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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB9DA3 it is the complementary color #34625C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB9DA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB9DA3 shade: #D09D9E, #E1AFB1, #F2C1C4, #FFD3D7 and #FFE5EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB9DA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB9DA3 shade: #CB9DA3, #BA8B90, #A9797D, #98676A and #875557

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB9DA3 shade: #CC9EA4 and #CC9E9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB9DA3 shade: #CC9EA4, #CC9EB0, #CC9EBD, #CC9EC9 and #C29ECC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB9DA3 shade matches the following richer shades: #CC9EA4, #D8929B, #E48692, #F07A8A and #FC6E81

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB9DA3 shade: #CC9EA4, #C0AAAD, #B4B6B6, #A8C2BF and #9CCEC7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB9DA3 shade: #CC9EBD, #CC9EB0, #CC9EA4, #CCA49E and #CCB09E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB9DA3 shade: #B06871, #BE838B, #CC9EA4, #DAB9BD and #E8D4D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB9DA3 shade: #CB9DA3, #C9CC9E and #9EB7CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB9DA3 shade: #CB9DA3, #A4CC9E and #9EA4CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB9DA3 shade: #CB9DA3, #C9CC9E, #9ECCC6 and #A19ECC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB9DA3 shade: #CB9DA3, #BBCC9E, #9ECCC6 and #AF9ECC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 20 / 20

HEX #CB9DA3

RGB 203 157 163

HSL 352.17, 0.31%, 0.71%

LAB 69.08, 18, 3.47

 

Complementary color

CMYK 47 / 0 / 6 / 62

HEX #34625C

RGB 52 98 92

HSL 172.17, 0.31%, 0.29%

LAB 38.27, -17.41, -1.51

 

CMYK 0 / 25 / 24 / 18

HEX #D09D9E

RGB 208 157 158

HSL 358.82, 0.35%, 0.72%

LAB 69.46, 19.11, 6.87

 

CMYK 0 / 22 / 21 / 12

HEX #E1AFB1

RGB 225 175 177

HSL 357.6, 0.45%, 0.78%

LAB 75.97, 18.49, 5.99

 

CMYK 0 / 20 / 19 / 5

HEX #F2C1C4

RGB 242 193 196

HSL 356.33, 0.65%, 0.85%

LAB 82.38, 17.93, 5.16

 

CMYK 0 / 17 / 16 / 0

HEX #FFD3D7

RGB 255 211 215

HSL 354.55, 1%, 0.91%

LAB 88.33, 16, 3.81

 

CMYK 0 / 10 / 8 / 0

HEX #FFE5EA

RGB 255 229 234

HSL 348.46, 1%, 0.95%

LAB 93.12, 9.7, 0.8

 

CMYK 0 / 23 / 20 / 20

HEX #CB9DA3

RGB 203 157 163

HSL 352.17, 0.31%, 0.71%

LAB 69.08, 18, 3.47

 

CMYK 0 / 25 / 23 / 27

HEX #BA8B90

RGB 186 139 144

HSL 353.62, 0.25%, 0.64%

LAB 62.44, 18.63, 4.33

 

CMYK 0 / 28 / 26 / 34

HEX #A9797D

RGB 169 121 125

HSL 355, 0.22%, 0.57%

LAB 55.68, 19.34, 5.27

 

CMYK 0 / 32 / 30 / 40

HEX #98676A

RGB 152 103 106

HSL 356.33, 0.19%, 0.5%

LAB 48.78, 20.14, 6.32

 

CMYK 0 / 37 / 36 / 47

HEX #875557

RGB 135 85 87

HSL 357.6, 0.23%, 0.43%

LAB 41.75, 21.06, 7.53

 

CMYK 0 / 23 / 20 / 20

HEX #CC9EA4

RGB 204 158 164

HSL 352.17, 0.31%, 0.71%

LAB 69.45, 17.97, 3.46

 

CMYK 0 / 23 / 23 / 20

HEX #CC9E9E

RGB 204 158 158

HSL 0, 0.31%, 0.71%

LAB 69.3, 17.06, 6.58

 

CMYK 0 / 23 / 20 / 20

HEX #CC9EA4

RGB 204 158 164

HSL 352.17, 0.31%, 0.71%

LAB 69.45, 17.97, 3.46

 

CMYK 0 / 23 / 14 / 20

HEX #CC9EB0

RGB 204 158 176

HSL 336.52, 0.31%, 0.71%

LAB 69.77, 19.89, -2.74

 

CMYK 0 / 23 / 7 / 20

HEX #CC9EBD

RGB 204 158 189

HSL 319.57, 0.31%, 0.71%

LAB 70.15, 22.11, -9.39

 

CMYK 0 / 23 / 1 / 20

HEX #CC9EC9

RGB 204 158 201

HSL 303.91, 0.31%, 0.71%

LAB 70.53, 24.29, -15.47

 

CMYK 5 / 23 / 0 / 20

HEX #C29ECC

RGB 194 158 204

HSL 286.96, 0.31%, 0.71%

LAB 69.67, 21.51, -18.52

 

CMYK 0 / 23 / 20 / 20

HEX #CC9EA4

RGB 204 158 164

HSL 352.17, 0.31%, 0.71%

LAB 69.45, 17.97, 3.46

 

CMYK 0 / 32 / 28 / 15

HEX #D8929B

RGB 216 146 155

HSL 352.29, 0.47%, 0.71%

LAB 67.67, 27.65, 6.08

 

CMYK 0 / 41 / 36 / 11

HEX #E48692

RGB 228 134 146

HSL 352.34, 0.64%, 0.71%

LAB 66.23, 37.3, 9.27

 

CMYK 0 / 49 / 43 / 6

HEX #F07A8A

RGB 240 122 138

HSL 351.86, 0.8%, 0.71%

LAB 65.18, 46.81, 12.55

 

CMYK 0 / 56 / 49 / 1

HEX #FC6E81

RGB 252 110 129

HSL 351.97, 0.96%, 0.71%

LAB 64.51, 55.75, 16.99

 

CMYK 0 / 23 / 20 / 20

HEX #CC9EA4

RGB 204 158 164

HSL 352.17, 0.31%, 0.71%

LAB 69.45, 17.97, 3.46

 

CMYK 0 / 11 / 10 / 25

HEX #C0AAAD

RGB 192 170 173

HSL 351.82, 0.15%, 0.71%

LAB 71.54, 8.47, 1.37

 

CMYK 1 / 0 / 0 / 29

HEX #B4B6B6

RGB 180 182 182

HSL 180, 0.01%, 0.71%

LAB 73.89, -0.7, -0.25

 

CMYK 13 / 0 / 2 / 24

HEX #A8C2BF

RGB 168 194 191

HSL 173.08, 0.18%, 0.71%

LAB 76.48, -9.37, -1.47

 

CMYK 24 / 0 / 3 / 19

HEX #9CCEC7

RGB 156 206 199

HSL 171.6, 0.34%, 0.71%

LAB 79.23, -17.67, -1.83

 

CMYK 0 / 23 / 7 / 20

HEX #CC9EBD

RGB 204 158 189

HSL 319.57, 0.31%, 0.71%

LAB 70.15, 22.11, -9.39

 

CMYK 0 / 23 / 14 / 20

HEX #CC9EB0

RGB 204 158 176

HSL 336.52, 0.31%, 0.71%

LAB 69.77, 19.89, -2.74

 

CMYK 0 / 23 / 20 / 20

HEX #CC9EA4

RGB 204 158 164

HSL 352.17, 0.31%, 0.71%

LAB 69.45, 17.97, 3.46

 

CMYK 0 / 20 / 23 / 20

HEX #CCA49E

RGB 204 164 158

HSL 7.83, 0.31%, 0.71%

LAB 70.77, 13.79, 8.69

 

CMYK 0 / 14 / 23 / 20

HEX #CCB09E

RGB 204 176 158

HSL 23.48, 0.31%, 0.71%

LAB 73.78, 7.29, 12.95

 

CMYK 0 / 41 / 36 / 31

HEX #B06871

RGB 176 104 113

HSL 352.5, 0.31%, 0.55%

LAB 52.2, 29.92, 7.45

 

CMYK 0 / 31 / 27 / 25

HEX #BE838B

RGB 190 131 139

HSL 351.86, 0.31%, 0.63%

LAB 60.82, 23.85, 4.9

 

CMYK 0 / 23 / 20 / 20

HEX #CC9EA4

RGB 204 158 164

HSL 352.17, 0.31%, 0.71%

LAB 69.45, 17.97, 3.46

 

CMYK 0 / 15 / 13 / 15

HEX #DAB9BD

RGB 218 185 189

HSL 352.73, 0.31%, 0.79%

LAB 78.04, 12.45, 2.37

 

CMYK 0 / 9 / 7 / 9

HEX #E8D4D7

RGB 232 212 215

HSL 351, 0.3%, 0.87%

LAB 86.58, 7.42, 1.02

 

CMYK 0 / 23 / 20 / 20

HEX #CB9DA3

RGB 203 157 163

HSL 352.17, 0.31%, 0.71%

LAB 69.08, 18, 3.47

 

CMYK 1 / 0 / 23 / 20

HEX #C9CC9E

RGB 201 204 158

HSL 63.91, 0.31%, 0.71%

LAB 80.78, -8.6, 22.64

 

CMYK 23 / 10 / 0 / 20

HEX #9EB7CC

RGB 158 183 204

HSL 207.39, 0.31%, 0.71%

LAB 73.22, -3.92, -13.45

 

CMYK 0 / 23 / 20 / 20

HEX #CB9DA3

RGB 203 157 163

HSL 352.17, 0.31%, 0.71%

LAB 69.08, 18, 3.47

 

CMYK 20 / 0 / 23 / 20

HEX #A4CC9E

RGB 164 204 158

HSL 112.17, 0.31%, 0.71%

LAB 78.2, -21.96, 18.68

 

CMYK 23 / 20 / 0 / 20

HEX #9EA4CC

RGB 158 164 204

HSL 232.17, 0.31%, 0.71%

LAB 68.15, 6.5, -21.11

 

CMYK 0 / 23 / 20 / 20

HEX #CB9DA3

RGB 203 157 163

HSL 352.17, 0.31%, 0.71%

LAB 69.08, 18, 3.47

 

CMYK 1 / 0 / 23 / 20

HEX #C9CC9E

RGB 201 204 158

HSL 63.91, 0.31%, 0.71%

LAB 80.78, -8.6, 22.64

 

CMYK 23 / 0 / 3 / 20

HEX #9ECCC6

RGB 158 204 198

HSL 172.17, 0.31%, 0.71%

LAB 78.77, -16.26, -1.96

 

CMYK 21 / 23 / 0 / 20

HEX #A19ECC

RGB 161 158 204

HSL 243.91, 0.31%, 0.71%

LAB 66.82, 10.8, -23.12

 

CMYK 0 / 23 / 20 / 20

HEX #CB9DA3

RGB 203 157 163

HSL 352.17, 0.31%, 0.71%

LAB 69.08, 18, 3.47

 

CMYK 8 / 0 / 23 / 20

HEX #BBCC9E

RGB 187 204 158

HSL 82.17, 0.31%, 0.71%

LAB 79.74, -13.78, 21.05

 

CMYK 23 / 0 / 3 / 20

HEX #9ECCC6

RGB 158 204 198

HSL 172.17, 0.31%, 0.71%

LAB 78.77, -16.26, -1.96

 

CMYK 14 / 23 / 0 / 20

HEX #AF9ECC

RGB 175 158 204

HSL 262.17, 0.31%, 0.71%

LAB 67.97, 15.26, -21.26

 

Description

Color code: HEX #CB9DA3 | qconv.com Color code: HEX #CB9DA3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 157 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 157 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 20 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 20% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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