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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB601E it is the complementary color #349FE1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB601E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB601E shade: #D06019, #E1722C, #F2843F, #FF9652 and #FFA865

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB601E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB601E shade: #CB601E, #BA4E0B, #A93C00, #982A00 and #871800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB601E shade: #CC601E, #CC311E and #CC1E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB601E shade: #CC601E, #CC8F1E, #CCBE1E, #ABCC1E and #7CCC1E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB601E shade matches the following richer shades: #CC601E and #DF5C0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB601E shade: #CC601E, #B96531, #A66944, #936E57 and #80726A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB601E shade: #CC1E3B, #CC2F1E, #CC5E1E, #CC8C1E and #CCBA1E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB601E shade: #843E13, #A84F19, #CC601E, #E07533 and #E58D57

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB601E shade: #CB601E, #69CC1E and #1E24CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB601E shade: #CB601E, #1ECC5E and #5E1ECC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB601E shade: #CB601E, #69CC1E, #1E8CCC and #801ECC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB601E shade: #CB601E, #35CC1E, #1E8CCC and #B41ECC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 85 / 20

HEX #CB601E

RGB 203 96 30

HSL 22.89, 0.74%, 0.46%

LAB 53.12, 38.85, 53.92

 

Complementary color

CMYK 77 / 29 / 0 / 12

HEX #349FE1

RGB 52 159 225

HSL 202.89, 0.74%, 0.54%

LAB 62.48, -7.94, -41.93

 

CMYK 0 / 54 / 88 / 18

HEX #D06019

RGB 208 96 25

HSL 23.28, 0.79%, 0.46%

LAB 53.86, 40.7, 56.65

 

CMYK 0 / 49 / 80 / 12

HEX #E1722C

RGB 225 114 44

HSL 23.2, 0.75%, 0.53%

LAB 60.09, 38.82, 55.71

 

CMYK 0 / 45 / 74 / 5

HEX #F2843F

RGB 242 132 63

HSL 23.13, 0.87%, 0.6%

LAB 66.32, 37.07, 54.2

 

CMYK 0 / 41 / 68 / 0

HEX #FF9652

RGB 255 150 82

HSL 23.58, 1%, 0.66%

LAB 72.02, 33.89, 51.81

 

CMYK 0 / 34 / 60 / 0

HEX #FFA865

RGB 255 168 101

HSL 26.1, 1%, 0.7%

LAB 76.19, 25.71, 47.26

 

CMYK 0 / 53 / 85 / 20

HEX #CB601E

RGB 203 96 30

HSL 22.89, 0.74%, 0.46%

LAB 53.12, 38.85, 53.92

 

CMYK 0 / 58 / 94 / 27

HEX #BA4E0B

RGB 186 78 11

HSL 22.97, 0.89%, 0.39%

LAB 46.86, 40.79, 54.12

 

CMYK 0 / 64 / 100 / 34

HEX #A93C00

RGB 169 60 0

HSL 21.3, 1%, 0.33%

LAB 40.68, 42.7, 51.96

 

CMYK 0 / 72 / 100 / 40

HEX #982A00

RGB 152 42 0

HSL 16.58, 1%, 0.3%

LAB 34.66, 44.27, 47.15

 

CMYK 0 / 82 / 100 / 47

HEX #871800

RGB 135 24 0

HSL 10.67, 1%, 0.26%

LAB 28.91, 44.93, 41.6

 

CMYK 0 / 53 / 85 / 20

HEX #CC601E

RGB 204 96 30

HSL 22.76, 0.74%, 0.46%

LAB 53.27, 39.25, 54.11

 

CMYK 0 / 76 / 85 / 20

HEX #CC311E

RGB 204 49 30

HSL 6.55, 0.74%, 0.46%

LAB 45.81, 59.13, 47.78

 

CMYK 0 / 85 / 85 / 20

HEX #CC1E1E

RGB 204 30 30

HSL 0, 0.74%, 0.46%

LAB 44.03, 64.15, 46.25

 

CMYK 0 / 53 / 85 / 20

HEX #CC601E

RGB 204 96 30

HSL 22.76, 0.74%, 0.46%

LAB 53.27, 39.25, 54.11

 

CMYK 0 / 30 / 85 / 20

HEX #CC8F1E

RGB 204 143 30

HSL 38.97, 0.74%, 0.46%

LAB 63.82, 14.21, 62.91

 

CMYK 0 / 7 / 85 / 20

HEX #CCBE1E

RGB 204 190 30

HSL 55.17, 0.74%, 0.46%

LAB 75.92, -10.74, 72.88

 

CMYK 16 / 0 / 85 / 20

HEX #ABCC1E

RGB 171 204 30

HSL 71.38, 0.74%, 0.46%

LAB 77.24, -31.57, 72.95

 

CMYK 39 / 0 / 85 / 20

HEX #7CCC1E

RGB 124 204 30

HSL 87.59, 0.74%, 0.46%

LAB 74.55, -49.34, 69.58

 

CMYK 0 / 53 / 85 / 20

HEX #CC601E

RGB 204 96 30

HSL 22.76, 0.74%, 0.46%

LAB 53.27, 39.25, 54.11

 

CMYK 0 / 59 / 95 / 13

HEX #DF5C0B

RGB 223 92 11

HSL 22.92, 0.91%, 0.46%

LAB 55.45, 48.08, 62.66

 

CMYK 0 / 53 / 85 / 20

HEX #CC601E

RGB 204 96 30

HSL 22.76, 0.74%, 0.46%

LAB 53.27, 39.25, 54.11

 

CMYK 0 / 45 / 74 / 27

HEX #B96531

RGB 185 101 49

HSL 22.94, 0.58%, 0.46%

LAB 51.66, 29.64, 43.14

 

CMYK 0 / 37 / 59 / 35

HEX #A66944

RGB 166 105 68

HSL 22.65, 0.42%, 0.46%

LAB 50.25, 20.61, 30.75

 

CMYK 0 / 25 / 41 / 42

HEX #936E57

RGB 147 110 87

HSL 23, 0.26%, 0.46%

LAB 49.55, 11.5, 18.53

 

CMYK 0 / 11 / 17 / 50

HEX #80726A

RGB 128 114 106

HSL 21.82, 0.09%, 0.46%

LAB 49.09, 4.02, 6.41

 

CMYK 0 / 85 / 71 / 20

HEX #CC1E3B

RGB 204 30 59

HSL 350, 0.74%, 0.46%

LAB 44.35, 65.09, 30.22

 

CMYK 0 / 77 / 85 / 20

HEX #CC2F1E

RGB 204 47 30

HSL 5.86, 0.74%, 0.46%

LAB 45.59, 59.76, 47.59

 

CMYK 0 / 54 / 85 / 20

HEX #CC5E1E

RGB 204 94 30

HSL 22.07, 0.74%, 0.46%

LAB 52.88, 40.25, 53.78

 

CMYK 0 / 31 / 85 / 20

HEX #CC8C1E

RGB 204 140 30

HSL 37.93, 0.74%, 0.46%

LAB 63.08, 15.84, 62.31

 

CMYK 0 / 9 / 85 / 20

HEX #CCBA1E

RGB 204 186 30

HSL 53.79, 0.74%, 0.46%

LAB 74.86, -8.69, 72.01

 

CMYK 0 / 53 / 86 / 48

HEX #843E13

RGB 132 62 19

HSL 22.83, 0.75%, 0.3%

LAB 34.8, 27.31, 38.21

 

CMYK 0 / 53 / 85 / 34

HEX #A84F19

RGB 168 79 25

HSL 22.66, 0.74%, 0.38%

LAB 44.21, 33.42, 46.14

 

CMYK 0 / 53 / 85 / 20

HEX #CC601E

RGB 204 96 30

HSL 22.76, 0.74%, 0.46%

LAB 53.27, 39.25, 54.11

 

CMYK 0 / 48 / 77 / 12

HEX #E07533

RGB 224 117 51

HSL 22.89, 0.74%, 0.54%

LAB 60.61, 37.14, 53.11

 

CMYK 0 / 38 / 62 / 10

HEX #E58D57

RGB 229 141 87

HSL 22.82, 0.73%, 0.62%

LAB 66.82, 28.5, 42.46

 

CMYK 0 / 53 / 85 / 20

HEX #CB601E

RGB 203 96 30

HSL 22.89, 0.74%, 0.46%

LAB 53.12, 38.85, 53.92

 

CMYK 49 / 0 / 85 / 20

HEX #69CC1E

RGB 105 204 30

HSL 94.14, 0.74%, 0.46%

LAB 73.73, -55.45, 68.55

 

CMYK 85 / 82 / 0 / 20

HEX #1E24CC

RGB 30 36 204

HSL 237.93, 0.74%, 0.46%

LAB 29.15, 56.67, -83.93

 

CMYK 0 / 53 / 85 / 20

HEX #CB601E

RGB 203 96 30

HSL 22.89, 0.74%, 0.46%

LAB 53.12, 38.85, 53.92

 

CMYK 85 / 0 / 54 / 20

HEX #1ECC5E

RGB 30 204 94

HSL 142.07, 0.74%, 0.46%

LAB 72.41, -64.39, 42.94

 

CMYK 54 / 85 / 0 / 20

HEX #5E1ECC

RGB 94 30 204

HSL 262.07, 0.74%, 0.46%

LAB 33.28, 63.54, -76.94

 

CMYK 0 / 53 / 85 / 20

HEX #CB601E

RGB 203 96 30

HSL 22.89, 0.74%, 0.46%

LAB 53.12, 38.85, 53.92

 

CMYK 49 / 0 / 85 / 20

HEX #69CC1E

RGB 105 204 30

HSL 94.14, 0.74%, 0.46%

LAB 73.73, -55.45, 68.55

 

CMYK 85 / 31 / 0 / 20

HEX #1E8CCC

RGB 30 140 204

HSL 202.07, 0.74%, 0.46%

LAB 55.47, -6.71, -41.23

 

CMYK 37 / 85 / 0 / 20

HEX #801ECC

RGB 128 30 204

HSL 273.79, 0.74%, 0.46%

LAB 37.62, 67.58, -69.64

 

CMYK 0 / 53 / 85 / 20

HEX #CB601E

RGB 203 96 30

HSL 22.89, 0.74%, 0.46%

LAB 53.12, 38.85, 53.92

 

CMYK 74 / 0 / 85 / 20

HEX #35CC1E

RGB 53 204 30

HSL 112.07, 0.74%, 0.46%

LAB 72.25, -67.49, 66.68

 

CMYK 85 / 31 / 0 / 20

HEX #1E8CCC

RGB 30 140 204

HSL 202.07, 0.74%, 0.46%

LAB 55.47, -6.71, -41.23

 

CMYK 12 / 85 / 0 / 20

HEX #B41ECC

RGB 180 30 204

HSL 291.72, 0.74%, 0.46%

LAB 45.62, 75.52, -56.28

 

Description

Color code: HEX #CB601E | qconv.com Color code: HEX #CB601E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 96 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 96 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 85 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 85% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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