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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBA37C it is the complementary color #345C83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBA37C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CBA37C shade: #D0A377, #E1B58A, #F2C79D, #FFD9B0 and #FFEBC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBA37C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CBA37C shade: #CBA37C, #BA9169, #A97F56, #986D43 and #875B30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CBA37C shade: #CBA37C, #CB8D7C and #CB7C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CBA37C shade: #CBA37C, #CBB87C, #C8CB7C, #B3CB7C and #9DCB7C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CBA37C shade matches the following richer shades: #CBA37C, #DAA36D, #E8A25E and #F7A24F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CBA37C shade: #CBA37C, #BCA38B, #ADA399, #9EA3A8 and #8FA3B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CBA37C shade: #CB7C80, #CB8D7C, #CBA27C, #CBB77C and #C9CB7C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CBA37C shade: #AE7946, #BF8E5E, #CBA37C, #D6B799 and #E2CCB7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CBA37C shade: #CBA37C, #95CB7C and #827CCB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CBA37C shade: #CBA37C, #7CCBA2 and #A27CCB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CBA37C shade: #CBA37C, #95CB7C, #7CA5CB and #B27CCB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CBA37C shade: #CBA37C, #7DCB7C, #7CA5CB and #C97CCB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 39 / 20

HEX #CBA37C

RGB 203 163 124

HSL 29.62, 0.43%, 0.64%

LAB 69.72, 9.44, 25.85

 

Complementary color

CMYK 60 / 30 / 0 / 49

HEX #345C83

RGB 52 92 131

HSL 209.62, 0.43%, 0.36%

LAB 37.88, -1.53, -26.06

 

CMYK 0 / 22 / 43 / 18

HEX #D0A377

RGB 208 163 119

HSL 29.66, 0.49%, 0.64%

LAB 70.13, 10.91, 29.19

 

CMYK 0 / 20 / 39 / 12

HEX #E1B58A

RGB 225 181 138

HSL 29.66, 0.59%, 0.71%

LAB 76.61, 10.17, 27.94

 

CMYK 0 / 18 / 35 / 5

HEX #F2C79D

RGB 242 199 157

HSL 29.65, 0.77%, 0.78%

LAB 83, 9.53, 26.77

 

CMYK 0 / 15 / 31 / 0

HEX #FFD9B0

RGB 255 217 176

HSL 31.14, 1%, 0.85%

LAB 88.93, 7.45, 25.12

 

CMYK 0 / 8 / 24 / 0

HEX #FFEBC3

RGB 255 235 195

HSL 40, 1%, 0.88%

LAB 93.72, 0.73, 21.89

 

CMYK 0 / 20 / 39 / 20

HEX #CBA37C

RGB 203 163 124

HSL 29.62, 0.43%, 0.64%

LAB 69.72, 9.44, 25.85

 

CMYK 0 / 22 / 44 / 27

HEX #BA9169

RGB 186 145 105

HSL 29.63, 0.37%, 0.57%

LAB 63.1, 10.2, 27.13

 

CMYK 0 / 25 / 49 / 34

HEX #A97F56

RGB 169 127 86

HSL 29.64, 0.33%, 0.5%

LAB 56.37, 11.08, 28.52

 

CMYK 0 / 28 / 56 / 40

HEX #986D43

RGB 152 109 67

HSL 29.65, 0.39%, 0.43%

LAB 49.52, 12.14, 30.03

 

CMYK 0 / 33 / 64 / 47

HEX #875B30

RGB 135 91 48

HSL 29.66, 0.48%, 0.36%

LAB 42.53, 13.43, 31.64

 

CMYK 0 / 20 / 39 / 20

HEX #CBA37C

RGB 203 163 124

HSL 29.62, 0.43%, 0.64%

LAB 69.72, 9.44, 25.85

 

CMYK 0 / 31 / 39 / 20

HEX #CB8D7C

RGB 203 141 124

HSL 12.91, 0.43%, 0.64%

LAB 64.32, 21.44, 18.55

 

CMYK 0 / 39 / 39 / 20

HEX #CB7C7C

RGB 203 124 124

HSL 0, 0.43%, 0.64%

LAB 60.4, 30.69, 13.11

 

CMYK 0 / 20 / 39 / 20

HEX #CBA37C

RGB 203 163 124

HSL 29.62, 0.43%, 0.64%

LAB 69.72, 9.44, 25.85

 

CMYK 0 / 9 / 39 / 20

HEX #CBB87C

RGB 203 184 124

HSL 45.57, 0.43%, 0.64%

LAB 75.1, -1.79, 32.95

 

CMYK 1 / 0 / 39 / 20

HEX #C8CB7C

RGB 200 203 124

HSL 62.28, 0.43%, 0.64%

LAB 79.87, -12.81, 39.03

 

CMYK 12 / 0 / 39 / 20

HEX #B3CB7C

RGB 179 203 124

HSL 78.23, 0.43%, 0.64%

LAB 78.32, -20.97, 36.74

 

CMYK 23 / 0 / 39 / 20

HEX #9DCB7C

RGB 157 203 124

HSL 94.94, 0.43%, 0.64%

LAB 76.88, -29.13, 34.6

 

CMYK 0 / 20 / 39 / 20

HEX #CBA37C

RGB 203 163 124

HSL 29.62, 0.43%, 0.64%

LAB 69.72, 9.44, 25.85

 

CMYK 0 / 25 / 50 / 15

HEX #DAA36D

RGB 218 163 109

HSL 29.72, 0.6%, 0.64%

LAB 71.01, 13.99, 35.85

 

CMYK 0 / 30 / 59 / 9

HEX #E8A25E

RGB 232 162 94

HSL 29.57, 0.75%, 0.64%

LAB 72.1, 19.05, 45.26

 

CMYK 0 / 34 / 68 / 3

HEX #F7A24F

RGB 247 162 79

HSL 29.64, 0.91%, 0.64%

LAB 73.66, 24.26, 54.78

 

CMYK 0 / 20 / 39 / 20

HEX #CBA37C

RGB 203 163 124

HSL 29.62, 0.43%, 0.64%

LAB 69.72, 9.44, 25.85

 

CMYK 0 / 13 / 26 / 26

HEX #BCA38B

RGB 188 163 139

HSL 29.39, 0.27%, 0.64%

LAB 68.57, 5.42, 15.85

HEX #BCA38B

CMYK 0 / 6 / 12 / 32

HEX #ADA399

RGB 173 163 153

HSL 30, 0.11%, 0.64%

LAB 67.56, 1.86, 6.48

HEX #ADA399

CMYK 6 / 3 / 0 / 34

HEX #9EA3A8

RGB 158 163 168

HSL 210, 0.05%, 0.64%

LAB 66.74, -0.79, -3.21

HEX #9EA3A8

CMYK 22 / 11 / 0 / 28

HEX #8FA3B7

RGB 143 163 183

HSL 210, 0.22%, 0.64%

LAB 66.1, -2.56, -12.65

HEX #8FA3B7

CMYK 0 / 39 / 37 / 20

HEX #CB7C80

RGB 203 124 128

HSL 356.96, 0.43%, 0.64%

LAB 60.49, 31.17, 10.94

 

CMYK 0 / 31 / 39 / 20

HEX #CB8D7C

RGB 203 141 124

HSL 12.91, 0.43%, 0.64%

LAB 64.32, 21.44, 18.55

 

CMYK 0 / 20 / 39 / 20

HEX #CBA27C

RGB 203 162 124

HSL 28.86, 0.43%, 0.64%

LAB 69.46, 9.98, 25.51

 

CMYK 0 / 10 / 39 / 20

HEX #CBB77C

RGB 203 183 124

HSL 44.81, 0.43%, 0.64%

LAB 74.84, -1.26, 32.61

 

CMYK 1 / 0 / 39 / 20

HEX #C9CB7C

RGB 201 203 124

HSL 61.52, 0.43%, 0.64%

LAB 79.95, -12.42, 39.15

 

CMYK 0 / 30 / 60 / 32

HEX #AE7946

RGB 174 121 70

HSL 29.42, 0.43%, 0.48%

LAB 55.19, 15.19, 35.89

 

CMYK 0 / 26 / 51 / 25

HEX #BF8E5E

RGB 191 142 94

HSL 29.69, 0.43%, 0.56%

LAB 62.7, 12.83, 32.7

 

CMYK 0 / 20 / 39 / 20

HEX #CBA37C

RGB 203 163 124

HSL 29.62, 0.43%, 0.64%

LAB 69.72, 9.44, 25.85

 

CMYK 0 / 14 / 29 / 16

HEX #D6B799

RGB 214 183 153

HSL 29.51, 0.43%, 0.72%

LAB 76.35, 6.67, 19.39

 

CMYK 0 / 10 / 19 / 11

HEX #E2CCB7

RGB 226 204 183

HSL 29.3, 0.43%, 0.8%

LAB 83.32, 4.36, 13.26

 

CMYK 0 / 20 / 39 / 20

HEX #CBA37C

RGB 203 163 124

HSL 29.62, 0.43%, 0.64%

LAB 69.72, 9.44, 25.85

 

CMYK 27 / 0 / 39 / 20

HEX #95CB7C

RGB 149 203 124

HSL 101.01, 0.43%, 0.64%

LAB 76.41, -31.96, 33.9

 

CMYK 36 / 39 / 0 / 20

HEX #827CCB

RGB 130 124 203

HSL 244.56, 0.43%, 0.64%

LAB 55.56, 21.03, -40.23

 

CMYK 0 / 20 / 39 / 20

HEX #CBA37C

RGB 203 163 124

HSL 29.62, 0.43%, 0.64%

LAB 69.72, 9.44, 25.85

 

CMYK 39 / 0 / 20 / 20

HEX #7CCBA2

RGB 124 203 162

HSL 148.86, 0.43%, 0.64%

LAB 75.83, -33.41, 12.91

 

CMYK 20 / 39 / 0 / 20

HEX #A27CCB

RGB 162 124 203

HSL 268.86, 0.43%, 0.64%

LAB 58.42, 30.23, -35.53

 

CMYK 0 / 20 / 39 / 20

HEX #CBA37C

RGB 203 163 124

HSL 29.62, 0.43%, 0.64%

LAB 69.72, 9.44, 25.85

 

CMYK 27 / 0 / 39 / 20

HEX #95CB7C

RGB 149 203 124

HSL 101.01, 0.43%, 0.64%

LAB 76.41, -31.96, 33.9

 

CMYK 39 / 19 / 0 / 20

HEX #7CA5CB

RGB 124 165 203

HSL 208.86, 0.43%, 0.64%

LAB 66.14, -4.25, -23.82

 

CMYK 12 / 39 / 0 / 20

HEX #B27CCB

RGB 178 124 203

HSL 281.01, 0.43%, 0.64%

LAB 60.06, 35.07, -32.85

 

CMYK 0 / 20 / 39 / 20

HEX #CBA37C

RGB 203 163 124

HSL 29.62, 0.43%, 0.64%

LAB 69.72, 9.44, 25.85

 

CMYK 38 / 0 / 39 / 20

HEX #7DCB7C

RGB 125 203 124

HSL 119.24, 0.43%, 0.64%

LAB 75.16, -39.9, 32.03

 

CMYK 39 / 19 / 0 / 20

HEX #7CA5CB

RGB 124 165 203

HSL 208.86, 0.43%, 0.64%

LAB 66.14, -4.25, -23.82

 

CMYK 1 / 39 / 0 / 20

HEX #C97CCB

RGB 201 124 203

HSL 298.48, 0.43%, 0.64%

LAB 62.63, 42.14, -28.67

 

Description

Color code: HEX #CBA37C | qconv.com Color code: HEX #CBA37C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 163 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 163 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 39 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 39% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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