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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBA19C it is the complementary color #345E63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBA19C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CBA19C shade: #D0A197, #E1B3AA, #F2C5BD, #FFD7D0 and #FFE9E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBA19C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CBA19C shade: #CBA19C, #BA8F89, #A97D76, #986B63 and #875950

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CBA19C shade: #CAA09B and #CA9B9B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CBA19C shade: #CAA09B, #CAAD9B, #CAB99B, #CAC69B and #C1CA9B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CBA19C shade matches the following richer shades: #CAA09B, #D7968E, #E38C82, #EF8376 and #FC7969

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CBA19C shade: #CAA09B, #BEAAA7, #B1B3B4, #A5BDC0 and #99C7CC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CBA19C shade: #CA9BAF, #CA9BA3, #CAA09B, #CAAC9B and #CAB99B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CBA19C shade: #AE6C65, #BC8680, #CAA09B, #D8B9B6 and #E7D3D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CBA19C shade: #CBA19C, #BCCA9B and #9BA9CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CBA19C shade: #CBA19C, #9BCAA0 and #A09BCA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CBA19C shade: #CBA19C, #BCCA9B, #9BC5CA and #A99BCA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CBA19C shade: #CBA19C, #AECA9B, #9BC5CA and #B79BCA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 23 / 20

HEX #CBA19C

RGB 203 161 156

HSL 6.38, 0.31%, 0.7%

LAB 69.89, 14.75, 8.51

 

Complementary color

CMYK 47 / 5 / 0 / 61

HEX #345E63

RGB 52 94 99

HSL 186.38, 0.31%, 0.3%

LAB 37.18, -13.15, -7.44

 

CMYK 0 / 23 / 27 / 18

HEX #D0A197

RGB 208 161 151

HSL 10.53, 0.38%, 0.7%

LAB 70.27, 15.94, 11.89

 

CMYK 0 / 20 / 24 / 12

HEX #E1B3AA

RGB 225 179 170

HSL 9.82, 0.48%, 0.77%

LAB 76.77, 15.33, 10.93

 

CMYK 0 / 19 / 22 / 5

HEX #F2C5BD

RGB 242 197 189

HSL 9.06, 0.67%, 0.85%

LAB 83.17, 14.79, 10.04

 

CMYK 0 / 16 / 18 / 0

HEX #FFD7D0

RGB 255 215 208

HSL 8.94, 1%, 0.91%

LAB 89.12, 12.86, 8.64

 

CMYK 0 / 9 / 11 / 0

HEX #FFE9E3

RGB 255 233 227

HSL 12.86, 1%, 0.95%

LAB 93.92, 6.5, 5.61

 

CMYK 0 / 21 / 23 / 20

HEX #CBA19C

RGB 203 161 156

HSL 6.38, 0.31%, 0.7%

LAB 69.89, 14.75, 8.51

 

CMYK 0 / 23 / 26 / 27

HEX #BA8F89

RGB 186 143 137

HSL 7.35, 0.26%, 0.63%

LAB 63.25, 15.37, 9.46

 

CMYK 0 / 26 / 30 / 34

HEX #A97D76

RGB 169 125 118

HSL 8.24, 0.23%, 0.56%

LAB 56.5, 16.06, 10.5

 

CMYK 0 / 30 / 35 / 40

HEX #986B63

RGB 152 107 99

HSL 9.06, 0.21%, 0.49%

LAB 49.61, 16.86, 11.65

 

CMYK 0 / 34 / 41 / 47

HEX #875950

RGB 135 89 80

HSL 9.82, 0.26%, 0.42%

LAB 42.57, 17.8, 12.96

 

CMYK 0 / 21 / 23 / 21

HEX #CAA09B

RGB 202 160 155

HSL 6.38, 0.31%, 0.7%

LAB 69.52, 14.77, 8.53

 

CMYK 0 / 23 / 23 / 21

HEX #CA9B9B

RGB 202 155 155

HSL 0, 0.31%, 0.7%

LAB 68.29, 17.51, 6.77

 

CMYK 0 / 21 / 23 / 21

HEX #CAA09B

RGB 202 160 155

HSL 6.38, 0.31%, 0.7%

LAB 69.52, 14.77, 8.53

 

CMYK 0 / 14 / 23 / 21

HEX #CAAD9B

RGB 202 173 155

HSL 22.98, 0.31%, 0.7%

LAB 72.77, 7.71, 13.13

 

CMYK 0 / 8 / 23 / 21

HEX #CAB99B

RGB 202 185 155

HSL 38.3, 0.31%, 0.7%

LAB 75.84, 1.28, 17.43

 

CMYK 0 / 2 / 23 / 21

HEX #CAC69B

RGB 202 198 155

HSL 54.89, 0.31%, 0.7%

LAB 79.22, -5.55, 22.1

 

CMYK 4 / 0 / 23 / 21

HEX #C1CA9B

RGB 193 202 155

HSL 71.49, 0.31%, 0.7%

LAB 79.58, -11, 22.49

 

CMYK 0 / 21 / 23 / 21

HEX #CAA09B

RGB 202 160 155

HSL 6.38, 0.31%, 0.7%

LAB 69.52, 14.77, 8.53

 

CMYK 0 / 30 / 34 / 16

HEX #D7968E

RGB 215 150 142

HSL 6.58, 0.48%, 0.7%

LAB 68.18, 23.41, 14.05

 

CMYK 0 / 38 / 43 / 11

HEX #E38C82

RGB 227 140 130

HSL 6.19, 0.63%, 0.7%

LAB 67.05, 31.97, 19.39

 

CMYK 0 / 45 / 51 / 6

HEX #EF8376

RGB 239 131 118

HSL 6.45, 0.79%, 0.7%

LAB 66.44, 40.01, 25.5

 

CMYK 0 / 52 / 58 / 1

HEX #FC7969

RGB 252 121 105

HSL 6.53, 0.96%, 0.7%

LAB 66.05, 48.69, 32.55

 

CMYK 0 / 21 / 23 / 21

HEX #CAA09B

RGB 202 160 155

HSL 6.38, 0.31%, 0.7%

LAB 69.52, 14.77, 8.53

 

CMYK 0 / 11 / 12 / 25

HEX #BEAAA7

RGB 190 170 167

HSL 7.83, 0.15%, 0.7%

LAB 71.21, 6.71, 4.17

 

CMYK 2 / 1 / 0 / 29

HEX #B1B3B4

RGB 177 179 180

HSL 200, 0.02%, 0.7%

LAB 72.81, -0.51, -0.76

 

CMYK 14 / 2 / 0 / 25

HEX #A5BDC0

RGB 165 189 192

HSL 186.67, 0.18%, 0.7%

LAB 74.95, -7.51, -4.28

 

CMYK 25 / 2 / 0 / 20

HEX #99C7CC

RGB 153 199 204

HSL 185.88, 0.33%, 0.7%

LAB 77.27, -13.89, -7.44

 

CMYK 0 / 23 / 13 / 21

HEX #CA9BAF

RGB 202 155 175

HSL 334.47, 0.31%, 0.7%

LAB 68.82, 20.65, -3.61

 

CMYK 0 / 23 / 19 / 21

HEX #CA9BA3

RGB 202 155 163

HSL 349.79, 0.31%, 0.7%

LAB 68.49, 18.72, 2.6

 

CMYK 0 / 21 / 23 / 21

HEX #CAA09B

RGB 202 160 155

HSL 6.38, 0.31%, 0.7%

LAB 69.52, 14.77, 8.53

 

CMYK 0 / 15 / 23 / 21

HEX #CAAC9B

RGB 202 172 155

HSL 21.7, 0.31%, 0.7%

LAB 72.51, 8.25, 12.78

 

CMYK 0 / 8 / 23 / 21

HEX #CAB99B

RGB 202 185 155

HSL 38.3, 0.31%, 0.7%

LAB 75.84, 1.28, 17.43

 

CMYK 0 / 38 / 42 / 32

HEX #AE6C65

RGB 174 108 101

HSL 5.75, 0.31%, 0.54%

LAB 52.58, 25.47, 15.01

 

CMYK 0 / 29 / 32 / 26

HEX #BC8680

RGB 188 134 128

HSL 6, 0.31%, 0.62%

LAB 61.05, 19.9, 11.47

 

CMYK 0 / 21 / 23 / 21

HEX #CAA09B

RGB 202 160 155

HSL 6.38, 0.31%, 0.7%

LAB 69.52, 14.77, 8.53

 

CMYK 0 / 14 / 16 / 15

HEX #D8B9B6

RGB 216 185 182

HSL 5.29, 0.3%, 0.78%

LAB 77.68, 10.6, 5.62

 

CMYK 0 / 9 / 10 / 9

HEX #E7D3D1

RGB 231 211 209

HSL 5.45, 0.31%, 0.86%

LAB 86.1, 6.59, 3.49

 

CMYK 0 / 21 / 23 / 20

HEX #CBA19C

RGB 203 161 156

HSL 6.38, 0.31%, 0.7%

LAB 69.89, 14.75, 8.51

 

CMYK 7 / 0 / 23 / 21

HEX #BCCA9B

RGB 188 202 155

HSL 77.87, 0.31%, 0.7%

LAB 79.21, -12.85, 21.92

 

CMYK 23 / 16 / 0 / 21

HEX #9BA9CA

RGB 155 169 202

HSL 222.13, 0.31%, 0.7%

LAB 69.19, 2.32, -18.44

 

CMYK 0 / 21 / 23 / 20

HEX #CBA19C

RGB 203 161 156

HSL 6.38, 0.31%, 0.7%

LAB 69.89, 14.75, 8.51

 

CMYK 23 / 0 / 21 / 21

HEX #9BCAA0

RGB 155 202 160

HSL 126.38, 0.31%, 0.7%

LAB 77.13, -23.68, 16.04

 

CMYK 21 / 23 / 0 / 21

HEX #A09BCA

RGB 160 155 202

HSL 246.38, 0.31%, 0.7%

LAB 65.89, 11.72, -23.44

 

CMYK 0 / 21 / 23 / 20

HEX #CBA19C

RGB 203 161 156

HSL 6.38, 0.31%, 0.7%

LAB 69.89, 14.75, 8.51

 

CMYK 7 / 0 / 23 / 21

HEX #BCCA9B

RGB 188 202 155

HSL 77.87, 0.31%, 0.7%

LAB 79.21, -12.85, 21.92

 

CMYK 23 / 2 / 0 / 21

HEX #9BC5CA

RGB 155 197 202

HSL 186.38, 0.31%, 0.7%

LAB 76.78, -12.7, -7.07

 

CMYK 16 / 23 / 0 / 21

HEX #A99BCA

RGB 169 155 202

HSL 257.87, 0.31%, 0.7%

LAB 66.63, 14.58, -22.24

 

CMYK 0 / 21 / 23 / 20

HEX #CBA19C

RGB 203 161 156

HSL 6.38, 0.31%, 0.7%

LAB 69.89, 14.75, 8.51

 

CMYK 14 / 0 / 23 / 21

HEX #AECA9B

RGB 174 202 155

HSL 95.74, 0.31%, 0.7%

LAB 78.23, -17.94, 20.42

 

CMYK 23 / 2 / 0 / 21

HEX #9BC5CA

RGB 155 197 202

HSL 186.38, 0.31%, 0.7%

LAB 76.78, -12.7, -7.07

 

CMYK 9 / 23 / 0 / 21

HEX #B79BCA

RGB 183 155 202

HSL 275.74, 0.31%, 0.7%

LAB 67.85, 19.13, -20.26

 

Description

Color code: HEX #CBA19C | qconv.com Color code: HEX #CBA19C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 161 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 161 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 23 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 23% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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