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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB552B it is the complementary color #34AAD4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB552B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB552B shade: #D05526, #E16739, #F2794C, #FF8B5F and #FF9D72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB552B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB552B shade: #CB552B, #BA4318, #A93105, #981F00 and #870D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB552B shade: #CA552B and #CA2B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB552B shade: #CA552B, #CA802B, #CAAA2B, #BFCA2B and #94CA2B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB552B shade matches the following richer shades: #CA552B, #DE4B17 and #F24203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB552B shade: #CA552B, #B65E3F, #A26752, #8F7166 and #7B7A7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB552B shade: #CA2B58, #CA2B2D, #CA532B, #CA7D2B and #CAA72B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB552B shade: #86381C, #A84624, #CA552B, #D86C46 and #DF8768

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB552B shade: #CB552B, #82CA2B and #2B43CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB552B shade: #CB552B, #2BCA53 and #532BCA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB552B shade: #CB552B, #82CA2B, #2BA2CA and #722BCA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB552B shade: #CB552B, #53CA2B, #2BA2CA and #A22BCA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 79 / 20

HEX #CB552B

RGB 203 85 43

HSL 15.75, 0.65%, 0.48%

LAB 51.11, 44.64, 46.41

 

Complementary color

CMYK 75 / 20 / 0 / 17

HEX #34AAD4

RGB 52 170 212

HSL 195.75, 0.65%, 0.52%

LAB 65.15, -18.37, -30.57

 

CMYK 0 / 59 / 82 / 18

HEX #D05526

RGB 208 85 38

HSL 16.59, 0.69%, 0.48%

LAB 51.89, 46.32, 49.79

 

CMYK 0 / 54 / 75 / 12

HEX #E16739

RGB 225 103 57

HSL 16.43, 0.74%, 0.55%

LAB 58.04, 44.76, 47.69

 

CMYK 0 / 50 / 69 / 5

HEX #F2794C

RGB 242 121 76

HSL 16.27, 0.86%, 0.62%

LAB 64.22, 43.22, 45.55

 

CMYK 0 / 45 / 63 / 0

HEX #FF8B5F

RGB 255 139 95

HSL 16.5, 1%, 0.69%

LAB 69.86, 40.26, 42.75

 

CMYK 0 / 38 / 55 / 0

HEX #FF9D72

RGB 255 157 114

HSL 18.3, 1%, 0.72%

LAB 73.93, 32.39, 37.79

 

CMYK 0 / 58 / 79 / 20

HEX #CB552B

RGB 203 85 43

HSL 15.75, 0.65%, 0.48%

LAB 51.11, 44.64, 46.41

 

CMYK 0 / 64 / 87 / 27

HEX #BA4318

RGB 186 67 24

HSL 15.93, 0.77%, 0.41%

LAB 44.97, 46.15, 48.39

 

CMYK 0 / 71 / 97 / 34

HEX #A93105

RGB 169 49 5

HSL 16.1, 0.94%, 0.34%

LAB 38.97, 47.43, 49.35

 

CMYK 0 / 80 / 100 / 40

HEX #981F00

RGB 152 31 0

HSL 12.24, 1%, 0.3%

LAB 33.25, 48.18, 46.33

 

CMYK 0 / 90 / 100 / 47

HEX #870D00

RGB 135 13 0

HSL 5.78, 1%, 0.26%

LAB 27.95, 47.67, 40.81

 

CMYK 0 / 58 / 79 / 21

HEX #CA552B

RGB 202 85 43

HSL 15.85, 0.65%, 0.48%

LAB 50.95, 44.27, 46.19

 

CMYK 0 / 79 / 79 / 21

HEX #CA2B2B

RGB 202 43 43

HSL 0, 0.65%, 0.48%

LAB 44.88, 60.71, 40.05

 

CMYK 0 / 58 / 79 / 21

HEX #CA552B

RGB 202 85 43

HSL 15.85, 0.65%, 0.48%

LAB 50.95, 44.27, 46.19

 

CMYK 0 / 37 / 79 / 21

HEX #CA802B

RGB 202 128 43

HSL 32.08, 0.65%, 0.48%

LAB 60.04, 21.92, 54.96

 

CMYK 0 / 16 / 79 / 21

HEX #CAAA2B

RGB 202 170 43

HSL 47.92, 0.65%, 0.48%

LAB 70.51, -0.82, 64.6

 

CMYK 5 / 0 / 79 / 21

HEX #BFCA2B

RGB 191 202 43

HSL 64.15, 0.65%, 0.48%

LAB 78.16, -21.92, 71.1

 

CMYK 27 / 0 / 79 / 21

HEX #94CA2B

RGB 148 202 43

HSL 80.38, 0.65%, 0.48%

LAB 75.27, -39.28, 67.41

 

CMYK 0 / 58 / 79 / 21

HEX #CA552B

RGB 202 85 43

HSL 15.85, 0.65%, 0.48%

LAB 50.95, 44.27, 46.19

 

CMYK 0 / 66 / 90 / 13

HEX #DE4B17

RGB 222 75 23

HSL 15.68, 0.81%, 0.48%

LAB 52.54, 55.28, 57.34

 

CMYK 0 / 73 / 99 / 5

HEX #F24203

RGB 242 66 3

HSL 15.82, 0.98%, 0.48%

LAB 54.85, 64.85, 65.69

 

CMYK 0 / 58 / 79 / 21

HEX #CA552B

RGB 202 85 43

HSL 15.85, 0.65%, 0.48%

LAB 50.95, 44.27, 46.19

 

CMYK 0 / 48 / 65 / 29

HEX #B65E3F

RGB 182 94 63

HSL 15.63, 0.49%, 0.48%

LAB 49.87, 32.95, 33.59

 

CMYK 0 / 36 / 49 / 36

HEX #A26752

RGB 162 103 82

HSL 15.75, 0.33%, 0.48%

LAB 49.49, 21.31, 21.68

 

CMYK 0 / 21 / 29 / 44

HEX #8F7166

RGB 143 113 102

HSL 16.1, 0.17%, 0.48%

LAB 50.23, 10.09, 10.6

 

CMYK 0 / 1 / 1 / 52

HEX #7B7A7A

RGB 123 122 122

HSL 0, 0%, 0.48%

LAB 51.31, 0.38, 0.13

 

CMYK 0 / 79 / 56 / 21

HEX #CA2B58

RGB 202 43 88

HSL 343.02, 0.65%, 0.48%

LAB 45.62, 63.01, 13.94

 

CMYK 0 / 79 / 78 / 21

HEX #CA2B2D

RGB 202 43 45

HSL 359.25, 0.65%, 0.48%

LAB 44.9, 60.78, 38.96

 

CMYK 0 / 59 / 79 / 21

HEX #CA532B

RGB 202 83 43

HSL 15.09, 0.65%, 0.48%

LAB 50.59, 45.21, 45.83

 

CMYK 0 / 38 / 79 / 21

HEX #CA7D2B

RGB 202 125 43

HSL 30.94, 0.65%, 0.48%

LAB 59.34, 23.55, 54.3

 

CMYK 0 / 17 / 79 / 21

HEX #CAA72B

RGB 202 167 43

HSL 46.79, 0.65%, 0.48%

LAB 69.73, 0.78, 63.9

 

CMYK 0 / 58 / 79 / 47

HEX #86381C

RGB 134 56 28

HSL 15.85, 0.65%, 0.32%

LAB 33.94, 31.71, 33.03

 

CMYK 0 / 58 / 79 / 34

HEX #A84624

RGB 168 70 36

HSL 15.45, 0.65%, 0.4%

LAB 42.51, 38.39, 39.4

 

CMYK 0 / 58 / 79 / 21

HEX #CA552B

RGB 202 85 43

HSL 15.85, 0.65%, 0.48%

LAB 50.95, 44.27, 46.19

 

CMYK 0 / 50 / 68 / 15

HEX #D86C46

RGB 216 108 70

HSL 15.62, 0.65%, 0.56%

LAB 57.81, 39.49, 40.36

 

CMYK 0 / 39 / 53 / 13

HEX #DF8768

RGB 223 135 104

HSL 15.63, 0.65%, 0.64%

LAB 64.97, 30.58, 30.93

 

CMYK 0 / 58 / 79 / 20

HEX #CB552B

RGB 203 85 43

HSL 15.75, 0.65%, 0.48%

LAB 51.11, 44.64, 46.41

 

CMYK 36 / 0 / 79 / 21

HEX #82CA2B

RGB 130 202 43

HSL 87.17, 0.65%, 0.48%

LAB 74.29, -45.9, 66.15

 

CMYK 79 / 67 / 0 / 21

HEX #2B43CA

RGB 43 67 202

HSL 230.94, 0.65%, 0.48%

LAB 35.58, 39.6, -72.12

 

CMYK 0 / 58 / 79 / 20

HEX #CB552B

RGB 203 85 43

HSL 15.75, 0.65%, 0.48%

LAB 51.11, 44.64, 46.41

 

CMYK 79 / 0 / 59 / 21

HEX #2BCA53

RGB 43 202 83

HSL 135.09, 0.65%, 0.48%

LAB 71.81, -63.89, 47.4

 

CMYK 59 / 79 / 0 / 21

HEX #532BCA

RGB 83 43 202

HSL 255.09, 0.65%, 0.48%

LAB 33.63, 56.84, -75.24

 

CMYK 0 / 58 / 79 / 20

HEX #CB552B

RGB 203 85 43

HSL 15.75, 0.65%, 0.48%

LAB 51.11, 44.64, 46.41

 

CMYK 36 / 0 / 79 / 21

HEX #82CA2B

RGB 130 202 43

HSL 87.17, 0.65%, 0.48%

LAB 74.29, -45.9, 66.15

 

CMYK 79 / 20 / 0 / 21

HEX #2BA2CA

RGB 43 162 202

HSL 195.09, 0.65%, 0.48%

LAB 62.18, -18.46, -29.61

 

CMYK 44 / 79 / 0 / 21

HEX #722BCA

RGB 114 43 202

HSL 266.79, 0.65%, 0.48%

LAB 37.06, 60.88, -69.47

 

CMYK 0 / 58 / 79 / 20

HEX #CB552B

RGB 203 85 43

HSL 15.75, 0.65%, 0.48%

LAB 51.11, 44.64, 46.41

 

CMYK 59 / 0 / 79 / 21

HEX #53CA2B

RGB 83 202 43

HSL 104.91, 0.65%, 0.48%

LAB 72.4, -60.14, 63.69

 

CMYK 79 / 20 / 0 / 21

HEX #2BA2CA

RGB 43 162 202

HSL 195.09, 0.65%, 0.48%

LAB 62.18, -18.46, -29.61

 

CMYK 20 / 79 / 0 / 21

HEX #A22BCA

RGB 162 43 202

HSL 284.91, 0.65%, 0.48%

LAB 43.76, 68.74, -58.27

 

Description

Color code: HEX #CB552B | qconv.com Color code: HEX #CB552B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 85 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 85 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 79 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 79% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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