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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBDC5E it is the complementary color #3423A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBDC5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CBDC5E shade: #D0DC59, #E1EE6C, #F2FF7F, #FFFF92 and #FFFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBDC5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CBDC5E shade: #CBDC5E, #BACA4B, #A9B838, #98A625 and #879412

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CBDC5E shade: #CBDC60, #DCCB60, #DCAA60, #DC8960 and #DC6760

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CBDC5E shade: #CBDC60, #AADC60, #88DC60, #67DC60 and #60DC7B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CBDC5E shade matches the following richer shades: #CBDC60, #D7EC50 and #E2FB41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CBDC5E shade: #CBDC60, #C0CC70, #B4BD7F, #A9AD8F and #9E9D9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CBDC5E shade: #DCAB60, #DCCC60, #CCDC60, #ABDC60 and #89DC60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CBDC5E shade: #ABC02A, #C0D53E, #CBDC60, #D6E482 and #E1EBA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CBDC5E shade: #CBDC5E, #60DC89 and #BB60DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CBDC5E shade: #CBDC5E, #60CCDC and #DC60CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CBDC5E shade: #CBDC5E, #60DC89, #7160DC and #DC60B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CBDC5E shade: #CBDC5E, #60DCAF, #7160DC and #DC608E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 57 / 14

HEX #CBDC5E

RGB 203 220 94

HSL 68.1, 0.64%, 0.62%

LAB 84.32, -22.86, 58.68

 

Complementary color

CMYK 68 / 78 / 0 / 37

HEX #3423A1

RGB 52 35 161

HSL 248.1, 0.64%, 0.38%

LAB 25.28, 45.24, -64.71

 

CMYK 5 / 0 / 60 / 14

HEX #D0DC59

RGB 208 220 89

HSL 65.5, 0.65%, 0.61%

LAB 84.65, -21.22, 61.29

 

CMYK 5 / 0 / 55 / 7

HEX #E1EE6C

RGB 225 238 108

HSL 66, 0.79%, 0.68%

LAB 90.89, -21.73, 60.37

 

CMYK 5 / 0 / 50 / 0

HEX #F2FF7F

RGB 242 255 127

HSL 66.09, 1%, 0.75%

LAB 96.79, -21.66, 59.04

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF92

RGB 255 255 146

HSL 60, 1%, 0.79%

LAB 97.98, -14.92, 51.89

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 8 / 0 / 57 / 14

HEX #CBDC5E

RGB 203 220 94

HSL 68.1, 0.64%, 0.62%

LAB 84.32, -22.86, 58.68

 

CMYK 8 / 0 / 63 / 21

HEX #BACA4B

RGB 186 202 75

HSL 67.56, 0.55%, 0.54%

LAB 77.99, -22.35, 59.5

 

CMYK 8 / 0 / 70 / 28

HEX #A9B838

RGB 169 184 56

HSL 67.03, 0.53%, 0.47%

LAB 71.56, -21.71, 60.01

 

CMYK 8 / 0 / 78 / 35

HEX #98A625

RGB 152 166 37

HSL 66.51, 0.64%, 0.4%

LAB 65.03, -20.9, 59.93

 

CMYK 9 / 0 / 88 / 42

HEX #879412

RGB 135 148 18

HSL 66, 0.78%, 0.33%

LAB 58.39, -19.87, 58.74

 

CMYK 8 / 0 / 56 / 14

HEX #CBDC60

RGB 203 220 96

HSL 68.23, 0.64%, 0.62%

LAB 84.34, -22.7, 57.82

 

CMYK 0 / 8 / 56 / 14

HEX #DCCB60

RGB 220 203 96

HSL 51.77, 0.64%, 0.62%

LAB 81.17, -7.32, 54.57

 

CMYK 0 / 23 / 56 / 14

HEX #DCAA60

RGB 220 170 96

HSL 35.81, 0.64%, 0.62%

LAB 72.77, 9.95, 44.74

 

CMYK 0 / 38 / 56 / 14

HEX #DC8960

RGB 220 137 96

HSL 19.84, 0.64%, 0.62%

LAB 64.92, 27.66, 35.14

 

CMYK 0 / 53 / 56 / 14

HEX #DC6760

RGB 220 103 96

HSL 3.39, 0.64%, 0.62%

LAB 57.81, 45.21, 26.03

 

CMYK 8 / 0 / 56 / 14

HEX #CBDC60

RGB 203 220 96

HSL 68.23, 0.64%, 0.62%

LAB 84.34, -22.7, 57.82

 

CMYK 23 / 0 / 56 / 14

HEX #AADC60

RGB 170 220 96

HSL 84.19, 0.64%, 0.62%

LAB 82.15, -35.45, 54.74

 

CMYK 38 / 0 / 56 / 14

HEX #88DC60

RGB 136 220 96

HSL 100.65, 0.64%, 0.62%

LAB 80.33, -47.33, 52.16

 

CMYK 53 / 0 / 56 / 14

HEX #67DC60

RGB 103 220 96

HSL 116.61, 0.64%, 0.62%

LAB 78.99, -56.97, 50.26

 

CMYK 56 / 0 / 44 / 14

HEX #60DC7B

RGB 96 220 123

HSL 133.06, 0.64%, 0.62%

LAB 79.1, -55.01, 37.42

 

CMYK 8 / 0 / 56 / 14

HEX #CBDC60

RGB 203 220 96

HSL 68.23, 0.64%, 0.62%

LAB 84.34, -22.7, 57.82

 

CMYK 9 / 0 / 66 / 7

HEX #D7EC50

RGB 215 236 80

HSL 68.08, 0.8%, 0.62%

LAB 89.4, -26.67, 70.09

 

CMYK 10 / 0 / 74 / 2

HEX #E2FB41

RGB 226 251 65

HSL 68.06, 0.96%, 0.62%

LAB 94.12, -30.06, 80.11

 

CMYK 8 / 0 / 56 / 14

HEX #CBDC60

RGB 203 220 96

HSL 68.23, 0.64%, 0.62%

LAB 84.34, -22.7, 57.82

 

CMYK 6 / 0 / 45 / 20

HEX #C0CC70

RGB 192 204 112

HSL 67.83, 0.47%, 0.62%

LAB 79.36, -17.76, 44.26

 

CMYK 5 / 0 / 33 / 26

HEX #B4BD7F

RGB 180 189 127

HSL 68.71, 0.32%, 0.62%

LAB 74.59, -13.15, 30.36

 

CMYK 2 / 0 / 17 / 32

HEX #A9AD8F

RGB 169 173 143

HSL 68, 0.15%, 0.62%

LAB 69.69, -6.69, 14.96

 

CMYK 1 / 1 / 0 / 38

HEX #9E9D9F

RGB 158 157 159

HSL 270, 0.01%, 0.62%

LAB 64.87, 0.75, -0.92

 

CMYK 0 / 22 / 56 / 14

HEX #DCAB60

RGB 220 171 96

HSL 36.29, 0.64%, 0.62%

LAB 73.01, 9.42, 45.04

 

CMYK 0 / 7 / 56 / 14

HEX #DCCC60

RGB 220 204 96

HSL 52.26, 0.64%, 0.62%

LAB 81.43, -7.83, 54.86

 

CMYK 7 / 0 / 56 / 14

HEX #CCDC60

RGB 204 220 96

HSL 67.74, 0.64%, 0.62%

LAB 84.42, -22.3, 57.92

 

CMYK 22 / 0 / 56 / 14

HEX #ABDC60

RGB 171 220 96

HSL 83.71, 0.64%, 0.62%

LAB 82.21, -35.08, 54.82

 

CMYK 38 / 0 / 56 / 14

HEX #89DC60

RGB 137 220 96

HSL 100.16, 0.64%, 0.62%

LAB 80.38, -47, 52.23

 

CMYK 11 / 0 / 78 / 25

HEX #ABC02A

RGB 171 192 42

HSL 68.4, 0.64%, 0.46%

LAB 73.88, -25.46, 66.99

 

CMYK 10 / 0 / 71 / 16

HEX #C0D53E

RGB 192 213 62

HSL 68.34, 0.64%, 0.54%

LAB 81.37, -25.99, 68.08

 

CMYK 8 / 0 / 56 / 14

HEX #CBDC60

RGB 203 220 96

HSL 68.23, 0.64%, 0.62%

LAB 84.34, -22.7, 57.82

 

CMYK 6 / 0 / 43 / 11

HEX #D6E482

RGB 214 228 130

HSL 68.57, 0.64%, 0.7%

LAB 87.68, -19.15, 46.11

 

CMYK 4 / 0 / 30 / 8

HEX #E1EBA4

RGB 225 235 164

HSL 68.45, 0.64%, 0.78%

LAB 90.83, -14.46, 33.42

 

CMYK 8 / 0 / 57 / 14

HEX #CBDC5E

RGB 203 220 94

HSL 68.1, 0.64%, 0.62%

LAB 84.32, -22.86, 58.68

 

CMYK 56 / 0 / 38 / 14

HEX #60DC89

RGB 96 220 137

HSL 139.84, 0.64%, 0.62%

LAB 79.32, -52.7, 30.63

 

CMYK 15 / 56 / 0 / 14

HEX #BB60DC

RGB 187 96 220

HSL 284.03, 0.64%, 0.62%

LAB 56.19, 55.88, -48.47

 

CMYK 8 / 0 / 57 / 14

HEX #CBDC5E

RGB 203 220 94

HSL 68.1, 0.64%, 0.62%

LAB 84.32, -22.86, 58.68

 

CMYK 56 / 7 / 0 / 14

HEX #60CCDC

RGB 96 204 220

HSL 187.74, 0.64%, 0.62%

LAB 76.58, -26.45, -17.36

 

CMYK 0 / 56 / 7 / 14

HEX #DC60CC

RGB 220 96 204

HSL 307.74, 0.64%, 0.62%

LAB 59.84, 61.65, -33.37

 

CMYK 8 / 0 / 57 / 14

HEX #CBDC5E

RGB 203 220 94

HSL 68.1, 0.64%, 0.62%

LAB 84.32, -22.86, 58.68

 

CMYK 56 / 0 / 38 / 14

HEX #60DC89

RGB 96 220 137

HSL 139.84, 0.64%, 0.62%

LAB 79.32, -52.7, 30.63

 

CMYK 49 / 56 / 0 / 14

HEX #7160DC

RGB 113 96 220

HSL 248.23, 0.64%, 0.62%

LAB 48.32, 38.42, -61.51

 

CMYK 0 / 56 / 19 / 14

HEX #DC60B3

RGB 220 96 179

HSL 319.84, 0.64%, 0.62%

LAB 58.82, 57.83, -20.66

 

CMYK 8 / 0 / 57 / 14

HEX #CBDC5E

RGB 203 220 94

HSL 68.1, 0.64%, 0.62%

LAB 84.32, -22.86, 58.68

 

CMYK 56 / 0 / 20 / 14

HEX #60DCAF

RGB 96 220 175

HSL 158.23, 0.64%, 0.62%

LAB 80.05, -45.16, 11.81

 

CMYK 49 / 56 / 0 / 14

HEX #7160DC

RGB 113 96 220

HSL 248.23, 0.64%, 0.62%

LAB 48.32, 38.42, -61.51

 

CMYK 0 / 56 / 35 / 14

HEX #DC608E

RGB 220 96 142

HSL 337.74, 0.64%, 0.62%

LAB 57.59, 53, -1.03

 

Description

Color code: HEX #CBDC5E | qconv.com Color code: HEX #CBDC5E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 220 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 220 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 57 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 57% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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