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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB8CDC it is the complementary color #347323. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB8CDC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB8CDC shade: #D08CD7, #E19EEA, #F2B0FD, #FFC2FF and #FFD4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB8CDC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB8CDC shade: #CB8CDC, #BA7AC9, #A968B6, #9856A3 and #874490

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB8CDC shade: #CC8EDC, #DC8ED8, #DC8EC3, #DC8EAD and #DC8E98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB8CDC shade: #CC8EDC, #B68EDC, #A18EDC and #8E8EDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB8CDC shade matches the following richer shades: #CC8EDC, #D282E8 and #D976F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB8CDC shade: #CC8EDC, #C59AD0, #BEA6C4, #B7B2B8 and #B0BEAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB8CDC shade: #A18EDC, #B68EDC, #CB8EDC, #DC8ED8 and #DC8EC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB8CDC shade: #AF4FC9, #BD6ED3, #CC8EDC, #DAADE6 and #E8CDF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB8CDC shade: #CB8CDC, #DC8E8F and #8EDCAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB8CDC shade: #CB8CDC, #DCCB8E and #8EDCCB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB8CDC shade: #CB8CDC, #DC8E8F, #9FDC8E and #8EDCDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB8CDC shade: #CB8CDC, #DCA48E, #9FDC8E and #8EC6DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 36 / 0 / 14

HEX #CB8CDC

RGB 203 140 220

HSL 287.25, 0.53%, 0.71%

LAB 66.99, 37.46, -31.4

 

Complementary color

CMYK 55 / 0 / 70 / 55

HEX #347323

RGB 52 115 35

HSL 107.25, 0.53%, 0.29%

LAB 42.93, -36.27, 36.78

 

CMYK 3 / 35 / 0 / 16

HEX #D08CD7

RGB 208 140 215

HSL 294.4, 0.48%, 0.7%

LAB 67.33, 38.03, -28.06

 

CMYK 4 / 32 / 0 / 8

HEX #E19EEA

RGB 225 158 234

HSL 292.89, 0.64%, 0.77%

LAB 73.81, 37.32, -28.4

 

CMYK 4 / 30 / 0 / 1

HEX #F2B0FD

RGB 242 176 253

HSL 291.43, 0.95%, 0.84%

LAB 80.19, 36.64, -28.72

 

CMYK 0 / 24 / 0 / 0

HEX #FFC2FF

RGB 255 194 255

HSL 300, 1%, 0.88%

LAB 85.54, 31.62, -21.53

 

CMYK 0 / 17 / 0 / 0

HEX #FFD4FF

RGB 255 212 255

HSL 300, 1%, 0.92%

LAB 89.66, 22.17, -15.32

 

CMYK 8 / 36 / 0 / 14

HEX #CB8CDC

RGB 203 140 220

HSL 287.25, 0.53%, 0.71%

LAB 66.99, 37.46, -31.4

 

CMYK 7 / 39 / 0 / 21

HEX #BA7AC9

RGB 186 122 201

HSL 288.61, 0.42%, 0.63%

LAB 60.4, 38.21, -31.12

 

CMYK 7 / 43 / 0 / 29

HEX #A968B6

RGB 169 104 182

HSL 290, 0.35%, 0.56%

LAB 53.72, 38.98, -30.81

 

CMYK 7 / 47 / 0 / 36

HEX #9856A3

RGB 152 86 163

HSL 291.43, 0.31%, 0.49%

LAB 46.94, 39.77, -30.45

 

CMYK 6 / 53 / 0 / 44

HEX #874490

RGB 135 68 144

HSL 292.89, 0.36%, 0.42%

LAB 40.08, 40.5, -29.99

 

CMYK 7 / 35 / 0 / 14

HEX #CC8EDC

RGB 204 142 220

HSL 287.69, 0.53%, 0.71%

LAB 67.54, 36.68, -30.54

 

CMYK 0 / 35 / 2 / 14

HEX #DC8ED8

RGB 220 142 216

HSL 303.08, 0.53%, 0.71%

LAB 69.13, 40.92, -25.74

 

CMYK 0 / 35 / 11 / 14

HEX #DC8EC3

RGB 220 142 195

HSL 319.23, 0.53%, 0.71%

LAB 68.39, 37.28, -15.2

 

CMYK 0 / 35 / 21 / 14

HEX #DC8EAD

RGB 220 142 173

HSL 336.15, 0.53%, 0.71%

LAB 67.71, 33.82, -3.9

 

CMYK 0 / 35 / 31 / 14

HEX #DC8E98

RGB 220 142 152

HSL 352.31, 0.53%, 0.71%

LAB 67.15, 30.88, 7.08

 

CMYK 7 / 35 / 0 / 14

HEX #CC8EDC

RGB 204 142 220

HSL 287.69, 0.53%, 0.71%

LAB 67.54, 36.68, -30.54

 

CMYK 17 / 35 / 0 / 14

HEX #B68EDC

RGB 182 142 220

HSL 270.77, 0.53%, 0.71%

LAB 65.32, 29.95, -34.15

 

CMYK 27 / 35 / 0 / 14

HEX #A18EDC

RGB 161 142 220

HSL 254.62, 0.53%, 0.71%

LAB 63.42, 23.71, -37.27

 

CMYK 35 / 35 / 0 / 14

HEX #8E8EDC

RGB 142 142 220

HSL 240, 0.53%, 0.71%

LAB 61.88, 18.36, -39.78

 

CMYK 7 / 35 / 0 / 14

HEX #CC8EDC

RGB 204 142 220

HSL 287.69, 0.53%, 0.71%

LAB 67.54, 36.68, -30.54

 

CMYK 9 / 44 / 0 / 9

HEX #D282E8

RGB 210 130 232

HSL 287.06, 0.69%, 0.71%

LAB 66.13, 47.25, -39.32

 

CMYK 11 / 52 / 0 / 4

HEX #D976F4

RGB 217 118 244

HSL 287.14, 0.85%, 0.71%

LAB 65.15, 57.62, -47.42

 

CMYK 7 / 35 / 0 / 14

HEX #CC8EDC

RGB 204 142 220

HSL 287.69, 0.53%, 0.71%

LAB 67.54, 36.68, -30.54

 

CMYK 5 / 26 / 0 / 18

HEX #C59AD0

RGB 197 154 208

HSL 287.78, 0.36%, 0.71%

LAB 69.14, 25.5, -21.51

 

CMYK 3 / 15 / 0 / 23

HEX #BEA6C4

RGB 190 166 196

HSL 288, 0.2%, 0.71%

LAB 71.01, 14.17, -12.11

 

CMYK 1 / 3 / 0 / 28

HEX #B7B2B8

RGB 183 178 184

HSL 290, 0.04%, 0.71%

LAB 73.13, 2.89, -2.43

 

CMYK 7 / 0 / 9 / 25

HEX #B0BEAC

RGB 176 190 172

HSL 106.67, 0.12%, 0.71%

LAB 75.47, -8.18, 7.44

 

CMYK 27 / 35 / 0 / 14

HEX #A18EDC

RGB 161 142 220

HSL 254.62, 0.53%, 0.71%

LAB 63.42, 23.71, -37.27

 

CMYK 17 / 35 / 0 / 14

HEX #B68EDC

RGB 182 142 220

HSL 270.77, 0.53%, 0.71%

LAB 65.32, 29.95, -34.15

 

CMYK 8 / 35 / 0 / 14

HEX #CB8EDC

RGB 203 142 220

HSL 286.92, 0.53%, 0.71%

LAB 67.43, 36.37, -30.72

 

CMYK 0 / 35 / 2 / 14

HEX #DC8ED8

RGB 220 142 216

HSL 303.08, 0.53%, 0.71%

LAB 69.13, 40.92, -25.74

 

CMYK 0 / 35 / 11 / 14

HEX #DC8EC3

RGB 220 142 195

HSL 319.23, 0.53%, 0.71%

LAB 68.39, 37.28, -15.2

 

CMYK 13 / 61 / 0 / 21

HEX #AF4FC9

RGB 175 79 201

HSL 287.21, 0.53%, 0.55%

LAB 50.6, 57.18, -46.63

 

CMYK 10 / 48 / 0 / 17

HEX #BD6ED3

RGB 189 110 211

HSL 286.93, 0.53%, 0.63%

LAB 58.67, 47.52, -39.45

 

CMYK 7 / 35 / 0 / 14

HEX #CC8EDC

RGB 204 142 220

HSL 287.69, 0.53%, 0.71%

LAB 67.54, 36.68, -30.54

 

CMYK 5 / 25 / 0 / 10

HEX #DAADE6

RGB 218 173 230

HSL 287.37, 0.53%, 0.79%

LAB 76.38, 26.26, -22.35

 

CMYK 3 / 15 / 0 / 6

HEX #E8CDF0

RGB 232 205 240

HSL 286.29, 0.54%, 0.87%

LAB 85.56, 15.57, -13.74

 

CMYK 8 / 36 / 0 / 14

HEX #CB8CDC

RGB 203 140 220

HSL 287.25, 0.53%, 0.71%

LAB 66.99, 37.46, -31.4

 

CMYK 0 / 35 / 35 / 14

HEX #DC8E8F

RGB 220 142 143

HSL 359.23, 0.53%, 0.71%

LAB 66.93, 29.74, 11.82

 

CMYK 35 / 0 / 22 / 14

HEX #8EDCAC

RGB 142 220 172

HSL 143.08, 0.53%, 0.71%

LAB 81.79, -34.16, 16.11

 

CMYK 8 / 36 / 0 / 14

HEX #CB8CDC

RGB 203 140 220

HSL 287.25, 0.53%, 0.71%

LAB 66.99, 37.46, -31.4

 

CMYK 0 / 8 / 35 / 14

HEX #DCCB8E

RGB 220 203 142

HSL 46.92, 0.53%, 0.71%

LAB 81.77, -2.89, 32.61

 

CMYK 35 / 0 / 8 / 14

HEX #8EDCCB

RGB 142 220 203

HSL 166.92, 0.53%, 0.71%

LAB 82.51, -27.76, 0.74

 

CMYK 8 / 36 / 0 / 14

HEX #CB8CDC

RGB 203 140 220

HSL 287.25, 0.53%, 0.71%

LAB 66.99, 37.46, -31.4

 

CMYK 0 / 35 / 35 / 14

HEX #DC8E8F

RGB 220 142 143

HSL 359.23, 0.53%, 0.71%

LAB 66.93, 29.74, 11.82

 

CMYK 28 / 0 / 35 / 14

HEX #9FDC8E

RGB 159 220 142

HSL 106.92, 0.53%, 0.71%

LAB 82.11, -33.86, 32.28

 

CMYK 35 / 0 / 0 / 14

HEX #8EDCDB

RGB 142 220 219

HSL 179.23, 0.53%, 0.71%

LAB 82.94, -24.1, -7.12

 

CMYK 8 / 36 / 0 / 14

HEX #CB8CDC

RGB 203 140 220

HSL 287.25, 0.53%, 0.71%

LAB 66.99, 37.46, -31.4

 

CMYK 0 / 25 / 35 / 14

HEX #DCA48E

RGB 220 164 142

HSL 16.92, 0.53%, 0.71%

LAB 72.04, 17.78, 19.49

 

CMYK 28 / 0 / 35 / 14

HEX #9FDC8E

RGB 159 220 142

HSL 106.92, 0.53%, 0.71%

LAB 82.11, -33.86, 32.28

 

CMYK 35 / 10 / 0 / 14

HEX #8EC6DC

RGB 142 198 220

HSL 196.92, 0.53%, 0.71%

LAB 76.86, -12.7, -16.74

 

Description

Color code: HEX #CB8CDC | qconv.com Color code: HEX #CB8CDC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 140 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 140 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 36 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 36% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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