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Color name
HEX #CBA397

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBA397 it is the complementary color #345C68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBA397. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CBA397 shade: #D0A392, #E1B5A5, #F2C7B8, #FFD9CB and #FFEBDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBA397. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CBA397 shade: #CBA397, #BA9184, #A97F71, #986D5E and #875B4B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CBA397 shade: #CAA296 and #CA9696

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CBA397 shade: #CAA296, #CAB096, #CABE96, #C8CA96 and #BACA96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CBA397 shade matches the following richer shades: #CAA296, #D79B89, #E4947C, #F08D6F and #FD8663

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CBA397 shade: #CAA296, #BDA9A3, #B0B0AF, #A4B7BC and #97BDC9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CBA397 shade: #CA96A6, #CA9698, #CAA196, #CAAF96 and #CABD96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CBA397 shade: #AE715F, #BC8A7A, #CAA296, #D8BAB1 and #E6D2CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CBA397 shade: #CBA397, #B4CA96 and #969FCA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CBA397 shade: #CBA397, #96CAA1 and #A196CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CBA397 shade: #CBA397, #B4CA96, #96BFCA and #AC96CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CBA397 shade: #CBA397, #A5CA96, #96BFCA and #BB96CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 26 / 20

HEX #CBA397

RGB 203 163 151

HSL 13.85, 0.33%, 0.69%

LAB 70.26, 12.94, 11.81

 

Complementary color

CMYK 50 / 12 / 0 / 59

HEX #345C68

RGB 52 92 104

HSL 193.85, 0.33%, 0.31%

LAB 36.71, -10.47, -11.25

 

CMYK 0 / 22 / 30 / 18

HEX #D0A392

RGB 208 163 146

HSL 16.45, 0.4%, 0.69%

LAB 70.65, 14.17, 15.18

 

CMYK 0 / 20 / 27 / 12

HEX #E1B5A5

RGB 225 181 165

HSL 16, 0.5%, 0.76%

LAB 77.14, 13.57, 14.17

 

CMYK 0 / 18 / 24 / 5

HEX #F2C7B8

RGB 242 199 184

HSL 15.52, 0.69%, 0.84%

LAB 83.54, 13.03, 13.23

 

CMYK 0 / 15 / 20 / 0

HEX #FFD9CB

RGB 255 217 203

HSL 16.15, 1%, 0.9%

LAB 89.49, 11.09, 11.79

 

CMYK 0 / 8 / 13 / 0

HEX #FFEBDE

RGB 255 235 222

HSL 23.64, 1%, 0.94%

LAB 94.29, 4.69, 8.74

 

CMYK 0 / 20 / 26 / 20

HEX #CBA397

RGB 203 163 151

HSL 13.85, 0.33%, 0.69%

LAB 70.26, 12.94, 11.81

 

CMYK 0 / 22 / 29 / 27

HEX #BA9184

RGB 186 145 132

HSL 14.44, 0.28%, 0.62%

LAB 63.64, 13.55, 12.82

 

CMYK 0 / 25 / 33 / 34

HEX #A97F71

RGB 169 127 113

HSL 15, 0.25%, 0.55%

LAB 56.89, 14.25, 13.92

 

CMYK 0 / 28 / 38 / 40

HEX #986D5E

RGB 152 109 94

HSL 15.52, 0.24%, 0.48%

LAB 50, 15.06, 15.14

 

CMYK 0 / 33 / 44 / 47

HEX #875B4B

RGB 135 91 75

HSL 16, 0.29%, 0.41%

LAB 42.98, 16.02, 16.53

 

CMYK 0 / 20 / 26 / 21

HEX #CAA296

RGB 202 162 150

HSL 13.85, 0.33%, 0.69%

LAB 69.89, 12.95, 11.83

 

CMYK 0 / 26 / 26 / 21

HEX #CA9696

RGB 202 150 150

HSL 0, 0.33%, 0.69%

LAB 66.95, 19.52, 7.65

 

CMYK 0 / 20 / 26 / 21

HEX #CAA296

RGB 202 162 150

HSL 13.85, 0.33%, 0.69%

LAB 69.89, 12.95, 11.83

 

CMYK 0 / 13 / 26 / 21

HEX #CAB096

RGB 202 176 150

HSL 30, 0.33%, 0.69%

LAB 73.42, 5.38, 16.78

 

CMYK 0 / 6 / 26 / 21

HEX #CABE96

RGB 202 190 150

HSL 46.15, 0.33%, 0.69%

LAB 77.03, -2.07, 21.76

 

CMYK 1 / 0 / 26 / 21

HEX #C8CA96

RGB 200 202 150

HSL 62.31, 0.33%, 0.69%

LAB 80.02, -9.07, 25.81

 

CMYK 8 / 0 / 26 / 21

HEX #BACA96

RGB 186 202 150

HSL 78.46, 0.33%, 0.69%

LAB 78.97, -14.33, 24.21

 

CMYK 0 / 20 / 26 / 21

HEX #CAA296

RGB 202 162 150

HSL 13.85, 0.33%, 0.69%

LAB 69.89, 12.95, 11.83

 

CMYK 0 / 28 / 36 / 16

HEX #D79B89

RGB 215 155 137

HSL 13.85, 0.49%, 0.69%

LAB 69.25, 20.09, 18.31

 

CMYK 0 / 35 / 46 / 11

HEX #E4947C

RGB 228 148 124

HSL 13.85, 0.66%, 0.69%

LAB 68.84, 27.49, 25.16

 

CMYK 0 / 41 / 54 / 6

HEX #F08D6F

RGB 240 141 111

HSL 13.95, 0.81%, 0.69%

LAB 68.55, 34.64, 32.15

 

CMYK 0 / 47 / 61 / 1

HEX #FD8663

RGB 253 134 99

HSL 13.64, 0.97%, 0.69%

LAB 68.63, 42.27, 39.08

 

CMYK 0 / 20 / 26 / 21

HEX #CAA296

RGB 202 162 150

HSL 13.85, 0.33%, 0.69%

LAB 69.89, 12.95, 11.83

 

CMYK 0 / 11 / 14 / 26

HEX #BDA9A3

RGB 189 169 163

HSL 13.85, 0.16%, 0.69%

LAB 70.76, 6.22, 5.72

 

CMYK 0 / 0 / 1 / 31

HEX #B0B0AF

RGB 176 176 175

HSL 60, 0.01%, 0.69%

LAB 71.81, -0.18, 0.5

 

CMYK 13 / 3 / 0 / 26

HEX #A4B7BC

RGB 164 183 188

HSL 192.5, 0.15%, 0.69%

LAB 73.15, -5.49, -4.76

 

CMYK 25 / 6 / 0 / 21

HEX #97BDC9

RGB 151 189 201

HSL 194.4, 0.32%, 0.69%

LAB 74.31, -9.95, -10.22

 

CMYK 0 / 26 / 18 / 21

HEX #CA96A6

RGB 202 150 166

HSL 341.54, 0.33%, 0.69%

LAB 67.37, 21.93, -0.71

 

CMYK 0 / 26 / 25 / 21

HEX #CA9698

RGB 202 150 152

HSL 357.69, 0.33%, 0.69%

LAB 67, 19.81, 6.6

 

CMYK 0 / 20 / 26 / 21

HEX #CAA196

RGB 202 161 150

HSL 12.69, 0.33%, 0.69%

LAB 69.65, 13.5, 11.48

 

CMYK 0 / 13 / 26 / 21

HEX #CAAF96

RGB 202 175 150

HSL 28.85, 0.33%, 0.69%

LAB 73.17, 5.91, 16.42

 

CMYK 0 / 6 / 26 / 21

HEX #CABD96

RGB 202 189 150

HSL 45, 0.33%, 0.69%

LAB 76.77, -1.54, 21.41

 

CMYK 0 / 35 / 45 / 32

HEX #AE715F

RGB 174 113 95

HSL 13.67, 0.33%, 0.53%

LAB 53.64, 22.01, 19.94

 

CMYK 0 / 27 / 35 / 26

HEX #BC8A7A

RGB 188 138 122

HSL 14.55, 0.33%, 0.61%

LAB 61.89, 16.9, 16.05

 

CMYK 0 / 20 / 26 / 21

HEX #CAA296

RGB 202 162 150

HSL 13.85, 0.33%, 0.69%

LAB 69.89, 12.95, 11.83

 

CMYK 0 / 14 / 18 / 15

HEX #D8BAB1

RGB 216 186 177

HSL 13.85, 0.33%, 0.77%

LAB 77.81, 9.28, 8.51

 

CMYK 0 / 9 / 11 / 10

HEX #E6D2CD

RGB 230 210 205

HSL 12, 0.33%, 0.85%

LAB 85.67, 6.1, 4.98

 

CMYK 0 / 20 / 26 / 20

HEX #CBA397

RGB 203 163 151

HSL 13.85, 0.33%, 0.69%

LAB 70.26, 12.94, 11.81

 

CMYK 11 / 0 / 26 / 21

HEX #B4CA96

RGB 180 202 150

HSL 85.38, 0.33%, 0.69%

LAB 78.55, -16.54, 23.56

 

CMYK 26 / 21 / 0 / 21

HEX #969FCA

RGB 150 159 202

HSL 229.62, 0.33%, 0.69%

LAB 66.17, 6.36, -23.07

 

CMYK 0 / 20 / 26 / 20

HEX #CBA397

RGB 203 163 151

HSL 13.85, 0.33%, 0.69%

LAB 70.26, 12.94, 11.81

 

CMYK 26 / 0 / 20 / 21

HEX #96CAA1

RGB 150 202 161

HSL 132.69, 0.33%, 0.69%

LAB 76.86, -25.15, 15.09

 

CMYK 20 / 26 / 0 / 21

HEX #A196CA

RGB 161 150 202

HSL 252.69, 0.33%, 0.69%

LAB 64.69, 14.86, -25.27

 

CMYK 0 / 20 / 26 / 20

HEX #CBA397

RGB 203 163 151

HSL 13.85, 0.33%, 0.69%

LAB 70.26, 12.94, 11.81

 

CMYK 11 / 0 / 26 / 21

HEX #B4CA96

RGB 180 202 150

HSL 85.38, 0.33%, 0.69%

LAB 78.55, -16.54, 23.56

 

CMYK 26 / 5 / 0 / 21

HEX #96BFCA

RGB 150 191 202

HSL 192.69, 0.33%, 0.69%

LAB 74.83, -11.07, -10

 

CMYK 15 / 26 / 0 / 21

HEX #AC96CA

RGB 172 150 202

HSL 265.38, 0.33%, 0.69%

LAB 65.63, 18.36, -23.74

 

CMYK 0 / 20 / 26 / 20

HEX #CBA397

RGB 203 163 151

HSL 13.85, 0.33%, 0.69%

LAB 70.26, 12.94, 11.81

 

CMYK 18 / 0 / 26 / 21

HEX #A5CA96

RGB 165 202 150

HSL 102.69, 0.33%, 0.69%

LAB 77.54, -21.94, 22.03

 

CMYK 26 / 5 / 0 / 21

HEX #96BFCA

RGB 150 191 202

HSL 192.69, 0.33%, 0.69%

LAB 74.83, -11.07, -10

 

CMYK 7 / 26 / 0 / 21

HEX #BB96CA

RGB 187 150 202

HSL 282.69, 0.33%, 0.69%

LAB 67.01, 23.23, -21.52

 

Description

Color code: HEX #CBA397 | qconv.com Color code: HEX #CBA397 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 163 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 163 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 26 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 26% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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