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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBA965 it is the complementary color #34569A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBA965. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CBA965 shade: #D0A960, #E1BB73, #F2CD86, #FFDF99 and #FFF1AC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBA965. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CBA965 shade: #CBA965, #BA9752, #A9853F, #98732C and #876119

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CBA965 shade: #CCAA66, #CC8E66, #CC7366 and #CC6666

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CBA965 shade: #CCAA66, #CCC666, #B7CC66, #9BCC66 and #80CC66

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CBA965 shade matches the following richer shades: #CCAA66, #DDB055, #EDB545 and #FEBB34

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CBA965 shade: #CCAA66, #BBA477, #AB9F87, #9A9998 and #8A94A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CBA965 shade: #CC7466, #CC8F66, #CCAA66, #CCC566 and #B8CC66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CBA965 shade: #A88238, #C29947, #CCAA66, #D6BB85 and #E1CCA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CBA965 shade: #CBA965, #74CC66 and #8166CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CBA965 shade: #CBA965, #66CCAA and #AA66CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CBA965 shade: #CBA965, #74CC66, #6688CC and #BE66CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CBA965 shade: #CBA965, #66CC77, #6688CC and #CC66BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 50 / 20

HEX #CBA965

RGB 203 169 101

HSL 40, 0.5%, 0.6%

LAB 70.88, 3.82, 39.52

 

Complementary color

CMYK 66 / 44 / 0 / 40

HEX #34569A

RGB 52 86 154

HSL 220, 0.5%, 0.4%

LAB 37.33, 10.61, -40.87

 

CMYK 0 / 19 / 54 / 18

HEX #D0A960

RGB 208 169 96

HSL 39.11, 0.54%, 0.6%

LAB 71.3, 5.47, 42.69

 

CMYK 0 / 17 / 49 / 12

HEX #E1BB73

RGB 225 187 115

HSL 39.27, 0.65%, 0.67%

LAB 77.75, 4.63, 41.38

 

CMYK 0 / 15 / 45 / 5

HEX #F2CD86

RGB 242 205 134

HSL 39.44, 0.81%, 0.74%

LAB 84.1, 3.91, 40.1

 

CMYK 0 / 13 / 40 / 0

HEX #FFDF99

RGB 255 223 153

HSL 41.18, 1%, 0.8%

LAB 90.01, 1.72, 38.36

 

CMYK 0 / 5 / 33 / 0

HEX #FFF1AC

RGB 255 241 172

HSL 49.88, 1%, 0.84%

LAB 94.8, -5.23, 35.08

 

CMYK 0 / 17 / 50 / 20

HEX #CBA965

RGB 203 169 101

HSL 40, 0.5%, 0.6%

LAB 70.88, 3.82, 39.52

 

CMYK 0 / 19 / 56 / 27

HEX #BA9752

RGB 186 151 82

HSL 39.81, 0.43%, 0.53%

LAB 64.31, 4.7, 40.85

 

CMYK 0 / 21 / 63 / 34

HEX #A9853F

RGB 169 133 63

HSL 39.62, 0.46%, 0.45%

LAB 57.63, 5.75, 42.19

 

CMYK 0 / 24 / 71 / 40

HEX #98732C

RGB 152 115 44

HSL 39.44, 0.55%, 0.38%

LAB 50.83, 7.03, 43.39

 

CMYK 0 / 28 / 81 / 47

HEX #876119

RGB 135 97 25

HSL 39.27, 0.69%, 0.31%

LAB 43.9, 8.61, 44.13

 

CMYK 0 / 17 / 50 / 20

HEX #CCAA66

RGB 204 170 102

HSL 40, 0.5%, 0.6%

LAB 71.25, 3.79, 39.48

 

CMYK 0 / 30 / 50 / 20

HEX #CC8E66

RGB 204 142 102

HSL 23.53, 0.5%, 0.6%

LAB 64.28, 18.98, 30.67

 

CMYK 0 / 44 / 50 / 20

HEX #CC7366

RGB 204 115 102

HSL 7.65, 0.5%, 0.6%

LAB 58.09, 33.58, 22.56

 

CMYK 0 / 50 / 50 / 20

HEX #CC6666

RGB 204 102 102

HSL 0, 0.5%, 0.6%

LAB 55.38, 40.35, 18.91

 

CMYK 0 / 17 / 50 / 20

HEX #CCAA66

RGB 204 170 102

HSL 40, 0.5%, 0.6%

LAB 71.25, 3.79, 39.48

 

CMYK 0 / 3 / 50 / 20

HEX #CCC666

RGB 204 198 102

HSL 56.47, 0.5%, 0.6%

LAB 78.57, -10.86, 48.37

 

CMYK 10 / 0 / 50 / 20

HEX #B7CC66

RGB 183 204 102

HSL 72.35, 0.5%, 0.6%

LAB 78.59, -22.32, 48

 

CMYK 24 / 0 / 50 / 20

HEX #9BCC66

RGB 155 204 102

HSL 88.82, 0.5%, 0.6%

LAB 76.75, -33.03, 45.36

 

CMYK 37 / 0 / 50 / 20

HEX #80CC66

RGB 128 204 102

HSL 104.71, 0.5%, 0.6%

LAB 75.29, -42.43, 43.24

 

CMYK 0 / 17 / 50 / 20

HEX #CCAA66

RGB 204 170 102

HSL 40, 0.5%, 0.6%

LAB 71.25, 3.79, 39.48

 

CMYK 0 / 20 / 62 / 13

HEX #DDB055

RGB 221 176 85

HSL 40.15, 0.67%, 0.6%

LAB 74.24, 6.38, 51.82

 

CMYK 0 / 24 / 71 / 7

HEX #EDB545

RGB 237 181 69

HSL 40, 0.82%, 0.6%

LAB 76.97, 9.57, 62.32

 

CMYK 0 / 26 / 80 / 0

HEX #FEBB34

RGB 254 187 52

HSL 40.1, 0.99%, 0.6%

LAB 80.1, 12.93, 72.26

 

CMYK 0 / 17 / 50 / 20

HEX #CCAA66

RGB 204 170 102

HSL 40, 0.5%, 0.6%

LAB 71.25, 3.79, 39.48

 

CMYK 0 / 12 / 36 / 27

HEX #BBA477

RGB 187 164 119

HSL 39.71, 0.33%, 0.6%

LAB 68.35, 1.83, 26.46

 

CMYK 0 / 7 / 21 / 33

HEX #AB9F87

RGB 171 159 135

HSL 40, 0.18%, 0.6%

LAB 65.91, 0.37, 14.12

 

CMYK 0 / 1 / 1 / 40

HEX #9A9998

RGB 154 153 152

HSL 30, 0.01%, 0.6%

LAB 63.28, 0.18, 0.64

 

CMYK 18 / 12 / 0 / 34

HEX #8A94A8

RGB 138 148 168

HSL 220, 0.15%, 0.6%

LAB 61.14, 0.73, -11.7

 

CMYK 0 / 43 / 50 / 20

HEX #CC7466

RGB 204 116 102

HSL 8.24, 0.5%, 0.6%

LAB 58.31, 33.05, 22.85

 

CMYK 0 / 30 / 50 / 20

HEX #CC8F66

RGB 204 143 102

HSL 24.12, 0.5%, 0.6%

LAB 64.52, 18.43, 30.98

 

CMYK 0 / 17 / 50 / 20

HEX #CCAA66

RGB 204 170 102

HSL 40, 0.5%, 0.6%

LAB 71.25, 3.79, 39.48

 

CMYK 0 / 3 / 50 / 20

HEX #CCC566

RGB 204 197 102

HSL 55.88, 0.5%, 0.6%

LAB 78.3, -10.35, 48.06

 

CMYK 10 / 0 / 50 / 20

HEX #B8CC66

RGB 184 204 102

HSL 71.76, 0.5%, 0.6%

LAB 78.66, -21.92, 48.11

 

CMYK 0 / 23 / 67 / 34

HEX #A88238

RGB 168 130 56

HSL 39.64, 0.5%, 0.44%

LAB 56.66, 6.51, 44.49

 

CMYK 0 / 21 / 63 / 24

HEX #C29947

RGB 194 153 71

HSL 40, 0.5%, 0.52%

LAB 65.52, 6.24, 47.89

 

CMYK 0 / 17 / 50 / 20

HEX #CCAA66

RGB 204 170 102

HSL 40, 0.5%, 0.6%

LAB 71.25, 3.79, 39.48

 

CMYK 0 / 13 / 38 / 16

HEX #D6BB85

RGB 214 187 133

HSL 40, 0.5%, 0.68%

LAB 77, 2.06, 30.91

 

CMYK 0 / 9 / 27 / 12

HEX #E1CCA4

RGB 225 204 164

HSL 39.34, 0.5%, 0.76%

LAB 82.85, 1.29, 22.63

 

CMYK 0 / 17 / 50 / 20

HEX #CBA965

RGB 203 169 101

HSL 40, 0.5%, 0.6%

LAB 70.88, 3.82, 39.52

 

CMYK 43 / 0 / 50 / 20

HEX #74CC66

RGB 116 204 102

HSL 111.76, 0.5%, 0.6%

LAB 74.74, -46.21, 42.44

 

CMYK 37 / 50 / 0 / 20

HEX #8166CC

RGB 129 102 204

HSL 255.88, 0.5%, 0.6%

LAB 50.13, 34.04, -49.4

 

CMYK 0 / 17 / 50 / 20

HEX #CBA965

RGB 203 169 101

HSL 40, 0.5%, 0.6%

LAB 70.88, 3.82, 39.52

 

CMYK 50 / 0 / 17 / 20

HEX #66CCAA

RGB 102 204 170

HSL 160, 0.5%, 0.6%

LAB 75.4, -37.88, 7.88

 

CMYK 17 / 50 / 0 / 20

HEX #AA66CC

RGB 170 102 204

HSL 280, 0.5%, 0.6%

LAB 54.46, 44.96, -42.26

 

CMYK 0 / 17 / 50 / 20

HEX #CBA965

RGB 203 169 101

HSL 40, 0.5%, 0.6%

LAB 70.88, 3.82, 39.52

 

CMYK 43 / 0 / 50 / 20

HEX #74CC66

RGB 116 204 102

HSL 111.76, 0.5%, 0.6%

LAB 74.74, -46.21, 42.44

 

CMYK 50 / 33 / 0 / 20

HEX #6688CC

RGB 102 136 204

HSL 220, 0.5%, 0.6%

LAB 56.87, 7.03, -38.86

 

CMYK 7 / 50 / 0 / 20

HEX #BE66CC

RGB 190 102 204

HSL 291.76, 0.5%, 0.6%

LAB 56.89, 50.53, -38.27

 

CMYK 0 / 17 / 50 / 20

HEX #CBA965

RGB 203 169 101

HSL 40, 0.5%, 0.6%

LAB 70.88, 3.82, 39.52

 

CMYK 50 / 0 / 42 / 20

HEX #66CC77

RGB 102 204 119

HSL 130, 0.5%, 0.6%

LAB 74.41, -47.74, 33.43

 

CMYK 50 / 33 / 0 / 20

HEX #6688CC

RGB 102 136 204

HSL 220, 0.5%, 0.6%

LAB 56.87, 7.03, -38.86

 

CMYK 0 / 50 / 8 / 20

HEX #CC66BB

RGB 204 102 187

HSL 310, 0.5%, 0.6%

LAB 57.97, 51.51, -26.75

 

Description

Color code: HEX #CBA965 | qconv.com Color code: HEX #CBA965 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 169 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 169 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 50 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 50% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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