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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBC01D it is the complementary color #343FE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBC01D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CBC01D shade: #D0C018, #E1D22B, #F2E43E, #FFF651 and #FFFF64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBC01D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CBC01D shade: #CBC01D, #BAAE0A, #A99C00, #988A00 and #877800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CBC01D shade: #C9BE1D, #C9901D, #C9611D, #C9331D and #C91D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CBC01D shade: #C9BE1D, #A5C91D, #77C91D, #48C91D and #1DC91F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CBC01D shade matches the following richer shades: #C9BE1D and #DBCE0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CBC01D shade: #C9BE1D, #B6AE2F, #A49D42, #918D54 and #7F7D67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CBC01D shade: #C9621D, #C98F1D, #C9BD1D, #A6C91D and #78C91D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CBC01D shade: #817A12, #A59C18, #C9BE1D, #E1D62E and #E6DD52

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CBC01D shade: #CBC01D, #1DC934 and #781DC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CBC01D shade: #CBC01D, #1DC9BD and #BD1DC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CBC01D shade: #CBC01D, #1DC934, #1D28C9 and #C91DB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CBC01D shade: #CBC01D, #1DC967, #1D28C9 and #C91D7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 86 / 20

HEX #CBC01D

RGB 203 192 29

HSL 56.21, 0.75%, 0.45%

LAB 76.37, -12.22, 73.43

 

Complementary color

CMYK 77 / 72 / 0 / 11

HEX #343FE2

RGB 52 63 226

HSL 236.21, 0.75%, 0.55%

LAB 37.44, 50.94, -82.87

 

CMYK 0 / 8 / 88 / 18

HEX #D0C018

RGB 208 192 24

HSL 54.78, 0.79%, 0.45%

LAB 76.78, -10.16, 74.94

 

CMYK 0 / 7 / 81 / 12

HEX #E1D22B

RGB 225 210 43

HSL 55.05, 0.75%, 0.53%

LAB 83.06, -11.5, 76.44

 

CMYK 0 / 6 / 74 / 5

HEX #F2E43E

RGB 242 228 62

HSL 55.33, 0.87%, 0.6%

LAB 89.26, -12.66, 76.96

 

CMYK 0 / 4 / 68 / 0

HEX #FFF651

RGB 255 246 81

HSL 56.9, 1%, 0.66%

LAB 95.06, -15.28, 76.42

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF64

RGB 255 255 100

HSL 60, 1%, 0.7%

LAB 97.51, -18.57, 71.69

 

CMYK 0 / 5 / 86 / 20

HEX #CBC01D

RGB 203 192 29

HSL 56.21, 0.75%, 0.45%

LAB 76.37, -12.22, 73.43

 

CMYK 0 / 6 / 95 / 27

HEX #BAAE0A

RGB 186 174 10

HSL 55.91, 0.9%, 0.38%

LAB 69.99, -10.76, 70.98

 

CMYK 0 / 8 / 100 / 34

HEX #A99C00

RGB 169 156 0

HSL 55.38, 1%, 0.33%

LAB 63.52, -9.07, 66.8

 

CMYK 0 / 9 / 100 / 40

HEX #988A00

RGB 152 138 0

HSL 54.47, 1%, 0.3%

LAB 56.93, -7.19, 61.34

 

CMYK 0 / 11 / 100 / 47

HEX #877800

RGB 135 120 0

HSL 53.33, 1%, 0.26%

LAB 50.2, -5.24, 55.76

 

CMYK 0 / 5 / 86 / 21

HEX #C9BE1D

RGB 201 190 29

HSL 56.16, 0.75%, 0.45%

LAB 75.66, -12.07, 72.78

 

CMYK 0 / 28 / 86 / 21

HEX #C9901D

RGB 201 144 29

HSL 40.12, 0.75%, 0.45%

LAB 63.72, 12.32, 62.98

 

CMYK 0 / 52 / 86 / 21

HEX #C9611D

RGB 201 97 29

HSL 23.72, 0.75%, 0.45%

LAB 53.01, 37.53, 54.09

 

CMYK 0 / 75 / 86 / 21

HEX #C9331D

RGB 201 51 29

HSL 7.67, 0.75%, 0.45%

LAB 45.46, 57.53, 47.72

 

CMYK 0 / 86 / 86 / 21

HEX #C91D1D

RGB 201 29 29

HSL 0, 0.75%, 0.45%

LAB 43.34, 63.52, 45.91

 

CMYK 0 / 5 / 86 / 21

HEX #C9BE1D

RGB 201 190 29

HSL 56.16, 0.75%, 0.45%

LAB 75.66, -12.07, 72.78

 

CMYK 18 / 0 / 86 / 21

HEX #A5C91D

RGB 165 201 29

HSL 72.56, 0.75%, 0.45%

LAB 75.98, -32.64, 71.94

 

CMYK 41 / 0 / 86 / 21

HEX #77C91D

RGB 119 201 29

HSL 88.6, 0.75%, 0.45%

LAB 73.41, -49.86, 68.72

 

CMYK 64 / 0 / 86 / 21

HEX #48C91D

RGB 72 201 29

HSL 105, 0.75%, 0.45%

LAB 71.72, -63.03, 66.59

 

CMYK 86 / 0 / 85 / 21

HEX #1DC91F

RGB 29 201 31

HSL 120.7, 0.75%, 0.45%

LAB 70.96, -69.53, 65.17

 

CMYK 0 / 5 / 86 / 21

HEX #C9BE1D

RGB 201 190 29

HSL 56.16, 0.75%, 0.45%

LAB 75.66, -12.07, 72.78

 

CMYK 0 / 6 / 95 / 14

HEX #DBCE0A

RGB 219 206 10

HSL 56.27, 0.91%, 0.45%

LAB 81.41, -12.69, 80.79

 

CMYK 0 / 5 / 86 / 21

HEX #C9BE1D

RGB 201 190 29

HSL 56.16, 0.75%, 0.45%

LAB 75.66, -12.07, 72.78

 

CMYK 0 / 4 / 74 / 29

HEX #B6AE2F

RGB 182 174 47

HSL 56.44, 0.59%, 0.45%

LAB 69.77, -11.52, 61.9

 

CMYK 0 / 4 / 60 / 36

HEX #A49D42

RGB 164 157 66

HSL 55.71, 0.43%, 0.45%

LAB 63.67, -9.34, 47.39

 

CMYK 0 / 3 / 42 / 43

HEX #918D54

RGB 145 141 84

HSL 56.07, 0.27%, 0.45%

LAB 57.76, -7.25, 30.89

 

CMYK 0 / 2 / 19 / 50

HEX #7F7D67

RGB 127 125 103

HSL 55, 0.1%, 0.45%

LAB 52.02, -3.23, 12.29

 

CMYK 0 / 51 / 86 / 21

HEX #C9621D

RGB 201 98 29

HSL 24.07, 0.75%, 0.45%

LAB 53.21, 37.02, 54.26

 

CMYK 0 / 29 / 86 / 21

HEX #C98F1D

RGB 201 143 29

HSL 39.77, 0.75%, 0.45%

LAB 63.47, 12.86, 62.77

 

CMYK 0 / 6 / 86 / 21

HEX #C9BD1D

RGB 201 189 29

HSL 55.81, 0.75%, 0.45%

LAB 75.39, -11.56, 72.56

 

CMYK 17 / 0 / 86 / 21

HEX #A6C91D

RGB 166 201 29

HSL 72.21, 0.75%, 0.45%

LAB 76.05, -32.23, 72.02

 

CMYK 40 / 0 / 86 / 21

HEX #78C91D

RGB 120 201 29

HSL 88.26, 0.75%, 0.45%

LAB 73.45, -49.52, 68.77

 

CMYK 0 / 5 / 86 / 49

HEX #817A12

RGB 129 122 18

HSL 56.22, 0.76%, 0.29%

LAB 50.25, -8.79, 51.75

 

CMYK 0 / 5 / 85 / 35

HEX #A59C18

RGB 165 156 24

HSL 56.17, 0.75%, 0.37%

LAB 63.21, -10.45, 62.39

 

CMYK 0 / 5 / 86 / 21

HEX #C9BE1D

RGB 201 190 29

HSL 56.16, 0.75%, 0.45%

LAB 75.66, -12.07, 72.78

 

CMYK 0 / 5 / 80 / 12

HEX #E1D62E

RGB 225 214 46

HSL 56.31, 0.75%, 0.53%

LAB 84.12, -13.41, 76.56

 

CMYK 0 / 4 / 64 / 10

HEX #E6DD52

RGB 230 221 82

HSL 56.35, 0.75%, 0.61%

LAB 86.58, -13.19, 66.75

 

CMYK 0 / 5 / 86 / 20

HEX #CBC01D

RGB 203 192 29

HSL 56.21, 0.75%, 0.45%

LAB 76.37, -12.22, 73.43

 

CMYK 86 / 0 / 74 / 21

HEX #1DC934

RGB 29 201 52

HSL 128.02, 0.75%, 0.45%

LAB 71.07, -68.22, 59.13

 

CMYK 40 / 86 / 0 / 21

HEX #781DC9

RGB 120 29 201

HSL 271.74, 0.75%, 0.45%

LAB 36.15, 66.15, -70.34

 

CMYK 0 / 5 / 86 / 20

HEX #CBC01D

RGB 203 192 29

HSL 56.21, 0.75%, 0.45%

LAB 76.37, -12.22, 73.43

 

CMYK 86 / 0 / 6 / 21

HEX #1DC9BD

RGB 29 201 189

HSL 175.81, 0.75%, 0.45%

LAB 73.36, -42.55, -5.56

 

CMYK 6 / 86 / 0 / 21

HEX #BD1DC9

RGB 189 29 201

HSL 295.81, 0.75%, 0.45%

LAB 46.86, 76.76, -52.47

 

CMYK 0 / 5 / 86 / 20

HEX #CBC01D

RGB 203 192 29

HSL 56.21, 0.75%, 0.45%

LAB 76.37, -12.22, 73.43

 

CMYK 86 / 0 / 74 / 21

HEX #1DC934

RGB 29 201 52

HSL 128.02, 0.75%, 0.45%

LAB 71.07, -68.22, 59.13

 

CMYK 86 / 80 / 0 / 21

HEX #1D28C9

RGB 29 40 201

HSL 236.16, 0.75%, 0.45%

LAB 29.4, 53.79, -81.76

 

CMYK 0 / 86 / 11 / 21

HEX #C91DB2

RGB 201 29 178

HSL 308.02, 0.75%, 0.45%

LAB 47.64, 75.56, -37.68

 

CMYK 0 / 5 / 86 / 20

HEX #CBC01D

RGB 203 192 29

HSL 56.21, 0.75%, 0.45%

LAB 76.37, -12.22, 73.43

 

CMYK 86 / 0 / 49 / 21

HEX #1DC967

RGB 29 201 103

HSL 145.81, 0.75%, 0.45%

LAB 71.56, -62.1, 37.52

 

CMYK 86 / 80 / 0 / 21

HEX #1D28C9

RGB 29 40 201

HSL 236.16, 0.75%, 0.45%

LAB 29.4, 53.79, -81.76

 

CMYK 0 / 86 / 37 / 21

HEX #C91D7E

RGB 201 29 126

HSL 326.16, 0.75%, 0.45%

LAB 45.36, 69.35, -9.95

 

Description

Color code: HEX #CBC01D | qconv.com Color code: HEX #CBC01D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 192 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 192 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 86 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 86% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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