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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBD034 it is the complementary color #342FCB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBD034. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CBD034 shade: #D0D02F, #E1E242, #F2F455, #FFFF68 and #FFFF7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBD034. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CBD034 shade: #CBD034, #BABE21, #A9AC0E, #989A00 and #878800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CBD034 shade: #CBD035, #D0AB35, #D08135, #D05735 and #D03535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CBD034 shade: #CBD035, #A1D035, #77D035, #4DD035 and #35D046

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CBD034 shade matches the following richer shades: #CBD035, #DDE420 and #F0F80C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CBD034 shade: #CBD035, #B8BB49, #A5A75D, #929371 and #7F7F85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CBD034 shade: #D07F35, #D0A935, #CDD035, #A4D035 and #7AD035

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CBD034 shade: #8C9022, #ADB12A, #CBD035, #D3D756 and #DCDF77

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CBD034 shade: #CBD034, #35D056 and #9435D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CBD034 shade: #CBD034, #35CDD0 and #D035CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CBD034 shade: #CBD034, #35D056, #3735D0 and #D035AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CBD034 shade: #CBD034, #35D085, #3735D0 and #D0357F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 75 / 18

HEX #CBD034

RGB 203 208 52

HSL 61.92, 0.62%, 0.51%

LAB 80.77, -19.48, 71.13

 

Complementary color

CMYK 74 / 77 / 0 / 20

HEX #342FCB

RGB 52 47 203

HSL 241.92, 0.62%, 0.49%

LAB 31.98, 52.21, -78.63

 

CMYK 0 / 0 / 77 / 18

HEX #D0D02F

RGB 208 208 47

HSL 60, 0.63%, 0.5%

LAB 81.14, -17.57, 73.12

 

CMYK 0 / 0 / 71 / 11

HEX #E1E242

RGB 225 226 66

HSL 60.38, 0.73%, 0.57%

LAB 87.38, -18.55, 73.38

 

CMYK 1 / 0 / 65 / 4

HEX #F2F455

RGB 242 244 85

HSL 60.75, 0.88%, 0.65%

LAB 93.55, -19.37, 73.09

 

CMYK 0 / 0 / 59 / 0

HEX #FFFF68

RGB 255 255 104

HSL 60, 1%, 0.7%

LAB 97.54, -18.31, 70.1

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF7B

RGB 255 255 123

HSL 60, 1%, 0.74%

LAB 97.72, -16.94, 62.16

 

CMYK 2 / 0 / 75 / 18

HEX #CBD034

RGB 203 208 52

HSL 61.92, 0.62%, 0.51%

LAB 80.77, -19.48, 71.13

 

CMYK 2 / 0 / 83 / 25

HEX #BABE21

RGB 186 190 33

HSL 61.53, 0.7%, 0.44%

LAB 74.43, -18.43, 70.33

 

CMYK 2 / 0 / 92 / 33

HEX #A9AC0E

RGB 169 172 14

HSL 61.14, 0.85%, 0.36%

LAB 68, -17.18, 68.3

 

CMYK 1 / 0 / 100 / 40

HEX #989A00

RGB 152 154 0

HSL 60.78, 1%, 0.3%

LAB 61.47, -15.69, 64.64

 

CMYK 1 / 0 / 100 / 47

HEX #878800

RGB 135 136 0

HSL 60.44, 1%, 0.27%

LAB 54.82, -13.97, 59.12

 

CMYK 2 / 0 / 75 / 18

HEX #CBD035

RGB 203 208 53

HSL 61.94, 0.62%, 0.51%

LAB 80.78, -19.44, 70.82

 

CMYK 0 / 18 / 75 / 18

HEX #D0AB35

RGB 208 171 53

HSL 45.68, 0.62%, 0.51%

LAB 71.41, 1.67, 62.15

 

CMYK 0 / 38 / 75 / 18

HEX #D08135

RGB 208 129 53

HSL 29.42, 0.62%, 0.51%

LAB 61.1, 24.34, 52

 

CMYK 0 / 58 / 75 / 18

HEX #D05735

RGB 208 87 53

HSL 13.16, 0.62%, 0.51%

LAB 52.38, 45.93, 42.92

 

CMYK 0 / 75 / 75 / 18

HEX #D03535

RGB 208 53 53

HSL 0, 0.62%, 0.51%

LAB 47.25, 59.77, 37.31

 

CMYK 2 / 0 / 75 / 18

HEX #CBD035

RGB 203 208 53

HSL 61.94, 0.62%, 0.51%

LAB 80.78, -19.44, 70.82

 

CMYK 23 / 0 / 75 / 18

HEX #A1D035

RGB 161 208 53

HSL 78.19, 0.62%, 0.51%

LAB 77.84, -36.49, 67.01

 

CMYK 43 / 0 / 75 / 18

HEX #77D035

RGB 119 208 53

HSL 94.45, 0.62%, 0.51%

LAB 75.63, -51.51, 64.11

 

CMYK 63 / 0 / 75 / 18

HEX #4DD035

RGB 77 208 53

HSL 110.71, 0.62%, 0.51%

LAB 74.16, -62.95, 62.16

 

CMYK 75 / 0 / 66 / 18

HEX #35D046

RGB 53 208 70

HSL 126.58, 0.62%, 0.51%

LAB 73.75, -65.93, 55.23

 

CMYK 2 / 0 / 75 / 18

HEX #CBD035

RGB 203 208 53

HSL 61.94, 0.62%, 0.51%

LAB 80.78, -19.44, 70.82

 

CMYK 3 / 0 / 86 / 11

HEX #DDE420

RGB 221 228 32

HSL 62.14, 0.78%, 0.51%

LAB 87.47, -22.31, 82.46

 

CMYK 3 / 0 / 95 / 3

HEX #F0F80C

RGB 240 248 12

HSL 62.03, 0.94%, 0.51%

LAB 94.18, -24.3, 90.93

 

CMYK 2 / 0 / 75 / 18

HEX #CBD035

RGB 203 208 53

HSL 61.94, 0.62%, 0.51%

LAB 80.78, -19.44, 70.82

 

CMYK 2 / 0 / 61 / 27

HEX #B8BB49

RGB 184 187 73

HSL 61.58, 0.46%, 0.51%

LAB 73.68, -15.85, 55.69

 

CMYK 1 / 0 / 44 / 35

HEX #A5A75D

RGB 165 167 93

HSL 61.62, 0.3%, 0.51%

LAB 66.84, -11.77, 37.88

 

CMYK 1 / 0 / 23 / 42

HEX #929371

RGB 146 147 113

HSL 61.76, 0.14%, 0.51%

LAB 60.04, -6.27, 17.94

 

CMYK 5 / 5 / 0 / 48

HEX #7F7F85

RGB 127 127 133

HSL 240, 0.02%, 0.51%

LAB 53.37, 1.22, -3.25

 

CMYK 0 / 39 / 75 / 18

HEX #D07F35

RGB 208 127 53

HSL 28.65, 0.62%, 0.51%

LAB 60.65, 25.42, 51.53

 

CMYK 0 / 19 / 75 / 18

HEX #D0A935

RGB 208 169 53

HSL 44.9, 0.62%, 0.51%

LAB 70.9, 2.74, 61.65

 

CMYK 1 / 0 / 75 / 18

HEX #CDD035

RGB 205 208 53

HSL 61.16, 0.62%, 0.51%

LAB 80.93, -18.6, 71.02

 

CMYK 21 / 0 / 75 / 18

HEX #A4D035

RGB 164 208 53

HSL 77.03, 0.62%, 0.51%

LAB 78.03, -35.32, 67.26

 

CMYK 41 / 0 / 75 / 18

HEX #7AD035

RGB 122 208 53

HSL 93.29, 0.62%, 0.51%

LAB 75.77, -50.54, 64.29

 

CMYK 3 / 0 / 76 / 44

HEX #8C9022

RGB 140 144 34

HSL 62.18, 0.62%, 0.35%

LAB 57.69, -14.99, 53.8

 

CMYK 2 / 0 / 76 / 31

HEX #ADB12A

RGB 173 177 42

HSL 61.78, 0.62%, 0.43%

LAB 69.82, -17.18, 63.34

 

CMYK 2 / 0 / 75 / 18

HEX #CBD035

RGB 203 208 53

HSL 61.94, 0.62%, 0.51%

LAB 80.78, -19.44, 70.82

 

CMYK 2 / 0 / 60 / 16

HEX #D3D756

RGB 211 215 86

HSL 61.86, 0.62%, 0.59%

LAB 83.51, -17.77, 61.39

 

CMYK 1 / 0 / 47 / 13

HEX #DCDF77

RGB 220 223 119

HSL 61.73, 0.62%, 0.67%

LAB 86.66, -15.43, 50.26

 

CMYK 2 / 0 / 75 / 18

HEX #CBD034

RGB 203 208 52

HSL 61.92, 0.62%, 0.51%

LAB 80.77, -19.48, 71.13

 

CMYK 75 / 0 / 59 / 18

HEX #35D056

RGB 53 208 86

HSL 132.77, 0.62%, 0.51%

LAB 73.89, -64.14, 48.51

 

CMYK 29 / 75 / 0 / 18

HEX #9435D0

RGB 148 53 208

HSL 276.77, 0.62%, 0.51%

LAB 43.35, 63.97, -62.49

 

CMYK 2 / 0 / 75 / 18

HEX #CBD034

RGB 203 208 52

HSL 61.92, 0.62%, 0.51%

LAB 80.77, -19.48, 71.13

 

CMYK 75 / 1 / 0 / 18

HEX #35CDD0

RGB 53 205 208

HSL 181.16, 0.62%, 0.51%

LAB 75.43, -36.81, -12.72

 

CMYK 0 / 75 / 1 / 18

HEX #D035CD

RGB 208 53 205

HSL 301.16, 0.62%, 0.51%

LAB 52.25, 75.16, -46

 

CMYK 2 / 0 / 75 / 18

HEX #CBD034

RGB 203 208 52

HSL 61.92, 0.62%, 0.51%

LAB 80.77, -19.48, 71.13

 

CMYK 75 / 0 / 59 / 18

HEX #35D056

RGB 53 208 86

HSL 132.77, 0.62%, 0.51%

LAB 73.89, -64.14, 48.51

 

CMYK 74 / 75 / 0 / 18

HEX #3735D0

RGB 55 53 208

HSL 240.77, 0.62%, 0.51%

LAB 33.8, 50.87, -78.52

 

CMYK 0 / 75 / 16 / 18

HEX #D035AE

RGB 208 53 174

HSL 313.16, 0.62%, 0.51%

LAB 50.7, 70.62, -30.44

 

CMYK 2 / 0 / 75 / 18

HEX #CBD034

RGB 203 208 52

HSL 61.92, 0.62%, 0.51%

LAB 80.77, -19.48, 71.13

 

CMYK 75 / 0 / 36 / 18

HEX #35D085

RGB 53 208 133

HSL 150.97, 0.62%, 0.51%

LAB 74.55, -56.58, 26.15

 

CMYK 74 / 75 / 0 / 18

HEX #3735D0

RGB 55 53 208

HSL 240.77, 0.62%, 0.51%

LAB 33.8, 50.87, -78.52

 

CMYK 0 / 75 / 39 / 18

HEX #D0357F

RGB 208 53 127

HSL 331.35, 0.62%, 0.51%

LAB 48.87, 64.99, -5.18

 

Description

Color code: HEX #CBD034 | qconv.com Color code: HEX #CBD034 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 208 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 208 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 75 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 75% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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