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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBA998 it is the complementary color #345667. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBA998. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CBA998 shade: #D0A993, #E1BBA6, #F2CDB9, #FFDFCC and #FFF1DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBA998. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CBA998 shade: #CBA998, #BA9785, #A98572, #98735F and #87614C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CBA998 shade: #CCAA99, #CC9C99 and #CC9999

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CBA998 shade: #CCAA99, #CCB899, #CCC599, #C5CC99 and #B7CC99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CBA998 shade matches the following richer shades: #CCAA99, #D8A68D, #E5A280, #F19E74 and #FD9A68

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CBA998 shade: #CCAA99, #BFAEA6, #B3B2B2, #A7B6BE and #9ABBCB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CBA998 shade: #CC99A3, #CC9D99, #CCAA99, #CCB899 and #CCC599

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CBA998 shade: #B07C62, #BE937E, #CCAA99, #DAC1B5 and #E7D8D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CBA998 shade: #CBA998, #B1CC99 and #999DCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CBA998 shade: #CBA998, #99CCAA and #AA99CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CBA998 shade: #CBA998, #B1CC99, #99BBCC and #B499CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CBA998 shade: #CBA998, #A2CC99, #99BBCC and #C399CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 25 / 20

HEX #CBA998

RGB 203 169 152

HSL 20, 0.33%, 0.7%

LAB 71.78, 9.82, 13.41

 

Complementary color

CMYK 50 / 17 / 0 / 60

HEX #345667

RGB 52 86 103

HSL 200, 0.33%, 0.3%

LAB 34.73, -7.19, -13.64

 

CMYK 0 / 19 / 29 / 18

HEX #D0A993

RGB 208 169 147

HSL 21.64, 0.39%, 0.7%

LAB 72.16, 11.06, 16.74

 

CMYK 0 / 17 / 26 / 12

HEX #E1BBA6

RGB 225 187 166

HSL 21.36, 0.5%, 0.77%

LAB 78.64, 10.51, 15.73

 

CMYK 0 / 15 / 24 / 5

HEX #F2CDB9

RGB 242 205 185

HSL 21.05, 0.69%, 0.84%

LAB 85.02, 10.02, 14.79

 

CMYK 0 / 13 / 20 / 0

HEX #FFDFCC

RGB 255 223 204

HSL 22.35, 1%, 0.9%

LAB 90.96, 8.14, 13.36

 

CMYK 0 / 5 / 13 / 0

HEX #FFF1DF

RGB 255 241 223

HSL 33.75, 1%, 0.94%

LAB 95.79, 1.79, 10.37

 

CMYK 0 / 17 / 25 / 20

HEX #CBA998

RGB 203 169 152

HSL 20, 0.33%, 0.7%

LAB 71.78, 9.82, 13.41

 

CMYK 0 / 19 / 28 / 27

HEX #BA9785

RGB 186 151 133

HSL 20.38, 0.28%, 0.63%

LAB 65.17, 10.37, 14.41

 

CMYK 0 / 21 / 33 / 34

HEX #A98572

RGB 169 133 114

HSL 20.73, 0.24%, 0.55%

LAB 58.44, 10.99, 15.5

 

CMYK 0 / 24 / 38 / 40

HEX #98735F

RGB 152 115 95

HSL 21.05, 0.23%, 0.48%

LAB 51.57, 11.72, 16.7

 

CMYK 0 / 28 / 44 / 47

HEX #87614C

RGB 135 97 76

HSL 21.36, 0.28%, 0.41%

LAB 44.55, 12.6, 18.05

 

CMYK 0 / 17 / 25 / 20

HEX #CCAA99

RGB 204 170 153

HSL 20, 0.33%, 0.7%

LAB 72.15, 9.81, 13.39

 

CMYK 0 / 24 / 25 / 20

HEX #CC9C99

RGB 204 156 153

HSL 3.53, 0.33%, 0.7%

LAB 68.69, 17.42, 8.48

 

CMYK 0 / 25 / 25 / 20

HEX #CC9999

RGB 204 153 153

HSL 0, 0.33%, 0.7%

LAB 67.96, 19.06, 7.44

 

CMYK 0 / 17 / 25 / 20

HEX #CCAA99

RGB 204 170 153

HSL 20, 0.33%, 0.7%

LAB 72.15, 9.81, 13.39

 

CMYK 0 / 10 / 25 / 20

HEX #CCB899

RGB 204 184 153

HSL 36.47, 0.33%, 0.7%

LAB 75.71, 2.29, 18.36

 

CMYK 0 / 3 / 25 / 20

HEX #CCC599

RGB 204 197 153

HSL 51.76, 0.33%, 0.7%

LAB 79.08, -4.55, 23

 

CMYK 3 / 0 / 25 / 20

HEX #C5CC99

RGB 197 204 153

HSL 68.24, 0.33%, 0.7%

LAB 80.38, -10.81, 24.68

 

CMYK 10 / 0 / 25 / 20

HEX #B7CC99

RGB 183 204 153

HSL 84.71, 0.33%, 0.7%

LAB 79.36, -16, 23.12

 

CMYK 0 / 17 / 25 / 20

HEX #CCAA99

RGB 204 170 153

HSL 20, 0.33%, 0.7%

LAB 72.15, 9.81, 13.39

 

CMYK 0 / 23 / 35 / 15

HEX #D8A68D

RGB 216 166 141

HSL 20, 0.49%, 0.7%

LAB 72.09, 15.02, 20.04

 

CMYK 0 / 29 / 44 / 10

HEX #E5A280

RGB 229 162 128

HSL 20.2, 0.66%, 0.7%

LAB 72.27, 20.81, 27.57

 

CMYK 0 / 34 / 52 / 5

HEX #F19E74

RGB 241 158 116

HSL 20.16, 0.82%, 0.7%

LAB 72.51, 26.54, 34.58

 

CMYK 0 / 39 / 59 / 1

HEX #FD9A68

RGB 253 154 104

HSL 20.13, 0.97%, 0.7%

LAB 72.89, 32.41, 41.68

 

CMYK 0 / 17 / 25 / 20

HEX #CCAA99

RGB 204 170 153

HSL 20, 0.33%, 0.7%

LAB 72.15, 9.81, 13.39

 

CMYK 0 / 9 / 13 / 25

HEX #BFAEA6

RGB 191 174 166

HSL 19.2, 0.16%, 0.7%

LAB 72.3, 4.75, 6.31

 

CMYK 0 / 1 / 1 / 30

HEX #B3B2B2

RGB 179 178 178

HSL 0, 0.01%, 0.7%

LAB 72.65, 0.36, 0.12

 

CMYK 12 / 4 / 0 / 25

HEX #A7B6BE

RGB 167 182 190

HSL 200.87, 0.15%, 0.7%

LAB 73.15, -3.54, -5.83

 

CMYK 24 / 8 / 0 / 20

HEX #9ABBCB

RGB 154 187 203

HSL 199.59, 0.32%, 0.7%

LAB 74.01, -7.52, -11.74

 

CMYK 0 / 25 / 20 / 20

HEX #CC99A3

RGB 204 153 163

HSL 348.24, 0.33%, 0.7%

LAB 68.21, 20.56, 2.23

 

CMYK 0 / 23 / 25 / 20

HEX #CC9D99

RGB 204 157 153

HSL 4.71, 0.33%, 0.7%

LAB 68.93, 16.88, 8.83

 

CMYK 0 / 17 / 25 / 20

HEX #CCAA99

RGB 204 170 153

HSL 20, 0.33%, 0.7%

LAB 72.15, 9.81, 13.39

 

CMYK 0 / 10 / 25 / 20

HEX #CCB899

RGB 204 184 153

HSL 36.47, 0.33%, 0.7%

LAB 75.71, 2.29, 18.36

 

CMYK 0 / 3 / 25 / 20

HEX #CCC599

RGB 204 197 153

HSL 51.76, 0.33%, 0.7%

LAB 79.08, -4.55, 23

 

CMYK 0 / 30 / 44 / 31

HEX #B07C62

RGB 176 124 98

HSL 20, 0.33%, 0.54%

LAB 56.61, 16.98, 22.25

 

CMYK 0 / 23 / 34 / 25

HEX #BE937E

RGB 190 147 126

HSL 19.69, 0.33%, 0.62%

LAB 64.42, 13.22, 17.34

 

CMYK 0 / 17 / 25 / 20

HEX #CCAA99

RGB 204 170 153

HSL 20, 0.33%, 0.7%

LAB 72.15, 9.81, 13.39

 

CMYK 0 / 11 / 17 / 15

HEX #DAC1B5

RGB 218 193 181

HSL 19.46, 0.33%, 0.78%

LAB 79.83, 6.91, 9.27

 

CMYK 0 / 6 / 10 / 9

HEX #E7D8D0

RGB 231 216 208

HSL 20.87, 0.32%, 0.86%

LAB 87.32, 3.82, 5.78

 

CMYK 0 / 17 / 25 / 20

HEX #CBA998

RGB 203 169 152

HSL 20, 0.33%, 0.7%

LAB 71.78, 9.82, 13.41

 

CMYK 13 / 0 / 25 / 20

HEX #B1CC99

RGB 177 204 153

HSL 91.76, 0.33%, 0.7%

LAB 78.94, -18.18, 22.49

 

CMYK 25 / 23 / 0 / 20

HEX #999DCC

RGB 153 157 204

HSL 235.29, 0.33%, 0.7%

LAB 65.94, 8.89, -24.52

 

CMYK 0 / 17 / 25 / 20

HEX #CBA998

RGB 203 169 152

HSL 20, 0.33%, 0.7%

LAB 71.78, 9.82, 13.41

 

CMYK 25 / 0 / 17 / 20

HEX #99CCAA

RGB 153 204 170

HSL 140, 0.33%, 0.7%

LAB 77.79, -23.48, 11.62

 

CMYK 17 / 25 / 0 / 20

HEX #AA99CC

RGB 170 153 204

HSL 260, 0.33%, 0.7%

LAB 66.28, 16.47, -23.88

 

CMYK 0 / 17 / 25 / 20

HEX #CBA998

RGB 203 169 152

HSL 20, 0.33%, 0.7%

LAB 71.78, 9.82, 13.41

 

CMYK 13 / 0 / 25 / 20

HEX #B1CC99

RGB 177 204 153

HSL 91.76, 0.33%, 0.7%

LAB 78.94, -18.18, 22.49

 

CMYK 25 / 8 / 0 / 20

HEX #99BBCC

RGB 153 187 204

HSL 200, 0.33%, 0.7%

LAB 73.98, -7.59, -12.34

 

CMYK 12 / 25 / 0 / 20

HEX #B499CC

RGB 180 153 204

HSL 271.76, 0.33%, 0.7%

LAB 67.16, 19.68, -22.45

 

CMYK 0 / 17 / 25 / 20

HEX #CBA998

RGB 203 169 152

HSL 20, 0.33%, 0.7%

LAB 71.78, 9.82, 13.41

 

CMYK 21 / 0 / 25 / 20

HEX #A2CC99

RGB 162 204 153

HSL 109.41, 0.33%, 0.7%

LAB 77.97, -23.49, 21

 

CMYK 25 / 8 / 0 / 20

HEX #99BBCC

RGB 153 187 204

HSL 200, 0.33%, 0.7%

LAB 73.98, -7.59, -12.34

 

CMYK 4 / 25 / 0 / 20

HEX #C399CC

RGB 195 153 204

HSL 289.41, 0.33%, 0.7%

LAB 68.57, 24.6, -20.19

 

Description

Color code: HEX #CBA998 | qconv.com Color code: HEX #CBA998 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 169 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 169 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 25 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 25% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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