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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB50DE it is the complementary color #34AF21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB50DE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB50DE shade: #D050D9, #E162EC, #F274FF, #FF86FF and #FF98FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB50DE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB50DE shade: #CB50DE, #BA3ECB, #A92CB8, #981AA5 and #870892

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB50DE shade: #CB4FDE, #DE4FCA, #DE4FA4, #DE4F7E and #DE4F57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB50DE shade: #CB4FDE, #A44FDE, #7E4FDE, #574FDE and #4F4FDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB50DE shade matches the following richer shades: #CB4FDE and #D73EEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB50DE shade: #CB4FDE, #BE60CD, #B271BC, #A582AB and #99939A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB50DE shade: #7C4FDE, #A24FDE, #C84FDE, #DE4FCD and #DE4FA7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB50DE shade: #A423B7, #C02DD7, #CB4FDE, #D572E4 and #DF95EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB50DE shade: #CB50DE, #DE564F and #4FDE8F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB50DE shade: #CB50DE, #DEC84F and #4FDEC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB50DE shade: #CB50DE, #DE564F, #65DE4F and #4FD6DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB50DE shade: #CB50DE, #DE814F, #65DE4F and #4FACDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 64 / 0 / 13

HEX #CB50DE

RGB 203 80 222

HSL 291.97, 0.68%, 0.59%

LAB 55.79, 67.36, -50.09

 

Complementary color

CMYK 70 / 0 / 81 / 31

HEX #34AF21

RGB 52 175 33

HSL 111.97, 0.68%, 0.41%

LAB 62.93, -58.38, 57.43

 

CMYK 4 / 63 / 0 / 15

HEX #D050D9

RGB 208 80 217

HSL 296.06, 0.64%, 0.58%

LAB 56.24, 67.63, -46.5

 

CMYK 5 / 58 / 0 / 7

HEX #E162EC

RGB 225 98 236

HSL 295.22, 0.78%, 0.65%

LAB 62.34, 67.46, -47.37

 

CMYK 5 / 55 / 0 / 0

HEX #F274FF

RGB 242 116 255

HSL 294.39, 1%, 0.73%

LAB 68.45, 67.07, -48.05

 

CMYK 0 / 47 / 0 / 0

HEX #FF86FF

RGB 255 134 255

HSL 300, 1%, 0.76%

LAB 73.24, 62.13, -40.43

 

CMYK 0 / 40 / 0 / 0

HEX #FF98FF

RGB 255 152 255

HSL 300, 1%, 0.8%

LAB 76.64, 53.33, -35.15

 

CMYK 9 / 64 / 0 / 13

HEX #CB50DE

RGB 203 80 222

HSL 291.97, 0.68%, 0.59%

LAB 55.79, 67.36, -50.09

 

CMYK 8 / 69 / 0 / 20

HEX #BA3ECB

RGB 186 62 203

HSL 292.77, 0.58%, 0.52%

LAB 49.73, 67.21, -49.06

 

CMYK 8 / 76 / 0 / 28

HEX #A92CB8

RGB 169 44 184

HSL 293.57, 0.61%, 0.45%

LAB 43.8, 66.48, -47.65

 

CMYK 8 / 84 / 0 / 35

HEX #981AA5

RGB 152 26 165

HSL 294.39, 0.73%, 0.37%

LAB 38.08, 64.85, -45.69

 

CMYK 8 / 95 / 0 / 43

HEX #870892

RGB 135 8 146

HSL 295.22, 0.9%, 0.3%

LAB 32.7, 61.88, -42.94

 

CMYK 9 / 64 / 0 / 13

HEX #CB4FDE

RGB 203 79 222

HSL 292.03, 0.68%, 0.59%

LAB 55.65, 67.76, -50.32

 

CMYK 0 / 64 / 9 / 13

HEX #DE4FCA

RGB 222 79 202

HSL 308.39, 0.68%, 0.59%

LAB 57.45, 68.97, -35.94

 

CMYK 0 / 64 / 26 / 13

HEX #DE4FA4

RGB 222 79 164

HSL 324.34, 0.68%, 0.59%

LAB 55.89, 63.64, -16.4

 

CMYK 0 / 64 / 43 / 13

HEX #DE4F7E

RGB 222 79 126

HSL 340.28, 0.68%, 0.59%

LAB 54.69, 59.36, 4.21

 

CMYK 0 / 64 / 61 / 13

HEX #DE4F57

RGB 222 79 87

HSL 356.64, 0.68%, 0.59%

LAB 53.82, 56.18, 26.12

 

CMYK 9 / 64 / 0 / 13

HEX #CB4FDE

RGB 203 79 222

HSL 292.03, 0.68%, 0.59%

LAB 55.65, 67.76, -50.32

 

CMYK 26 / 64 / 0 / 13

HEX #A44FDE

RGB 164 79 222

HSL 275.66, 0.68%, 0.59%

LAB 50.4, 59.02, -59.01

 

CMYK 43 / 64 / 0 / 13

HEX #7E4FDE

RGB 126 79 222

HSL 259.72, 0.68%, 0.59%

LAB 46.04, 51.14, -66.27

 

CMYK 61 / 64 / 0 / 13

HEX #574FDE

RGB 87 79 222

HSL 243.36, 0.68%, 0.59%

LAB 42.6, 44.37, -72.03

 

CMYK 64 / 64 / 0 / 13

HEX #4F4FDE

RGB 79 79 222

HSL 240, 0.68%, 0.59%

LAB 42.04, 43.21, -72.96

 

CMYK 9 / 64 / 0 / 13

HEX #CB4FDE

RGB 203 79 222

HSL 292.03, 0.68%, 0.59%

LAB 55.65, 67.76, -50.32

 

CMYK 10 / 74 / 0 / 7

HEX #D73EEE

RGB 215 62 238

HSL 292.16, 0.84%, 0.59%

LAB 56.15, 79.21, -58.41

 

CMYK 9 / 64 / 0 / 13

HEX #CB4FDE

RGB 203 79 222

HSL 292.03, 0.68%, 0.59%

LAB 55.65, 67.76, -50.32

 

CMYK 7 / 53 / 0 / 20

HEX #BE60CD

RGB 190 96 205

HSL 291.74, 0.52%, 0.59%

LAB 55.81, 53.71, -40.54

 

CMYK 5 / 40 / 0 / 26

HEX #B271BC

RGB 178 113 188

HSL 292, 0.36%, 0.59%

LAB 56.98, 38.05, -29.11

 

CMYK 4 / 24 / 0 / 33

HEX #A582AB

RGB 165 130 171

HSL 291.22, 0.2%, 0.59%

LAB 58.89, 20.83, -16.58

 

CMYK 1 / 5 / 0 / 40

HEX #99939A

RGB 153 147 154

HSL 291.43, 0.03%, 0.59%

LAB 61.63, 3.54, -2.91

 

CMYK 44 / 64 / 0 / 13

HEX #7C4FDE

RGB 124 79 222

HSL 258.88, 0.68%, 0.59%

LAB 45.84, 50.76, -66.61

 

CMYK 27 / 64 / 0 / 13

HEX #A24FDE

RGB 162 79 222

HSL 274.83, 0.68%, 0.59%

LAB 50.15, 58.59, -59.42

 

CMYK 10 / 64 / 0 / 13

HEX #C84FDE

RGB 200 79 222

HSL 290.77, 0.68%, 0.59%

LAB 55.22, 67.08, -51.02

 

CMYK 0 / 64 / 8 / 13

HEX #DE4FCD

RGB 222 79 205

HSL 307.13, 0.68%, 0.59%

LAB 57.59, 69.42, -37.43

 

CMYK 0 / 64 / 25 / 13

HEX #DE4FA7

RGB 222 79 167

HSL 323.08, 0.68%, 0.59%

LAB 56, 64.03, -17.99

 

CMYK 10 / 81 / 0 / 28

HEX #A423B7

RGB 164 35 183

HSL 292.3, 0.68%, 0.43%

LAB 42.02, 67.94, -49.95

 

CMYK 11 / 79 / 0 / 16

HEX #C02DD7

RGB 192 45 215

HSL 291.88, 0.68%, 0.51%

LAB 49.48, 75.93, -56.29

 

CMYK 9 / 64 / 0 / 13

HEX #CB4FDE

RGB 203 79 222

HSL 292.03, 0.68%, 0.59%

LAB 55.65, 67.76, -50.32

 

CMYK 7 / 50 / 0 / 11

HEX #D572E4

RGB 213 114 228

HSL 292.11, 0.68%, 0.67%

LAB 63.16, 55.46, -41.72

 

CMYK 5 / 37 / 0 / 8

HEX #DF95EB

RGB 223 149 235

HSL 291.63, 0.68%, 0.75%

LAB 71.68, 41.68, -32.24

 

CMYK 9 / 64 / 0 / 13

HEX #CB50DE

RGB 203 80 222

HSL 291.97, 0.68%, 0.59%

LAB 55.79, 67.36, -50.09

 

CMYK 0 / 61 / 64 / 13

HEX #DE564F

RGB 222 86 79

HSL 2.94, 0.68%, 0.59%

LAB 54.81, 52.68, 32.01

 

CMYK 64 / 0 / 36 / 13

HEX #4FDE8F

RGB 79 222 143

HSL 146.85, 0.68%, 0.59%

LAB 79.55, -55.86, 27.78

 

CMYK 9 / 64 / 0 / 13

HEX #CB50DE

RGB 203 80 222

HSL 291.97, 0.68%, 0.59%

LAB 55.79, 67.36, -50.09

 

CMYK 0 / 10 / 64 / 13

HEX #DEC84F

RGB 222 200 79

HSL 50.77, 0.68%, 0.59%

LAB 80.41, -6.11, 61.28

 

CMYK 64 / 0 / 10 / 13

HEX #4FDEC8

RGB 79 222 200

HSL 170.77, 0.68%, 0.59%

LAB 80.78, -43.18, -0.46

 

CMYK 9 / 64 / 0 / 13

HEX #CB50DE

RGB 203 80 222

HSL 291.97, 0.68%, 0.59%

LAB 55.79, 67.36, -50.09

 

CMYK 0 / 61 / 64 / 13

HEX #DE564F

RGB 222 86 79

HSL 2.94, 0.68%, 0.59%

LAB 54.81, 52.68, 32.01

 

CMYK 55 / 0 / 64 / 13

HEX #65DE4F

RGB 101 222 79

HSL 110.77, 0.68%, 0.59%

LAB 79.37, -60.02, 58.04

 

CMYK 64 / 4 / 0 / 13

HEX #4FD6DE

RGB 79 214 222

HSL 183.36, 0.68%, 0.59%

LAB 79.06, -33.62, -14.75

 

CMYK 9 / 64 / 0 / 13

HEX #CB50DE

RGB 203 80 222

HSL 291.97, 0.68%, 0.59%

LAB 55.79, 67.36, -50.09

 

CMYK 0 / 42 / 64 / 13

HEX #DE814F

RGB 222 129 79

HSL 20.98, 0.68%, 0.59%

LAB 63.17, 31.5, 42.08

 

CMYK 55 / 0 / 64 / 13

HEX #65DE4F

RGB 101 222 79

HSL 110.77, 0.68%, 0.59%

LAB 79.37, -60.02, 58.04

 

CMYK 64 / 23 / 0 / 13

HEX #4FACDE

RGB 79 172 222

HSL 200.98, 0.68%, 0.59%

LAB 66.86, -12.37, -33.38

 

Description

Color code: HEX #CB50DE | qconv.com Color code: HEX #CB50DE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 80 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 80 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 64 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 64% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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