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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB82E8 it is the complementary color #347D17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB82E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB82E8 shade: #D082E3, #E194F6, #F2A6FF, #FFB8FF and #FFCAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB82E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB82E8 shade: #CB82E8, #BA70D5, #A95EC2, #984CAF and #873A9C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB82E8 shade: #CB82E8, #E782E8, #E882CE, #E882B3 and #E88297

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB82E8 shade: #CB82E8, #B082E8, #9482E8 and #8282E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB82E8 shade matches the following richer shades: #CB82E8 and #D076F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB82E8 shade: #CB82E8, #C68EDC, #C19AD0, #BCA6C4 and #B6B2B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB82E8 shade: #9382E8, #AE82E8, #C982E8, #E582E8 and #E882D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB82E8 shade: #AE3CDB, #BD5FE2, #CB82E8, #DAA5EE and #E8C8F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB82E8 shade: #CB82E8, #E8828C and #82E8A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB82E8 shade: #CB82E8, #E8C982 and #82E8C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB82E8 shade: #CB82E8, #E8828C, #A1E882 and #82E8DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB82E8 shade: #CB82E8, #E89682, #A1E882 and #82D4E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 44 / 0 / 9

HEX #CB82E8

RGB 203 130 232

HSL 282.94, 0.69%, 0.71%

LAB 65.35, 45.24, -40.6

 

Complementary color

CMYK 58 / 0 / 82 / 51

HEX #347D17

RGB 52 125 23

HSL 102.94, 0.69%, 0.29%

LAB 46.26, -41.26, 44.82

 

CMYK 8 / 43 / 0 / 11

HEX #D082E3

RGB 208 130 227

HSL 288.25, 0.63%, 0.7%

LAB 65.69, 45.68, -37.26

 

CMYK 9 / 40 / 0 / 4

HEX #E194F6

RGB 225 148 246

HSL 287.14, 0.84%, 0.77%

LAB 72.12, 44.93, -37.54

 

CMYK 5 / 35 / 0 / 0

HEX #F2A6FF

RGB 242 166 255

HSL 291.24, 1%, 0.83%

LAB 78.09, 42.29, -33.02

 

CMYK 0 / 28 / 0 / 0

HEX #FFB8FF

RGB 255 184 255

HSL 300, 1%, 0.86%

LAB 83.32, 36.87, -24.9

 

CMYK 0 / 21 / 0 / 0

HEX #FFCAFF

RGB 255 202 255

HSL 300, 1%, 0.9%

LAB 87.35, 27.42, -18.79

 

CMYK 13 / 44 / 0 / 9

HEX #CB82E8

RGB 203 130 232

HSL 282.94, 0.69%, 0.71%

LAB 65.35, 45.24, -40.6

 

CMYK 13 / 47 / 0 / 16

HEX #BA70D5

RGB 186 112 213

HSL 283.96, 0.55%, 0.64%

LAB 58.82, 46.03, -40.37

 

CMYK 13 / 52 / 0 / 24

HEX #A95EC2

RGB 169 94 194

HSL 285, 0.45%, 0.56%

LAB 52.21, 46.79, -40.09

 

CMYK 13 / 57 / 0 / 31

HEX #984CAF

RGB 152 76 175

HSL 286.06, 0.39%, 0.49%

LAB 45.55, 47.49, -39.71

 

CMYK 13 / 63 / 0 / 39

HEX #873A9C

RGB 135 58 156

HSL 287.14, 0.46%, 0.42%

LAB 38.86, 48.02, -39.17

 

CMYK 13 / 44 / 0 / 9

HEX #CB82E8

RGB 203 130 232

HSL 282.94, 0.69%, 0.71%

LAB 65.35, 45.24, -40.6

 

CMYK 0 / 44 / 0 / 9

HEX #E782E8

RGB 231 130 232

HSL 299.41, 0.69%, 0.71%

LAB 68.59, 53.3, -35.3

 

CMYK 0 / 44 / 11 / 9

HEX #E882CE

RGB 232 130 206

HSL 315.29, 0.69%, 0.71%

LAB 67.71, 49.18, -22.23

 

CMYK 0 / 44 / 23 / 9

HEX #E882B3

RGB 232 130 179

HSL 331.18, 0.69%, 0.71%

LAB 66.81, 45.08, -8.45

 

CMYK 0 / 44 / 35 / 9

HEX #E88297

RGB 232 130 151

HSL 347.65, 0.69%, 0.71%

LAB 66.02, 41.41, 6.22

 

CMYK 13 / 44 / 0 / 9

HEX #CB82E8

RGB 203 130 232

HSL 282.94, 0.69%, 0.71%

LAB 65.35, 45.24, -40.6

 

CMYK 24 / 44 / 0 / 9

HEX #B082E8

RGB 176 130 232

HSL 267.06, 0.69%, 0.71%

LAB 62.53, 37.63, -45.23

 

CMYK 36 / 44 / 0 / 9

HEX #9482E8

RGB 148 130 232

HSL 250.59, 0.69%, 0.71%

LAB 59.97, 30.12, -49.44

 

CMYK 44 / 44 / 0 / 9

HEX #8282E8

RGB 130 130 232

HSL 240, 0.69%, 0.71%

LAB 58.54, 25.63, -51.79

 

CMYK 13 / 44 / 0 / 9

HEX #CB82E8

RGB 203 130 232

HSL 282.94, 0.69%, 0.71%

LAB 65.35, 45.24, -40.6

 

CMYK 15 / 52 / 0 / 4

HEX #D076F4

RGB 208 118 244

HSL 282.86, 0.85%, 0.71%

LAB 64.08, 55.26, -49.19

 

CMYK 13 / 44 / 0 / 9

HEX #CB82E8

RGB 203 130 232

HSL 282.94, 0.69%, 0.71%

LAB 65.35, 45.24, -40.6

 

CMYK 10 / 35 / 0 / 14

HEX #C68EDC

RGB 198 142 220

HSL 283.08, 0.53%, 0.71%

LAB 66.91, 34.83, -31.56

 

CMYK 7 / 26 / 0 / 18

HEX #C19AD0

RGB 193 154 208

HSL 283.33, 0.36%, 0.71%

LAB 68.75, 24.19, -22.13

 

CMYK 4 / 15 / 0 / 23

HEX #BCA6C4

RGB 188 166 196

HSL 284, 0.2%, 0.71%

LAB 70.84, 13.49, -12.39

 

CMYK 1 / 3 / 0 / 28

HEX #B6B2B8

RGB 182 178 184

HSL 280, 0.04%, 0.71%

LAB 73.05, 2.54, -2.56

 

CMYK 37 / 44 / 0 / 9

HEX #9382E8

RGB 147 130 232

HSL 250, 0.69%, 0.71%

LAB 59.88, 29.86, -49.58

 

CMYK 25 / 44 / 0 / 9

HEX #AE82E8

RGB 174 130 232

HSL 265.88, 0.69%, 0.71%

LAB 62.33, 37.08, -45.55

 

CMYK 13 / 44 / 0 / 9

HEX #C982E8

RGB 201 130 232

HSL 281.76, 0.69%, 0.71%

LAB 65.13, 44.67, -40.96

 

CMYK 1 / 44 / 0 / 9

HEX #E582E8

RGB 229 130 232

HSL 298.24, 0.69%, 0.71%

LAB 68.35, 52.73, -35.69

 

CMYK 0 / 44 / 10 / 9

HEX #E882D0

RGB 232 130 208

HSL 314.12, 0.69%, 0.71%

LAB 67.78, 49.5, -23.23

 

CMYK 21 / 73 / 0 / 14

HEX #AE3CDB

RGB 174 60 219

HSL 283.02, 0.69%, 0.55%

LAB 48.69, 68.48, -59.99

 

CMYK 16 / 58 / 0 / 11

HEX #BD5FE2

RGB 189 95 226

HSL 283.05, 0.69%, 0.63%

LAB 56.58, 58.09, -51.21

 

CMYK 13 / 44 / 0 / 9

HEX #CB82E8

RGB 203 130 232

HSL 282.94, 0.69%, 0.71%

LAB 65.35, 45.24, -40.6

 

CMYK 8 / 31 / 0 / 7

HEX #DAA5EE

RGB 218 165 238

HSL 283.56, 0.68%, 0.79%

LAB 74.82, 32.16, -29.08

 

CMYK 5 / 18 / 0 / 4

HEX #E8C8F5

RGB 232 200 245

HSL 282.67, 0.69%, 0.87%

LAB 84.51, 19.18, -17.97

 

CMYK 13 / 44 / 0 / 9

HEX #CB82E8

RGB 203 130 232

HSL 282.94, 0.69%, 0.71%

LAB 65.35, 45.24, -40.6

 

CMYK 0 / 44 / 40 / 9

HEX #E8828C

RGB 232 130 140

HSL 354.12, 0.69%, 0.71%

LAB 65.76, 40.14, 12.07

 

CMYK 44 / 0 / 31 / 9

HEX #82E8A1

RGB 130 232 161

HSL 138.24, 0.69%, 0.71%

LAB 84.5, -44.95, 25.5

 

CMYK 13 / 44 / 0 / 9

HEX #CB82E8

RGB 203 130 232

HSL 282.94, 0.69%, 0.71%

LAB 65.35, 45.24, -40.6

 

CMYK 0 / 13 / 44 / 9

HEX #E8C982

RGB 232 201 130

HSL 41.76, 0.69%, 0.71%

LAB 82.13, 1.59, 39.43

 

CMYK 44 / 0 / 13 / 9

HEX #82E8C9

RGB 130 232 201

HSL 161.76, 0.69%, 0.71%

LAB 85.34, -36.97, 5.83

 

CMYK 13 / 44 / 0 / 9

HEX #CB82E8

RGB 203 130 232

HSL 282.94, 0.69%, 0.71%

LAB 65.35, 45.24, -40.6

 

CMYK 0 / 44 / 40 / 9

HEX #E8828C

RGB 232 130 140

HSL 354.12, 0.69%, 0.71%

LAB 65.76, 40.14, 12.07

 

CMYK 31 / 0 / 44 / 9

HEX #A1E882

RGB 161 232 130

HSL 101.76, 0.69%, 0.71%

LAB 85.45, -40.29, 42.61

 

CMYK 44 / 0 / 4 / 9

HEX #82E8DE

RGB 130 232 222

HSL 174.12, 0.69%, 0.71%

LAB 85.87, -32.15, -4.44

 

CMYK 13 / 44 / 0 / 9

HEX #CB82E8

RGB 203 130 232

HSL 282.94, 0.69%, 0.71%

LAB 65.35, 45.24, -40.6

 

CMYK 0 / 35 / 44 / 9

HEX #E89682

RGB 232 150 130

HSL 11.76, 0.69%, 0.71%

LAB 69.88, 28.59, 23.34

 

CMYK 31 / 0 / 44 / 9

HEX #A1E882

RGB 161 232 130

HSL 101.76, 0.69%, 0.71%

LAB 85.45, -40.29, 42.61

 

CMYK 44 / 9 / 0 / 9

HEX #82D4E8

RGB 130 212 232

HSL 191.76, 0.69%, 0.71%

LAB 80.55, -19.89, -17.68

 

Description

Color code: HEX #CB82E8 | qconv.com Color code: HEX #CB82E8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 130 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 130 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 44 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 44% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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