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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBA704 it is the complementary color #3458FB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBA704. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CBA704 shade: #D0A700, #E1B912, #F2CB25, #FFDD38 and #FFEF4B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBA704. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CBA704 shade: #CBA704, #BA9500, #A98300, #987100 and #875F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CBA704 shade: #CDA904, #CD7204, #CD3C04, #CD0604 and #CD0404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CBA704 shade: #CDA904, #BBCD04, #85CD04, #4FCD04 and #19CD04

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CBA704 shade matches the following richer shades: #CDA904

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CBA704 shade: #CDA904, #BC9E15, #AB9326, #9A8837 and #897D48

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CBA704 shade: #CD3D04, #CD7304, #CDA804, #BCCD04 and #87CD04

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CBA704 shade: #7C6603, #A48703, #CDA904, #F5CA05 and #FBD529

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CBA704 shade: #CBA704, #04CD08 and #5804CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CBA704 shade: #CBA704, #04CDA8 and #A804CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CBA704 shade: #CBA704, #04CD08, #0429CD and #CD04CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CBA704 shade: #CBA704, #04CD44, #0429CD and #CD048D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 98 / 20

HEX #CBA704

RGB 203 167 4

HSL 49.15, 0.96%, 0.41%

LAB 69.71, 0.4, 72.21

 

Complementary color

CMYK 79 / 65 / 0 / 2

HEX #3458FB

RGB 52 88 251

HSL 229.15, 0.96%, 0.59%

LAB 45.19, 44.74, -84.22

 

CMYK 0 / 20 / 100 / 18

HEX #D0A700

RGB 208 167 0

HSL 48.17, 1%, 0.41%

LAB 70.21, 2.58, 73.28

 

CMYK 0 / 18 / 92 / 12

HEX #E1B912

RGB 225 185 18

HSL 48.41, 0.85%, 0.48%

LAB 76.53, 0.75, 76.43

 

CMYK 0 / 16 / 85 / 5

HEX #F2CB25

RGB 242 203 37

HSL 48.59, 0.89%, 0.55%

LAB 82.77, -0.87, 78.31

 

CMYK 0 / 13 / 78 / 0

HEX #FFDD38

RGB 255 221 56

HSL 49.75, 1%, 0.61%

LAB 88.57, -3.96, 78.62

 

CMYK 0 / 6 / 71 / 0

HEX #FFEF4B

RGB 255 239 75

HSL 54.67, 1%, 0.65%

LAB 93.23, -12.15, 76.75

 

CMYK 0 / 18 / 98 / 20

HEX #CBA704

RGB 203 167 4

HSL 49.15, 0.96%, 0.41%

LAB 69.71, 0.4, 72.21

 

CMYK 0 / 20 / 100 / 27

HEX #BA9500

RGB 186 149 0

HSL 48.06, 1%, 0.36%

LAB 63.29, 2.4, 67.4

 

CMYK 0 / 22 / 100 / 34

HEX #A98300

RGB 169 131 0

HSL 46.51, 1%, 0.33%

LAB 56.75, 4.54, 62.01

 

CMYK 0 / 26 / 100 / 40

HEX #987100

RGB 152 113 0

HSL 44.61, 1%, 0.3%

LAB 50.08, 6.78, 56.53

 

CMYK 0 / 30 / 100 / 47

HEX #875F00

RGB 135 95 0

HSL 42.22, 1%, 0.26%

LAB 43.26, 9.14, 50.93

 

CMYK 0 / 18 / 98 / 20

HEX #CDA904

RGB 205 169 4

HSL 49.25, 0.96%, 0.41%

LAB 70.43, 0.23, 72.81

 

CMYK 0 / 44 / 98 / 20

HEX #CD7204

RGB 205 114 4

HSL 32.84, 0.96%, 0.41%

LAB 57.1, 29.9, 63.68

 

CMYK 0 / 71 / 98 / 20

HEX #CD3C04

RGB 205 60 4

HSL 16.72, 0.96%, 0.41%

LAB 47.26, 55.25, 57.82

 

CMYK 0 / 97 / 98 / 20

HEX #CD0604

RGB 205 6 4

HSL 0.6, 0.96%, 0.41%

LAB 42.94, 67.43, 55.73

 

CMYK 0 / 98 / 98 / 20

HEX #CD0404

RGB 205 4 4

HSL 0, 0.96%, 0.41%

LAB 42.88, 67.62, 55.7

 

CMYK 0 / 18 / 98 / 20

HEX #CDA904

RGB 205 169 4

HSL 49.25, 0.96%, 0.41%

LAB 70.43, 0.23, 72.81

 

CMYK 9 / 0 / 98 / 20

HEX #BBCD04

RGB 187 205 4

HSL 65.37, 0.96%, 0.41%

LAB 78.6, -25.87, 78.13

 

CMYK 35 / 0 / 98 / 20

HEX #85CD04

RGB 133 205 4

HSL 81.49, 0.96%, 0.41%

LAB 75.24, -47.16, 74.08

 

CMYK 61 / 0 / 98 / 20

HEX #4FCD04

RGB 79 205 4

HSL 97.61, 0.96%, 0.41%

LAB 73.11, -63.41, 71.5

 

CMYK 88 / 0 / 98 / 20

HEX #19CD04

RGB 25 205 4

HSL 113.73, 0.96%, 0.41%

LAB 72.15, -71.77, 70.32

 

CMYK 0 / 18 / 98 / 20

HEX #CDA904

RGB 205 169 4

HSL 49.25, 0.96%, 0.41%

LAB 70.43, 0.23, 72.81

 

CMYK 0 / 18 / 98 / 20

HEX #CDA904

RGB 205 169 4

HSL 49.25, 0.96%, 0.41%

LAB 70.43, 0.23, 72.81

 

CMYK 0 / 16 / 89 / 26

HEX #BC9E15

RGB 188 158 21

HSL 49.22, 0.8%, 0.41%

LAB 65.9, -1.25, 66.14

 

CMYK 0 / 14 / 78 / 33

HEX #AB9326

RGB 171 147 38

HSL 49.17, 0.64%, 0.41%

LAB 61.36, -2.45, 56.83

 

CMYK 0 / 12 / 64 / 40

HEX #9A8837

RGB 154 136 55

HSL 49.09, 0.47%, 0.41%

LAB 56.84, -3.18, 44.74

 

CMYK 0 / 9 / 47 / 46

HEX #897D48

RGB 137 125 72

HSL 48.92, 0.31%, 0.41%

LAB 52.35, -3.17, 30.44

 

CMYK 0 / 70 / 98 / 20

HEX #CD3D04

RGB 205 61 4

HSL 17.01, 0.96%, 0.41%

LAB 47.4, 54.88, 57.89

 

CMYK 0 / 44 / 98 / 20

HEX #CD7304

RGB 205 115 4

HSL 33.13, 0.96%, 0.41%

LAB 57.32, 29.36, 63.82

 

CMYK 0 / 18 / 98 / 20

HEX #CDA804

RGB 205 168 4

HSL 48.96, 0.96%, 0.41%

LAB 70.17, 0.76, 72.63

 

CMYK 8 / 0 / 98 / 20

HEX #BCCD04

RGB 188 205 4

HSL 65.07, 0.96%, 0.41%

LAB 78.67, -25.45, 78.21

 

CMYK 34 / 0 / 98 / 20

HEX #87CD04

RGB 135 205 4

HSL 80.9, 0.96%, 0.41%

LAB 75.34, -46.44, 74.21

 

CMYK 0 / 18 / 98 / 51

HEX #7C6603

RGB 124 102 3

HSL 49.09, 0.95%, 0.25%

LAB 43.94, -0.2, 50.05

 

CMYK 0 / 18 / 98 / 36

HEX #A48703

RGB 164 135 3

HSL 49.19, 0.96%, 0.33%

LAB 57.3, 0.06, 61.64

 

CMYK 0 / 18 / 98 / 20

HEX #CDA904

RGB 205 169 4

HSL 49.25, 0.96%, 0.41%

LAB 70.43, 0.23, 72.81

 

CMYK 0 / 18 / 98 / 4

HEX #F5CA05

RGB 245 202 5

HSL 49.25, 0.96%, 0.49%

LAB 82.73, 0.47, 83.28

 

CMYK 0 / 15 / 84 / 2

HEX #FBD529

RGB 251 213 41

HSL 49.14, 0.96%, 0.57%

LAB 86.14, -2.04, 80.47

 

CMYK 0 / 18 / 98 / 20

HEX #CBA704

RGB 203 167 4

HSL 49.15, 0.96%, 0.41%

LAB 69.71, 0.4, 72.21

 

CMYK 98 / 0 / 96 / 20

HEX #04CD08

RGB 4 205 8

HSL 121.19, 0.96%, 0.41%

LAB 72.03, -72.8, 69.76

 

CMYK 57 / 98 / 0 / 20

HEX #5804CD

RGB 88 4 205

HSL 265.07, 0.96%, 0.41%

LAB 30.81, 68.98, -81.64

 

CMYK 0 / 18 / 98 / 20

HEX #CBA704

RGB 203 167 4

HSL 49.15, 0.96%, 0.41%

LAB 69.71, 0.4, 72.21

 

CMYK 98 / 0 / 18 / 20

HEX #04CDA8

RGB 4 205 168

HSL 168.96, 0.96%, 0.41%

LAB 73.88, -51, 6.54

 

CMYK 18 / 98 / 0 / 20

HEX #A804CD

RGB 168 4 205

HSL 288.96, 0.96%, 0.41%

LAB 42.49, 77.43, -62.02

 

CMYK 0 / 18 / 98 / 20

HEX #CBA704

RGB 203 167 4

HSL 49.15, 0.96%, 0.41%

LAB 69.71, 0.4, 72.21

 

CMYK 98 / 0 / 96 / 20

HEX #04CD08

RGB 4 205 8

HSL 121.19, 0.96%, 0.41%

LAB 72.03, -72.8, 69.76

 

CMYK 98 / 80 / 0 / 20

HEX #0429CD

RGB 4 41 205

HSL 228.96, 0.96%, 0.41%

LAB 29.46, 53.92, -84.02

 

CMYK 0 / 98 / 1 / 20

HEX #CD04CA

RGB 205 4 202

HSL 300.9, 0.96%, 0.41%

LAB 48.67, 82.6, -49.99

 

CMYK 0 / 18 / 98 / 20

HEX #CBA704

RGB 203 167 4

HSL 49.15, 0.96%, 0.41%

LAB 69.71, 0.4, 72.21

 

CMYK 98 / 0 / 67 / 20

HEX #04CD44

RGB 4 205 68

HSL 139.1, 0.96%, 0.41%

LAB 72.3, -69.36, 54.33

 

CMYK 98 / 80 / 0 / 20

HEX #0429CD

RGB 4 41 205

HSL 228.96, 0.96%, 0.41%

LAB 29.46, 53.92, -84.02

 

CMYK 0 / 98 / 31 / 20

HEX #CD048D

RGB 205 4 141

HSL 319.1, 0.96%, 0.41%

LAB 45.62, 74.94, -18.65

 

Description

Color code: HEX #CBA704 | qconv.com Color code: HEX #CBA704 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 167 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 167 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 98 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 98% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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