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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBC6FACE it is the complementary color #343905CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBC6FACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CBC6FACE shade: #D0C6F5CE, #E1D8FFCE, #F2EAFFCE, #FFFCFFCE and #FFFFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBC6FACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CBC6FACE shade: #CBC6FACE, #BAB4E7CE, #A9A2D4CE, #9890C1CE and #877EAECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CBC6FACE shade: #CCC7FA, #DAC7FA, #E7C7FA, #F5C7FA and #FAC7F1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CBC6FACE shade: #CCC7FA and #C7C7FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CBC6FACE shade matches the following richer shades: #CCC7FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CBC6FACE shade: #CCC7FA, #D0CCF5, #D4D1F0, #D8D6EB and #DCDBE6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CBC6FACE shade: #C7DEFA, #C7D0FA, #CBC7FA, #D9C7FA and #E6C7FA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CBC6FACE shade: #867BF4, #A9A1F7, #CCC7FA, #EEEDFD and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CBC6FACE shade: #CBC6FA, #FAC7EC and #D7FAC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CBC6FACE shade: #CBC6FA, #FACBC7 and #C7FACB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CBC6FACE shade: #CBC6FA, #FAC7EC, #F6FAC7 and #C7FAD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CBC6FACE shade: #CBC6FA, #FAC7DC, #F6FAC7 and #C7FAE5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 17 / 0 / 2

HEX #CBC6FACE

RGBA 203 198 250 0.81

HSLA 245.77, 0.84%, 0.88%, 0.81

LABA 81.83, 12.13, -24.92, 0.81

 

Complementary color

CMYK 7 / 0 / 74 / 63

HEX #343905CE

RGBA 52 57 5 0.81

HSLA 65.77, 0.84%, 0.12%, 0.81

LABA 22.54, -9.76, 28.87, 0.81

 

CMYK 12 / 16 / 0 / 3

HEX #D0C6F5CE

RGBA 208 198 245 0.81

HSLA 252.77, 0.7%, 0.87%, 0.81

LABA 82.05, 12.6, -21.88, 0.81

 

CMYK 10 / 12 / 0 / 0

HEX #E1D8FFCE

RGBA 225 216 255 0.81

HSLA 253.85, 1%, 0.92%, 0.81

LABA 88.13, 10.42, -17.86, 0.81

 

CMYK 4 / 7 / 0 / 0

HEX #F2EAFFCE

RGBA 242 234 255 0.81

HSLA 262.86, 1%, 0.96%, 0.81

LABA 93.86, 6.47, -9.16, 0.81

 

CMYK 0 / 1 / 0 / 0

HEX #FFFCFFCE

RGBA 255 252 255 0.81

HSLA 300, 1%, 0.99%, 0.81

LABA 99.26, 1.52, -1.09, 0.81

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFFCE

RGBA 255 255 255 0.81

HSLA 0, 0%, 1%, 0.81

LABA 100, 0.01, -0.01, 0.81

 

CMYK 15 / 17 / 0 / 2

HEX #CBC6FACE

RGBA 203 198 250 0.81

HSLA 245.77, 0.84%, 0.88%, 0.81

LABA 81.83, 12.13, -24.92, 0.81

 

CMYK 16 / 18 / 0 / 8

HEX #BAB4E7CE

RGBA 186 180 231 0.81

HSLA 247.06, 0.52%, 0.81%, 0.81

LABA 75.36, 12.5, -24.7, 0.81

 

CMYK 16 / 19 / 0 / 14

HEX #A9A2D4CE

RGBA 169 162 212 0.81

HSLA 248.4, 0.37%, 0.73%, 0.81

LABA 68.77, 12.9, -24.5, 0.81

 

CMYK 17 / 21 / 0 / 20

HEX #9890C1CE

RGBA 152 144 193 0.81

HSLA 249.8, 0.28%, 0.66%, 0.81

LABA 62.06, 13.35, -24.33, 0.81

 

CMYK 18 / 22 / 0 / 26

HEX #877EAECE

RGBA 135 126 174 0.81

HSLA 251.25, 0.23%, 0.59%, 0.81

LABA 55.2, 13.84, -24.18, 0.81

 

CMYK 18 / 20 / 0 / 2

HEX #CCC7FA

RGB 204 199 250

HSL 245.88, 0.84%, 0.88%

LAB 82.16, 11.9, -24.42

 

CMYK 13 / 20 / 0 / 2

HEX #DAC7FA

RGB 218 199 250

HSL 262.35, 0.84%, 0.88%

LAB 83.26, 16.24, -22.63

 

CMYK 8 / 20 / 0 / 2

HEX #E7C7FA

RGB 231 199 250

HSL 277.65, 0.84%, 0.88%

LAB 84.35, 20.36, -20.88

 

CMYK 2 / 20 / 0 / 2

HEX #F5C7FA

RGB 245 199 250

HSL 294.12, 0.84%, 0.88%

LAB 85.59, 24.86, -18.89

 

CMYK 0 / 20 / 4 / 2

HEX #FAC7F1

RGB 250 199 241

HSL 310.59, 0.84%, 0.88%

LAB 85.77, 24.87, -13.8

 

CMYK 18 / 20 / 0 / 2

HEX #CCC7FA

RGB 204 199 250

HSL 245.88, 0.84%, 0.88%

LAB 82.16, 11.9, -24.42

 

CMYK 20 / 20 / 0 / 2

HEX #C7C7FA

RGB 199 199 250

HSL 240, 0.84%, 0.88%

LAB 81.78, 10.37, -25.02

 

CMYK 18 / 20 / 0 / 2

HEX #CCC7FA

RGB 204 199 250

HSL 245.88, 0.84%, 0.88%

LAB 82.16, 11.9, -24.42

 

CMYK 18 / 20 / 0 / 2

HEX #CCC7FA

RGB 204 199 250

HSL 245.88, 0.84%, 0.88%

LAB 82.16, 11.9, -24.42

 

CMYK 15 / 17 / 0 / 4

HEX #D0CCF5

RGB 208 204 245

HSL 245.85, 0.67%, 0.88%

LAB 83.54, 9.39, -19.62

 

CMYK 12 / 13 / 0 / 6

HEX #D4D1F0

RGB 212 209 240

HSL 245.81, 0.51%, 0.88%

LAB 84.94, 6.96, -14.83

 

CMYK 8 / 9 / 0 / 8

HEX #D8D6EB

RGB 216 214 235

HSL 245.71, 0.34%, 0.88%

LAB 86.35, 4.62, -10.05

 

CMYK 4 / 5 / 0 / 10

HEX #DCDBE6

RGB 220 219 230

HSL 245.45, 0.18%, 0.88%

LAB 87.77, 2.36, -5.27

 

CMYK 20 / 11 / 0 / 2

HEX #C7DEFA

RGB 199 222 250

HSL 212.94, 0.84%, 0.88%

LAB 87.62, -1.82, -16.18

 

CMYK 20 / 17 / 0 / 2

HEX #C7D0FA

RGB 199 208 250

HSL 229.41, 0.84%, 0.88%

LAB 84.05, 5.55, -21.58

 

CMYK 19 / 20 / 0 / 2

HEX #CBC7FA

RGB 203 199 250

HSL 244.71, 0.84%, 0.88%

LAB 82.08, 11.59, -24.54

 

CMYK 13 / 20 / 0 / 2

HEX #D9C7FA

RGB 217 199 250

HSL 261.18, 0.84%, 0.88%

LAB 83.18, 15.92, -22.77

 

CMYK 8 / 20 / 0 / 2

HEX #E6C7FA

RGB 230 199 250

HSL 276.47, 0.84%, 0.88%

LAB 84.26, 20.04, -21.02

 

CMYK 45 / 50 / 0 / 4

HEX #867BF4

RGB 134 123 244

HSL 245.45, 0.85%, 0.72%

LAB 57.81, 34.12, -59.6

 

CMYK 32 / 35 / 0 / 3

HEX #A9A1F7

RGB 169 161 247

HSL 245.58, 0.84%, 0.8%

LAB 69.92, 21.91, -41.9

 

CMYK 18 / 20 / 0 / 2

HEX #CCC7FA

RGB 204 199 250

HSL 245.88, 0.84%, 0.88%

LAB 82.16, 11.9, -24.42

 

CMYK 6 / 6 / 0 / 1

HEX #EEEDFD

RGB 238 237 253

HSL 243.75, 0.8%, 0.96%

LAB 94.24, 3.25, -7.59

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 19 / 21 / 0 / 2

HEX #CBC6FA

RGB 203 198 250

HSL 245.77, 0.84%, 0.88%

LAB 81.83, 12.13, -24.92

 

CMYK 0 / 20 / 6 / 2

HEX #FAC7EC

RGB 250 199 236

HSL 316.47, 0.84%, 0.88%

LAB 85.62, 24, -11.36

 

CMYK 14 / 0 / 20 / 2

HEX #D7FAC7

RGB 215 250 199

HSL 101.18, 0.84%, 0.88%

LAB 94.71, -20.33, 20.78

 

CMYK 19 / 21 / 0 / 2

HEX #CBC6FA

RGB 203 198 250

HSL 245.77, 0.84%, 0.88%

LAB 81.83, 12.13, -24.92

 

CMYK 0 / 19 / 20 / 2

HEX #FACBC7

RGB 250 203 199

HSL 4.71, 0.84%, 0.88%

LAB 85.58, 16, 8.27

 

CMYK 20 / 0 / 19 / 2

HEX #C7FACB

RGB 199 250 203

HSL 124.71, 0.84%, 0.88%

LAB 93.81, -24.98, 17.32

 

CMYK 19 / 21 / 0 / 2

HEX #CBC6FA

RGB 203 198 250

HSL 245.77, 0.84%, 0.88%

LAB 81.83, 12.13, -24.92

 

CMYK 0 / 20 / 6 / 2

HEX #FAC7EC

RGB 250 199 236

HSL 316.47, 0.84%, 0.88%

LAB 85.62, 24, -11.36

 

CMYK 2 / 0 / 20 / 2

HEX #F6FAC7

RGB 246 250 199

HSL 64.71, 0.84%, 0.88%

LAB 96.86, -9.5, 24.08

 

CMYK 20 / 0 / 15 / 2

HEX #C7FAD5

RGB 199 250 213

HSL 136.47, 0.84%, 0.88%

LAB 94.02, -23.23, 12.48

 

CMYK 19 / 21 / 0 / 2

HEX #CBC6FA

RGB 203 198 250

HSL 245.77, 0.84%, 0.88%

LAB 81.83, 12.13, -24.92

 

CMYK 0 / 20 / 12 / 2

HEX #FAC7DC

RGB 250 199 220

HSL 335.29, 0.84%, 0.88%

LAB 85.17, 21.33, -3.51

 

CMYK 2 / 0 / 20 / 2

HEX #F6FAC7

RGB 246 250 199

HSL 64.71, 0.84%, 0.88%

LAB 96.86, -9.5, 24.08

 

CMYK 20 / 0 / 8 / 2

HEX #C7FAE5

RGB 199 250 229

HSL 155.29, 0.84%, 0.88%

LAB 94.39, -20.25, 4.75

 

Description

Color code: HEX #CBC6FACE | qconv.com Color code: HEX #CBC6FACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 198 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 198 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 17 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 17% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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