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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB5A8B it is the complementary color #34A574. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB5A8B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB5A8B shade: #D05A86, #E16C99, #F27EAC, #FF90BF and #FFA2D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB5A8B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB5A8B shade: #CB5A8B, #BA4878, #A93665, #982452 and #87123F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB5A8B shade: #CA5889, #CA586B and #CA5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB5A8B shade: #CA5889, #CA58A8, #CA58C7, #AE58CA and #8F58CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB5A8B shade matches the following richer shades: #CA5889, #DC4687 and #ED3485

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB5A8B shade: #CA5889, #B86A8C, #A67B8E, #958D90 and #839F93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB5A8B shade: #CA58C8, #CA58AA, #CA588B, #CA586D and #CA6158

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB5A8B shade: #9E3160, #BD3B74, #CA5889, #D4779F and #DE97B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB5A8B shade: #CB5A8B, #CAAD58 and #58B9CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB5A8B shade: #CB5A8B, #8BCA58 and #588BCA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB5A8B shade: #CB5A8B, #CAAD58, #58CA97 and #5874CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB5A8B shade: #CB5A8B, #C4CA58, #58CA97 and #5E58CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 32 / 20

HEX #CB5A8B

RGB 203 90 139

HSL 333.98, 0.52%, 0.57%

LAB 53.89, 49.97, -5.01

 

Complementary color

CMYK 68 / 0 / 30 / 35

HEX #34A574

RGB 52 165 116

HSL 153.98, 0.52%, 0.43%

LAB 60.69, -43.32, 16.4

 

CMYK 0 / 57 / 36 / 18

HEX #D05A86

RGB 208 90 134

HSL 337.63, 0.56%, 0.58%

LAB 54.49, 50.98, -1.08

 

CMYK 0 / 52 / 32 / 12

HEX #E16C99

RGB 225 108 153

HSL 336.92, 0.66%, 0.65%

LAB 60.81, 50.25, -2.61

 

CMYK 0 / 48 / 29 / 5

HEX #F27EAC

RGB 242 126 172

HSL 336.21, 0.82%, 0.72%

LAB 67.11, 49.46, -3.91

 

CMYK 0 / 44 / 25 / 0

HEX #FF90BF

RGB 255 144 191

HSL 334.59, 1%, 0.78%

LAB 72.87, 47.32, -5.84

 

CMYK 0 / 36 / 18 / 0

HEX #FFA2D2

RGB 255 162 210

HSL 329.03, 1%, 0.82%

LAB 77.13, 40.86, -9.95

 

CMYK 0 / 56 / 32 / 20

HEX #CB5A8B

RGB 203 90 139

HSL 333.98, 0.52%, 0.57%

LAB 53.89, 49.97, -5.01

 

CMYK 0 / 61 / 35 / 27

HEX #BA4878

RGB 186 72 120

HSL 334.74, 0.45%, 0.51%

LAB 47.53, 50.55, -3.33

 

CMYK 0 / 68 / 40 / 34

HEX #A93665

RGB 169 54 101

HSL 335.48, 0.52%, 0.44%

LAB 41.24, 50.84, -1.23

 

CMYK 0 / 76 / 46 / 40

HEX #982452

RGB 152 36 82

HSL 336.21, 0.62%, 0.37%

LAB 35.1, 50.58, 1.51

 

CMYK 0 / 87 / 53 / 47

HEX #87123F

RGB 135 18 63

HSL 336.92, 0.76%, 0.3%

LAB 29.27, 49.32, 5.19

 

CMYK 0 / 56 / 32 / 21

HEX #CA5889

RGB 202 88 137

HSL 334.21, 0.52%, 0.57%

LAB 53.32, 50.34, -4.69

 

CMYK 0 / 56 / 47 / 21

HEX #CA586B

RGB 202 88 107

HSL 350, 0.52%, 0.57%

LAB 52.51, 47.03, 11.97

 

CMYK 0 / 56 / 56 / 21

HEX #CA5858

RGB 202 88 88

HSL 0, 0.52%, 0.57%

LAB 52.11, 45.37, 22.67

 

CMYK 0 / 56 / 32 / 21

HEX #CA5889

RGB 202 88 137

HSL 334.21, 0.52%, 0.57%

LAB 53.32, 50.34, -4.69

 

CMYK 0 / 56 / 17 / 21

HEX #CA58A8

RGB 202 88 168

HSL 317.89, 0.52%, 0.57%

LAB 54.41, 54.6, -21.27

 

CMYK 0 / 56 / 1 / 21

HEX #CA58C7

RGB 202 88 199

HSL 301.58, 0.52%, 0.57%

LAB 55.75, 59.6, -37.1

 

CMYK 14 / 56 / 0 / 21

HEX #AE58CA

RGB 174 88 202

HSL 285.26, 0.52%, 0.57%

LAB 52.11, 52.82, -44.8

 

CMYK 29 / 56 / 0 / 21

HEX #8F58CA

RGB 143 88 202

HSL 268.95, 0.52%, 0.57%

LAB 48.36, 44.95, -51

 

CMYK 0 / 56 / 32 / 21

HEX #CA5889

RGB 202 88 137

HSL 334.21, 0.52%, 0.57%

LAB 53.32, 50.34, -4.69

 

CMYK 0 / 68 / 39 / 14

HEX #DC4687

RGB 220 70 135

HSL 334, 0.68%, 0.57%

LAB 53.33, 63.21, -3.17

 

CMYK 0 / 78 / 44 / 7

HEX #ED3485

RGB 237 52 133

HSL 333.73, 0.84%, 0.57%

LAB 54.19, 73.35, -0.36

 

CMYK 0 / 56 / 32 / 21

HEX #CA5889

RGB 202 88 137

HSL 334.21, 0.52%, 0.57%

LAB 53.32, 50.34, -4.69

 

CMYK 0 / 42 / 24 / 28

HEX #B86A8C

RGB 184 106 140

HSL 333.85, 0.35%, 0.57%

LAB 54.44, 35.5, -5.08

 

CMYK 0 / 26 / 14 / 35

HEX #A67B8E

RGB 166 123 142

HSL 333.49, 0.19%, 0.57%

LAB 56.31, 19.77, -3.72

 

CMYK 0 / 5 / 3 / 42

HEX #958D90

RGB 149 141 144

HSL 337.5, 0.04%, 0.57%

LAB 59.39, 3.53, -0.54

 

CMYK 18 / 0 / 8 / 38

HEX #839F93

RGB 131 159 147

HSL 154.29, 0.13%, 0.57%

LAB 63.12, -12.24, 3.02

 

CMYK 0 / 56 / 1 / 21

HEX #CA58C8

RGB 202 88 200

HSL 301.05, 0.52%, 0.57%

LAB 55.79, 59.77, -37.6

 

CMYK 0 / 56 / 16 / 21

HEX #CA58AA

RGB 202 88 170

HSL 316.84, 0.52%, 0.57%

LAB 54.49, 54.9, -22.31

 

CMYK 0 / 56 / 31 / 21

HEX #CA588B

RGB 202 88 139

HSL 333.16, 0.52%, 0.57%

LAB 53.38, 50.59, -5.78

 

CMYK 0 / 56 / 46 / 21

HEX #CA586D

RGB 202 88 109

HSL 348.95, 0.52%, 0.57%

LAB 52.55, 47.23, 10.84

 

CMYK 0 / 52 / 56 / 21

HEX #CA6158

RGB 202 97 88

HSL 4.74, 0.52%, 0.57%

LAB 53.83, 40.94, 24.93

 

CMYK 0 / 69 / 39 / 38

HEX #9E3160

RGB 158 49 96

HSL 334.13, 0.53%, 0.41%

LAB 38.39, 48.96, -2.49

 

CMYK 0 / 69 / 39 / 26

HEX #BD3B74

RGB 189 59 116

HSL 333.69, 0.52%, 0.49%

LAB 45.92, 56.45, -3.22

 

CMYK 0 / 56 / 32 / 21

HEX #CA5889

RGB 202 88 137

HSL 334.21, 0.52%, 0.57%

LAB 53.32, 50.34, -4.69

 

CMYK 0 / 44 / 25 / 17

HEX #D4779F

RGB 212 119 159

HSL 334.19, 0.52%, 0.65%

LAB 61.39, 41.14, -5.41

 

CMYK 0 / 32 / 18 / 13

HEX #DE97B5

RGB 222 151 181

HSL 334.65, 0.52%, 0.73%

LAB 70.18, 30.92, -4.71

 

CMYK 0 / 56 / 32 / 20

HEX #CB5A8B

RGB 203 90 139

HSL 333.98, 0.52%, 0.57%

LAB 53.89, 49.97, -5.01

 

CMYK 0 / 14 / 56 / 21

HEX #CAAD58

RGB 202 173 88

HSL 44.74, 0.52%, 0.57%

LAB 71.66, 0.16, 46.93

 

CMYK 56 / 8 / 0 / 21

HEX #58B9CA

RGB 88 185 202

HSL 188.95, 0.52%, 0.57%

LAB 70.2, -23.6, -17.24

 

CMYK 0 / 56 / 32 / 20

HEX #CB5A8B

RGB 203 90 139

HSL 333.98, 0.52%, 0.57%

LAB 53.89, 49.97, -5.01

 

CMYK 31 / 0 / 56 / 21

HEX #8BCA58

RGB 139 202 88

HSL 93.16, 0.52%, 0.57%

LAB 75.1, -39.37, 49.77

 

CMYK 56 / 31 / 0 / 21

HEX #588BCA

RGB 88 139 202

HSL 213.16, 0.52%, 0.57%

LAB 56.88, 1.51, -37.76

 

CMYK 0 / 56 / 32 / 20

HEX #CB5A8B

RGB 203 90 139

HSL 333.98, 0.52%, 0.57%

LAB 53.89, 49.97, -5.01

 

CMYK 0 / 14 / 56 / 21

HEX #CAAD58

RGB 202 173 88

HSL 44.74, 0.52%, 0.57%

LAB 71.66, 0.16, 46.93

 

CMYK 56 / 0 / 25 / 21

HEX #58CA97

RGB 88 202 151

HSL 153.16, 0.52%, 0.57%

LAB 73.9, -44.33, 15.89

 

CMYK 56 / 43 / 0 / 21

HEX #5874CA

RGB 88 116 202

HSL 225.26, 0.52%, 0.57%

LAB 50.49, 15.35, -47.87

 

CMYK 0 / 56 / 32 / 20

HEX #CB5A8B

RGB 203 90 139

HSL 333.98, 0.52%, 0.57%

LAB 53.89, 49.97, -5.01

 

CMYK 3 / 0 / 56 / 21

HEX #C4CA58

RGB 196 202 88

HSL 63.16, 0.52%, 0.57%

LAB 78.86, -17.31, 55.05

 

CMYK 56 / 0 / 25 / 21

HEX #58CA97

RGB 88 202 151

HSL 153.16, 0.52%, 0.57%

LAB 73.9, -44.33, 15.89

 

CMYK 53 / 56 / 0 / 21

HEX #5E58CA

RGB 94 88 202

HSL 243.16, 0.52%, 0.57%

LAB 43.69, 33.88, -58.77

 

Description

Color code: HEX #CB5A8B | qconv.com Color code: HEX #CB5A8B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 90 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 90 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 32 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 32% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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