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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBDD5E it is the complementary color #3422A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBDD5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CBDD5E shade: #D0DD59, #E1EF6C, #F2FF7F, #FFFF92 and #FFFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBDD5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CBDD5E shade: #CBDD5E, #BACB4B, #A9B938, #98A725 and #879512

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CBDD5E shade: #CBDD5F, #DDCC5F, #DDAA5F, #DD895F and #DD675F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CBDD5E shade: #CBDD5F, #A9DD5F, #87DD5F, #65DD5F and #5FDD7A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CBDD5E shade matches the following richer shades: #CBDD5F, #D6EC4F and #E1FC3F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CBDD5E shade: #CBDD5F, #C0CD6E, #B4BD7E, #A9AE8E and #9E9E9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CBDD5E shade: #DDAA5F, #DDCC5F, #CCDD5F, #AADD5F and #89DD5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CBDD5E shade: #ABC028, #C0D53D, #CBDD5F, #D6E481 and #E1EBA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CBDD5E shade: #CBDD5E, #5FDD89 and #BB5FDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CBDD5E shade: #CBDD5E, #5FCCDD and #DD5FCC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CBDD5E shade: #CBDD5E, #5FDD89, #6F5FDD and #DD5FB3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CBDD5E shade: #CBDD5E, #5FDDAE, #6F5FDD and #DD5F8D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 57 / 13

HEX #CBDD5E

RGB 203 221 94

HSL 68.5, 0.65%, 0.62%

LAB 84.6, -23.34, 58.98

 

Complementary color

CMYK 68 / 79 / 0 / 37

HEX #3422A1

RGB 52 34 161

HSL 248.5, 0.65%, 0.38%

LAB 25.1, 45.75, -65

 

CMYK 6 / 0 / 60 / 13

HEX #D0DD59

RGB 208 221 89

HSL 65.91, 0.66%, 0.61%

LAB 84.92, -21.71, 61.59

 

CMYK 6 / 0 / 55 / 6

HEX #E1EF6C

RGB 225 239 108

HSL 66.41, 0.8%, 0.68%

LAB 91.15, -22.21, 60.68

 

CMYK 5 / 0 / 50 / 0

HEX #F2FF7F

RGB 242 255 127

HSL 66.09, 1%, 0.75%

LAB 96.79, -21.66, 59.04

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF92

RGB 255 255 146

HSL 60, 1%, 0.79%

LAB 97.98, -14.92, 51.89

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 8 / 0 / 57 / 13

HEX #CBDD5E

RGB 203 221 94

HSL 68.5, 0.65%, 0.62%

LAB 84.6, -23.34, 58.98

 

CMYK 8 / 0 / 63 / 20

HEX #BACB4B

RGB 186 203 75

HSL 67.97, 0.55%, 0.55%

LAB 78.26, -22.84, 59.8

 

CMYK 9 / 0 / 70 / 27

HEX #A9B938

RGB 169 185 56

HSL 67.44, 0.54%, 0.47%

LAB 71.84, -22.2, 60.29

 

CMYK 9 / 0 / 78 / 35

HEX #98A725

RGB 152 167 37

HSL 66.92, 0.64%, 0.4%

LAB 65.32, -21.4, 60.19

 

CMYK 9 / 0 / 88 / 42

HEX #879512

RGB 135 149 18

HSL 66.41, 0.78%, 0.33%

LAB 58.69, -20.38, 58.99

 

CMYK 8 / 0 / 57 / 13

HEX #CBDD5F

RGB 203 221 95

HSL 68.57, 0.65%, 0.62%

LAB 84.61, -23.27, 58.55

 

CMYK 0 / 8 / 57 / 13

HEX #DDCC5F

RGB 221 204 95

HSL 51.9, 0.65%, 0.62%

LAB 81.5, -7.49, 55.43

 

CMYK 0 / 23 / 57 / 13

HEX #DDAA5F

RGB 221 170 95

HSL 35.71, 0.65%, 0.62%

LAB 72.86, 10.29, 45.37

 

CMYK 0 / 38 / 57 / 13

HEX #DD895F

RGB 221 137 95

HSL 20, 0.65%, 0.62%

LAB 65.03, 27.99, 35.84

 

CMYK 0 / 53 / 57 / 13

HEX #DD675F

RGB 221 103 95

HSL 3.81, 0.65%, 0.62%

LAB 57.94, 45.5, 26.81

 

CMYK 8 / 0 / 57 / 13

HEX #CBDD5F

RGB 203 221 95

HSL 68.57, 0.65%, 0.62%

LAB 84.61, -23.27, 58.55

 

CMYK 24 / 0 / 57 / 13

HEX #A9DD5F

RGB 169 221 95

HSL 84.76, 0.65%, 0.62%

LAB 82.36, -36.37, 55.41

 

CMYK 39 / 0 / 57 / 13

HEX #87DD5F

RGB 135 221 95

HSL 100.95, 0.65%, 0.62%

LAB 80.57, -48.17, 52.87

 

CMYK 54 / 0 / 57 / 13

HEX #65DD5F

RGB 101 221 95

HSL 117.14, 0.65%, 0.62%

LAB 79.22, -57.97, 50.96

 

CMYK 57 / 0 / 45 / 13

HEX #5FDD7A

RGB 95 221 122

HSL 132.86, 0.65%, 0.62%

LAB 79.36, -55.78, 38.24

 

CMYK 8 / 0 / 57 / 13

HEX #CBDD5F

RGB 203 221 95

HSL 68.57, 0.65%, 0.62%

LAB 84.61, -23.27, 58.55

 

CMYK 9 / 0 / 67 / 7

HEX #D6EC4F

RGB 214 236 79

HSL 68.41, 0.81%, 0.62%

LAB 89.32, -27.13, 70.37

 

CMYK 11 / 0 / 75 / 1

HEX #E1FC3F

RGB 225 252 63

HSL 68.57, 0.97%, 0.62%

LAB 94.31, -31.01, 80.86

 

CMYK 8 / 0 / 57 / 13

HEX #CBDD5F

RGB 203 221 95

HSL 68.57, 0.65%, 0.62%

LAB 84.61, -23.27, 58.55

 

CMYK 6 / 0 / 46 / 20

HEX #C0CD6E

RGB 192 205 110

HSL 68.21, 0.49%, 0.62%

LAB 79.61, -18.46, 45.54

 

CMYK 5 / 0 / 33 / 26

HEX #B4BD7E

RGB 180 189 126

HSL 68.57, 0.32%, 0.62%

LAB 74.58, -13.28, 30.86

 

CMYK 3 / 0 / 18 / 32

HEX #A9AE8E

RGB 169 174 142

HSL 69.38, 0.16%, 0.62%

LAB 69.94, -7.38, 15.86

 

CMYK 0 / 0 / 1 / 38

HEX #9E9E9D

RGB 158 158 157

HSL 60, 0.01%, 0.62%

LAB 65.09, -0.19, 0.51

 

CMYK 0 / 23 / 57 / 13

HEX #DDAA5F

RGB 221 170 95

HSL 35.71, 0.65%, 0.62%

LAB 72.86, 10.29, 45.37

 

CMYK 0 / 8 / 57 / 13

HEX #DDCC5F

RGB 221 204 95

HSL 51.9, 0.65%, 0.62%

LAB 81.5, -7.49, 55.43

 

CMYK 8 / 0 / 57 / 13

HEX #CCDD5F

RGB 204 221 95

HSL 68.1, 0.65%, 0.62%

LAB 84.68, -22.87, 58.65

 

CMYK 23 / 0 / 57 / 13

HEX #AADD5F

RGB 170 221 95

HSL 84.29, 0.65%, 0.62%

LAB 82.42, -36, 55.5

 

CMYK 38 / 0 / 57 / 13

HEX #89DD5F

RGB 137 221 95

HSL 100, 0.65%, 0.62%

LAB 80.66, -47.52, 53.01

 

CMYK 11 / 0 / 79 / 25

HEX #ABC028

RGB 171 192 40

HSL 68.29, 0.66%, 0.45%

LAB 73.88, -25.54, 67.56

 

CMYK 10 / 0 / 71 / 16

HEX #C0D53D

RGB 192 213 61

HSL 68.29, 0.64%, 0.54%

LAB 81.36, -26.05, 68.43

 

CMYK 8 / 0 / 57 / 13

HEX #CBDD5F

RGB 203 221 95

HSL 68.57, 0.65%, 0.62%

LAB 84.61, -23.27, 58.55

 

CMYK 6 / 0 / 43 / 11

HEX #D6E481

RGB 214 228 129

HSL 68.48, 0.65%, 0.7%

LAB 87.66, -19.25, 46.58

 

CMYK 4 / 0 / 31 / 8

HEX #E1EBA3

RGB 225 235 163

HSL 68.33, 0.64%, 0.78%

LAB 90.81, -14.59, 33.9

 

CMYK 8 / 0 / 57 / 13

HEX #CBDD5E

RGB 203 221 94

HSL 68.5, 0.65%, 0.62%

LAB 84.6, -23.34, 58.98

 

CMYK 57 / 0 / 38 / 13

HEX #5FDD89

RGB 95 221 137

HSL 140, 0.65%, 0.62%

LAB 79.59, -53.32, 30.98

 

CMYK 15 / 57 / 0 / 13

HEX #BB5FDD

RGB 187 95 221

HSL 283.81, 0.65%, 0.62%

LAB 56.06, 56.57, -49.24

 

CMYK 8 / 0 / 57 / 13

HEX #CBDD5E

RGB 203 221 94

HSL 68.5, 0.65%, 0.62%

LAB 84.6, -23.34, 58.98

 

CMYK 57 / 8 / 0 / 13

HEX #5FCCDD

RGB 95 204 221

HSL 188.1, 0.65%, 0.62%

LAB 76.58, -26.36, -17.9

 

CMYK 0 / 57 / 8 / 13

HEX #DD5FCC

RGB 221 95 204

HSL 308.1, 0.65%, 0.62%

LAB 59.81, 62.37, -33.4

 

CMYK 8 / 0 / 57 / 13

HEX #CBDD5E

RGB 203 221 94

HSL 68.5, 0.65%, 0.62%

LAB 84.6, -23.34, 58.98

 

CMYK 57 / 0 / 38 / 13

HEX #5FDD89

RGB 95 221 137

HSL 140, 0.65%, 0.62%

LAB 79.59, -53.32, 30.98

 

CMYK 50 / 57 / 0 / 13

HEX #6F5FDD

RGB 111 95 221

HSL 247.62, 0.65%, 0.62%

LAB 47.99, 38.9, -62.62

 

CMYK 0 / 57 / 19 / 13

HEX #DD5FB3

RGB 221 95 179

HSL 320, 0.65%, 0.62%

LAB 58.8, 58.57, -20.68

 

CMYK 8 / 0 / 57 / 13

HEX #CBDD5E

RGB 203 221 94

HSL 68.5, 0.65%, 0.62%

LAB 84.6, -23.34, 58.98

 

CMYK 57 / 0 / 21 / 13

HEX #5FDDAE

RGB 95 221 174

HSL 157.62, 0.65%, 0.62%

LAB 80.29, -46.02, 12.68

 

CMYK 50 / 57 / 0 / 13

HEX #6F5FDD

RGB 111 95 221

HSL 247.62, 0.65%, 0.62%

LAB 47.99, 38.9, -62.62

 

CMYK 0 / 57 / 36 / 13

HEX #DD5F8D

RGB 221 95 141

HSL 338.1, 0.65%, 0.62%

LAB 57.54, 53.67, -0.51

 

Description

Color code: HEX #CBDD5E | qconv.com Color code: HEX #CBDD5E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 221 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 221 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 57 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 57% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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