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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBE24D it is the complementary color #341DB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBE24D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CBE24D shade: #D0E248, #E1F45B, #F2FF6E, #FFFF81 and #FFFF94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBE24D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CBE24D shade: #CBE24D, #BAD03A, #A9BE27, #98AC14 and #879A01

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CBE24D shade: #CAE24B, #E2D04B, #E2A84B, #E27F4B and #E2574B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CBE24D shade: #CAE24B, #A2E24B, #79E24B, #51E24B and #4BE26E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CBE24D shade matches the following richer shades: #CAE24B and #D6F33A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CBE24D shade: #CAE24B, #BFD15C, #B3C06D, #A7AF7E and #9C9E8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CBE24D shade: #E2A84B, #E2D04B, #CBE24B, #A3E24B and #7BE24B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CBE24D shade: #A4BC1F, #C0DC28, #CAE24B, #D5E86F and #DFED92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CBE24D shade: #CBE24D, #4BE280 and #BC4BE2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CBE24D shade: #CBE24D, #4BCBE2 and #E24BCB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CBE24D shade: #CBE24D, #4BE280, #624BE2 and #E24BAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CBE24D shade: #CBE24D, #4BE2AD, #624BE2 and #E24B80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 66 / 11

HEX #CBE24D

RGB 203 226 77

HSL 69.26, 0.72%, 0.59%

LAB 85.82, -26.9, 67.28

 

Complementary color

CMYK 71 / 84 / 0 / 30

HEX #341DB2

RGB 52 29 178

HSL 249.26, 0.72%, 0.41%

LAB 26.22, 53.18, -73.4

 

CMYK 8 / 0 / 68 / 11

HEX #D0E248

RGB 208 226 72

HSL 67.01, 0.73%, 0.58%

LAB 86.14, -25.18, 69.6

 

CMYK 8 / 0 / 63 / 4

HEX #E1F45B

RGB 225 244 91

HSL 67.45, 0.87%, 0.66%

LAB 92.34, -25.8, 69.11

 

CMYK 5 / 0 / 57 / 0

HEX #F2FF6E

RGB 242 255 110

HSL 65.38, 1%, 0.72%

LAB 96.62, -23.02, 66.31

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF81

RGB 255 255 129

HSL 60, 1%, 0.75%

LAB 97.78, -16.46, 59.54

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF94

RGB 255 255 148

HSL 60, 1%, 0.79%

LAB 98, -14.73, 50.97

 

CMYK 10 / 0 / 66 / 11

HEX #CBE24D

RGB 203 226 77

HSL 69.26, 0.72%, 0.59%

LAB 85.82, -26.9, 67.28

 

CMYK 11 / 0 / 72 / 18

HEX #BAD03A

RGB 186 208 58

HSL 68.8, 0.61%, 0.52%

LAB 79.53, -26.25, 67.54

 

CMYK 11 / 0 / 79 / 25

HEX #A9BE27

RGB 169 190 39

HSL 68.34, 0.66%, 0.45%

LAB 73.16, -25.44, 67.15

 

CMYK 12 / 0 / 88 / 33

HEX #98AC14

RGB 152 172 20

HSL 67.89, 0.79%, 0.38%

LAB 66.7, -24.44, 65.68

 

CMYK 12 / 0 / 99 / 40

HEX #879A01

RGB 135 154 1

HSL 67.45, 0.99%, 0.3%

LAB 60.13, -23.23, 62.89

 

CMYK 11 / 0 / 67 / 11

HEX #CAE24B

RGB 202 226 75

HSL 69.54, 0.72%, 0.59%

LAB 85.73, -27.42, 67.94

 

CMYK 0 / 8 / 67 / 11

HEX #E2D04B

RGB 226 208 75

HSL 52.85, 0.72%, 0.59%

LAB 82.8, -8.73, 65.53

 

CMYK 0 / 26 / 67 / 11

HEX #E2A84B

RGB 226 168 75

HSL 36.95, 0.72%, 0.59%

LAB 72.68, 12.12, 54.87

 

CMYK 0 / 44 / 67 / 11

HEX #E27F4B

RGB 226 127 75

HSL 20.66, 0.72%, 0.59%

LAB 63.22, 33.91, 44.34

 

CMYK 0 / 62 / 67 / 11

HEX #E2574B

RGB 226 87 75

HSL 4.77, 0.72%, 0.59%

LAB 55.58, 53.38, 35.36

 

CMYK 11 / 0 / 67 / 11

HEX #CAE24B

RGB 202 226 75

HSL 69.54, 0.72%, 0.59%

LAB 85.73, -27.42, 67.94

 

CMYK 28 / 0 / 67 / 11

HEX #A2E24B

RGB 162 226 75

HSL 85.43, 0.72%, 0.59%

LAB 83.22, -42.76, 64.55

 

CMYK 46 / 0 / 67 / 11

HEX #79E24B

RGB 121 226 75

HSL 101.72, 0.72%, 0.59%

LAB 81.27, -56.34, 61.9

 

CMYK 64 / 0 / 67 / 11

HEX #51E24B

RGB 81 226 75

HSL 117.62, 0.72%, 0.59%

LAB 79.98, -66.39, 60.14

 

CMYK 67 / 0 / 51 / 11

HEX #4BE26E

RGB 75 226 110

HSL 133.91, 0.72%, 0.59%

LAB 80.19, -63.49, 44.99

 

CMYK 11 / 0 / 67 / 11

HEX #CAE24B

RGB 202 226 75

HSL 69.54, 0.72%, 0.59%

LAB 85.73, -27.42, 67.94

 

CMYK 12 / 0 / 76 / 5

HEX #D6F33A

RGB 214 243 58

HSL 69.41, 0.89%, 0.59%

LAB 91.1, -31.42, 79.11

 

CMYK 11 / 0 / 67 / 11

HEX #CAE24B

RGB 202 226 75

HSL 69.54, 0.72%, 0.59%

LAB 85.73, -27.42, 67.94

 

CMYK 9 / 0 / 56 / 18

HEX #BFD15C

RGB 191 209 92

HSL 69.23, 0.56%, 0.59%

LAB 80.43, -22.47, 54.94

 

CMYK 7 / 0 / 43 / 25

HEX #B3C06D

RGB 179 192 109

HSL 69.4, 0.4%, 0.59%

LAB 75.07, -17.22, 40.21

 

CMYK 5 / 0 / 28 / 31

HEX #A7AF7E

RGB 167 175 126

HSL 69.8, 0.23%, 0.59%

LAB 69.74, -11.08, 24.25

 

CMYK 1 / 0 / 9 / 38

HEX #9C9E8F

RGB 156 158 143

HSL 68, 0.07%, 0.59%

LAB 64.57, -3.49, 7.59

 

CMYK 0 / 26 / 67 / 11

HEX #E2A84B

RGB 226 168 75

HSL 36.95, 0.72%, 0.59%

LAB 72.68, 12.12, 54.87

 

CMYK 0 / 8 / 67 / 11

HEX #E2D04B

RGB 226 208 75

HSL 52.85, 0.72%, 0.59%

LAB 82.8, -8.73, 65.53

 

CMYK 10 / 0 / 67 / 11

HEX #CBE24B

RGB 203 226 75

HSL 69.14, 0.72%, 0.59%

LAB 85.8, -27.02, 68.03

 

CMYK 28 / 0 / 67 / 11

HEX #A3E24B

RGB 163 226 75

HSL 85.03, 0.72%, 0.59%

LAB 83.28, -42.39, 64.63

 

CMYK 46 / 0 / 67 / 11

HEX #7BE24B

RGB 123 226 75

HSL 100.93, 0.72%, 0.59%

LAB 81.35, -55.75, 62.01

 

CMYK 13 / 0 / 84 / 26

HEX #A4BC1F

RGB 164 188 31

HSL 69.17, 0.72%, 0.43%

LAB 72.2, -26.84, 68.26

 

CMYK 13 / 0 / 82 / 14

HEX #C0DC28

RGB 192 220 40

HSL 69.33, 0.72%, 0.51%

LAB 83.2, -30.22, 76.32

 

CMYK 11 / 0 / 67 / 11

HEX #CAE24B

RGB 202 226 75

HSL 69.54, 0.72%, 0.59%

LAB 85.73, -27.42, 67.94

 

CMYK 8 / 0 / 52 / 9

HEX #D5E86F

RGB 213 232 111

HSL 69.42, 0.72%, 0.67%

LAB 88.45, -23.3, 55.99

 

CMYK 6 / 0 / 38 / 7

HEX #DFED92

RGB 223 237 146

HSL 69.23, 0.72%, 0.75%

LAB 90.93, -18.36, 42.52

 

CMYK 10 / 0 / 66 / 11

HEX #CBE24D

RGB 203 226 77

HSL 69.26, 0.72%, 0.59%

LAB 85.82, -26.9, 67.28

 

CMYK 67 / 0 / 43 / 11

HEX #4BE280

RGB 75 226 128

HSL 141.06, 0.72%, 0.59%

LAB 80.43, -60.73, 36.53

 

CMYK 17 / 67 / 0 / 11

HEX #BC4BE2

RGB 188 75 226

HSL 284.9, 0.72%, 0.59%

LAB 53.18, 66.82, -56.64

 

CMYK 10 / 0 / 66 / 11

HEX #CBE24D

RGB 203 226 77

HSL 69.26, 0.72%, 0.59%

LAB 85.82, -26.9, 67.28

 

CMYK 67 / 10 / 0 / 11

HEX #4BCBE2

RGB 75 203 226

HSL 189.14, 0.72%, 0.59%

LAB 75.88, -27.76, -21.71

 

CMYK 0 / 67 / 10 / 11

HEX #E24BCB

RGB 226 75 203

HSL 309.14, 0.72%, 0.59%

LAB 57.57, 71.59, -36.27

 

CMYK 10 / 0 / 66 / 11

HEX #CBE24D

RGB 203 226 77

HSL 69.26, 0.72%, 0.59%

LAB 85.82, -26.9, 67.28

 

CMYK 67 / 0 / 43 / 11

HEX #4BE280

RGB 75 226 128

HSL 141.06, 0.72%, 0.59%

LAB 80.43, -60.73, 36.53

 

CMYK 57 / 67 / 0 / 11

HEX #624BE2

RGB 98 75 226

HSL 249.14, 0.72%, 0.59%

LAB 42.94, 49.55, -73.71

 

CMYK 0 / 67 / 23 / 11

HEX #E24BAD

RGB 226 75 173

HSL 321.06, 0.72%, 0.59%

LAB 56.31, 67.42, -20.95

 

CMYK 10 / 0 / 66 / 11

HEX #CBE24D

RGB 203 226 77

HSL 69.26, 0.72%, 0.59%

LAB 85.82, -26.9, 67.28

 

CMYK 67 / 0 / 23 / 11

HEX #4BE2AD

RGB 75 226 173

HSL 158.94, 0.72%, 0.59%

LAB 81.24, -51.96, 14.47

 

CMYK 57 / 67 / 0 / 11

HEX #624BE2

RGB 98 75 226

HSL 249.14, 0.72%, 0.59%

LAB 42.94, 49.55, -73.71

 

CMYK 0 / 67 / 43 / 11

HEX #E24B80

RGB 226 75 128

HSL 338.94, 0.72%, 0.59%

LAB 54.82, 62.34, 3.3

 

Description

Color code: HEX #CBE24D | qconv.com Color code: HEX #CBE24D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 226 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 226 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 66 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 66% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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