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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB5A7E it is the complementary color #34A581. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB5A7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB5A7E shade: #D05A79, #E16C8C, #F27E9F, #FF90B2 and #FFA2C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB5A7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB5A7E shade: #CB5A7E, #BA486B, #A93658, #982445 and #871232

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB5A7E shade: #CA587C, #CA585D and #CA5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB5A7E shade: #CA587C, #CA589B, #CA58BA, #BB58CA and #9D58CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB5A7E shade matches the following richer shades: #CA587C, #DC4676 and #ED346F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB5A7E shade: #CA587C, #B86A83, #A67B89, #958D8F and #839F96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB5A7E shade: #CA58BB, #CA589C, #CA587E, #CA585F and #CA6F58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB5A7E shade: #9E3154, #BD3B65, #CA587C, #D47795 and #DE97AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB5A7E shade: #CB5A7E, #CABB58 and #58ABCA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB5A7E shade: #CB5A7E, #7ECA58 and #587ECA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB5A7E shade: #CB5A7E, #CABB58, #58CAA4 and #5867CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB5A7E shade: #CB5A7E, #B7CA58, #58CAA4 and #6B58CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 38 / 20

HEX #CB5A7E

RGB 203 90 126

HSL 340.88, 0.52%, 0.57%

LAB 53.51, 48.41, 2.12

 

Complementary color

CMYK 68 / 0 / 22 / 35

HEX #34A581

RGB 52 165 129

HSL 160.88, 0.52%, 0.43%

LAB 60.98, -40.31, 9.58

 

CMYK 0 / 57 / 42 / 18

HEX #D05A79

RGB 208 90 121

HSL 344.24, 0.56%, 0.58%

LAB 54.14, 49.54, 6.09

 

CMYK 0 / 52 / 38 / 12

HEX #E16C8C

RGB 225 108 140

HSL 343.59, 0.66%, 0.65%

LAB 60.45, 48.72, 4.37

 

CMYK 0 / 48 / 34 / 5

HEX #F27E9F

RGB 242 126 159

HSL 342.93, 0.82%, 0.72%

LAB 66.75, 47.85, 2.91

 

CMYK 0 / 44 / 30 / 0

HEX #FF90B2

RGB 255 144 178

HSL 341.62, 1%, 0.78%

LAB 72.51, 45.62, 0.84

 

CMYK 0 / 36 / 23 / 0

HEX #FFA2C5

RGB 255 162 197

HSL 337.42, 1%, 0.82%

LAB 76.76, 38.97, -3.41

 

CMYK 0 / 56 / 38 / 20

HEX #CB5A7E

RGB 203 90 126

HSL 340.88, 0.52%, 0.57%

LAB 53.51, 48.41, 2.12

 

CMYK 0 / 61 / 42 / 27

HEX #BA486B

RGB 186 72 107

HSL 341.58, 0.45%, 0.51%

LAB 47.15, 49.09, 4.02

 

CMYK 0 / 68 / 48 / 34

HEX #A93658

RGB 169 54 88

HSL 342.26, 0.52%, 0.44%

LAB 40.86, 49.52, 6.38

 

CMYK 0 / 76 / 55 / 40

HEX #982445

RGB 152 36 69

HSL 342.93, 0.62%, 0.37%

LAB 34.74, 49.42, 9.42

 

CMYK 0 / 87 / 63 / 47

HEX #871232

RGB 135 18 50

HSL 343.59, 0.76%, 0.3%

LAB 28.94, 48.36, 13.46

 

CMYK 0 / 56 / 39 / 21

HEX #CA587C

RGB 202 88 124

HSL 341.05, 0.52%, 0.57%

LAB 52.94, 48.8, 2.47

 

CMYK 0 / 56 / 54 / 21

HEX #CA585D

RGB 202 88 93

HSL 357.37, 0.52%, 0.57%

LAB 52.2, 45.78, 19.86

 

CMYK 0 / 56 / 56 / 21

HEX #CA5858

RGB 202 88 88

HSL 0, 0.52%, 0.57%

LAB 52.11, 45.37, 22.67

 

CMYK 0 / 56 / 39 / 21

HEX #CA587C

RGB 202 88 124

HSL 341.05, 0.52%, 0.57%

LAB 52.94, 48.8, 2.47

 

CMYK 0 / 56 / 23 / 21

HEX #CA589B

RGB 202 88 155

HSL 324.74, 0.52%, 0.57%

LAB 53.92, 52.72, -14.4

 

CMYK 0 / 56 / 8 / 21

HEX #CA58BA

RGB 202 88 186

HSL 308.42, 0.52%, 0.57%

LAB 55.16, 57.42, -30.56

 

CMYK 7 / 56 / 0 / 21

HEX #BB58CA

RGB 187 88 202

HSL 292.11, 0.52%, 0.57%

LAB 53.82, 56.2, -41.98

 

CMYK 22 / 56 / 0 / 21

HEX #9D58CA

RGB 157 88 202

HSL 276.32, 0.52%, 0.57%

LAB 49.99, 48.46, -48.3

 

CMYK 0 / 56 / 39 / 21

HEX #CA587C

RGB 202 88 124

HSL 341.05, 0.52%, 0.57%

LAB 52.94, 48.8, 2.47

 

CMYK 0 / 68 / 46 / 14

HEX #DC4676

RGB 220 70 118

HSL 340.8, 0.68%, 0.57%

LAB 52.84, 61.56, 6.29

 

CMYK 0 / 78 / 53 / 7

HEX #ED346F

RGB 237 52 111

HSL 340.86, 0.84%, 0.57%

LAB 53.61, 71.58, 12

 

CMYK 0 / 56 / 39 / 21

HEX #CA587C

RGB 202 88 124

HSL 341.05, 0.52%, 0.57%

LAB 52.94, 48.8, 2.47

 

CMYK 0 / 42 / 29 / 28

HEX #B86A83

RGB 184 106 131

HSL 340.77, 0.35%, 0.57%

LAB 54.17, 34.21, -0.19

 

CMYK 0 / 26 / 17 / 35

HEX #A67B89

RGB 166 123 137

HSL 340.47, 0.19%, 0.57%

LAB 56.17, 18.93, -1.03

 

CMYK 0 / 5 / 4 / 42

HEX #958D8F

RGB 149 141 143

HSL 345, 0.04%, 0.57%

LAB 59.36, 3.34, -0.01

 

CMYK 18 / 0 / 6 / 38

HEX #839F96

RGB 131 159 150

HSL 160.71, 0.13%, 0.57%

LAB 63.2, -11.62, 1.45

 

CMYK 0 / 56 / 7 / 21

HEX #CA58BB

RGB 202 88 187

HSL 307.89, 0.52%, 0.57%

LAB 55.2, 57.58, -31.06

 

CMYK 0 / 56 / 23 / 21

HEX #CA589C

RGB 202 88 156

HSL 324.21, 0.52%, 0.57%

LAB 53.96, 52.86, -14.94

 

CMYK 0 / 56 / 38 / 21

HEX #CA587E

RGB 202 88 126

HSL 340, 0.52%, 0.57%

LAB 53, 49.03, 1.36

 

CMYK 0 / 56 / 53 / 21

HEX #CA585F

RGB 202 88 95

HSL 356.32, 0.52%, 0.57%

LAB 52.24, 45.94, 18.73

 

CMYK 0 / 45 / 56 / 21

HEX #CA6F58

RGB 202 111 88

HSL 12.11, 0.52%, 0.57%

LAB 56.71, 33.7, 28.66

 

CMYK 0 / 69 / 47 / 38

HEX #9E3154

RGB 158 49 84

HSL 340.73, 0.53%, 0.41%

LAB 38.03, 47.7, 4.6

 

CMYK 0 / 69 / 47 / 26

HEX #BD3B65

RGB 189 59 101

HSL 340.62, 0.52%, 0.49%

LAB 45.48, 54.94, 5.36

 

CMYK 0 / 56 / 39 / 21

HEX #CA587C

RGB 202 88 124

HSL 341.05, 0.52%, 0.57%

LAB 52.94, 48.8, 2.47

 

CMYK 0 / 44 / 30 / 17

HEX #D47795

RGB 212 119 149

HSL 340.65, 0.52%, 0.65%

LAB 61.1, 39.77, -0.09

 

CMYK 0 / 32 / 22 / 13

HEX #DE97AD

RGB 222 151 173

HSL 341.41, 0.52%, 0.73%

LAB 69.95, 29.71, -0.58

 

CMYK 0 / 56 / 38 / 20

HEX #CB5A7E

RGB 203 90 126

HSL 340.88, 0.52%, 0.57%

LAB 53.51, 48.41, 2.12

 

CMYK 0 / 7 / 56 / 21

HEX #CABB58

RGB 202 187 88

HSL 52.11, 0.52%, 0.57%

LAB 75.33, -7.19, 51.18

 

CMYK 56 / 15 / 0 / 21

HEX #58ABCA

RGB 88 171 202

HSL 196.32, 0.52%, 0.57%

LAB 66.11, -16.35, -23.47

 

CMYK 0 / 56 / 38 / 20

HEX #CB5A7E

RGB 203 90 126

HSL 340.88, 0.52%, 0.57%

LAB 53.51, 48.41, 2.12

 

CMYK 38 / 0 / 56 / 21

HEX #7ECA58

RGB 126 202 88

HSL 100, 0.52%, 0.57%

LAB 74.43, -43.83, 48.82

 

CMYK 56 / 38 / 0 / 21

HEX #587ECA

RGB 88 126 202

HSL 220, 0.52%, 0.57%

LAB 53.23, 9.25, -43.51

 

CMYK 0 / 56 / 38 / 20

HEX #CB5A7E

RGB 203 90 126

HSL 340.88, 0.52%, 0.57%

LAB 53.51, 48.41, 2.12

 

CMYK 0 / 7 / 56 / 21

HEX #CABB58

RGB 202 187 88

HSL 52.11, 0.52%, 0.57%

LAB 75.33, -7.19, 51.18

 

CMYK 56 / 0 / 19 / 21

HEX #58CAA4

RGB 88 202 164

HSL 160, 0.52%, 0.57%

LAB 74.19, -41.46, 9.31

 

CMYK 56 / 49 / 0 / 21

HEX #5867CA

RGB 88 103 202

HSL 232.11, 0.52%, 0.57%

LAB 47.03, 23.41, -53.41

 

CMYK 0 / 56 / 38 / 20

HEX #CB5A7E

RGB 203 90 126

HSL 340.88, 0.52%, 0.57%

LAB 53.51, 48.41, 2.12

 

CMYK 9 / 0 / 56 / 21

HEX #B7CA58

RGB 183 202 88

HSL 70, 0.52%, 0.57%

LAB 77.88, -22.59, 53.69

 

CMYK 56 / 0 / 19 / 21

HEX #58CAA4

RGB 88 202 164

HSL 160, 0.52%, 0.57%

LAB 74.19, -41.46, 9.31

 

CMYK 47 / 56 / 0 / 21

HEX #6B58CA

RGB 107 88 202

HSL 250, 0.52%, 0.57%

LAB 44.76, 36.56, -56.98

 

Description

Color code: HEX #CB5A7E | qconv.com Color code: HEX #CB5A7E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 90 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 90 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 38 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 38% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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