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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB5E8D it is the complementary color #34A172. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB5E8D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB5E8D shade: #D05E88, #E1709B, #F282AE, #FF94C1 and #FFA6D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB5E8D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB5E8D shade: #CB5E8D, #BA4C7A, #A93A67, #982854 and #871641

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB5E8D shade: #CB5D8C, #CB5D6F and #CB5D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB5E8D shade: #CB5D8C, #CB5DAA, #CB5DC7, #B05DCB and #935DCB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB5E8D shade matches the following richer shades: #CB5D8C, #DC4C8A, #ED3B88 and #FF2985

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB5E8D shade: #CB5D8C, #B96F8F, #A88091, #979194 and #85A396

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB5E8D shade: #CB5DC7, #CB5DAA, #CB5D8D, #CB5D6F and #CB685D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB5E8D shade: #A13463, #C03E76, #CB5D8C, #D57CA2 and #DF9CB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB5E8D shade: #CB5E8D, #CBB15D and #5DB8CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB5E8D shade: #CB5E8D, #8DCB5D and #5D8DCB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB5E8D shade: #CB5E8D, #CBB15D, #5DCB9B and #5D77CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB5E8D shade: #CB5E8D, #C3CB5D, #5DCB9B and #655DCB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 31 / 20

HEX #CB5E8D

RGB 203 94 141

HSL 334.13, 0.51%, 0.58%

LAB 54.68, 48.3, -5.02

 

Complementary color

CMYK 68 / 0 / 29 / 37

HEX #34A172

RGB 52 161 114

HSL 154.13, 0.51%, 0.42%

LAB 59.37, -42.09, 15.69

 

CMYK 0 / 55 / 35 / 18

HEX #D05E88

RGB 208 94 136

HSL 337.89, 0.55%, 0.59%

LAB 55.27, 49.33, -1.12

 

CMYK 0 / 50 / 31 / 12

HEX #E1709B

RGB 225 112 155

HSL 337.17, 0.65%, 0.66%

LAB 61.62, 48.55, -2.57

 

CMYK 0 / 46 / 28 / 5

HEX #F282AE

RGB 242 130 174

HSL 336.43, 0.81%, 0.73%

LAB 67.95, 47.73, -3.81

 

CMYK 0 / 42 / 24 / 0

HEX #FF94C1

RGB 255 148 193

HSL 334.77, 1%, 0.79%

LAB 73.73, 45.58, -5.67

 

CMYK 0 / 35 / 17 / 0

HEX #FFA6D4

RGB 255 166 212

HSL 328.99, 1%, 0.83%

LAB 78.04, 39.1, -9.69

 

CMYK 0 / 54 / 31 / 20

HEX #CB5E8D

RGB 203 94 141

HSL 334.13, 0.51%, 0.58%

LAB 54.68, 48.3, -5.02

 

CMYK 0 / 59 / 34 / 27

HEX #BA4C7A

RGB 186 76 122

HSL 334.91, 0.44%, 0.51%

LAB 48.28, 48.96, -3.45

 

CMYK 0 / 66 / 39 / 34

HEX #A93A67

RGB 169 58 103

HSL 335.68, 0.49%, 0.45%

LAB 41.91, 49.39, -1.49

 

CMYK 0 / 74 / 45 / 40

HEX #982854

RGB 152 40 84

HSL 336.43, 0.58%, 0.38%

LAB 35.66, 49.36, 1.04

 

CMYK 0 / 84 / 52 / 47

HEX #871641

RGB 135 22 65

HSL 337.17, 0.72%, 0.31%

LAB 29.68, 48.48, 4.43

 

CMYK 0 / 54 / 31 / 20

HEX #CB5D8C

RGB 203 93 140

HSL 334.36, 0.51%, 0.58%

LAB 54.47, 48.66, -4.75

 

CMYK 0 / 54 / 45 / 20

HEX #CB5D6F

RGB 203 93 111

HSL 350.18, 0.51%, 0.58%

LAB 53.68, 45.36, 11.26

 

CMYK 0 / 54 / 54 / 20

HEX #CB5D5D

RGB 203 93 93

HSL 0, 0.51%, 0.58%

LAB 53.29, 43.71, 21.34

 

CMYK 0 / 54 / 31 / 20

HEX #CB5D8C

RGB 203 93 140

HSL 334.36, 0.51%, 0.58%

LAB 54.47, 48.66, -4.75

 

CMYK 0 / 54 / 16 / 20

HEX #CB5DAA

RGB 203 93 170

HSL 318, 0.51%, 0.58%

LAB 55.51, 52.86, -20.74

 

CMYK 0 / 54 / 2 / 20

HEX #CB5DC7

RGB 203 93 199

HSL 302.18, 0.51%, 0.58%

LAB 56.73, 57.58, -35.55

 

CMYK 13 / 54 / 0 / 20

HEX #B05DCB

RGB 176 93 203

HSL 285.27, 0.51%, 0.58%

LAB 53.35, 51.06, -43.39

 

CMYK 28 / 54 / 0 / 20

HEX #935DCB

RGB 147 93 203

HSL 269.45, 0.51%, 0.58%

LAB 49.91, 43.47, -49.07

 

CMYK 0 / 54 / 31 / 20

HEX #CB5D8C

RGB 203 93 140

HSL 334.36, 0.51%, 0.58%

LAB 54.47, 48.66, -4.75

 

CMYK 0 / 65 / 37 / 14

HEX #DC4C8A

RGB 220 76 138

HSL 334.17, 0.67%, 0.58%

LAB 54.26, 61.21, -3.58

 

CMYK 0 / 75 / 43 / 7

HEX #ED3B88

RGB 237 59 136

HSL 334.04, 0.83%, 0.58%

LAB 54.98, 71.64, -0.99

 

CMYK 0 / 84 / 48 / 0

HEX #FF2985

RGB 255 41 133

HSL 334.21, 1%, 0.58%

LAB 56.62, 80.29, 3.59

 

CMYK 0 / 54 / 31 / 20

HEX #CB5D8C

RGB 203 93 140

HSL 334.36, 0.51%, 0.58%

LAB 54.47, 48.66, -4.75

 

CMYK 0 / 40 / 23 / 27

HEX #B96F8F

RGB 185 111 143

HSL 334.05, 0.35%, 0.58%

LAB 55.75, 33.6, -4.88

 

CMYK 0 / 24 / 14 / 34

HEX #A88091

RGB 168 128 145

HSL 334.5, 0.19%, 0.58%

LAB 57.85, 18.19, -3.16

 

CMYK 0 / 4 / 2 / 41

HEX #979194

RGB 151 145 148

HSL 330, 0.03%, 0.58%

LAB 60.75, 2.78, -0.8

 

CMYK 18 / 0 / 8 / 36

HEX #85A396

RGB 133 163 150

HSL 154, 0.14%, 0.58%

LAB 64.47, -13.07, 3.31

 

CMYK 0 / 54 / 2 / 20

HEX #CB5DC7

RGB 203 93 199

HSL 302.18, 0.51%, 0.58%

LAB 56.73, 57.58, -35.55

 

CMYK 0 / 54 / 16 / 20

HEX #CB5DAA

RGB 203 93 170

HSL 318, 0.51%, 0.58%

LAB 55.51, 52.86, -20.74

 

CMYK 0 / 54 / 31 / 20

HEX #CB5D8D

RGB 203 93 141

HSL 333.82, 0.51%, 0.58%

LAB 54.5, 48.79, -5.29

 

CMYK 0 / 54 / 45 / 20

HEX #CB5D6F

RGB 203 93 111

HSL 350.18, 0.51%, 0.58%

LAB 53.68, 45.36, 11.26

 

CMYK 0 / 49 / 54 / 20

HEX #CB685D

RGB 203 104 93

HSL 6, 0.51%, 0.58%

LAB 55.47, 38.16, 24.22

 

CMYK 0 / 68 / 39 / 37

HEX #A13463

RGB 161 52 99

HSL 334.13, 0.51%, 0.42%

LAB 39.47, 48.99, -2.74

 

CMYK 0 / 68 / 39 / 25

HEX #C03E76

RGB 192 62 118

HSL 334.15, 0.51%, 0.5%

LAB 46.92, 56.37, -2.91

 

CMYK 0 / 54 / 31 / 20

HEX #CB5D8C

RGB 203 93 140

HSL 334.36, 0.51%, 0.58%

LAB 54.47, 48.66, -4.75

 

CMYK 0 / 42 / 24 / 16

HEX #D57CA2

RGB 213 124 162

HSL 334.38, 0.51%, 0.66%

LAB 62.65, 39.3, -5.24

 

CMYK 0 / 30 / 17 / 13

HEX #DF9CB9

RGB 223 156 185

HSL 334.03, 0.51%, 0.74%

LAB 71.53, 29.21, -4.91

 

CMYK 0 / 54 / 31 / 20

HEX #CB5E8D

RGB 203 94 141

HSL 334.13, 0.51%, 0.58%

LAB 54.68, 48.3, -5.02

 

CMYK 0 / 13 / 54 / 20

HEX #CBB15D

RGB 203 177 93

HSL 45.82, 0.51%, 0.58%

LAB 72.85, -1.14, 45.92

 

CMYK 54 / 9 / 0 / 20

HEX #5DB8CB

RGB 93 184 203

HSL 190.36, 0.51%, 0.58%

LAB 70.12, -21.8, -17.9

 

CMYK 0 / 54 / 31 / 20

HEX #CB5E8D

RGB 203 94 141

HSL 334.13, 0.51%, 0.58%

LAB 54.68, 48.3, -5.02

 

CMYK 31 / 0 / 54 / 20

HEX #8DCB5D

RGB 141 203 93

HSL 93.82, 0.51%, 0.58%

LAB 75.55, -38.6, 48.01

 

CMYK 54 / 31 / 0 / 20

HEX #5D8DCB

RGB 93 141 203

HSL 213.82, 0.51%, 0.58%

LAB 57.74, 1.74, -36.97

 

CMYK 0 / 54 / 31 / 20

HEX #CB5E8D

RGB 203 94 141

HSL 334.13, 0.51%, 0.58%

LAB 54.68, 48.3, -5.02

 

CMYK 0 / 13 / 54 / 20

HEX #CBB15D

RGB 203 177 93

HSL 45.82, 0.51%, 0.58%

LAB 72.85, -1.14, 45.92

 

CMYK 54 / 0 / 24 / 20

HEX #5DCB9B

RGB 93 203 155

HSL 153.82, 0.51%, 0.58%

LAB 74.45, -42.8, 14.54

 

CMYK 54 / 41 / 0 / 20

HEX #5D77CB

RGB 93 119 203

HSL 225.82, 0.51%, 0.58%

LAB 51.65, 14.9, -46.58

 

CMYK 0 / 54 / 31 / 20

HEX #CB5E8D

RGB 203 94 141

HSL 334.13, 0.51%, 0.58%

LAB 54.68, 48.3, -5.02

 

CMYK 4 / 0 / 54 / 20

HEX #C3CB5D

RGB 195 203 93

HSL 64.36, 0.51%, 0.58%

LAB 79.1, -17.82, 53.04

 

CMYK 54 / 0 / 24 / 20

HEX #5DCB9B

RGB 93 203 155

HSL 153.82, 0.51%, 0.58%

LAB 74.45, -42.8, 14.54

 

CMYK 50 / 54 / 0 / 20

HEX #655DCB

RGB 101 93 203

HSL 244.36, 0.51%, 0.58%

LAB 45.51, 32.58, -56.38

 

Description

Color code: HEX #CB5E8D | qconv.com Color code: HEX #CB5E8D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 94 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 94 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 31 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 31% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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