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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB6792 it is the complementary color #34986D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB6792. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB6792 shade: #D0678D, #E179A0, #F28BB3, #FF9DC6 and #FFAFD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB6792. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB6792 shade: #CB6792, #BA557F, #A9436C, #983159 and #871F46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB6792 shade: #CB6792, #CB6777 and #CB6767

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB6792 shade: #CB6792, #CB67AD, #CB67C8, #B367CB and #9867CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB6792 shade matches the following richer shades: #CB6792, #DB5790, #EC468D and #FC368B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB6792 shade: #CB6792, #BA7894, #AA8897, #999999 and #89A99B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB6792 shade: #CB67C8, #CB67AD, #CB6792, #CB6778 and #CB7167

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB6792 shade: #A63968, #C0487C, #CB6792, #D686A8 and #E0A4BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB6792 shade: #CB6792, #CBB467 and #67BACB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB6792 shade: #CB6792, #92CB67 and #6792CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB6792 shade: #CB6792, #CBB467, #67CBA0 and #677ECB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB6792 shade: #CB6792, #C4CB67, #67CBA0 and #6E67CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 28 / 20

HEX #CB6792

RGB 203 103 146

HSL 334.2, 0.49%, 0.6%

LAB 56.56, 44.49, -5.17

 

Complementary color

CMYK 66 / 0 / 28 / 40

HEX #34986D

RGB 52 152 109

HSL 154.2, 0.49%, 0.4%

LAB 56.38, -39.36, 14.33

 

CMYK 0 / 50 / 32 / 18

HEX #D0678D

RGB 208 103 141

HSL 338.29, 0.53%, 0.61%

LAB 57.11, 45.54, -1.36

 

CMYK 0 / 46 / 29 / 12

HEX #E179A0

RGB 225 121 160

HSL 337.5, 0.63%, 0.68%

LAB 63.52, 44.7, -2.64

 

CMYK 0 / 43 / 26 / 5

HEX #F28BB3

RGB 242 139 179

HSL 336.7, 0.8%, 0.75%

LAB 69.89, 43.86, -3.74

 

CMYK 0 / 38 / 22 / 0

HEX #FF9DC6

RGB 255 157 198

HSL 334.9, 1%, 0.81%

LAB 75.73, 41.69, -5.47

 

CMYK 0 / 31 / 15 / 0

HEX #FFAFD9

RGB 255 175 217

HSL 328.5, 1%, 0.84%

LAB 80.14, 35.18, -9.28

 

CMYK 0 / 49 / 28 / 20

HEX #CB6792

RGB 203 103 146

HSL 334.2, 0.49%, 0.6%

LAB 56.56, 44.49, -5.17

 

CMYK 0 / 54 / 32 / 27

HEX #BA557F

RGB 186 85 127

HSL 335.05, 0.42%, 0.53%

LAB 50.06, 45.27, -3.82

 

CMYK 0 / 60 / 36 / 34

HEX #A9436C

RGB 169 67 108

HSL 335.88, 0.43%, 0.46%

LAB 43.55, 45.94, -2.17

 

CMYK 0 / 68 / 41 / 40

HEX #983159

RGB 152 49 89

HSL 336.7, 0.51%, 0.39%

LAB 37.1, 46.32, -0.06

 

CMYK 0 / 77 / 48 / 47

HEX #871F46

RGB 135 31 70

HSL 337.5, 0.63%, 0.33%

LAB 30.81, 46.14, 2.74

 

CMYK 0 / 49 / 28 / 20

HEX #CB6792

RGB 203 103 146

HSL 334.2, 0.49%, 0.6%

LAB 56.56, 44.49, -5.17

 

CMYK 0 / 49 / 41 / 20

HEX #CB6777

RGB 203 103 119

HSL 350.4, 0.49%, 0.6%

LAB 55.82, 41.19, 9.56

 

CMYK 0 / 49 / 49 / 20

HEX #CB6767

RGB 203 103 103

HSL 0, 0.49%, 0.6%

LAB 55.46, 39.56, 18.41

 

CMYK 0 / 49 / 28 / 20

HEX #CB6792

RGB 203 103 146

HSL 334.2, 0.49%, 0.6%

LAB 56.56, 44.49, -5.17

 

CMYK 0 / 49 / 15 / 20

HEX #CB67AD

RGB 203 103 173

HSL 318, 0.49%, 0.6%

LAB 57.48, 48.44, -19.47

 

CMYK 0 / 49 / 1 / 20

HEX #CB67C8

RGB 203 103 200

HSL 301.8, 0.49%, 0.6%

LAB 58.57, 52.97, -33.24

 

CMYK 12 / 49 / 0 / 20

HEX #B367CB

RGB 179 103 203

HSL 285.6, 0.49%, 0.6%

LAB 55.68, 46.73, -39.7

 

CMYK 25 / 49 / 0 / 20

HEX #9867CB

RGB 152 103 203

HSL 269.4, 0.49%, 0.6%

LAB 52.61, 39.25, -44.75

 

CMYK 0 / 49 / 28 / 20

HEX #CB6792

RGB 203 103 146

HSL 334.2, 0.49%, 0.6%

LAB 56.56, 44.49, -5.17

 

CMYK 0 / 60 / 34 / 14

HEX #DB5790

RGB 219 87 144

HSL 334.09, 0.65%, 0.6%

LAB 55.98, 56.98, -4.6

 

CMYK 0 / 70 / 40 / 7

HEX #EC468D

RGB 236 70 141

HSL 334.34, 0.81%, 0.6%

LAB 56.22, 68.28, -2.15

 

CMYK 0 / 79 / 45 / 1

HEX #FC368B

RGB 252 54 139

HSL 334.24, 0.97%, 0.6%

LAB 57.27, 77.11, 0.89

 

CMYK 0 / 49 / 28 / 20

HEX #CB6792

RGB 203 103 146

HSL 334.2, 0.49%, 0.6%

LAB 56.56, 44.49, -5.17

 

CMYK 0 / 35 / 20 / 27

HEX #BA7894

RGB 186 120 148

HSL 334.55, 0.32%, 0.6%

LAB 58.05, 29.79, -4.38

 

CMYK 0 / 20 / 11 / 33

HEX #AA8897

RGB 170 136 151

HSL 333.53, 0.17%, 0.6%

LAB 60.24, 15.44, -3.07

 

CMYK 0 / 0 / 0 / 40

HEX #999999

RGB 153 153 153

HSL 0, 0%, 0.6%

LAB 63.22, 0, -0.01

 

CMYK 19 / 0 / 8 / 34

HEX #89A99B

RGB 137 169 155

HSL 153.75, 0.16%, 0.6%

LAB 66.57, -13.87, 3.59

 

CMYK 0 / 49 / 1 / 20

HEX #CB67C8

RGB 203 103 200

HSL 301.8, 0.49%, 0.6%

LAB 58.57, 52.97, -33.24

 

CMYK 0 / 49 / 15 / 20

HEX #CB67AD

RGB 203 103 173

HSL 318, 0.49%, 0.6%

LAB 57.48, 48.44, -19.47

 

CMYK 0 / 49 / 28 / 20

HEX #CB6792

RGB 203 103 146

HSL 334.2, 0.49%, 0.6%

LAB 56.56, 44.49, -5.17

 

CMYK 0 / 49 / 41 / 20

HEX #CB6778

RGB 203 103 120

HSL 349.8, 0.49%, 0.6%

LAB 55.84, 41.3, 9.01

 

CMYK 0 / 44 / 49 / 20

HEX #CB7167

RGB 203 113 103

HSL 6, 0.49%, 0.6%

LAB 57.55, 34.35, 21.24

 

CMYK 0 / 66 / 37 / 35

HEX #A63968

RGB 166 57 104

HSL 334.13, 0.49%, 0.44%

LAB 41.27, 48.99, -3.12

 

CMYK 0 / 63 / 35 / 25

HEX #C0487C

RGB 192 72 124

HSL 334, 0.49%, 0.52%

LAB 48.63, 52.89, -4.02

 

CMYK 0 / 49 / 28 / 20

HEX #CB6792

RGB 203 103 146

HSL 334.2, 0.49%, 0.6%

LAB 56.56, 44.49, -5.17

 

CMYK 0 / 37 / 21 / 16

HEX #D686A8

RGB 214 134 168

HSL 334.5, 0.49%, 0.68%

LAB 65.1, 35.23, -5.02

 

CMYK 0 / 27 / 15 / 12

HEX #E0A4BE

RGB 224 164 190

HSL 334, 0.49%, 0.76%

LAB 73.62, 26.05, -4.58

 

CMYK 0 / 49 / 28 / 20

HEX #CB6792

RGB 203 103 146

HSL 334.2, 0.49%, 0.6%

LAB 56.56, 44.49, -5.17

 

CMYK 0 / 11 / 49 / 20

HEX #CBB467

RGB 203 180 103

HSL 46.2, 0.49%, 0.6%

LAB 73.75, -1.84, 42.04

 

CMYK 49 / 8 / 0 / 20

HEX #67BACB

RGB 103 186 203

HSL 190.2, 0.49%, 0.6%

LAB 71.09, -20.67, -16.4

 

CMYK 0 / 49 / 28 / 20

HEX #CB6792

RGB 203 103 146

HSL 334.2, 0.49%, 0.6%

LAB 56.56, 44.49, -5.17

 

CMYK 28 / 0 / 49 / 20

HEX #92CB67

RGB 146 203 103

HSL 94.2, 0.49%, 0.6%

LAB 75.95, -35.71, 43.78

 

CMYK 49 / 28 / 0 / 20

HEX #6792CB

RGB 103 146 203

HSL 214.2, 0.49%, 0.6%

LAB 59.67, 1.12, -33.92

 

CMYK 0 / 49 / 28 / 20

HEX #CB6792

RGB 203 103 146

HSL 334.2, 0.49%, 0.6%

LAB 56.56, 44.49, -5.17

 

CMYK 0 / 11 / 49 / 20

HEX #CBB467

RGB 203 180 103

HSL 46.2, 0.49%, 0.6%

LAB 73.75, -1.84, 42.04

 

CMYK 49 / 0 / 21 / 20

HEX #67CBA0

RGB 103 203 160

HSL 154.2, 0.49%, 0.6%

LAB 74.91, -39.39, 12.56

 

CMYK 49 / 38 / 0 / 20

HEX #677ECB

RGB 103 126 203

HSL 226.2, 0.49%, 0.6%

LAB 54.15, 12.92, -42.57

 

CMYK 0 / 49 / 28 / 20

HEX #CB6792

RGB 203 103 146

HSL 334.2, 0.49%, 0.6%

LAB 56.56, 44.49, -5.17

 

CMYK 3 / 0 / 49 / 20

HEX #C4CB67

RGB 196 203 103

HSL 64.2, 0.49%, 0.6%

LAB 79.29, -16.54, 48.59

 

CMYK 49 / 0 / 21 / 20

HEX #67CBA0

RGB 103 203 160

HSL 154.2, 0.49%, 0.6%

LAB 74.91, -39.39, 12.56

 

CMYK 46 / 49 / 0 / 20

HEX #6E67CB

RGB 110 103 203

HSL 244.2, 0.49%, 0.6%

LAB 48.67, 28.53, -51.26

 

Description

Color code: HEX #CB6792 | qconv.com Color code: HEX #CB6792 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 103 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 103 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 28 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 28% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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