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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB799D it is the complementary color #348662. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB799D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB799D shade: #D07998, #E18BAB, #F29DBE, #FFAFD1 and #FFC1E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB799D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB799D shade: #CB799D, #BA678A, #A95577, #984364 and #873151

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB799D shade: #CB7A9E, #CB7A88 and #CB7A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB799D shade: #CB7A9E, #CB7AB4, #CB7AC9, #B77ACB and #A17ACB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB799D shade matches the following richer shades: #CB7A9E, #DA6B9C, #E95D9A and #F84E98

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB799D shade: #CB7A9E, #BC89A0, #AD98A1, #9FA7A3 and #90B6A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB799D shade: #CB7ACA, #CB7AB4, #CB7A9F, #CB7A89 and #CB817A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB799D shade: #AF4473, #C05D88, #CB7A9E, #D798B4 and #E2B6C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB799D shade: #CB799D, #CBB77A and #7ABFCB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB799D shade: #CB799D, #9FCB7A and #7A9FCB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB799D shade: #CB799D, #CBB77A, #7ACBA7 and #7A8FCB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB799D shade: #CB799D, #C7CB7A, #7ACBA7 and #7E7ACB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 23 / 20

HEX #CB799D

RGB 203 121 157

HSL 333.66, 0.44%, 0.64%

LAB 60.61, 36.67, -5.54

 

Complementary color

CMYK 61 / 0 / 27 / 47

HEX #348662

RGB 52 134 98

HSL 153.66, 0.44%, 0.36%

LAB 50.29, -33.89, 12.12

 

CMYK 0 / 42 / 27 / 18

HEX #D07998

RGB 208 121 152

HSL 338.62, 0.48%, 0.65%

LAB 61.09, 37.72, -1.89

 

CMYK 0 / 38 / 24 / 12

HEX #E18BAB

RGB 225 139 171

HSL 337.67, 0.59%, 0.71%

LAB 67.59, 36.88, -2.89

 

CMYK 0 / 35 / 21 / 5

HEX #F29DBE

RGB 242 157 190

HSL 336.71, 0.77%, 0.78%

LAB 74, 36.08, -3.79

 

CMYK 0 / 31 / 18 / 0

HEX #FFAFD1

RGB 255 175 209

HSL 334.5, 1%, 0.84%

LAB 79.91, 33.96, -5.29

 

CMYK 0 / 24 / 11 / 0

HEX #FFC1E4

RGB 255 193 228

HSL 326.13, 1%, 0.88%

LAB 84.48, 27.5, -8.73

 

CMYK 0 / 40 / 23 / 20

HEX #CB799D

RGB 203 121 157

HSL 333.66, 0.44%, 0.64%

LAB 60.61, 36.67, -5.54

 

CMYK 0 / 45 / 26 / 27

HEX #BA678A

RGB 186 103 138

HSL 334.7, 0.38%, 0.57%

LAB 54, 37.52, -4.53

 

CMYK 0 / 50 / 30 / 34

HEX #A95577

RGB 169 85 119

HSL 335.71, 0.33%, 0.5%

LAB 47.32, 38.38, -3.34

 

CMYK 0 / 56 / 34 / 40

HEX #984364

RGB 152 67 100

HSL 336.71, 0.39%, 0.43%

LAB 40.59, 39.2, -1.88

 

CMYK 0 / 64 / 40 / 47

HEX #873151

RGB 135 49 81

HSL 337.67, 0.47%, 0.36%

LAB 33.86, 39.86, -0.03

 

CMYK 0 / 40 / 22 / 20

HEX #CB7A9E

RGB 203 122 158

HSL 333.33, 0.44%, 0.64%

LAB 60.86, 36.29, -5.75

 

CMYK 0 / 40 / 33 / 20

HEX #CB7A88

RGB 203 122 136

HSL 349.63, 0.44%, 0.64%

LAB 60.24, 33.24, 6

 

CMYK 0 / 40 / 40 / 20

HEX #CB7A7A

RGB 203 122 122

HSL 0, 0.44%, 0.64%

LAB 59.91, 31.54, 13.57

 

CMYK 0 / 40 / 22 / 20

HEX #CB7A9E

RGB 203 122 158

HSL 333.33, 0.44%, 0.64%

LAB 60.86, 36.29, -5.75

 

CMYK 0 / 40 / 11 / 20

HEX #CB7AB4

RGB 203 122 180

HSL 317.04, 0.44%, 0.64%

LAB 61.58, 39.77, -17.24

 

CMYK 0 / 40 / 1 / 20

HEX #CB7AC9

RGB 203 122 201

HSL 301.48, 0.44%, 0.64%

LAB 62.37, 43.45, -27.93

 

CMYK 10 / 40 / 0 / 20

HEX #B77ACB

RGB 183 122 203

HSL 285.19, 0.44%, 0.64%

LAB 60.16, 37.7, -32.66

 

CMYK 21 / 40 / 0 / 20

HEX #A17ACB

RGB 161 122 203

HSL 268.89, 0.44%, 0.64%

LAB 57.85, 31.07, -36.43

 

CMYK 0 / 40 / 22 / 20

HEX #CB7A9E

RGB 203 122 158

HSL 333.33, 0.44%, 0.64%

LAB 60.86, 36.29, -5.75

 

CMYK 0 / 51 / 28 / 15

HEX #DA6B9C

RGB 218 107 156

HSL 333.51, 0.6%, 0.64%

LAB 59.73, 48.82, -6.05

 

CMYK 0 / 60 / 34 / 9

HEX #E95D9A

RGB 233 93 154

HSL 333.86, 0.76%, 0.64%

LAB 59.42, 59.79, -5.11

 

CMYK 0 / 69 / 39 / 3

HEX #F84E98

RGB 248 78 152

HSL 333.88, 0.92%, 0.64%

LAB 59.59, 69.85, -3.42

 

CMYK 0 / 40 / 22 / 20

HEX #CB7A9E

RGB 203 122 158

HSL 333.33, 0.44%, 0.64%

LAB 60.86, 36.29, -5.75

 

CMYK 0 / 27 / 15 / 26

HEX #BC89A0

RGB 188 137 160

HSL 332.94, 0.28%, 0.64%

LAB 62.61, 23.03, -4.49

 

CMYK 0 / 12 / 7 / 32

HEX #AD98A1

RGB 173 152 161

HSL 334.29, 0.11%, 0.64%

LAB 64.89, 9.34, -1.86

 

CMYK 5 / 0 / 2 / 35

HEX #9FA7A3

RGB 159 167 163

HSL 150, 0.04%, 0.64%

LAB 67.76, -3.6, 1.08

 

CMYK 21 / 0 / 9 / 29

HEX #90B6A5

RGB 144 182 165

HSL 153.16, 0.21%, 0.64%

LAB 70.94, -16.29, 4.45

 

CMYK 0 / 40 / 0 / 20

HEX #CB7ACA

RGB 203 122 202

HSL 300.74, 0.44%, 0.64%

LAB 62.41, 43.63, -28.43

 

CMYK 0 / 40 / 11 / 20

HEX #CB7AB4

RGB 203 122 180

HSL 317.04, 0.44%, 0.64%

LAB 61.58, 39.77, -17.24

 

CMYK 0 / 40 / 22 / 20

HEX #CB7A9F

RGB 203 122 159

HSL 332.59, 0.44%, 0.64%

LAB 60.89, 36.44, -6.28

 

CMYK 0 / 40 / 33 / 20

HEX #CB7A89

RGB 203 122 137

HSL 348.89, 0.44%, 0.64%

LAB 60.27, 33.37, 5.46

 

CMYK 0 / 36 / 40 / 20

HEX #CB817A

RGB 203 129 122

HSL 5.19, 0.44%, 0.64%

LAB 61.48, 27.76, 15.76

 

CMYK 0 / 61 / 34 / 31

HEX #AF4473

RGB 175 68 115

HSL 333.64, 0.44%, 0.48%

LAB 44.92, 48.26, -4.34

 

CMYK 0 / 52 / 29 / 25

HEX #C05D88

RGB 192 93 136

HSL 333.94, 0.44%, 0.56%

LAB 52.74, 44.49, -5.11

 

CMYK 0 / 40 / 22 / 20

HEX #CB7A9E

RGB 203 122 158

HSL 333.33, 0.44%, 0.64%

LAB 60.86, 36.29, -5.75

 

CMYK 0 / 29 / 16 / 16

HEX #D798B4

RGB 215 152 180

HSL 333.33, 0.44%, 0.72%

LAB 69.61, 27.75, -5.07

 

CMYK 0 / 19 / 11 / 11

HEX #E2B6C9

RGB 226 182 201

HSL 334.09, 0.43%, 0.8%

LAB 78.37, 18.88, -3.56

 

CMYK 0 / 40 / 23 / 20

HEX #CB799D

RGB 203 121 157

HSL 333.66, 0.44%, 0.64%

LAB 60.61, 36.67, -5.54

 

CMYK 0 / 10 / 40 / 20

HEX #CBB77A

RGB 203 183 122

HSL 45.19, 0.44%, 0.64%

LAB 74.81, -1.49, 33.61

 

CMYK 40 / 6 / 0 / 20

HEX #7ABFCB

RGB 122 191 203

HSL 188.89, 0.44%, 0.64%

LAB 73.36, -18.65, -12.9

 

CMYK 0 / 40 / 23 / 20

HEX #CB799D

RGB 203 121 157

HSL 333.66, 0.44%, 0.64%

LAB 60.61, 36.67, -5.54

 

CMYK 22 / 0 / 40 / 20

HEX #9FCB7A

RGB 159 203 122

HSL 92.59, 0.44%, 0.64%

LAB 76.97, -28.67, 35.77

 

CMYK 40 / 22 / 0 / 20

HEX #7A9FCB

RGB 122 159 203

HSL 212.59, 0.44%, 0.64%

LAB 64.36, -1.45, -26.57

 

CMYK 0 / 40 / 23 / 20

HEX #CB799D

RGB 203 121 157

HSL 333.66, 0.44%, 0.64%

LAB 60.61, 36.67, -5.54

 

CMYK 0 / 10 / 40 / 20

HEX #CBB77A

RGB 203 183 122

HSL 45.19, 0.44%, 0.64%

LAB 74.81, -1.49, 33.61

 

CMYK 40 / 0 / 18 / 20

HEX #7ACBA7

RGB 122 203 167

HSL 153.33, 0.44%, 0.64%

LAB 75.85, -32.94, 10.24

 

CMYK 40 / 30 / 0 / 20

HEX #7A8FCB

RGB 122 143 203

HSL 224.44, 0.44%, 0.64%

LAB 59.97, 7.69, -33.36

 

CMYK 0 / 40 / 23 / 20

HEX #CB799D

RGB 203 121 157

HSL 333.66, 0.44%, 0.64%

LAB 60.61, 36.67, -5.54

 

CMYK 2 / 0 / 40 / 20

HEX #C7CB7A

RGB 199 203 122

HSL 62.96, 0.44%, 0.64%

LAB 79.76, -13.43, 39.89

 

CMYK 40 / 0 / 18 / 20

HEX #7ACBA7

RGB 122 203 167

HSL 153.33, 0.44%, 0.64%

LAB 75.85, -32.94, 10.24

 

CMYK 38 / 40 / 0 / 20

HEX #7E7ACB

RGB 126 122 203

HSL 242.96, 0.44%, 0.64%

LAB 54.73, 21.14, -41.56

 

Description

Color code: HEX #CB799D | qconv.com Color code: HEX #CB799D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 121 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 121 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 23 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 23% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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