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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBA128 it is the complementary color #345ED7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBA128. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CBA128 shade: #D0A123, #E1B336, #F2C549, #FFD75C and #FFE96F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBA128. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CBA128 shade: #CBA128, #BA8F15, #A97D02, #986B00 and #875900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CBA128 shade: #CCA228, #CC7628, #CC4A28 and #CC2828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CBA128 shade: #CCA228, #CACC28, #9ECC28, #72CC28 and #46CC28

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CBA128 shade matches the following richer shades: #CCA228, #E0AC15 and #F4B501

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CBA128 shade: #CCA228, #B9993C, #A58F50, #918564 and #7D7C78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CBA128 shade: #CC4928, #CC7528, #CCA128, #CCCC28 and #A1CC28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CBA128 shade: #886B1B, #AA8722, #CCA228, #DAB344 and #E1C166

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CBA128 shade: #CBA128, #33CC28 and #5F28CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CBA128 shade: #CBA128, #28CCA1 and #A128CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CBA128 shade: #CBA128, #33CC28, #2854CC and #C128CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CBA128 shade: #CBA128, #28CC4F, #2854CC and #CC28A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 80 / 20

HEX #CBA128

RGB 203 161 40

HSL 44.54, 0.67%, 0.48%

LAB 68.27, 4.32, 63.61

 

Complementary color

CMYK 76 / 56 / 0 / 16

HEX #345ED7

RGB 52 94 215

HSL 224.54, 0.67%, 0.52%

LAB 43.71, 28.05, -66.3

 

CMYK 0 / 23 / 83 / 18

HEX #D0A123

RGB 208 161 35

HSL 43.7, 0.71%, 0.48%

LAB 68.77, 6.37, 65.79

 

CMYK 0 / 20 / 76 / 12

HEX #E1B336

RGB 225 179 54

HSL 43.86, 0.74%, 0.55%

LAB 75.15, 4.84, 65.93

 

CMYK 0 / 19 / 70 / 5

HEX #F2C549

RGB 242 197 73

HSL 44.02, 0.87%, 0.62%

LAB 81.45, 3.53, 65.41

 

CMYK 0 / 16 / 64 / 0

HEX #FFD75C

RGB 255 215 92

HSL 45.28, 1%, 0.68%

LAB 87.31, 0.74, 64.04

 

CMYK 0 / 9 / 56 / 0

HEX #FFE96F

RGB 255 233 111

HSL 50.83, 1%, 0.72%

LAB 91.99, -7.07, 60.93

 

CMYK 0 / 21 / 80 / 20

HEX #CBA128

RGB 203 161 40

HSL 44.54, 0.67%, 0.48%

LAB 68.27, 4.32, 63.61

 

CMYK 0 / 23 / 89 / 27

HEX #BA8F15

RGB 186 143 21

HSL 44.36, 0.8%, 0.41%

LAB 61.77, 5.99, 62.79

 

CMYK 0 / 26 / 99 / 34

HEX #A97D02

RGB 169 125 2

HSL 44.19, 0.98%, 0.34%

LAB 55.18, 7.92, 60.57

 

CMYK 0 / 30 / 100 / 40

HEX #986B00

RGB 152 107 0

HSL 42.24, 1%, 0.3%

LAB 48.5, 10.21, 55.45

 

CMYK 0 / 34 / 100 / 47

HEX #875900

RGB 135 89 0

HSL 39.56, 1%, 0.26%

LAB 41.68, 12.66, 49.88

 

CMYK 0 / 21 / 80 / 20

HEX #CCA228

RGB 204 162 40

HSL 44.63, 0.67%, 0.48%

LAB 68.63, 4.22, 63.97

 

CMYK 0 / 42 / 80 / 20

HEX #CC7628

RGB 204 118 40

HSL 28.54, 0.67%, 0.48%

LAB 57.99, 28.07, 54.35

 

CMYK 0 / 64 / 80 / 20

HEX #CC4A28

RGB 204 74 40

HSL 12.44, 0.67%, 0.48%

LAB 49.36, 49.91, 46.21

 

CMYK 0 / 80 / 80 / 20

HEX #CC2828

RGB 204 40 40

HSL 0, 0.67%, 0.48%

LAB 44.95, 62.03, 41.89

 

CMYK 0 / 21 / 80 / 20

HEX #CCA228

RGB 204 162 40

HSL 44.63, 0.67%, 0.48%

LAB 68.63, 4.22, 63.97

 

CMYK 1 / 0 / 80 / 20

HEX #CACC28

RGB 202 204 40

HSL 60.73, 0.67%, 0.48%

LAB 79.55, -18.36, 73.46

 

CMYK 23 / 0 / 80 / 20

HEX #9ECC28

RGB 158 204 40

HSL 76.83, 0.67%, 0.48%

LAB 76.44, -36.43, 69.53

 

CMYK 44 / 0 / 80 / 20

HEX #72CC28

RGB 114 204 40

HSL 92.93, 0.67%, 0.48%

LAB 74.14, -52.24, 66.58

 

CMYK 66 / 0 / 80 / 20

HEX #46CC28

RGB 70 204 40

HSL 109.02, 0.67%, 0.48%

LAB 72.65, -63.92, 64.67

 

CMYK 0 / 21 / 80 / 20

HEX #CCA228

RGB 204 162 40

HSL 44.63, 0.67%, 0.48%

LAB 68.63, 4.22, 63.97

 

CMYK 0 / 23 / 91 / 12

HEX #E0AC15

RGB 224 172 21

HSL 44.63, 0.83%, 0.48%

LAB 73.16, 7.2, 73.34

 

CMYK 0 / 26 / 100 / 4

HEX #F4B501

RGB 244 181 1

HSL 44.44, 0.99%, 0.48%

LAB 77.45, 10.9, 79.94

 

CMYK 0 / 21 / 80 / 20

HEX #CCA228

RGB 204 162 40

HSL 44.63, 0.67%, 0.48%

LAB 68.63, 4.22, 63.97

 

CMYK 0 / 17 / 68 / 27

HEX #B9993C

RGB 185 153 60

HSL 44.64, 0.51%, 0.48%

LAB 64.5, 1.62, 51.58

 

CMYK 0 / 13 / 52 / 35

HEX #A58F50

RGB 165 143 80

HSL 44.47, 0.35%, 0.48%

LAB 60.09, -0.16, 36.31

 

CMYK 0 / 8 / 31 / 43

HEX #918564

RGB 145 133 100

HSL 44, 0.18%, 0.48%

LAB 55.8, -0.81, 19.47

 

CMYK 0 / 1 / 4 / 51

HEX #7D7C78

RGB 125 124 120

HSL 48, 0.02%, 0.48%

LAB 51.99, -0.4, 2.31

 

CMYK 0 / 64 / 80 / 20

HEX #CC4928

RGB 204 73 40

HSL 12.07, 0.67%, 0.48%

LAB 49.2, 50.34, 46.06

 

CMYK 0 / 43 / 80 / 20

HEX #CC7528

RGB 204 117 40

HSL 28.17, 0.67%, 0.48%

LAB 57.76, 28.6, 54.14

 

CMYK 0 / 21 / 80 / 20

HEX #CCA128

RGB 204 161 40

HSL 44.27, 0.67%, 0.48%

LAB 68.37, 4.76, 63.74

 

CMYK 0 / 0 / 80 / 20

HEX #CCCC28

RGB 204 204 40

HSL 60, 0.67%, 0.48%

LAB 79.71, -17.52, 73.66

 

CMYK 21 / 0 / 80 / 20

HEX #A1CC28

RGB 161 204 40

HSL 75.73, 0.67%, 0.48%

LAB 76.63, -35.25, 69.76

 

CMYK 0 / 21 / 80 / 47

HEX #886B1B

RGB 136 107 27

HSL 44.04, 0.67%, 0.32%

LAB 46.75, 3.34, 46.02

 

CMYK 0 / 21 / 80 / 33

HEX #AA8722

RGB 170 135 34

HSL 44.56, 0.67%, 0.4%

LAB 58.03, 3.53, 55.14

 

CMYK 0 / 21 / 80 / 20

HEX #CCA228

RGB 204 162 40

HSL 44.63, 0.67%, 0.48%

LAB 68.63, 4.22, 63.97

 

CMYK 0 / 18 / 69 / 15

HEX #DAB344

RGB 218 179 68

HSL 44.4, 0.67%, 0.56%

LAB 74.55, 2.49, 59.64

 

CMYK 0 / 14 / 55 / 12

HEX #E1C166

RGB 225 193 102

HSL 44.39, 0.67%, 0.64%

LAB 79.1, 0.37, 49.46

 

CMYK 0 / 21 / 80 / 20

HEX #CBA128

RGB 203 161 40

HSL 44.54, 0.67%, 0.48%

LAB 68.27, 4.32, 63.61

 

CMYK 75 / 0 / 80 / 20

HEX #33CC28

RGB 51 204 40

HSL 115.98, 0.67%, 0.48%

LAB 72.26, -67.31, 64.16

 

CMYK 53 / 80 / 0 / 20

HEX #5F28CC

RGB 95 40 204

HSL 260.12, 0.67%, 0.48%

LAB 34.62, 60.04, -74.73

 

CMYK 0 / 21 / 80 / 20

HEX #CBA128

RGB 203 161 40

HSL 44.54, 0.67%, 0.48%

LAB 68.27, 4.32, 63.61

 

CMYK 80 / 0 / 21 / 20

HEX #28CCA1

RGB 40 204 161

HSL 164.27, 0.67%, 0.48%

LAB 73.68, -50.34, 10.07

 

CMYK 21 / 80 / 0 / 20

HEX #A128CC

RGB 161 40 204

HSL 284.27, 0.67%, 0.48%

LAB 43.44, 69.84, -59.95

 

CMYK 0 / 21 / 80 / 20

HEX #CBA128

RGB 203 161 40

HSL 44.54, 0.67%, 0.48%

LAB 68.27, 4.32, 63.61

 

CMYK 75 / 0 / 80 / 20

HEX #33CC28

RGB 51 204 40

HSL 115.98, 0.67%, 0.48%

LAB 72.26, -67.31, 64.16

 

CMYK 80 / 59 / 0 / 20

HEX #2854CC

RGB 40 84 204

HSL 223.9, 0.67%, 0.48%

LAB 39.83, 29.2, -66.32

 

CMYK 5 / 80 / 0 / 20

HEX #C128CC

RGB 193 40 204

HSL 295.98, 0.67%, 0.48%

LAB 48.53, 75.57, -51.5

 

CMYK 0 / 21 / 80 / 20

HEX #CBA128

RGB 203 161 40

HSL 44.54, 0.67%, 0.48%

LAB 68.27, 4.32, 63.61

 

CMYK 80 / 0 / 61 / 20

HEX #28CC4F

RGB 40 204 79

HSL 134.27, 0.67%, 0.48%

LAB 72.36, -65.38, 49.82

 

CMYK 80 / 59 / 0 / 20

HEX #2854CC

RGB 40 84 204

HSL 223.9, 0.67%, 0.48%

LAB 39.83, 29.2, -66.32

 

CMYK 0 / 80 / 19 / 20

HEX #CC28A6

RGB 204 40 166

HSL 313.9, 0.67%, 0.48%

LAB 48.4, 72.22, -29.37

 

Description

Color code: HEX #CBA128 | qconv.com Color code: HEX #CBA128 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 161 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 161 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 80 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 80% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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