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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBA092 it is the complementary color #345F6D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBA092. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CBA092 shade: #D0A08D, #E1B2A0, #F2C4B3, #FFD6C6 and #FFE8D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBA092. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CBA092 shade: #CBA092, #BA8E7F, #A97C6C, #986A59 and #875846

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CBA092 shade: #CA9F91 and #CA9191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CBA092 shade: #CA9F91, #CAAE91, #CABE91, #C7CA91 and #B7CA91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CBA092 shade matches the following richer shades: #CA9F91, #D79884, #E49176, #F28B69 and #FF845C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CBA092 shade: #CA9F91, #BDA69E, #B0ACAB, #A2B3B8 and #95BAC6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CBA092 shade: #CA91A2, #CA9193, #CA9E91, #CAAD91 and #CABD91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CBA092 shade: #AF6E59, #BD8775, #CA9F91, #D7B7AD and #E5CFC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CBA092 shade: #CBA092, #B1CA91 and #919ACA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CBA092 shade: #CBA092, #91CA9E and #9E91CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CBA092 shade: #CBA092, #B1CA91, #91BDCA and #AA91CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CBA092 shade: #CBA092, #A0CA91, #91BDCA and #BB91CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 28 / 20

HEX #CBA092

RGB 203 160 146

HSL 14.74, 0.35%, 0.68%

LAB 69.41, 13.87, 13.37

 

Complementary color

CMYK 52 / 13 / 0 / 57

HEX #345F6D

RGB 52 95 109

HSL 194.74, 0.35%, 0.32%

LAB 37.88, -10.67, -12.58

 

CMYK 0 / 23 / 32 / 18

HEX #D0A08D

RGB 208 160 141

HSL 17.01, 0.42%, 0.68%

LAB 69.81, 15.14, 16.76

 

CMYK 0 / 21 / 29 / 12

HEX #E1B2A0

RGB 225 178 160

HSL 16.62, 0.52%, 0.75%

LAB 76.31, 14.49, 15.7

 

CMYK 0 / 19 / 26 / 5

HEX #F2C4B3

RGB 242 196 179

HSL 16.19, 0.71%, 0.83%

LAB 82.71, 13.91, 14.72

 

CMYK 0 / 16 / 22 / 0

HEX #FFD6C6

RGB 255 214 198

HSL 16.84, 1%, 0.89%

LAB 88.65, 11.93, 13.23

 

CMYK 0 / 9 / 15 / 0

HEX #FFE8D9

RGB 255 232 217

HSL 23.68, 1%, 0.93%

LAB 93.44, 5.45, 10.12

 

CMYK 0 / 21 / 28 / 20

HEX #CBA092

RGB 203 160 146

HSL 14.74, 0.35%, 0.68%

LAB 69.41, 13.87, 13.37

 

CMYK 0 / 24 / 32 / 27

HEX #BA8E7F

RGB 186 142 127

HSL 15.25, 0.3%, 0.61%

LAB 62.77, 14.53, 14.43

 

CMYK 0 / 27 / 36 / 34

HEX #A97C6C

RGB 169 124 108

HSL 15.74, 0.26%, 0.54%

LAB 56.02, 15.29, 15.6

 

CMYK 0 / 30 / 41 / 40

HEX #986A59

RGB 152 106 89

HSL 16.19, 0.26%, 0.47%

LAB 49.14, 16.17, 16.9

 

CMYK 0 / 35 / 48 / 47

HEX #875846

RGB 135 88 70

HSL 16.62, 0.32%, 0.4%

LAB 42.11, 17.22, 18.38

 

CMYK 0 / 21 / 28 / 21

HEX #CA9F91

RGB 202 159 145

HSL 14.74, 0.35%, 0.68%

LAB 69.04, 13.89, 13.39

 

CMYK 0 / 28 / 28 / 21

HEX #CA9191

RGB 202 145 145

HSL 0, 0.35%, 0.68%

LAB 65.63, 21.55, 8.57

 

CMYK 0 / 21 / 28 / 21

HEX #CA9F91

RGB 202 159 145

HSL 14.74, 0.35%, 0.68%

LAB 69.04, 13.89, 13.39

 

CMYK 0 / 14 / 28 / 21

HEX #CAAE91

RGB 202 174 145

HSL 30.53, 0.35%, 0.68%

LAB 72.81, 5.76, 18.64

 

CMYK 0 / 6 / 28 / 21

HEX #CABE91

RGB 202 190 145

HSL 47.37, 0.35%, 0.68%

LAB 76.94, -2.75, 24.3

 

CMYK 1 / 0 / 28 / 21

HEX #C7CA91

RGB 199 202 145

HSL 63.16, 0.35%, 0.68%

LAB 79.86, -10.13, 28.19

 

CMYK 9 / 0 / 28 / 21

HEX #B7CA91

RGB 183 202 145

HSL 80, 0.35%, 0.68%

LAB 78.67, -16.17, 26.39

 

CMYK 0 / 21 / 28 / 21

HEX #CA9F91

RGB 202 159 145

HSL 14.74, 0.35%, 0.68%

LAB 69.04, 13.89, 13.39

 

CMYK 0 / 29 / 39 / 16

HEX #D79884

RGB 215 152 132

HSL 14.46, 0.51%, 0.68%

LAB 68.44, 21.12, 19.95

 

CMYK 0 / 36 / 48 / 11

HEX #E49176

RGB 228 145 118

HSL 14.73, 0.67%, 0.68%

LAB 68.06, 28.5, 27.41

 

CMYK 0 / 43 / 57 / 5

HEX #F28B69

RGB 242 139 105

HSL 14.89, 0.84%, 0.68%

LAB 68.29, 35.97, 35.11

 

CMYK 0 / 48 / 64 / 0

HEX #FF845C

RGB 255 132 92

HSL 14.72, 1%, 0.68%

LAB 68.41, 43.57, 42.59

 

CMYK 0 / 21 / 28 / 21

HEX #CA9F91

RGB 202 159 145

HSL 14.74, 0.35%, 0.68%

LAB 69.04, 13.89, 13.39

 

CMYK 0 / 12 / 16 / 26

HEX #BDA69E

RGB 189 166 158

HSL 15.48, 0.19%, 0.68%

LAB 69.87, 7.04, 7.2

 

CMYK 0 / 2 / 3 / 31

HEX #B0ACAB

RGB 176 172 171

HSL 12, 0.03%, 0.68%

LAB 70.65, 1.24, 1.01

 

CMYK 12 / 3 / 0 / 28

HEX #A2B3B8

RGB 162 179 184

HSL 193.64, 0.13%, 0.68%

LAB 71.81, -4.84, -4.56

 

CMYK 25 / 6 / 0 / 22

HEX #95BAC6

RGB 149 186 198

HSL 194.69, 0.3%, 0.68%

LAB 73.28, -9.66, -10.14

 

CMYK 0 / 28 / 20 / 21

HEX #CA91A2

RGB 202 145 162

HSL 342.11, 0.35%, 0.68%

LAB 66.07, 24.05, -0.36

 

CMYK 0 / 28 / 27 / 21

HEX #CA9193

RGB 202 145 147

HSL 357.89, 0.35%, 0.68%

LAB 65.68, 21.83, 7.52

 

CMYK 0 / 22 / 28 / 21

HEX #CA9E91

RGB 202 158 145

HSL 13.68, 0.35%, 0.68%

LAB 68.79, 14.44, 13.04

 

CMYK 0 / 14 / 28 / 21

HEX #CAAD91

RGB 202 173 145

HSL 29.47, 0.35%, 0.68%

LAB 72.55, 6.3, 18.29

 

CMYK 0 / 6 / 28 / 21

HEX #CABD91

RGB 202 189 145

HSL 46.32, 0.35%, 0.68%

LAB 76.68, -2.22, 23.94

 

CMYK 0 / 37 / 49 / 31

HEX #AF6E59

RGB 175 110 89

HSL 14.65, 0.35%, 0.52%

LAB 52.94, 23.47, 22.48

 

CMYK 0 / 29 / 38 / 26

HEX #BD8775

RGB 189 135 117

HSL 15, 0.35%, 0.6%

LAB 61.16, 18.34, 17.89

 

CMYK 0 / 21 / 28 / 21

HEX #CA9F91

RGB 202 159 145

HSL 14.74, 0.35%, 0.68%

LAB 69.04, 13.89, 13.39

 

CMYK 0 / 15 / 20 / 16

HEX #D7B7AD

RGB 215 183 173

HSL 14.29, 0.34%, 0.76%

LAB 76.88, 9.91, 9.33

 

CMYK 0 / 10 / 12 / 10

HEX #E5CFC9

RGB 229 207 201

HSL 12.86, 0.35%, 0.84%

LAB 84.74, 6.67, 5.75

 

CMYK 0 / 21 / 28 / 20

HEX #CBA092

RGB 203 160 146

HSL 14.74, 0.35%, 0.68%

LAB 69.41, 13.87, 13.37

 

CMYK 12 / 0 / 28 / 21

HEX #B1CA91

RGB 177 202 145

HSL 86.32, 0.35%, 0.68%

LAB 78.25, -18.39, 25.75

 

CMYK 28 / 24 / 0 / 21

HEX #919ACA

RGB 145 154 202

HSL 230.53, 0.35%, 0.68%

LAB 64.48, 7.67, -25.7

 

CMYK 0 / 21 / 28 / 20

HEX #CBA092

RGB 203 160 146

HSL 14.74, 0.35%, 0.68%

LAB 69.41, 13.87, 13.37

 

CMYK 28 / 0 / 22 / 21

HEX #91CA9E

RGB 145 202 158

HSL 133.68, 0.35%, 0.68%

LAB 76.51, -27.32, 16.17

 

CMYK 22 / 28 / 0 / 21

HEX #9E91CA

RGB 158 145 202

HSL 253.68, 0.35%, 0.68%

LAB 63.16, 16.77, -27.64

 

CMYK 0 / 21 / 28 / 20

HEX #CBA092

RGB 203 160 146

HSL 14.74, 0.35%, 0.68%

LAB 69.41, 13.87, 13.37

 

CMYK 12 / 0 / 28 / 21

HEX #B1CA91

RGB 177 202 145

HSL 86.32, 0.35%, 0.68%

LAB 78.25, -18.39, 25.75

 

CMYK 28 / 6 / 0 / 21

HEX #91BDCA

RGB 145 189 202

HSL 193.68, 0.35%, 0.68%

LAB 73.98, -11.5, -11.29

 

CMYK 16 / 28 / 0 / 21

HEX #AA91CA

RGB 170 145 202

HSL 266.32, 0.35%, 0.68%

LAB 64.21, 20.54, -25.94

 

CMYK 0 / 21 / 28 / 20

HEX #CBA092

RGB 203 160 146

HSL 14.74, 0.35%, 0.68%

LAB 69.41, 13.87, 13.37

 

CMYK 21 / 0 / 28 / 21

HEX #A0CA91

RGB 160 202 145

HSL 104.21, 0.35%, 0.68%

LAB 77.14, -24.49, 24.06

 

CMYK 28 / 6 / 0 / 21

HEX #91BDCA

RGB 145 189 202

HSL 193.68, 0.35%, 0.68%

LAB 73.98, -11.5, -11.29

 

CMYK 7 / 28 / 0 / 21

HEX #BB91CA

RGB 187 145 202

HSL 284.21, 0.35%, 0.68%

LAB 65.81, 26.02, -23.34

 

Description

Color code: HEX #CBA092 | qconv.com Color code: HEX #CBA092 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 160 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 160 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 28 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 28% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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