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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBDC63 it is the complementary color #34239C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBDC63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CBDC63 shade: #D0DC5E, #E1EE71, #F2FF84, #FFFF97 and #FFFFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBDC63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CBDC63 shade: #CBDC63, #BACA50, #A9B83D, #98A62A and #879417

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CBDC63 shade: #CBDC65, #DCCD65, #DCAD65, #DC8D65 and #DC6D65

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CBDC63 shade: #CBDC65, #ABDC65, #8BDC65, #6BDC65 and #65DC7F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CBDC63 shade matches the following richer shades: #CBDC65, #D6EB56 and #E1FB47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CBDC63 shade: #CBDC65, #C0CD74, #B5BE84, #AAAE93 and #9F9FA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CBDC63 shade: #DCAD65, #DCCC65, #CCDC65, #ADDC65 and #8DDC65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CBDC63 shade: #ADC32C, #C0D444, #CBDC65, #D7E487 and #E2EBA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CBDC63 shade: #CBDC63, #65DC8D and #BC65DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CBDC63 shade: #CBDC63, #65CCDC and #DC65CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CBDC63 shade: #CBDC63, #65DC8D, #7565DC and #DC65B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CBDC63 shade: #CBDC63, #65DCB1, #7565DC and #DC6591

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 55 / 14

HEX #CBDC63

RGB 203 220 99

HSL 68.43, 0.63%, 0.63%

LAB 84.37, -22.46, 56.51

 

Complementary color

CMYK 67 / 78 / 0 / 39

HEX #34239C

RGB 52 35 156

HSL 248.43, 0.63%, 0.37%

LAB 24.74, 43.68, -62.54

 

CMYK 5 / 0 / 57 / 14

HEX #D0DC5E

RGB 208 220 94

HSL 65.71, 0.64%, 0.62%

LAB 84.69, -20.86, 59.19

 

CMYK 5 / 0 / 53 / 7

HEX #E1EE71

RGB 225 238 113

HSL 66.24, 0.79%, 0.69%

LAB 90.94, -21.32, 58.2

 

CMYK 5 / 0 / 48 / 0

HEX #F2FF84

RGB 242 255 132

HSL 66.34, 1%, 0.76%

LAB 96.85, -21.22, 56.82

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF97

RGB 255 255 151

HSL 60, 1%, 0.8%

LAB 98.04, -14.43, 49.58

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAA

RGB 255 255 170

HSL 60, 1%, 0.83%

LAB 98.31, -12.39, 40.69

 

CMYK 8 / 0 / 55 / 14

HEX #CBDC63

RGB 203 220 99

HSL 68.43, 0.63%, 0.63%

LAB 84.37, -22.46, 56.51

 

CMYK 8 / 0 / 60 / 21

HEX #BACA50

RGB 186 202 80

HSL 67.87, 0.54%, 0.55%

LAB 78.03, -22, 57.44

 

CMYK 8 / 0 / 67 / 28

HEX #A9B83D

RGB 169 184 61

HSL 67.32, 0.5%, 0.48%

LAB 71.59, -21.41, 58.11

 

CMYK 8 / 0 / 75 / 35

HEX #98A62A

RGB 152 166 42

HSL 66.77, 0.6%, 0.41%

LAB 65.05, -20.67, 58.31

 

CMYK 9 / 0 / 84 / 42

HEX #879417

RGB 135 148 23

HSL 66.24, 0.73%, 0.34%

LAB 58.41, -19.72, 57.58

 

CMYK 8 / 0 / 54 / 14

HEX #CBDC65

RGB 203 220 101

HSL 68.57, 0.63%, 0.63%

LAB 84.39, -22.3, 55.64

 

CMYK 0 / 7 / 54 / 14

HEX #DCCD65

RGB 220 205 101

HSL 52.44, 0.63%, 0.63%

LAB 81.74, -7.95, 52.91

 

CMYK 0 / 21 / 54 / 14

HEX #DCAD65

RGB 220 173 101

HSL 36.3, 0.63%, 0.63%

LAB 73.57, 8.76, 43.2

 

CMYK 0 / 36 / 54 / 14

HEX #DC8D65

RGB 220 141 101

HSL 20.17, 0.63%, 0.63%

LAB 65.91, 25.93, 33.68

 

CMYK 0 / 50 / 54 / 14

HEX #DC6D65

RGB 220 109 101

HSL 4.03, 0.63%, 0.63%

LAB 59.06, 42.64, 24.82

 

CMYK 8 / 0 / 54 / 14

HEX #CBDC65

RGB 203 220 101

HSL 68.57, 0.63%, 0.63%

LAB 84.39, -22.3, 55.64

 

CMYK 22 / 0 / 54 / 14

HEX #ABDC65

RGB 171 220 101

HSL 84.71, 0.63%, 0.63%

LAB 82.26, -34.61, 52.62

 

CMYK 37 / 0 / 54 / 14

HEX #8BDC65

RGB 139 220 101

HSL 100.84, 0.63%, 0.63%

LAB 80.52, -45.81, 50.14

 

CMYK 51 / 0 / 54 / 14

HEX #6BDC65

RGB 107 220 101

HSL 116.97, 0.63%, 0.63%

LAB 79.19, -55.33, 48.22

 

CMYK 54 / 0 / 42 / 14

HEX #65DC7F

RGB 101 220 127

HSL 133.11, 0.63%, 0.63%

LAB 79.32, -53.2, 35.73

 

CMYK 8 / 0 / 54 / 14

HEX #CBDC65

RGB 203 220 101

HSL 68.57, 0.63%, 0.63%

LAB 84.39, -22.3, 55.64

 

CMYK 9 / 0 / 63 / 8

HEX #D6EB56

RGB 214 235 86

HSL 68.46, 0.79%, 0.63%

LAB 89.1, -26.22, 67.44

 

CMYK 10 / 0 / 72 / 2

HEX #E1FB47

RGB 225 251 71

HSL 68.67, 0.96%, 0.63%

LAB 94.08, -30.19, 78.15

 

CMYK 8 / 0 / 54 / 14

HEX #CBDC65

RGB 203 220 101

HSL 68.57, 0.63%, 0.63%

LAB 84.39, -22.3, 55.64

 

CMYK 6 / 0 / 43 / 20

HEX #C0CD74

RGB 192 205 116

HSL 68.76, 0.47%, 0.63%

LAB 79.69, -17.84, 42.68

 

CMYK 5 / 0 / 31 / 25

HEX #B5BE84

RGB 181 190 132

HSL 69.31, 0.31%, 0.63%

LAB 75.02, -12.62, 28.32

 

CMYK 2 / 0 / 16 / 32

HEX #AAAE93

RGB 170 174 147

HSL 68.89, 0.14%, 0.63%

LAB 70.12, -6.2, 13.4

 

CMYK 2 / 2 / 0 / 36

HEX #9F9FA2

RGB 159 159 162

HSL 240, 0.02%, 0.63%

LAB 65.57, 0.58, -1.57

 

CMYK 0 / 21 / 54 / 14

HEX #DCAD65

RGB 220 173 101

HSL 36.3, 0.63%, 0.63%

LAB 73.57, 8.76, 43.2

 

CMYK 0 / 7 / 54 / 14

HEX #DCCC65

RGB 220 204 101

HSL 51.93, 0.63%, 0.63%

LAB 81.48, -7.44, 52.61

 

CMYK 7 / 0 / 54 / 14

HEX #CCDC65

RGB 204 220 101

HSL 68.07, 0.63%, 0.63%

LAB 84.46, -21.9, 55.74

 

CMYK 21 / 0 / 54 / 14

HEX #ADDC65

RGB 173 220 101

HSL 83.7, 0.63%, 0.63%

LAB 82.38, -33.87, 52.79

 

CMYK 36 / 0 / 54 / 14

HEX #8DDC65

RGB 141 220 101

HSL 99.83, 0.63%, 0.63%

LAB 80.62, -45.16, 50.28

 

CMYK 11 / 0 / 77 / 24

HEX #ADC32C

RGB 173 195 44

HSL 68.74, 0.63%, 0.47%

LAB 74.89, -26, 67.36

 

CMYK 9 / 0 / 68 / 17

HEX #C0D444

RGB 192 212 68

HSL 68.33, 0.63%, 0.55%

LAB 81.13, -25.19, 65.67

 

CMYK 8 / 0 / 54 / 14

HEX #CBDC65

RGB 203 220 101

HSL 68.57, 0.63%, 0.63%

LAB 84.39, -22.3, 55.64

 

CMYK 6 / 0 / 41 / 11

HEX #D7E487

RGB 215 228 135

HSL 68.39, 0.63%, 0.71%

LAB 87.82, -18.23, 43.86

 

CMYK 4 / 0 / 29 / 8

HEX #E2EBA8

RGB 226 235 168

HSL 68.06, 0.63%, 0.79%

LAB 90.97, -13.57, 31.59

 

CMYK 8 / 0 / 55 / 14

HEX #CBDC63

RGB 203 220 99

HSL 68.43, 0.63%, 0.63%

LAB 84.37, -22.46, 56.51

 

CMYK 54 / 0 / 36 / 14

HEX #65DC8D

RGB 101 220 141

HSL 140.17, 0.63%, 0.63%

LAB 79.54, -50.84, 28.91

 

CMYK 15 / 54 / 0 / 14

HEX #BC65DC

RGB 188 101 220

HSL 283.87, 0.63%, 0.63%

LAB 57.24, 53.67, -46.79

 

CMYK 8 / 0 / 55 / 14

HEX #CBDC63

RGB 203 220 99

HSL 68.43, 0.63%, 0.63%

LAB 84.37, -22.46, 56.51

 

CMYK 54 / 7 / 0 / 14

HEX #65CCDC

RGB 101 204 220

HSL 188.07, 0.63%, 0.63%

LAB 76.75, -25.48, -17.09

 

CMYK 0 / 54 / 7 / 14

HEX #DC65CC

RGB 220 101 204

HSL 308.07, 0.63%, 0.63%

LAB 60.68, 59.39, -32.06

 

CMYK 8 / 0 / 55 / 14

HEX #CBDC63

RGB 203 220 99

HSL 68.43, 0.63%, 0.63%

LAB 84.37, -22.46, 56.51

 

CMYK 54 / 0 / 36 / 14

HEX #65DC8D

RGB 101 220 141

HSL 140.17, 0.63%, 0.63%

LAB 79.54, -50.84, 28.91

 

CMYK 47 / 54 / 0 / 14

HEX #7565DC

RGB 117 101 220

HSL 248.07, 0.63%, 0.63%

LAB 49.81, 36.32, -59.09

 

CMYK 0 / 54 / 18 / 14

HEX #DC65B4

RGB 220 101 180

HSL 320.17, 0.63%, 0.63%

LAB 59.72, 55.67, -19.85

 

CMYK 8 / 0 / 55 / 14

HEX #CBDC63

RGB 203 220 99

HSL 68.43, 0.63%, 0.63%

LAB 84.37, -22.46, 56.51

 

CMYK 54 / 0 / 20 / 14

HEX #65DCB1

RGB 101 220 177

HSL 158.32, 0.63%, 0.63%

LAB 80.25, -43.66, 11.06

 

CMYK 47 / 54 / 0 / 14

HEX #7565DC

RGB 117 101 220

HSL 248.07, 0.63%, 0.63%

LAB 49.81, 36.32, -59.09

 

CMYK 0 / 54 / 34 / 14

HEX #DC6591

RGB 220 101 145

HSL 337.82, 0.63%, 0.63%

LAB 58.57, 51, -1.35

 

Description

Color code: HEX #CBDC63 | qconv.com Color code: HEX #CBDC63 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 220 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 220 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 55 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 55% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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