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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB9CA2 it is the complementary color #34635D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB9CA2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB9CA2 shade: #D09C9D, #E1AEB0, #F2C0C3, #FFD2D6 and #FFE4E9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB9CA2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB9CA2 shade: #CB9CA2, #BA8A8F, #A9787C, #986669 and #875456

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB9CA2 shade: #CA9BA1 and #CA9B9B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB9CA2 shade: #CA9BA1, #CA9BAE, #CA9BBA, #CA9BC7 and #C09BCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB9CA2 shade matches the following richer shades: #CA9BA1, #D78E98, #E3828E, #EF7685 and #FC697C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB9CA2 shade: #CA9BA1, #BEA7AA, #B1B4B3, #A5C0BC and #99CCC6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB9CA2 shade: #CA9BBA, #CA9BAE, #CA9BA1, #CAA19B and #CAAE9B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB9CA2 shade: #AE656E, #BC8087, #CA9BA1, #D8B6BA and #E7D1D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB9CA2 shade: #CB9CA2, #C7CA9B and #9BB4CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB9CA2 shade: #CB9CA2, #A1CA9B and #9BA1CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB9CA2 shade: #CB9CA2, #C7CA9B, #9BCAC4 and #9E9BCA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB9CA2 shade: #CB9CA2, #B9CA9B, #9BCAC4 and #AC9BCA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 20 / 20

HEX #CB9CA2

RGB 203 156 162

HSL 352.34, 0.31%, 0.7%

LAB 68.81, 18.39, 3.64

 

Complementary color

CMYK 47 / 0 / 6 / 61

HEX #34635D

RGB 52 99 93

HSL 172.34, 0.31%, 0.3%

LAB 38.63, -17.69, -1.59

 

CMYK 0 / 25 / 25 / 18

HEX #D09C9D

RGB 208 156 157

HSL 358.85, 0.36%, 0.71%

LAB 69.2, 19.51, 7.04

 

CMYK 0 / 23 / 22 / 12

HEX #E1AEB0

RGB 225 174 176

HSL 357.65, 0.46%, 0.78%

LAB 75.71, 18.88, 6.15

 

CMYK 0 / 21 / 19 / 5

HEX #F2C0C3

RGB 242 192 195

HSL 356.4, 0.66%, 0.85%

LAB 82.12, 18.31, 5.32

 

CMYK 0 / 18 / 16 / 0

HEX #FFD2D6

RGB 255 210 214

HSL 354.67, 1%, 0.91%

LAB 88.07, 16.37, 3.96

 

CMYK 0 / 11 / 9 / 0

HEX #FFE4E9

RGB 255 228 233

HSL 348.89, 1%, 0.95%

LAB 92.85, 10.05, 0.94

 

CMYK 0 / 23 / 20 / 20

HEX #CB9CA2

RGB 203 156 162

HSL 352.34, 0.31%, 0.7%

LAB 68.81, 18.39, 3.64

 

CMYK 0 / 26 / 23 / 27

HEX #BA8A8F

RGB 186 138 143

HSL 353.75, 0.26%, 0.64%

LAB 62.17, 19.03, 4.51

 

CMYK 0 / 29 / 27 / 34

HEX #A9787C

RGB 169 120 124

HSL 355.1, 0.22%, 0.57%

LAB 55.4, 19.76, 5.46

 

CMYK 0 / 33 / 31 / 40

HEX #986669

RGB 152 102 105

HSL 356.4, 0.2%, 0.5%

LAB 48.51, 20.58, 6.53

 

CMYK 0 / 38 / 36 / 47

HEX #875456

RGB 135 84 86

HSL 357.65, 0.23%, 0.43%

LAB 41.47, 21.51, 7.76

 

CMYK 0 / 23 / 20 / 21

HEX #CA9BA1

RGB 202 155 161

HSL 352.34, 0.31%, 0.7%

LAB 68.44, 18.41, 3.64

 

CMYK 0 / 23 / 23 / 21

HEX #CA9B9B

RGB 202 155 155

HSL 0, 0.31%, 0.7%

LAB 68.29, 17.51, 6.77

 

CMYK 0 / 23 / 20 / 21

HEX #CA9BA1

RGB 202 155 161

HSL 352.34, 0.31%, 0.7%

LAB 68.44, 18.41, 3.64

 

CMYK 0 / 23 / 14 / 21

HEX #CA9BAE

RGB 202 155 174

HSL 335.74, 0.31%, 0.7%

LAB 68.79, 20.48, -3.09

 

CMYK 0 / 23 / 8 / 21

HEX #CA9BBA

RGB 202 155 186

HSL 320.43, 0.31%, 0.7%

LAB 69.14, 22.53, -9.25

 

CMYK 0 / 23 / 1 / 21

HEX #CA9BC7

RGB 202 155 199

HSL 303.83, 0.31%, 0.7%

LAB 69.56, 24.88, -15.85

 

CMYK 5 / 23 / 0 / 21

HEX #C09BCA

RGB 192 155 202

HSL 287.23, 0.31%, 0.7%

LAB 68.69, 22.1, -18.92

 

CMYK 0 / 23 / 20 / 21

HEX #CA9BA1

RGB 202 155 161

HSL 352.34, 0.31%, 0.7%

LAB 68.44, 18.41, 3.64

 

CMYK 0 / 34 / 29 / 16

HEX #D78E98

RGB 215 142 152

HSL 351.78, 0.48%, 0.7%

LAB 66.57, 29.03, 6.16

 

CMYK 0 / 43 / 37 / 11

HEX #E3828E

RGB 227 130 142

HSL 352.58, 0.63%, 0.7%

LAB 65.16, 38.55, 10

 

CMYK 0 / 51 / 44 / 6

HEX #EF7685

RGB 239 118 133

HSL 352.56, 0.79%, 0.7%

LAB 64.16, 47.91, 13.94

 

CMYK 0 / 58 / 51 / 1

HEX #FC697C

RGB 252 105 124

HSL 352.24, 0.96%, 0.7%

LAB 63.55, 57.57, 18.53

 

CMYK 0 / 23 / 20 / 21

HEX #CA9BA1

RGB 202 155 161

HSL 352.34, 0.31%, 0.7%

LAB 68.44, 18.41, 3.64

 

CMYK 0 / 12 / 11 / 25

HEX #BEA7AA

RGB 190 167 170

HSL 352.17, 0.15%, 0.7%

LAB 70.52, 8.86, 1.52

 

CMYK 2 / 0 / 1 / 29

HEX #B1B4B3

RGB 177 180 179

HSL 160, 0.02%, 0.7%

LAB 73.05, -1.24, 0.13

 

CMYK 14 / 0 / 2 / 25

HEX #A5C0BC

RGB 165 192 188

HSL 171.11, 0.18%, 0.7%

LAB 75.66, -9.92, -1.07

 

CMYK 25 / 0 / 3 / 20

HEX #99CCC6

RGB 153 204 198

HSL 172.94, 0.33%, 0.7%

LAB 78.48, -17.78, -2.41

 

CMYK 0 / 23 / 8 / 21

HEX #CA9BBA

RGB 202 155 186

HSL 320.43, 0.31%, 0.7%

LAB 69.14, 22.53, -9.25

 

CMYK 0 / 23 / 14 / 21

HEX #CA9BAE

RGB 202 155 174

HSL 335.74, 0.31%, 0.7%

LAB 68.79, 20.48, -3.09

 

CMYK 0 / 23 / 20 / 21

HEX #CA9BA1

RGB 202 155 161

HSL 352.34, 0.31%, 0.7%

LAB 68.44, 18.41, 3.64

 

CMYK 0 / 20 / 23 / 21

HEX #CAA19B

RGB 202 161 155

HSL 7.66, 0.31%, 0.7%

LAB 69.76, 14.23, 8.88

 

CMYK 0 / 14 / 23 / 21

HEX #CAAE9B

RGB 202 174 155

HSL 24.26, 0.31%, 0.7%

LAB 73.02, 7.17, 13.49

 

CMYK 0 / 42 / 37 / 32

HEX #AE656E

RGB 174 101 110

HSL 352.6, 0.31%, 0.54%

LAB 51.19, 30.43, 7.75

 

CMYK 0 / 32 / 28 / 26

HEX #BC8087

RGB 188 128 135

HSL 353, 0.31%, 0.62%

LAB 59.78, 24.19, 5.67

 

CMYK 0 / 23 / 20 / 21

HEX #CA9BA1

RGB 202 155 161

HSL 352.34, 0.31%, 0.7%

LAB 68.44, 18.41, 3.64

 

CMYK 0 / 16 / 14 / 15

HEX #D8B6BA

RGB 216 182 186

HSL 352.94, 0.3%, 0.78%

LAB 77.04, 12.85, 2.52

 

CMYK 0 / 10 / 8 / 9

HEX #E7D1D4

RGB 231 209 212

HSL 351.82, 0.31%, 0.86%

LAB 85.68, 8.14, 1.29

 

CMYK 0 / 23 / 20 / 20

HEX #CB9CA2

RGB 203 156 162

HSL 352.34, 0.31%, 0.7%

LAB 68.81, 18.39, 3.64

 

CMYK 1 / 0 / 23 / 21

HEX #C7CA9B

RGB 199 202 155

HSL 63.83, 0.31%, 0.7%

LAB 80.04, -8.75, 23.19

 

CMYK 23 / 11 / 0 / 21

HEX #9BB4CA

RGB 155 180 202

HSL 208.09, 0.31%, 0.7%

LAB 72.15, -3.69, -13.98

 

CMYK 0 / 23 / 20 / 20

HEX #CB9CA2

RGB 203 156 162

HSL 352.34, 0.31%, 0.7%

LAB 68.81, 18.39, 3.64

 

CMYK 20 / 0 / 23 / 21

HEX #A1CA9B

RGB 161 202 155

HSL 112.34, 0.31%, 0.7%

LAB 77.39, -22.51, 19.13

 

CMYK 23 / 20 / 0 / 21

HEX #9BA1CA

RGB 155 161 202

HSL 232.34, 0.31%, 0.7%

LAB 67.07, 6.78, -21.67

 

CMYK 0 / 23 / 20 / 20

HEX #CB9CA2

RGB 203 156 162

HSL 352.34, 0.31%, 0.7%

LAB 68.81, 18.39, 3.64

 

CMYK 1 / 0 / 23 / 21

HEX #C7CA9B

RGB 199 202 155

HSL 63.83, 0.31%, 0.7%

LAB 80.04, -8.75, 23.19

 

CMYK 23 / 0 / 3 / 21

HEX #9BCAC4

RGB 155 202 196

HSL 172.34, 0.31%, 0.7%

LAB 77.99, -16.58, -2.05

 

CMYK 22 / 23 / 0 / 21

HEX #9E9BCA

RGB 158 155 202

HSL 243.83, 0.31%, 0.7%

LAB 65.73, 11.09, -23.69

 

CMYK 0 / 23 / 20 / 20

HEX #CB9CA2

RGB 203 156 162

HSL 352.34, 0.31%, 0.7%

LAB 68.81, 18.39, 3.64

 

CMYK 8 / 0 / 23 / 21

HEX #B9CA9B

RGB 185 202 155

HSL 81.7, 0.31%, 0.7%

LAB 79, -13.95, 21.59

 

CMYK 23 / 0 / 3 / 21

HEX #9BCAC4

RGB 155 202 196

HSL 172.34, 0.31%, 0.7%

LAB 77.99, -16.58, -2.05

 

CMYK 15 / 23 / 0 / 21

HEX #AC9BCA

RGB 172 155 202

HSL 261.7, 0.31%, 0.7%

LAB 66.88, 15.54, -21.83

 

Description

Color code: HEX #CB9CA2 | qconv.com Color code: HEX #CB9CA2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 156 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 156 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 20 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 20% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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