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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBB762 it is the complementary color #34489D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBB762. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CBB762 shade: #D0B75D, #E1C970, #F2DB83, #FFED96 and #FFFFA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBB762. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CBB762 shade: #CBB762, #BAA54F, #A9933C, #988129 and #876F16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CBB762 shade: #CBB762, #CB9B62, #CB7E62 and #CB6262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CBB762 shade: #CBB762, #C2CB62, #A6CB62, #8ACB62 and #6ECB62

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CBB762 shade matches the following richer shades: #CBB762, #DCC151, #EDCC40 and #FDD62F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CBB762 shade: #CBB762, #BAAC73, #A9A284, #989795 and #878DA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CBB762 shade: #CB7E62, #CB9A62, #CBB662, #C4CB62 and #A8CB62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CBB762 shade: #A48F37, #C0A943, #CBB762, #D5C581 and #DFD3A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CBB762 shade: #CBB762, #62CB62 and #8C62CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CBB762 shade: #CBB762, #62CBB6 and #B662CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CBB762 shade: #CBB762, #62CB62, #6277CB and #CB62CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CBB762 shade: #CBB762, #62CB82, #6277CB and #CB62AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 52 / 20

HEX #CBB762

RGB 203 183 98

HSL 48.57, 0.5%, 0.59%

LAB 74.47, -3.87, 45.4

 

Complementary color

CMYK 67 / 54 / 0 / 38

HEX #34489D

RGB 52 72 157

HSL 228.57, 0.5%, 0.41%

LAB 33.56, 20.99, -48.74

 

CMYK 0 / 12 / 55 / 18

HEX #D0B75D

RGB 208 183 93

HSL 46.96, 0.55%, 0.59%

LAB 74.87, -2.2, 48.41

 

CMYK 0 / 11 / 50 / 12

HEX #E1C970

RGB 225 201 112

HSL 47.26, 0.65%, 0.66%

LAB 81.26, -2.93, 47.19

 

CMYK 0 / 10 / 46 / 5

HEX #F2DB83

RGB 242 219 131

HSL 47.57, 0.81%, 0.73%

LAB 87.57, -3.56, 45.97

 

CMYK 0 / 7 / 41 / 0

HEX #FFED96

RGB 255 237 150

HSL 49.71, 1%, 0.79%

LAB 93.46, -5.66, 44.29

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA9

RGB 255 255 169

HSL 60, 1%, 0.83%

LAB 98.29, -12.5, 41.16

 

CMYK 0 / 10 / 52 / 20

HEX #CBB762

RGB 203 183 98

HSL 48.57, 0.5%, 0.59%

LAB 74.47, -3.87, 45.4

 

CMYK 0 / 11 / 58 / 27

HEX #BAA54F

RGB 186 165 79

HSL 48.22, 0.44%, 0.52%

LAB 67.96, -3.11, 46.61

 

CMYK 0 / 13 / 64 / 34

HEX #A9933C

RGB 169 147 60

HSL 47.89, 0.48%, 0.45%

LAB 61.33, -2.18, 47.73

 

CMYK 0 / 15 / 73 / 40

HEX #988129

RGB 152 129 41

HSL 47.57, 0.58%, 0.38%

LAB 54.59, -1.05, 48.55

 

CMYK 0 / 18 / 84 / 47

HEX #876F16

RGB 135 111 22

HSL 47.26, 0.72%, 0.31%

LAB 47.72, 0.37, 48.63

 

CMYK 0 / 10 / 52 / 20

HEX #CBB762

RGB 203 183 98

HSL 48.57, 0.5%, 0.59%

LAB 74.47, -3.87, 45.4

 

CMYK 0 / 24 / 52 / 20

HEX #CB9B62

RGB 203 155 98

HSL 32.57, 0.5%, 0.59%

LAB 67.29, 11.1, 36.62

 

CMYK 0 / 38 / 52 / 20

HEX #CB7E62

RGB 203 126 98

HSL 16, 0.5%, 0.59%

LAB 60.34, 26.91, 27.76

 

CMYK 0 / 52 / 52 / 20

HEX #CB6262

RGB 203 98 98

HSL 0, 0.5%, 0.59%

LAB 54.36, 41.65, 19.84

 

CMYK 0 / 10 / 52 / 20

HEX #CBB762

RGB 203 183 98

HSL 48.57, 0.5%, 0.59%

LAB 74.47, -3.87, 45.4

 

CMYK 4 / 0 / 52 / 20

HEX #C2CB62

RGB 194 203 98

HSL 65.14, 0.5%, 0.59%

LAB 79.08, -17.8, 50.68

 

CMYK 18 / 0 / 52 / 20

HEX #A6CB62

RGB 166 203 98

HSL 81.14, 0.5%, 0.59%

LAB 77.1, -28.85, 47.86

 

CMYK 32 / 0 / 52 / 20

HEX #8ACB62

RGB 138 203 98

HSL 97.14, 0.5%, 0.59%

LAB 75.45, -39.1, 45.48

 

CMYK 46 / 0 / 52 / 20

HEX #6ECB62

RGB 110 203 98

HSL 113.14, 0.5%, 0.59%

LAB 74.13, -48.1, 43.58

 

CMYK 0 / 10 / 52 / 20

HEX #CBB762

RGB 203 183 98

HSL 48.57, 0.5%, 0.59%

LAB 74.47, -3.87, 45.4

 

CMYK 0 / 12 / 63 / 14

HEX #DCC151

RGB 220 193 81

HSL 48.35, 0.67%, 0.59%

LAB 78.43, -3.22, 58.25

 

CMYK 0 / 14 / 73 / 7

HEX #EDCC40

RGB 237 204 64

HSL 48.55, 0.83%, 0.59%

LAB 82.68, -2.6, 69.9

 

CMYK 0 / 15 / 81 / 1

HEX #FDD62F

RGB 253 214 47

HSL 48.64, 0.98%, 0.59%

LAB 86.59, -1.55, 79.39

 

CMYK 0 / 10 / 52 / 20

HEX #CBB762

RGB 203 183 98

HSL 48.57, 0.5%, 0.59%

LAB 74.47, -3.87, 45.4

 

CMYK 0 / 8 / 38 / 27

HEX #BAAC73

RGB 186 172 115

HSL 48.17, 0.34%, 0.59%

LAB 70.3, -3.34, 31.15

 

CMYK 0 / 4 / 22 / 34

HEX #A9A284

RGB 169 162 132

HSL 48.65, 0.18%, 0.59%

LAB 66.48, -2.49, 16.54

 

CMYK 0 / 1 / 2 / 40

HEX #989795

RGB 152 151 149

HSL 40, 0.01%, 0.59%

LAB 62.49, -0.01, 1.17

 

CMYK 19 / 15 / 0 / 35

HEX #878DA6

RGB 135 141 166

HSL 228.39, 0.15%, 0.59%

LAB 58.93, 3.25, -13.91

 

CMYK 0 / 38 / 52 / 20

HEX #CB7E62

RGB 203 126 98

HSL 16, 0.5%, 0.59%

LAB 60.34, 26.91, 27.76

 

CMYK 0 / 24 / 52 / 20

HEX #CB9A62

RGB 203 154 98

HSL 32, 0.5%, 0.59%

LAB 67.04, 11.65, 36.31

 

CMYK 0 / 10 / 52 / 20

HEX #CBB662

RGB 203 182 98

HSL 48, 0.5%, 0.59%

LAB 74.21, -3.34, 45.09

 

CMYK 3 / 0 / 52 / 20

HEX #C4CB62

RGB 196 203 98

HSL 64, 0.5%, 0.59%

LAB 79.23, -16.99, 50.89

 

CMYK 17 / 0 / 52 / 20

HEX #A8CB62

RGB 168 203 98

HSL 80, 0.5%, 0.59%

LAB 77.23, -28.08, 48.04

 

CMYK 0 / 13 / 66 / 36

HEX #A48F37

RGB 164 143 55

HSL 48.44, 0.5%, 0.43%

LAB 59.72, -2.55, 48.12

 

CMYK 0 / 12 / 65 / 25

HEX #C0A943

RGB 192 169 67

HSL 48.96, 0.5%, 0.51%

LAB 69.46, -3.48, 53.97

 

CMYK 0 / 10 / 52 / 20

HEX #CBB762

RGB 203 183 98

HSL 48.57, 0.5%, 0.59%

LAB 74.47, -3.87, 45.4

 

CMYK 0 / 8 / 39 / 16

HEX #D5C581

RGB 213 197 129

HSL 48.57, 0.5%, 0.67%

LAB 79.42, -4.02, 36.13

 

CMYK 0 / 5 / 28 / 13

HEX #DFD3A0

RGB 223 211 160

HSL 48.57, 0.5%, 0.75%

LAB 84.39, -3.62, 26.8

 

CMYK 0 / 10 / 52 / 20

HEX #CBB762

RGB 203 183 98

HSL 48.57, 0.5%, 0.59%

LAB 74.47, -3.87, 45.4

 

CMYK 52 / 0 / 52 / 20

HEX #62CB62

RGB 98 203 98

HSL 120, 0.5%, 0.59%

LAB 73.67, -51.46, 42.91

 

CMYK 31 / 52 / 0 / 20

HEX #8C62CB

RGB 140 98 203

HSL 264, 0.5%, 0.59%

LAB 50.24, 38.89, -48.59

 

CMYK 0 / 10 / 52 / 20

HEX #CBB762

RGB 203 183 98

HSL 48.57, 0.5%, 0.59%

LAB 74.47, -3.87, 45.4

 

CMYK 52 / 0 / 10 / 20

HEX #62CBB6

RGB 98 203 182

HSL 168, 0.5%, 0.59%

LAB 75.26, -35.52, 1.19

 

CMYK 10 / 52 / 0 / 20

HEX #B662CB

RGB 182 98 203

HSL 288, 0.5%, 0.59%

LAB 55.06, 50.14, -40.64

 

CMYK 0 / 10 / 52 / 20

HEX #CBB762

RGB 203 183 98

HSL 48.57, 0.5%, 0.59%

LAB 74.47, -3.87, 45.4

 

CMYK 52 / 0 / 52 / 20

HEX #62CB62

RGB 98 203 98

HSL 120, 0.5%, 0.59%

LAB 73.67, -51.46, 42.91

 

CMYK 52 / 41 / 0 / 20

HEX #6277CB

RGB 98 119 203

HSL 228, 0.5%, 0.59%

LAB 51.95, 16.01, -46.08

 

CMYK 0 / 52 / 0 / 20

HEX #CB62CB

RGB 203 98 203

HSL 300, 0.5%, 0.59%

LAB 57.79, 55.92, -36.17

 

CMYK 0 / 10 / 52 / 20

HEX #CBB762

RGB 203 183 98

HSL 48.57, 0.5%, 0.59%

LAB 74.47, -3.87, 45.4

 

CMYK 52 / 0 / 36 / 20

HEX #62CB82

RGB 98 203 130

HSL 138.29, 0.5%, 0.59%

LAB 74.14, -46.51, 27.37

 

CMYK 52 / 41 / 0 / 20

HEX #6277CB

RGB 98 119 203

HSL 228, 0.5%, 0.59%

LAB 51.95, 16.01, -46.08

 

CMYK 0 / 52 / 16 / 20

HEX #CB62AB

RGB 203 98 171

HSL 318.29, 0.5%, 0.59%

LAB 56.46, 50.6, -19.87

 

Description

Color code: HEX #CBB762 | qconv.com Color code: HEX #CBB762 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 183 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 183 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 52 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 52% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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