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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBDF52 it is the complementary color #3420AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBDF52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CBDF52 shade: #D0DF4D, #E1F160, #F2FF73, #FFFF86 and #FFFF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBDF52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CBDF52 shade: #CBDF52, #BACD3F, #A9BB2C, #98A919 and #879706

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CBDF52 shade: #CBDF53, #DFCD53, #DFA753, #DF8153 and #DF5C53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CBDF52 shade: #CBDF53, #A5DF53, #7FDF53, #5ADF53 and #53DF72

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CBDF52 shade matches the following richer shades: #CBDF53 and #D7F042

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CBDF52 shade: #CBDF53, #C0CF63, #B4BE74, #A8AE84 and #9C9D95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CBDF52 shade: #DFA753, #DFCD53, #CDDF53, #A7DF53 and #82DF53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CBDF52 shade: #A7BD23, #C1D930, #CBDF53, #D6E675 and #E0EC98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CBDF52 shade: #CBDF52, #53DF82 and #BA53DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CBDF52 shade: #CBDF52, #53CDDF and #DF53CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CBDF52 shade: #CBDF52, #53DF82, #6553DF and #DF53B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CBDF52 shade: #CBDF52, #53DFAC, #6553DF and #DF5386

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 63 / 13

HEX #CBDF52

RGB 203 223 82

HSL 68.51, 0.69%, 0.6%

LAB 85.04, -25.16, 64.5

 

Complementary color

CMYK 70 / 82 / 0 / 32

HEX #3420AD

RGB 52 32 173

HSL 248.51, 0.69%, 0.4%

LAB 26.1, 50.38, -70.61

 

CMYK 7 / 0 / 65 / 13

HEX #D0DF4D

RGB 208 223 77

HSL 66.16, 0.7%, 0.59%

LAB 85.36, -23.46, 66.93

 

CMYK 7 / 0 / 60 / 5

HEX #E1F160

RGB 225 241 96

HSL 66.62, 0.84%, 0.66%

LAB 91.58, -24.05, 66.27

 

CMYK 5 / 0 / 55 / 0

HEX #F2FF73

RGB 242 255 115

HSL 65.57, 1%, 0.73%

LAB 96.67, -22.64, 64.22

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF86

RGB 255 255 134

HSL 60, 1%, 0.76%

LAB 97.83, -16.03, 57.32

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF99

RGB 255 255 153

HSL 60, 1%, 0.8%

LAB 98.07, -14.23, 48.66

 

CMYK 9 / 0 / 63 / 13

HEX #CBDF52

RGB 203 223 82

HSL 68.51, 0.69%, 0.6%

LAB 85.04, -25.16, 64.5

 

CMYK 9 / 0 / 69 / 20

HEX #BACD3F

RGB 186 205 63

HSL 68.03, 0.59%, 0.53%

LAB 78.73, -24.55, 64.97

 

CMYK 10 / 0 / 76 / 27

HEX #A9BB2C

RGB 169 187 44

HSL 67.55, 0.62%, 0.45%

LAB 72.33, -23.78, 64.91

 

CMYK 10 / 0 / 85 / 34

HEX #98A919

RGB 152 169 25

HSL 67.08, 0.74%, 0.38%

LAB 65.84, -22.83, 63.92

 

CMYK 11 / 0 / 96 / 41

HEX #879706

RGB 135 151 6

HSL 66.62, 0.92%, 0.31%

LAB 59.25, -21.64, 61.47

 

CMYK 9 / 0 / 63 / 13

HEX #CBDF53

RGB 203 223 83

HSL 68.57, 0.69%, 0.6%

LAB 85.05, -25.09, 64.11

 

CMYK 0 / 8 / 63 / 13

HEX #DFCD53

RGB 223 205 83

HSL 52.29, 0.69%, 0.6%

LAB 81.82, -7.99, 61.13

 

CMYK 0 / 25 / 63 / 13

HEX #DFA753

RGB 223 167 83

HSL 36, 0.69%, 0.6%

LAB 72.2, 11.88, 50.51

 

CMYK 0 / 42 / 63 / 13

HEX #DF8153

RGB 223 129 83

HSL 19.71, 0.69%, 0.6%

LAB 63.35, 32.16, 40.23

 

CMYK 0 / 59 / 63 / 13

HEX #DF5C53

RGB 223 92 83

HSL 3.86, 0.69%, 0.6%

LAB 56.05, 50.58, 31.31

 

CMYK 9 / 0 / 63 / 13

HEX #CBDF53

RGB 203 223 83

HSL 68.57, 0.69%, 0.6%

LAB 85.05, -25.09, 64.11

 

CMYK 26 / 0 / 63 / 13

HEX #A5DF53

RGB 165 223 83

HSL 84.86, 0.69%, 0.6%

LAB 82.59, -39.75, 60.74

 

CMYK 43 / 0 / 63 / 13

HEX #7FDF53

RGB 127 223 83

HSL 101.14, 0.69%, 0.6%

LAB 80.69, -52.67, 58.12

 

CMYK 60 / 0 / 63 / 13

HEX #5ADF53

RGB 90 223 83

HSL 117, 0.69%, 0.6%

LAB 79.37, -62.65, 56.29

 

CMYK 63 / 0 / 49 / 13

HEX #53DF72

RGB 83 223 114

HSL 133.29, 0.69%, 0.6%

LAB 79.52, -60.32, 42.29

 

CMYK 9 / 0 / 63 / 13

HEX #CBDF53

RGB 203 223 83

HSL 68.57, 0.69%, 0.6%

LAB 85.05, -25.09, 64.11

 

CMYK 10 / 0 / 73 / 6

HEX #D7F042

RGB 215 240 66

HSL 68.62, 0.85%, 0.6%

LAB 90.4, -29.28, 76.01

 

CMYK 9 / 0 / 63 / 13

HEX #CBDF53

RGB 203 223 83

HSL 68.57, 0.69%, 0.6%

LAB 85.05, -25.09, 64.11

 

CMYK 7 / 0 / 52 / 19

HEX #C0CF63

RGB 192 207 99

HSL 68.33, 0.53%, 0.6%

LAB 80.03, -20.49, 51.29

 

CMYK 5 / 0 / 39 / 25

HEX #B4BE74

RGB 180 190 116

HSL 68.11, 0.36%, 0.6%

LAB 74.69, -15.02, 36.2

 

CMYK 3 / 0 / 24 / 32

HEX #A8AE84

RGB 168 174 132

HSL 68.57, 0.21%, 0.6%

LAB 69.66, -9.3, 20.91

 

CMYK 1 / 0 / 5 / 38

HEX #9C9D95

RGB 156 157 149

HSL 67.5, 0.04%, 0.6%

LAB 64.44, -1.86, 4.05

 

CMYK 0 / 25 / 63 / 13

HEX #DFA753

RGB 223 167 83

HSL 36, 0.69%, 0.6%

LAB 72.2, 11.88, 50.51

 

CMYK 0 / 8 / 63 / 13

HEX #DFCD53

RGB 223 205 83

HSL 52.29, 0.69%, 0.6%

LAB 81.82, -7.99, 61.13

 

CMYK 8 / 0 / 63 / 13

HEX #CDDF53

RGB 205 223 83

HSL 67.71, 0.69%, 0.6%

LAB 85.19, -24.29, 64.3

 

CMYK 25 / 0 / 63 / 13

HEX #A7DF53

RGB 167 223 83

HSL 84, 0.69%, 0.6%

LAB 82.71, -39.01, 60.9

 

CMYK 42 / 0 / 63 / 13

HEX #82DF53

RGB 130 223 83

HSL 99.86, 0.69%, 0.6%

LAB 80.82, -51.74, 58.3

 

CMYK 12 / 0 / 81 / 26

HEX #A7BD23

RGB 167 189 35

HSL 68.57, 0.69%, 0.44%

LAB 72.72, -25.94, 67.79

 

CMYK 11 / 0 / 78 / 15

HEX #C1D930

RGB 193 217 48

HSL 68.52, 0.69%, 0.52%

LAB 82.47, -28.12, 73.6

 

CMYK 9 / 0 / 63 / 13

HEX #CBDF53

RGB 203 223 83

HSL 68.57, 0.69%, 0.6%

LAB 85.05, -25.09, 64.11

 

CMYK 7 / 0 / 49 / 10

HEX #D6E675

RGB 214 230 117

HSL 68.5, 0.69%, 0.68%

LAB 88.05, -21.4, 52.77

 

CMYK 5 / 0 / 36 / 7

HEX #E0EC98

RGB 224 236 152

HSL 68.57, 0.69%, 0.76%

LAB 90.83, -16.8, 39.43

 

CMYK 9 / 0 / 63 / 13

HEX #CBDF52

RGB 203 223 82

HSL 68.51, 0.69%, 0.6%

LAB 85.04, -25.16, 64.5

 

CMYK 63 / 0 / 42 / 13

HEX #53DF82

RGB 83 223 130

HSL 140.14, 0.69%, 0.6%

LAB 79.74, -57.8, 34.67

 

CMYK 17 / 63 / 0 / 13

HEX #BA53DF

RGB 186 83 223

HSL 284.14, 0.69%, 0.6%

LAB 53.98, 62.34, -53.69

 

CMYK 9 / 0 / 63 / 13

HEX #CBDF52

RGB 203 223 82

HSL 68.51, 0.69%, 0.6%

LAB 85.04, -25.16, 64.5

 

CMYK 63 / 8 / 0 / 13

HEX #53CDDF

RGB 83 205 223

HSL 187.71, 0.69%, 0.6%

LAB 76.58, -28.38, -19.02

 

CMYK 0 / 63 / 8 / 13

HEX #DF53CD

RGB 223 83 205

HSL 307.71, 0.69%, 0.6%

LAB 58.3, 68.1, -36.3

 

CMYK 9 / 0 / 63 / 13

HEX #CBDF52

RGB 203 223 82

HSL 68.51, 0.69%, 0.6%

LAB 85.04, -25.16, 64.5

 

CMYK 63 / 0 / 42 / 13

HEX #53DF82

RGB 83 223 130

HSL 140.14, 0.69%, 0.6%

LAB 79.74, -57.8, 34.67

 

CMYK 55 / 63 / 0 / 13

HEX #6553DF

RGB 101 83 223

HSL 247.71, 0.69%, 0.6%

LAB 44.63, 44.62, -69.23

 

CMYK 0 / 63 / 21 / 13

HEX #DF53B0

RGB 223 83 176

HSL 320.14, 0.69%, 0.6%

LAB 57.08, 63.88, -21.54

 

CMYK 9 / 0 / 63 / 13

HEX #CBDF52

RGB 203 223 82

HSL 68.51, 0.69%, 0.6%

LAB 85.04, -25.16, 64.5

 

CMYK 63 / 0 / 23 / 13

HEX #53DFAC

RGB 83 223 172

HSL 158.14, 0.69%, 0.6%

LAB 80.51, -49.6, 14

 

CMYK 55 / 63 / 0 / 13

HEX #6553DF

RGB 101 83 223

HSL 247.71, 0.69%, 0.6%

LAB 44.63, 44.62, -69.23

 

CMYK 0 / 63 / 40 / 13

HEX #DF5386

RGB 223 83 134

HSL 338.14, 0.69%, 0.6%

LAB 55.68, 58.82, 0.93

 

Description

Color code: HEX #CBDF52 | qconv.com Color code: HEX #CBDF52 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 223 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 223 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 63 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 63% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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