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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBA692 it is the complementary color #34596D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBA692. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CBA692 shade: #D0A68D, #E1B8A0, #F2CAB3, #FFDCC6 and #FFEED9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBA692. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CBA692 shade: #CBA692, #BA947F, #A9826C, #987059 and #875E46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CBA692 shade: #CAA591, #CA9591 and #CA9191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CBA692 shade: #CAA591, #CAB491, #CAC491, #C1CA91 and #B1CA91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CBA692 shade matches the following richer shades: #CAA591, #D7A184, #E49D76, #F29969 and #FF955C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CBA692 shade: #CAA591, #BDA99E, #B0ADAB, #A2B1B8 and #95B5C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CBA692 shade: #CA919B, #CA9691, #CAA591, #CAB491 and #CAC391

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CBA692 shade: #AF7759, #BD8E75, #CAA591, #D7BCAD and #E5D2C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CBA692 shade: #CBA692, #ABCA91 and #9194CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CBA692 shade: #CBA692, #91CAA5 and #A591CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CBA692 shade: #CBA692, #ABCA91, #91B6CA and #B091CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CBA692 shade: #CBA692, #99CA91, #91B6CA and #C191CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 28 / 20

HEX #CBA692

RGB 203 166 146

HSL 21.05, 0.35%, 0.68%

LAB 70.9, 10.61, 15.46

 

Complementary color

CMYK 52 / 18 / 0 / 57

HEX #34596D

RGB 52 89 109

HSL 201.05, 0.35%, 0.32%

LAB 35.94, -7.09, -15.52

 

CMYK 0 / 20 / 32 / 18

HEX #D0A68D

RGB 208 166 141

HSL 22.39, 0.42%, 0.68%

LAB 71.29, 11.89, 18.81

 

CMYK 0 / 18 / 29 / 12

HEX #E1B8A0

RGB 225 184 160

HSL 22.15, 0.52%, 0.75%

LAB 77.77, 11.29, 17.75

 

CMYK 0 / 17 / 26 / 5

HEX #F2CAB3

RGB 242 202 179

HSL 21.9, 0.71%, 0.83%

LAB 84.16, 10.76, 16.76

 

CMYK 0 / 14 / 22 / 0

HEX #FFDCC6

RGB 255 220 198

HSL 23.16, 1%, 0.89%

LAB 90.1, 8.83, 15.28

 

CMYK 0 / 7 / 15 / 0

HEX #FFEED9

RGB 255 238 217

HSL 33.16, 1%, 0.93%

LAB 94.92, 2.39, 12.22

 

CMYK 0 / 18 / 28 / 20

HEX #CBA692

RGB 203 166 146

HSL 21.05, 0.35%, 0.68%

LAB 70.9, 10.61, 15.46

 

CMYK 0 / 20 / 32 / 27

HEX #BA947F

RGB 186 148 127

HSL 21.36, 0.3%, 0.61%

LAB 64.28, 11.21, 16.52

 

CMYK 0 / 23 / 36 / 34

HEX #A9826C

RGB 169 130 108

HSL 21.64, 0.26%, 0.54%

LAB 57.54, 11.9, 17.69

 

CMYK 0 / 26 / 41 / 40

HEX #987059

RGB 152 112 89

HSL 21.9, 0.26%, 0.47%

LAB 50.67, 12.71, 18.97

 

CMYK 0 / 30 / 48 / 47

HEX #875E46

RGB 135 94 70

HSL 22.15, 0.32%, 0.4%

LAB 43.65, 13.68, 20.42

 

CMYK 0 / 18 / 28 / 21

HEX #CAA591

RGB 202 165 145

HSL 21.05, 0.35%, 0.68%

LAB 70.53, 10.62, 15.48

 

CMYK 0 / 26 / 28 / 21

HEX #CA9591

RGB 202 149 145

HSL 4.21, 0.35%, 0.68%

LAB 66.59, 19.36, 9.94

 

CMYK 0 / 28 / 28 / 21

HEX #CA9191

RGB 202 145 145

HSL 0, 0.35%, 0.68%

LAB 65.63, 21.55, 8.57

 

CMYK 0 / 18 / 28 / 21

HEX #CAA591

RGB 202 165 145

HSL 21.05, 0.35%, 0.68%

LAB 70.53, 10.62, 15.48

 

CMYK 0 / 11 / 28 / 21

HEX #CAB491

RGB 202 180 145

HSL 36.84, 0.35%, 0.68%

LAB 74.35, 2.54, 20.76

 

CMYK 0 / 3 / 28 / 21

HEX #CAC491

RGB 202 196 145

HSL 53.68, 0.35%, 0.68%

LAB 78.51, -5.88, 26.42

 

CMYK 4 / 0 / 28 / 21

HEX #C1CA91

RGB 193 202 145

HSL 69.47, 0.35%, 0.68%

LAB 79.4, -12.41, 27.5

 

CMYK 12 / 0 / 28 / 21

HEX #B1CA91

RGB 177 202 145

HSL 86.32, 0.35%, 0.68%

LAB 78.25, -18.39, 25.75

 

CMYK 0 / 18 / 28 / 21

HEX #CAA591

RGB 202 165 145

HSL 21.05, 0.35%, 0.68%

LAB 70.53, 10.62, 15.48

 

CMYK 0 / 25 / 39 / 16

HEX #D7A184

RGB 215 161 132

HSL 20.96, 0.51%, 0.68%

LAB 70.6, 16.25, 22.9

 

CMYK 0 / 31 / 48 / 11

HEX #E49D76

RGB 228 157 118

HSL 21.27, 0.67%, 0.68%

LAB 70.81, 22.09, 31.02

 

CMYK 0 / 37 / 57 / 5

HEX #F29969

RGB 242 153 105

HSL 21.02, 0.84%, 0.68%

LAB 71.34, 28.67, 38.94

 

CMYK 0 / 42 / 64 / 0

HEX #FF955C

RGB 255 149 92

HSL 20.98, 1%, 0.68%

LAB 71.91, 34.98, 46.73

 

CMYK 0 / 18 / 28 / 21

HEX #CAA591

RGB 202 165 145

HSL 21.05, 0.35%, 0.68%

LAB 70.53, 10.62, 15.48

 

CMYK 0 / 11 / 16 / 26

HEX #BDA99E

RGB 189 169 158

HSL 21.29, 0.19%, 0.68%

LAB 70.64, 5.41, 8.31

 

CMYK 0 / 2 / 3 / 31

HEX #B0ADAB

RGB 176 173 171

HSL 24, 0.03%, 0.68%

LAB 70.91, 0.7, 1.39

 

CMYK 12 / 4 / 0 / 28

HEX #A2B1B8

RGB 162 177 184

HSL 199.09, 0.13%, 0.68%

LAB 71.27, -3.76, -5.35

 

CMYK 25 / 9 / 0 / 22

HEX #95B5C6

RGB 149 181 198

HSL 200.82, 0.3%, 0.68%

LAB 71.9, -6.99, -12.2

 

CMYK 0 / 28 / 23 / 21

HEX #CA919B

RGB 202 145 155

HSL 349.47, 0.35%, 0.68%

LAB 65.88, 22.99, 3.31

 

CMYK 0 / 26 / 28 / 21

HEX #CA9691

RGB 202 150 145

HSL 5.26, 0.35%, 0.68%

LAB 66.83, 18.81, 10.28

 

CMYK 0 / 18 / 28 / 21

HEX #CAA591

RGB 202 165 145

HSL 21.05, 0.35%, 0.68%

LAB 70.53, 10.62, 15.48

 

CMYK 0 / 11 / 28 / 21

HEX #CAB491

RGB 202 180 145

HSL 36.84, 0.35%, 0.68%

LAB 74.35, 2.54, 20.76

 

CMYK 0 / 3 / 28 / 21

HEX #CAC391

RGB 202 195 145

HSL 52.63, 0.35%, 0.68%

LAB 78.25, -5.36, 26.07

 

CMYK 0 / 32 / 49 / 31

HEX #AF7759

RGB 175 119 89

HSL 20.93, 0.35%, 0.52%

LAB 55.1, 18.43, 25.33

 

CMYK 0 / 25 / 38 / 26

HEX #BD8E75

RGB 189 142 117

HSL 20.83, 0.35%, 0.6%

LAB 62.88, 14.46, 20.24

 

CMYK 0 / 18 / 28 / 21

HEX #CAA591

RGB 202 165 145

HSL 21.05, 0.35%, 0.68%

LAB 70.53, 10.62, 15.48

 

CMYK 0 / 13 / 20 / 16

HEX #D7BCAD

RGB 215 188 173

HSL 21.43, 0.34%, 0.76%

LAB 78.13, 7.24, 11.11

 

CMYK 0 / 8 / 12 / 10

HEX #E5D2C9

RGB 229 210 201

HSL 19.29, 0.35%, 0.84%

LAB 85.49, 5.1, 6.83

 

CMYK 0 / 18 / 28 / 20

HEX #CBA692

RGB 203 166 146

HSL 21.05, 0.35%, 0.68%

LAB 70.9, 10.61, 15.46

 

CMYK 15 / 0 / 28 / 21

HEX #ABCA91

RGB 171 202 145

HSL 92.63, 0.35%, 0.68%

LAB 77.84, -20.58, 25.13

 

CMYK 28 / 27 / 0 / 21

HEX #9194CA

RGB 145 148 202

HSL 236.84, 0.35%, 0.68%

LAB 62.9, 11.09, -28.13

 

CMYK 0 / 18 / 28 / 20

HEX #CBA692

RGB 203 166 146

HSL 21.05, 0.35%, 0.68%

LAB 70.9, 10.61, 15.46

 

CMYK 28 / 0 / 18 / 21

HEX #91CAA5

RGB 145 202 165

HSL 141.05, 0.35%, 0.68%

LAB 76.67, -26.01, 12.64

 

CMYK 18 / 28 / 0 / 21

HEX #A591CA

RGB 165 145 202

HSL 261.05, 0.35%, 0.68%

LAB 63.77, 18.96, -26.66

 

CMYK 0 / 18 / 28 / 20

HEX #CBA692

RGB 203 166 146

HSL 21.05, 0.35%, 0.68%

LAB 70.9, 10.61, 15.46

 

CMYK 15 / 0 / 28 / 21

HEX #ABCA91

RGB 171 202 145

HSL 92.63, 0.35%, 0.68%

LAB 77.84, -20.58, 25.13

 

CMYK 28 / 10 / 0 / 21

HEX #91B6CA

RGB 145 182 202

HSL 201.05, 0.35%, 0.68%

LAB 72.05, -7.79, -14.18

 

CMYK 13 / 28 / 0 / 21

HEX #B091CA

RGB 176 145 202

HSL 272.63, 0.35%, 0.68%

LAB 64.76, 22.46, -25.05

 

CMYK 0 / 18 / 28 / 20

HEX #CBA692

RGB 203 166 146

HSL 21.05, 0.35%, 0.68%

LAB 70.9, 10.61, 15.46

 

CMYK 24 / 0 / 28 / 21

HEX #99CA91

RGB 153 202 145

HSL 111.58, 0.35%, 0.68%

LAB 76.71, -26.92, 23.41

 

CMYK 28 / 10 / 0 / 21

HEX #91B6CA

RGB 145 182 202

HSL 201.05, 0.35%, 0.68%

LAB 72.05, -7.79, -14.18

 

CMYK 4 / 28 / 0 / 21

HEX #C191CA

RGB 193 145 202

HSL 290.53, 0.35%, 0.68%

LAB 66.41, 27.97, -22.38

 

Description

Color code: HEX #CBA692 | qconv.com Color code: HEX #CBA692 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 166 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 166 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 28 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 28% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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