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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBD242 it is the complementary color #342DBD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBD242. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CBD242 shade: #D0D23D, #E1E450, #F2F663, #FFFF76 and #FFFF89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBD242. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CBD242 shade: #CBD242, #BAC02F, #A9AE1C, #989C09 and #878A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CBD242 shade: #CBD241, #D2B241, #D28B41, #D26441 and #D24141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CBD242 shade: #CBD241, #A4D241, #7DD241, #56D241 and #41D253

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CBD242 shade matches the following richer shades: #CBD241, #DCE52E and #EEF81B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CBD242 shade: #CBD241, #BABF54, #A9AC67, #98997A and #87878D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CBD242 shade: #D28A41, #D2B041, #CED241, #A7D241 and #80D241

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CBD242 shade: #969C25, #B7BE2C, #CBD241, #D4DA62 and #DEE284

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CBD242 shade: #CBD242, #41D263 and #9D41D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CBD242 shade: #CBD242, #41CED2 and #D241CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CBD242 shade: #CBD242, #41D263, #4641D2 and #D241B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CBD242 shade: #CBD242, #41D28F, #4641D2 and #D24185

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 69 / 18

HEX #CBD242

RGB 203 210 66

HSL 62.92, 0.62%, 0.54%

LAB 81.39, -19.81, 66.94

 

Complementary color

CMYK 72 / 76 / 0 / 26

HEX #342DBD

RGB 52 45 189

HSL 242.92, 0.62%, 0.46%

LAB 30.11, 48.83, -73.5

 

CMYK 1 / 0 / 71 / 18

HEX #D0D23D

RGB 208 210 61

HSL 60.81, 0.62%, 0.53%

LAB 81.75, -17.98, 69.22

 

CMYK 1 / 0 / 65 / 11

HEX #E1E450

RGB 225 228 80

HSL 61.22, 0.73%, 0.6%

LAB 88, -18.8, 68.89

 

CMYK 2 / 0 / 60 / 4

HEX #F2F663

RGB 242 246 99

HSL 61.63, 0.89%, 0.68%

LAB 94.18, -19.49, 68.22

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF76

RGB 255 255 118

HSL 60, 1%, 0.73%

LAB 97.67, -17.33, 64.31

 

CMYK 0 / 0 / 46 / 0

HEX #FFFF89

RGB 255 255 137

HSL 60, 1%, 0.77%

LAB 97.87, -15.76, 55.97

 

CMYK 3 / 0 / 69 / 18

HEX #CBD242

RGB 203 210 66

HSL 62.92, 0.62%, 0.54%

LAB 81.39, -19.81, 66.94

 

CMYK 3 / 0 / 76 / 25

HEX #BAC02F

RGB 186 192 47

HSL 62.48, 0.61%, 0.47%

LAB 75.04, -18.94, 66.93

 

CMYK 3 / 0 / 84 / 32

HEX #A9AE1C

RGB 169 174 28

HSL 62.05, 0.72%, 0.4%

LAB 68.6, -17.88, 66.07

 

CMYK 3 / 0 / 94 / 39

HEX #989C09

RGB 152 156 9

HSL 61.63, 0.89%, 0.32%

LAB 62.06, -16.59, 63.79

 

CMYK 2 / 0 / 100 / 46

HEX #878A00

RGB 135 138 0

HSL 61.3, 1%, 0.27%

LAB 55.41, -15.03, 59.54

 

CMYK 3 / 0 / 69 / 18

HEX #CBD241

RGB 203 210 65

HSL 62.9, 0.62%, 0.54%

LAB 81.39, -19.86, 67.3

 

CMYK 0 / 15 / 69 / 18

HEX #D2B241

RGB 210 178 65

HSL 46.76, 0.62%, 0.54%

LAB 73.5, -0.58, 59.56

 

CMYK 0 / 34 / 69 / 18

HEX #D28B41

RGB 210 139 65

HSL 30.62, 0.62%, 0.54%

LAB 63.79, 20.37, 49.35

 

CMYK 0 / 52 / 69 / 18

HEX #D26441

RGB 210 100 65

HSL 14.48, 0.62%, 0.54%

LAB 55.28, 40.94, 39.87

 

CMYK 0 / 69 / 69 / 18

HEX #D24141

RGB 210 65 65

HSL 0, 0.62%, 0.54%

LAB 49.33, 56.64, 32.91

 

CMYK 3 / 0 / 69 / 18

HEX #CBD241

RGB 203 210 65

HSL 62.9, 0.62%, 0.54%

LAB 81.39, -19.86, 67.3

 

CMYK 22 / 0 / 69 / 18

HEX #A4D241

RGB 164 210 65

HSL 79.03, 0.62%, 0.54%

LAB 78.68, -35.55, 63.69

 

CMYK 40 / 0 / 69 / 18

HEX #7DD241

RGB 125 210 65

HSL 95.17, 0.62%, 0.54%

LAB 76.58, -49.56, 60.88

 

CMYK 59 / 0 / 69 / 18

HEX #56D241

RGB 86 210 65

HSL 111.31, 0.62%, 0.54%

LAB 75.11, -60.66, 58.89

 

CMYK 69 / 0 / 60 / 18

HEX #41D253

RGB 65 210 83

HSL 127.45, 0.62%, 0.54%

LAB 74.72, -63.23, 50.87

 

CMYK 3 / 0 / 69 / 18

HEX #CBD241

RGB 203 210 65

HSL 62.9, 0.62%, 0.54%

LAB 81.39, -19.86, 67.3

 

CMYK 4 / 0 / 80 / 10

HEX #DCE52E

RGB 220 229 46

HSL 62.95, 0.78%, 0.54%

LAB 87.7, -22.83, 79.52

 

CMYK 4 / 0 / 89 / 3

HEX #EEF81B

RGB 238 248 27

HSL 62.71, 0.94%, 0.54%

LAB 94.05, -24.93, 89.09

 

CMYK 3 / 0 / 69 / 18

HEX #CBD241

RGB 203 210 65

HSL 62.9, 0.62%, 0.54%

LAB 81.39, -19.86, 67.3

 

CMYK 3 / 0 / 56 / 25

HEX #BABF54

RGB 186 191 84

HSL 62.8, 0.46%, 0.54%

LAB 75.04, -16.22, 52.35

 

CMYK 2 / 0 / 40 / 33

HEX #A9AC67

RGB 169 172 103

HSL 62.61, 0.29%, 0.54%

LAB 68.69, -11.65, 35.1

 

CMYK 1 / 0 / 20 / 40

HEX #98997A

RGB 152 153 122

HSL 61.94, 0.13%, 0.54%

LAB 62.39, -5.79, 16.22

 

CMYK 4 / 4 / 0 / 45

HEX #87878D

RGB 135 135 141

HSL 240, 0.03%, 0.54%

LAB 56.49, 1.21, -3.21

 

CMYK 0 / 34 / 69 / 18

HEX #D28A41

RGB 210 138 65

HSL 30.21, 0.62%, 0.54%

LAB 63.56, 20.91, 49.1

 

CMYK 0 / 16 / 69 / 18

HEX #D2B041

RGB 210 176 65

HSL 45.93, 0.62%, 0.54%

LAB 72.98, 0.47, 59.03

 

CMYK 2 / 0 / 69 / 18

HEX #CED241

RGB 206 210 65

HSL 61.66, 0.62%, 0.54%

LAB 81.62, -18.62, 67.61

 

CMYK 20 / 0 / 69 / 18

HEX #A7D241

RGB 167 210 65

HSL 77.79, 0.62%, 0.54%

LAB 78.86, -34.39, 63.94

 

CMYK 39 / 0 / 69 / 18

HEX #80D241

RGB 128 210 65

HSL 93.93, 0.62%, 0.54%

LAB 76.72, -48.57, 61.07

 

CMYK 4 / 0 / 76 / 39

HEX #969C25

RGB 150 156 37

HSL 63.03, 0.62%, 0.38%

LAB 61.99, -16.67, 57.08

 

CMYK 4 / 0 / 77 / 25

HEX #B7BE2C

RGB 183 190 44

HSL 62.88, 0.62%, 0.46%

LAB 74.24, -19.34, 67.05

 

CMYK 3 / 0 / 69 / 18

HEX #CBD241

RGB 203 210 65

HSL 62.9, 0.62%, 0.54%

LAB 81.39, -19.86, 67.3

 

CMYK 3 / 0 / 55 / 15

HEX #D4DA62

RGB 212 218 98

HSL 63, 0.62%, 0.62%

LAB 84.49, -17.96, 57.28

 

CMYK 2 / 0 / 42 / 11

HEX #DEE284

RGB 222 226 132

HSL 62.55, 0.62%, 0.7%

LAB 87.77, -14.86, 45.38

 

CMYK 3 / 0 / 69 / 18

HEX #CBD242

RGB 203 210 66

HSL 62.92, 0.62%, 0.54%

LAB 81.39, -19.81, 66.94

 

CMYK 69 / 0 / 53 / 18

HEX #41D263

RGB 65 210 99

HSL 134.07, 0.62%, 0.54%

LAB 74.9, -61.19, 43.71

 

CMYK 25 / 69 / 0 / 18

HEX #9D41D2

RGB 157 65 210

HSL 278.07, 0.62%, 0.54%

LAB 46.45, 61.24, -58.58

 

CMYK 3 / 0 / 69 / 18

HEX #CBD242

RGB 203 210 66

HSL 62.92, 0.62%, 0.54%

LAB 81.39, -19.81, 66.94

 

CMYK 69 / 2 / 0 / 18

HEX #41CED2

RGB 65 206 210

HSL 181.66, 0.62%, 0.54%

LAB 76.02, -35.26, -12.9

 

CMYK 0 / 69 / 2 / 18

HEX #D241CE

RGB 210 65 206

HSL 301.66, 0.62%, 0.54%

LAB 53.96, 71.91, -43.83

 

CMYK 3 / 0 / 69 / 18

HEX #CBD242

RGB 203 210 66

HSL 62.92, 0.62%, 0.54%

LAB 81.39, -19.81, 66.94

 

CMYK 69 / 0 / 53 / 18

HEX #41D263

RGB 65 210 99

HSL 134.07, 0.62%, 0.54%

LAB 74.9, -61.19, 43.71

 

CMYK 67 / 69 / 0 / 18

HEX #4641D2

RGB 70 65 210

HSL 242.07, 0.62%, 0.54%

LAB 37.36, 46.34, -73.77

 

CMYK 0 / 69 / 16 / 18

HEX #D241B0

RGB 210 65 176

HSL 314.07, 0.62%, 0.54%

LAB 52.53, 67.41, -28.74

 

CMYK 3 / 0 / 69 / 18

HEX #CBD242

RGB 203 210 66

HSL 62.92, 0.62%, 0.54%

LAB 81.39, -19.81, 66.94

 

CMYK 69 / 0 / 32 / 18

HEX #41D28F

RGB 65 210 143

HSL 152.28, 0.62%, 0.54%

LAB 75.58, -53.59, 22.35

 

CMYK 67 / 69 / 0 / 18

HEX #4641D2

RGB 70 65 210

HSL 242.07, 0.62%, 0.54%

LAB 37.36, 46.34, -73.77

 

CMYK 0 / 69 / 37 / 18

HEX #D24185

RGB 210 65 133

HSL 331.86, 0.62%, 0.54%

LAB 50.89, 62.03, -5.76

 

Description

Color code: HEX #CBD242 | qconv.com Color code: HEX #CBD242 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 210 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 210 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 69 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 69% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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