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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBAB9C it is the complementary color #345463. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBAB9C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CBAB9C shade: #D0AB97, #E1BDAA, #F2CFBD, #FFE1D0 and #FFF3E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBAB9C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CBAB9C shade: #CBAB9C, #BA9989, #A98776, #987563 and #876350

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CBAB9C shade: #CAAA9B, #CA9D9B and #CA9B9B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CBAB9C shade: #CAAA9B, #CAB79B, #CAC49B, #C4CA9B and #B7CA9B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CBAB9C shade matches the following richer shades: #CAAA9B, #D7A58E, #E3A182, #EF9C76 and #FC9869

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CBAB9C shade: #CAAA9B, #BEAEA7, #B1B3B4, #A5B7C0 and #99BCCC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CBAB9C shade: #CA9BA5, #CA9D9B, #CAAA9B, #CAB69B and #CAC39B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CBAB9C shade: #AE7C65, #BC9380, #CAAA9B, #D8C1B6 and #E7D8D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CBAB9C shade: #CBAB9C, #B2CA9B and #9B9FCA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CBAB9C shade: #CBAB9C, #9BCAAA and #AA9BCA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CBAB9C shade: #CBAB9C, #B2CA9B, #9BBBCA and #B39BCA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CBAB9C shade: #CBAB9C, #A3CA9B, #9BBBCA and #C29BCA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 23 / 20

HEX #CBAB9C

RGB 203 171 156

HSL 19.15, 0.31%, 0.7%

LAB 72.38, 9.32, 12.05

 

Complementary color

CMYK 47 / 15 / 0 / 61

HEX #345463

RGB 52 84 99

HSL 199.15, 0.31%, 0.3%

LAB 33.92, -7.23, -12.36

 

CMYK 0 / 18 / 27 / 18

HEX #D0AB97

RGB 208 171 151

HSL 21.05, 0.38%, 0.7%

LAB 72.74, 10.52, 15.36

 

CMYK 0 / 16 / 24 / 12

HEX #E1BDAA

RGB 225 189 170

HSL 20.73, 0.48%, 0.77%

LAB 79.22, 10.01, 14.39

 

CMYK 0 / 14 / 22 / 5

HEX #F2CFBD

RGB 242 207 189

HSL 20.38, 0.67%, 0.85%

LAB 85.59, 9.54, 13.48

 

CMYK 0 / 12 / 18 / 0

HEX #FFE1D0

RGB 255 225 208

HSL 21.7, 1%, 0.91%

LAB 91.53, 7.69, 12.09

 

CMYK 0 / 5 / 11 / 0

HEX #FFF3E3

RGB 255 243 227

HSL 34.29, 1%, 0.95%

LAB 96.37, 1.4, 9.14

 

CMYK 0 / 16 / 23 / 20

HEX #CBAB9C

RGB 203 171 156

HSL 19.15, 0.31%, 0.7%

LAB 72.38, 9.32, 12.05

 

CMYK 0 / 18 / 26 / 27

HEX #BA9989

RGB 186 153 137

HSL 19.59, 0.26%, 0.63%

LAB 65.77, 9.83, 13.01

 

CMYK 0 / 20 / 30 / 34

HEX #A98776

RGB 169 135 118

HSL 20, 0.23%, 0.56%

LAB 59.04, 10.41, 14.06

 

CMYK 0 / 23 / 35 / 40

HEX #987563

RGB 152 117 99

HSL 20.38, 0.21%, 0.49%

LAB 52.17, 11.09, 15.21

 

CMYK 0 / 27 / 41 / 47

HEX #876350

RGB 135 99 80

HSL 20.73, 0.26%, 0.42%

LAB 45.16, 11.9, 16.49

 

CMYK 0 / 16 / 23 / 21

HEX #CAAA9B

RGB 202 170 155

HSL 19.15, 0.31%, 0.7%

LAB 72.01, 9.33, 12.07

 

CMYK 0 / 22 / 23 / 21

HEX #CA9D9B

RGB 202 157 155

HSL 2.55, 0.31%, 0.7%

LAB 68.78, 16.41, 7.47

 

CMYK 0 / 23 / 23 / 21

HEX #CA9B9B

RGB 202 155 155

HSL 0, 0.31%, 0.7%

LAB 68.29, 17.51, 6.77

 

CMYK 0 / 16 / 23 / 21

HEX #CAAA9B

RGB 202 170 155

HSL 19.15, 0.31%, 0.7%

LAB 72.01, 9.33, 12.07

 

CMYK 0 / 9 / 23 / 21

HEX #CAB79B

RGB 202 183 155

HSL 35.74, 0.31%, 0.7%

LAB 75.32, 2.34, 16.71

 

CMYK 0 / 3 / 23 / 21

HEX #CAC49B

RGB 202 196 155

HSL 52.34, 0.31%, 0.7%

LAB 78.7, -4.51, 21.38

 

CMYK 3 / 0 / 23 / 21

HEX #C4CA9B

RGB 196 202 155

HSL 67.66, 0.31%, 0.7%

LAB 79.81, -9.88, 22.84

 

CMYK 9 / 0 / 23 / 21

HEX #B7CA9B

RGB 183 202 155

HSL 84.26, 0.31%, 0.7%

LAB 78.85, -14.69, 21.37

 

CMYK 0 / 16 / 23 / 21

HEX #CAAA9B

RGB 202 170 155

HSL 19.15, 0.31%, 0.7%

LAB 72.01, 9.33, 12.07

 

CMYK 0 / 23 / 34 / 16

HEX #D7A58E

RGB 215 165 142

HSL 18.9, 0.48%, 0.7%

LAB 71.77, 15.29, 19.03

 

CMYK 0 / 29 / 43 / 11

HEX #E3A182

RGB 227 161 130

HSL 19.18, 0.63%, 0.7%

LAB 71.85, 20.77, 25.89

 

CMYK 0 / 35 / 51 / 6

HEX #EF9C76

RGB 239 156 118

HSL 18.84, 0.79%, 0.7%

LAB 71.85, 26.99, 32.62

 

CMYK 0 / 40 / 58 / 1

HEX #FC9869

RGB 252 152 105

HSL 19.18, 0.96%, 0.7%

LAB 72.34, 33.13, 40.46

 

CMYK 0 / 16 / 23 / 21

HEX #CAAA9B

RGB 202 170 155

HSL 19.15, 0.31%, 0.7%

LAB 72.01, 9.33, 12.07

 

CMYK 0 / 8 / 12 / 25

HEX #BEAEA7

RGB 190 174 167

HSL 18.26, 0.15%, 0.7%

LAB 72.23, 4.54, 5.66

 

CMYK 2 / 1 / 0 / 29

HEX #B1B3B4

RGB 177 179 180

HSL 200, 0.02%, 0.7%

LAB 72.81, -0.51, -0.76

 

CMYK 14 / 5 / 0 / 25

HEX #A5B7C0

RGB 165 183 192

HSL 200, 0.18%, 0.7%

LAB 73.33, -4.32, -6.67

 

CMYK 25 / 8 / 0 / 20

HEX #99BCCC

RGB 153 188 204

HSL 198.82, 0.33%, 0.7%

LAB 74.25, -8.12, -11.93

 

CMYK 0 / 23 / 18 / 21

HEX #CA9BA5

RGB 202 155 165

HSL 347.23, 0.31%, 0.7%

LAB 68.54, 19.03, 1.57

 

CMYK 0 / 22 / 23 / 21

HEX #CA9D9B

RGB 202 157 155

HSL 2.55, 0.31%, 0.7%

LAB 68.78, 16.41, 7.47

 

CMYK 0 / 16 / 23 / 21

HEX #CAAA9B

RGB 202 170 155

HSL 19.15, 0.31%, 0.7%

LAB 72.01, 9.33, 12.07

 

CMYK 0 / 10 / 23 / 21

HEX #CAB69B

RGB 202 182 155

HSL 34.47, 0.31%, 0.7%

LAB 75.06, 2.88, 16.35

 

CMYK 0 / 3 / 23 / 21

HEX #CAC39B

RGB 202 195 155

HSL 51.06, 0.31%, 0.7%

LAB 78.43, -3.99, 21.03

 

CMYK 0 / 29 / 42 / 32

HEX #AE7C65

RGB 174 124 101

HSL 18.9, 0.31%, 0.54%

LAB 56.44, 16.49, 20.27

 

CMYK 0 / 22 / 32 / 26

HEX #BC9380

RGB 188 147 128

HSL 19, 0.31%, 0.62%

LAB 64.26, 12.69, 15.96

 

CMYK 0 / 16 / 23 / 21

HEX #CAAA9B

RGB 202 170 155

HSL 19.15, 0.31%, 0.7%

LAB 72.01, 9.33, 12.07

 

CMYK 0 / 11 / 16 / 15

HEX #D8C1B6

RGB 216 193 182

HSL 19.41, 0.3%, 0.78%

LAB 79.68, 6.33, 8.49

 

CMYK 0 / 6 / 10 / 9

HEX #E7D8D1

RGB 231 216 209

HSL 19.09, 0.31%, 0.86%

LAB 87.34, 3.98, 5.29

 

CMYK 0 / 16 / 23 / 20

HEX #CBAB9C

RGB 203 171 156

HSL 19.15, 0.31%, 0.7%

LAB 72.38, 9.32, 12.05

 

CMYK 12 / 0 / 23 / 21

HEX #B2CA9B

RGB 178 202 155

HSL 90.64, 0.31%, 0.7%

LAB 78.5, -16.5, 20.84

 

CMYK 23 / 21 / 0 / 21

HEX #9B9FCA

RGB 155 159 202

HSL 234.89, 0.31%, 0.7%

LAB 66.54, 7.9, -22.47

 

CMYK 0 / 16 / 23 / 20

HEX #CBAB9C

RGB 203 171 156

HSL 19.15, 0.31%, 0.7%

LAB 72.38, 9.32, 12.05

 

CMYK 23 / 0 / 16 / 21

HEX #9BCAAA

RGB 155 202 170

HSL 139.15, 0.31%, 0.7%

LAB 77.35, -21.84, 11

 

CMYK 16 / 23 / 0 / 21

HEX #AA9BCA

RGB 170 155 202

HSL 259.15, 0.31%, 0.7%

LAB 66.71, 14.9, -22.1

 

CMYK 0 / 16 / 23 / 20

HEX #CBAB9C

RGB 203 171 156

HSL 19.15, 0.31%, 0.7%

LAB 72.38, 9.32, 12.05

 

CMYK 12 / 0 / 23 / 21

HEX #B2CA9B

RGB 178 202 155

HSL 90.64, 0.31%, 0.7%

LAB 78.5, -16.5, 20.84

 

CMYK 23 / 7 / 0 / 21

HEX #9BBBCA

RGB 155 187 202

HSL 199.15, 0.31%, 0.7%

LAB 74.04, -7.44, -11.14

 

CMYK 11 / 23 / 0 / 21

HEX #B39BCA

RGB 179 155 202

HSL 270.64, 0.31%, 0.7%

LAB 67.49, 17.82, -20.84

 

CMYK 0 / 16 / 23 / 20

HEX #CBAB9C

RGB 203 171 156

HSL 19.15, 0.31%, 0.7%

LAB 72.38, 9.32, 12.05

 

CMYK 19 / 0 / 23 / 21

HEX #A3CA9B

RGB 163 202 155

HSL 109.79, 0.31%, 0.7%

LAB 77.52, -21.82, 19.32

 

CMYK 23 / 7 / 0 / 21

HEX #9BBBCA

RGB 155 187 202

HSL 199.15, 0.31%, 0.7%

LAB 74.04, -7.44, -11.14

 

CMYK 4 / 23 / 0 / 21

HEX #C29BCA

RGB 194 155 202

HSL 289.79, 0.31%, 0.7%

LAB 68.88, 22.77, -18.61

 

Description

Color code: HEX #CBAB9C | qconv.com Color code: HEX #CBAB9C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 171 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 171 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 23 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 23% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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