 11.18

 

CMYK 1 / 0 / 11 / 11

HEX #E1E3CA

RGB 225 227 202

HSL 64.8, 0.31%, 0.84%

LAB 89.49, -4.94, 11.98

 

CMYK 0 / 2 / 11 / 11

HEX #E3DECA

RGB 227 222 202

HSL 48, 0.31%, 0.84%

LAB 88.37, -1.67, 10.41

 

CMYK 10 / 0 / 11 / 11

HEX #CCE3CA

RGB 204 227 202

HSL 115.2, 0.31%, 0.84%

LAB 87.99, -12.2, 9.64

 

CMYK 11 / 0 / 10 / 11

HEX #CAE3CD

RGB 202 227 205

HSL 127.2, 0.31%, 0.84%

LAB 87.92, -12.34, 7.95

 

CMYK 11 / 0 / 7 / 11

HEX #CAE3D4

RGB 202 227 212

HSL 144, 0.31%, 0.84%

LAB 88.09, -11.07, 4.52

 

CMYK 11 / 0 / 4 / 11

HEX #CAE3DB

RGB 202 227 219

HSL 160.8, 0.31%, 0.84%

LAB 88.26, -9.76, 1.09

 

CMYK 11 / 0 / 0 / 11

HEX #CAE3E2

RGB 202 227 226

HSL 177.6, 0.31%, 0.84%

LAB 88.44, -8.41, -2.32

 

CMYK 10 / 0 / 11 / 11

HEX #CCE3CA

RGB 204 227 202

HSL 115.2, 0.31%, 0.84%

LAB 87.99, -12.2, 9.64

 

CMYK 15 / 0 / 16 / 9

HEX #C7E9C3

RGB 199 233 195

HSL 113.68, 0.46%, 0.84%

LAB 89.09, -18.09, 14.81

 

CMYK 19 / 0 / 22 / 6

HEX #C2F0BC

RGB 194 240 188

HSL 113.08, 0.63%, 0.84%

LAB 90.51, -24.35, 20.38

 

CMYK 23 / 0 / 26 / 3

HEX #BDF7B6

RGB 189 247 182

HSL 113.54, 0.8%, 0.84%

LAB 92.01, -30.31, 25.47

 

CMYK 27 / 0 / 31 / 1

HEX #B8FDAF

RGB 184 253 175

HSL 113.08, 0.95%, 0.84%

LAB 93.25, -35.8, 30.66

 

CMYK 10 / 0 / 11 / 11

HEX #CCE3CA

RGB 204 227 202

HSL 115.2, 0.31%, 0.84%

LAB 87.99, -12.2, 9.64

 

CMYK 5 / 0 / 5 / 14

HEX #D2DCD0

RGB 210 220 208

HSL 110, 0.15%, 0.84%

LAB 86.72, -5.54, 4.72

 

CMYK 0 / 0 / 0 / 16

HEX #D7D6D7

RGB 215 214 215

HSL 300, 0.01%, 0.84%

LAB 85.73, 0.53, -0.38

 

CMYK 0 / 6 / 0 / 13

HEX #DCCFDD

RGB 220 207 221

HSL 295.71, 0.17%, 0.84%

LAB 84.52, 6.99, -5.3

 

CMYK 1 / 12 / 0 / 11

HEX #E1C8E4

RGB 225 200 228

HSL 293.57, 0.34%, 0.84%

LAB 83.4, 13.67, -10.64

 

CMYK 4 / 0 / 11 / 11

HEX #DAE3CA

RGB 218 227 202

HSL 81.6, 0.31%, 0.84%

LAB 88.97, -7.39, 11.18

 

CMYK 7 / 0 / 11 / 11

HEX #D3E3CA

RGB 211 227 202

HSL 98.4, 0.31%, 0.84%

LAB 88.47, -9.81, 10.39

 

CMYK 10 / 0 / 11 / 11

HEX #CDE3CA

RGB 205 227 202

HSL 112.8, 0.31%, 0.84%

LAB 88.06, -11.86, 9.74

 

CMYK 11 / 0 / 10 / 11

HEX #CAE3CD

RGB 202 227 205

HSL 127.2, 0.31%, 0.84%

LAB 87.92, -12.34, 7.95

 

CMYK 11 / 0 / 7 / 11

HEX #CAE3D4

RGB 202 227 212

HSL 144, 0.31%, 0.84%

LAB 88.09, -11.07, 4.52

 

CMYK 23 / 0 / 25 / 22

HEX #99C694

RGB 153 198 148

HSL 114, 0.3%, 0.68%

LAB 75.64, -24.47, 20.35

 

CMYK 16 / 0 / 18 / 16

HEX #B3D5AF

RGB 179 213 175

HSL 113.68, 0.31%, 0.76%

LAB 81.98, -18.39, 15.1

 

CMYK 10 / 0 / 11 / 11

HEX #CCE3CA

RGB 204 227 202

HSL 115.2, 0.31%, 0.84%

LAB 87.99, -12.2, 9.64

 

CMYK 5 / 0 / 5 / 5

HEX #E6F1E5

RGB 230 241 229

HSL 115, 0.3%, 0.92%

LAB 94.05, -5.78, 4.52

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 10 / 0 / 12 / 11

HEX #CBE2C8

RGB 203 226 200

HSL 113.08, 0.31%, 0.84%

LAB 87.61, -12.38, 10.14

 

CMYK 11 / 1 / 0 / 11

HEX #CAE1E3

RGB 202 225 227

HSL 184.8, 0.31%, 0.84%

LAB 87.95, -7.19, -3.58

 

CMYK 0 / 11 / 5 / 11

HEX #E3CAD7

RGB 227 202 215

HSL 328.8, 0.31%, 0.84%

LAB 83.69, 10.95, -3.25

 

CMYK 10 / 0 / 12 / 11

HEX #CBE2C8

RGB 203 226 200

HSL 113.08, 0.31%, 0.84%

LAB 87.61, -12.38, 10.14

 

CMYK 11 / 10 / 0 / 11

HEX #CACDE3

RGB 202 205 227

HSL 232.8, 0.31%, 0.84%

LAB 82.79, 3.23, -11.21

 

CMYK 0 / 11 / 10 / 11

HEX #E3CACD

RGB 227 202 205

HSL 352.8, 0.31%, 0.84%

LAB 83.43, 9.25, 1.7

 

CMYK 10 / 0 / 12 / 11

HEX #CBE2C8

RGB 203 226 200

HSL 113.08, 0.31%, 0.84%

LAB 87.61, -12.38, 10.14

 

CMYK 11 / 1 / 0 / 11

HEX #CAE1E3

RGB 202 225 227

HSL 184.8, 0.31%, 0.84%

LAB 87.95, -7.19, -3.58

 

CMYK 1 / 11 / 0 / 11

HEX #E0CAE3

RGB 224 202 227

HSL 292.8, 0.31%, 0.84%

LAB 83.78, 12.09, -9.56

 

CMYK 0 / 10 / 11 / 11

HEX #E3CCCA

RGB 227 204 202

HSL 4.8, 0.31%, 0.84%

LAB 83.85, 7.7, 3.91

 

CMYK 10 / 0 / 12 / 11

HEX #CBE2C8

RGB 203 226 200

HSL 113.08, 0.31%, 0.84%

LAB 87.61, -12.38, 10.14

 

CMYK 11 / 4 / 0 / 11

HEX #CAD9E3

RGB 202 217 227

HSL 204, 0.31%, 0.84%

LAB 85.87, -3.06, -6.64

 

CMYK 1 / 11 / 0 / 11

HEX #E0CAE3

RGB 224 202 227

HSL 292.8, 0.31%, 0.84%

LAB 83.78, 12.09, -9.56

 

CMYK 0 / 7 / 11 / 11

HEX #E3D3CA

RGB 227 211 202

HSL 21.6, 0.31%, 0.84%

LAB 85.6, 4.03, 6.43

 

Description

Color code: HEX #CBE2C8 | qconv.com Color code: HEX #CBE2C8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 226 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 226 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 12 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 12% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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