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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBD979 it is the complementary color #342686. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBD979. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CBD979 shade: #D0D974, #E1EB87, #F2FD9A, #FFFFAD and #FFFFC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBD979. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CBD979 shade: #CBD979, #BAC766, #A9B553, #98A340 and #87912D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CBD979 shade: #CBD978, #D9CD78, #D9B378, #D99878 and #D97E78

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CBD979 shade: #CBD978, #B1D978, #96D978, #7CD978 and #78D98E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CBD979 shade matches the following richer shades: #CBD978, #D5E76A and #DFF55C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CBD979 shade: #CBD978, #C1CB86, #B7BD94, #ADAFA2 and #A3A1B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CBD979 shade: #D9B278, #D9CC78, #CCD978, #B2D978 and #98D978

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CBD979 shade: #B1C638, #BED058, #CBD978, #D7E298 and #E4EBB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CBD979 shade: #CBD979, #78D998 and #BF78D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CBD979 shade: #CBD979, #78CCD9 and #D978CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CBD979 shade: #CBD979, #78D998, #8578D9 and #D978B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CBD979 shade: #CBD979, #78D9B5, #8578D9 and #D9789B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 44 / 15

HEX #CBD979

RGB 203 217 121

HSL 68.75, 0.56%, 0.66%

LAB 83.81, -18.95, 45.52

 

Complementary color

CMYK 61 / 72 / 0 / 47

HEX #342686

RGB 52 38 134

HSL 248.75, 0.56%, 0.34%

LAB 23.13, 34.9, -51.58

 

CMYK 4 / 0 / 47 / 15

HEX #D0D974

RGB 208 217 116

HSL 65.35, 0.57%, 0.65%

LAB 84.12, -17.49, 48.4

 

CMYK 4 / 0 / 43 / 8

HEX #E1EB87

RGB 225 235 135

HSL 66, 0.71%, 0.73%

LAB 90.4, -17.81, 47.25

 

CMYK 4 / 0 / 39 / 1

HEX #F2FD9A

RGB 242 253 154

HSL 66.67, 0.96%, 0.8%

LAB 96.6, -18.07, 46.12

 

CMYK 0 / 0 / 32 / 0

HEX #FFFFAD

RGB 255 255 173

HSL 60, 1%, 0.84%

LAB 98.35, -12.04, 39.27

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFC0

RGB 255 255 192

HSL 60, 1%, 0.88%

LAB 98.66, -9.68, 30.2

 

CMYK 6 / 0 / 44 / 15

HEX #CBD979

RGB 203 217 121

HSL 68.75, 0.56%, 0.66%

LAB 83.81, -18.95, 45.52

 

CMYK 7 / 0 / 49 / 22

HEX #BAC766

RGB 186 199 102

HSL 68.04, 0.46%, 0.59%

LAB 77.43, -18.65, 46.67

 

CMYK 7 / 0 / 54 / 29

HEX #A9B553

RGB 169 181 83

HSL 67.35, 0.4%, 0.52%

LAB 70.94, -18.28, 47.78

 

CMYK 7 / 0 / 61 / 36

HEX #98A340

RGB 152 163 64

HSL 66.67, 0.44%, 0.45%

LAB 64.35, -17.79, 48.78

 

CMYK 7 / 0 / 69 / 43

HEX #87912D

RGB 135 145 45

HSL 66, 0.53%, 0.37%

LAB 57.65, -17.15, 49.47

 

CMYK 6 / 0 / 45 / 15

HEX #CBD978

RGB 203 217 120

HSL 68.66, 0.56%, 0.66%

LAB 83.8, -19.06, 45.99

 

CMYK 0 / 6 / 45 / 15

HEX #D9CD78

RGB 217 205 120

HSL 52.58, 0.56%, 0.66%

LAB 81.71, -7.48, 43.65

 

CMYK 0 / 18 / 45 / 15

HEX #D9B378

RGB 217 179 120

HSL 36.49, 0.56%, 0.66%

LAB 75.04, 6.09, 35.22

 

CMYK 0 / 30 / 45 / 15

HEX #D99878

RGB 217 152 120

HSL 19.79, 0.56%, 0.66%

LAB 68.43, 20.59, 26.58

 

CMYK 0 / 42 / 45 / 15

HEX #D97E78

RGB 217 126 120

HSL 3.71, 0.56%, 0.66%

LAB 62.53, 34.52, 18.62

 

CMYK 6 / 0 / 45 / 15

HEX #CBD978

RGB 203 217 120

HSL 68.66, 0.56%, 0.66%

LAB 83.8, -19.06, 45.99

 

CMYK 18 / 0 / 45 / 15

HEX #B1D978

RGB 177 217 120

HSL 84.74, 0.56%, 0.66%

LAB 82.02, -28.97, 43.39

 

CMYK 31 / 0 / 45 / 15

HEX #96D978

RGB 150 217 120

HSL 101.44, 0.56%, 0.66%

LAB 80.44, -38.58, 41.08

 

CMYK 43 / 0 / 45 / 15

HEX #7CD978

RGB 124 217 120

HSL 117.53, 0.56%, 0.66%

LAB 79.19, -46.84, 39.24

 

CMYK 45 / 0 / 35 / 15

HEX #78D98E

RGB 120 217 142

HSL 133.61, 0.56%, 0.66%

LAB 79.37, -44.55, 28.29

 

CMYK 6 / 0 / 45 / 15

HEX #CBD978

RGB 203 217 120

HSL 68.66, 0.56%, 0.66%

LAB 83.8, -19.06, 45.99

 

CMYK 8 / 0 / 54 / 9

HEX #D5E76A

RGB 213 231 106

HSL 68.64, 0.72%, 0.66%

LAB 88.13, -23.24, 57.88

 

CMYK 9 / 0 / 62 / 4

HEX #DFF55C

RGB 223 245 92

HSL 68.63, 0.88%, 0.66%

LAB 92.47, -27, 68.81

 

CMYK 6 / 0 / 45 / 15

HEX #CBD978

RGB 203 217 120

HSL 68.66, 0.56%, 0.66%

LAB 83.8, -19.06, 45.99

 

CMYK 5 / 0 / 34 / 20

HEX #C1CB86

RGB 193 203 134

HSL 68.7, 0.4%, 0.66%

LAB 79.48, -14.36, 33.33

 

CMYK 3 / 0 / 22 / 26

HEX #B7BD94

RGB 183 189 148

HSL 68.78, 0.24%, 0.66%

LAB 75.2, -9.06, 20.07

 

CMYK 1 / 0 / 7 / 31

HEX #ADAFA2

RGB 173 175 162

HSL 69.23, 0.08%, 0.66%

LAB 70.98, -3.08, 6.41

 

CMYK 7 / 9 / 0 / 31

HEX #A3A1B0

RGB 163 161 176

HSL 248, 0.09%, 0.66%

LAB 66.83, 3.67, -7.5

 

CMYK 0 / 18 / 45 / 15

HEX #D9B278

RGB 217 178 120

HSL 35.88, 0.56%, 0.66%

LAB 74.79, 6.62, 34.9

 

CMYK 0 / 6 / 45 / 15

HEX #D9CC78

RGB 217 204 120

HSL 51.96, 0.56%, 0.66%

LAB 81.45, -6.97, 43.33

 

CMYK 6 / 0 / 45 / 15

HEX #CCD978

RGB 204 217 120

HSL 68.04, 0.56%, 0.66%

LAB 83.87, -18.67, 46.1

 

CMYK 18 / 0 / 45 / 15

HEX #B2D978

RGB 178 217 120

HSL 84.12, 0.56%, 0.66%

LAB 82.08, -28.6, 43.48

 

CMYK 30 / 0 / 45 / 15

HEX #98D978

RGB 152 217 120

HSL 100.21, 0.56%, 0.66%

LAB 80.55, -37.9, 41.23

 

CMYK 11 / 0 / 72 / 22

HEX #B1C638

RGB 177 198 56

HSL 68.87, 0.56%, 0.5%

LAB 76.08, -25.23, 64.67

 

CMYK 9 / 0 / 58 / 18

HEX #BED058

RGB 190 208 88

HSL 69, 0.56%, 0.58%

LAB 80.05, -22.71, 56.26

 

CMYK 6 / 0 / 45 / 15

HEX #CBD978

RGB 203 217 120

HSL 68.66, 0.56%, 0.66%

LAB 83.8, -19.06, 45.99

 

CMYK 5 / 0 / 33 / 11

HEX #D7E298

RGB 215 226 152

HSL 68.92, 0.56%, 0.74%

LAB 87.54, -15.26, 35.01

 

CMYK 3 / 0 / 22 / 8

HEX #E4EBB8

RGB 228 235 184

HSL 68.24, 0.56%, 0.82%

LAB 91.4, -10.64, 24.03

 

CMYK 6 / 0 / 44 / 15

HEX #CBD979

RGB 203 217 121

HSL 68.75, 0.56%, 0.66%

LAB 83.81, -18.95, 45.52

 

CMYK 45 / 0 / 30 / 15

HEX #78D998

RGB 120 217 152

HSL 139.79, 0.56%, 0.66%

LAB 79.55, -42.78, 23.34

 

CMYK 12 / 45 / 0 / 15

HEX #BF78D9

RGB 191 120 217

HSL 283.92, 0.56%, 0.66%

LAB 61.24, 44.03, -38.78

 

CMYK 6 / 0 / 44 / 15

HEX #CBD979

RGB 203 217 121

HSL 68.75, 0.56%, 0.66%

LAB 83.81, -18.95, 45.52

 

CMYK 45 / 6 / 0 / 15

HEX #78CCD9

RGB 120 204 217

HSL 188.04, 0.56%, 0.66%

LAB 77.39, -22.13, -14.43

 

CMYK 0 / 45 / 6 / 15

HEX #D978CC

RGB 217 120 204

HSL 308.04, 0.56%, 0.66%

LAB 63.79, 49.3, -27.28

 

CMYK 6 / 0 / 44 / 15

HEX #CBD979

RGB 203 217 121

HSL 68.75, 0.56%, 0.66%

LAB 83.81, -18.95, 45.52

 

CMYK 45 / 0 / 30 / 15

HEX #78D998

RGB 120 217 152

HSL 139.79, 0.56%, 0.66%

LAB 79.55, -42.78, 23.34

 

CMYK 39 / 45 / 0 / 15

HEX #8578D9

RGB 133 120 217

HSL 248.04, 0.56%, 0.66%

LAB 55.51, 28.03, -48.2

 

CMYK 0 / 45 / 15 / 15

HEX #D978B8

RGB 217 120 184

HSL 320.41, 0.56%, 0.66%

LAB 63.05, 46.01, -17.12

 

CMYK 6 / 0 / 44 / 15

HEX #CBD979

RGB 203 217 121

HSL 68.75, 0.56%, 0.66%

LAB 83.81, -18.95, 45.52

 

CMYK 45 / 0 / 17 / 15

HEX #78D9B5

RGB 120 217 181

HSL 157.73, 0.56%, 0.66%

LAB 80.15, -36.98, 8.9

 

CMYK 39 / 45 / 0 / 15

HEX #8578D9

RGB 133 120 217

HSL 248.04, 0.56%, 0.66%

LAB 55.51, 28.03, -48.2

 

CMYK 0 / 45 / 29 / 15

HEX #D9789B

RGB 217 120 155

HSL 338.35, 0.56%, 0.66%

LAB 62.13, 41.8, -1.95

 

Description

Color code: HEX #CBD979 | qconv.com Color code: HEX #CBD979 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 217 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 217 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 44 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 44% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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