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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB4ABC it is the complementary color #34B543. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB4ABC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB4ABC shade: #D04AB7, #E15CCA, #F26EDD, #FF80F0 and #FF92FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB4ABC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB4ABC shade: #CB4ABC, #BA38A9, #A92696, #981483 and #870270

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB4ABC shade: #CA49BB, #CA4998, #CA4976, #CA4953 and #CA4949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB4ABC shade: #CA49BB, #B649CA, #9449CA, #7149CA and #4E49CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB4ABC shade matches the following richer shades: #CA49BB, #DD36CA and #F023D8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB4ABC shade: #CA49BB, #B75CAD, #A46F9E, #918290 and #7E9581

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB4ABC shade: #9249CA, #B549CA, #CA49BD, #CA499B and #CA4978

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB4ABC shade: #952B89, #B535A6, #CA49BB, #D369C7 and #DD89D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB4ABC shade: #CB4ABC, #CA7049 and #49CAA4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB4ABC shade: #CB4ABC, #BDCA49 and #49BDCA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB4ABC shade: #CB4ABC, #CA7049, #49CA56 and #49A4CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB4ABC shade: #CB4ABC, #CA9749, #49CA56 and #497DCA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 7 / 20

HEX #CB4ABC

RGB 203 74 188

HSL 306.98, 0.55%, 0.54%

LAB 53.19, 64.03, -34.76

 

Complementary color

CMYK 71 / 0 / 63 / 29

HEX #34B543

RGB 52 181 67

HSL 126.98, 0.55%, 0.46%

LAB 65.11, -57.49, 46.95

 

CMYK 0 / 64 / 12 / 18

HEX #D04AB7

RGB 208 74 183

HSL 311.19, 0.59%, 0.55%

LAB 53.74, 64.53, -30.96

 

CMYK 0 / 59 / 10 / 12

HEX #E15CCA

RGB 225 92 202

HSL 310.38, 0.69%, 0.62%

LAB 59.82, 64.43, -32.2

 

CMYK 0 / 55 / 9 / 5

HEX #F26EDD

RGB 242 110 221

HSL 309.55, 0.84%, 0.69%

LAB 65.94, 64.07, -33.2

 

CMYK 0 / 50 / 6 / 0

HEX #FF80F0

RGB 255 128 240

HSL 307.09, 1%, 0.75%

LAB 71.55, 62.45, -34.88

 

CMYK 0 / 43 / 0 / 0

HEX #FF92FF

RGB 255 146 255

HSL 300, 1%, 0.79%

LAB 75.47, 56.32, -36.95

 

CMYK 0 / 64 / 7 / 20

HEX #CB4ABC

RGB 203 74 188

HSL 306.98, 0.55%, 0.54%

LAB 53.19, 64.03, -34.76

 

CMYK 0 / 70 / 9 / 27

HEX #BA38A9

RGB 186 56 169

HSL 307.85, 0.54%, 0.47%

LAB 47.15, 63.74, -33.32

 

CMYK 0 / 78 / 11 / 34

HEX #A92696

RGB 169 38 150

HSL 308.7, 0.63%, 0.41%

LAB 41.25, 62.8, -31.41

 

CMYK 0 / 87 / 14 / 40

HEX #981483

RGB 152 20 131

HSL 309.55, 0.77%, 0.34%

LAB 35.62, 60.82, -28.82

 

CMYK 0 / 99 / 17 / 47

HEX #870270

RGB 135 2 112

HSL 310.38, 0.97%, 0.27%

LAB 30.31, 57.58, -25.42

 

CMYK 0 / 64 / 7 / 21

HEX #CA49BB

RGB 202 73 187

HSL 306.98, 0.55%, 0.54%

LAB 52.85, 64.02, -34.73

 

CMYK 0 / 64 / 25 / 21

HEX #CA4998

RGB 202 73 152

HSL 323.26, 0.55%, 0.54%

LAB 51.37, 58.92, -16.51

 

CMYK 0 / 64 / 42 / 21

HEX #CA4976

RGB 202 73 118

HSL 339.07, 0.55%, 0.54%

LAB 50.25, 54.9, 2.16

 

CMYK 0 / 64 / 59 / 21

HEX #CA4953

RGB 202 73 83

HSL 355.35, 0.55%, 0.54%

LAB 49.43, 51.85, 22.11

 

CMYK 0 / 64 / 64 / 21

HEX #CA4949

RGB 202 73 73

HSL 0, 0.55%, 0.54%

LAB 49.26, 51.19, 27.82

 

CMYK 0 / 64 / 7 / 21

HEX #CA49BB

RGB 202 73 187

HSL 306.98, 0.55%, 0.54%

LAB 52.85, 64.02, -34.73

 

CMYK 10 / 64 / 0 / 21

HEX #B649CA

RGB 182 73 202

HSL 290.7, 0.55%, 0.54%

LAB 50.66, 61.73, -47.05

 

CMYK 27 / 64 / 0 / 21

HEX #9449CA

RGB 148 73 202

HSL 274.88, 0.55%, 0.54%

LAB 46.08, 53.88, -54.63

 

CMYK 44 / 64 / 0 / 21

HEX #7149CA

RGB 113 73 202

HSL 258.6, 0.55%, 0.54%

LAB 42.06, 46.4, -61.32

 

CMYK 61 / 64 / 0 / 21

HEX #4E49CA

RGB 78 73 202

HSL 242.33, 0.55%, 0.54%

LAB 38.98, 40.14, -66.47

 

CMYK 0 / 64 / 7 / 21

HEX #CA49BB

RGB 202 73 187

HSL 306.98, 0.55%, 0.54%

LAB 52.85, 64.02, -34.73

 

CMYK 0 / 76 / 9 / 13

HEX #DD36CA

RGB 221 54 202

HSL 306.83, 0.71%, 0.54%

LAB 54.32, 77.14, -40.86

 

CMYK 0 / 85 / 10 / 6

HEX #F023D8

RGB 240 35 216

HSL 307.02, 0.87%, 0.54%

LAB 56.77, 87.08, -44.78

 

CMYK 0 / 64 / 7 / 21

HEX #CA49BB

RGB 202 73 187

HSL 306.98, 0.55%, 0.54%

LAB 52.85, 64.02, -34.73

 

CMYK 0 / 50 / 5 / 28

HEX #B75CAD

RGB 183 92 173

HSL 306.59, 0.39%, 0.54%

LAB 52.66, 47.84, -27.1

 

CMYK 0 / 32 / 4 / 36

HEX #A46F9E

RGB 164 111 158

HSL 306.79, 0.23%, 0.54%

LAB 53.74, 28.75, -16.91

 

CMYK 0 / 10 / 1 / 43

HEX #918290

RGB 145 130 144

HSL 304, 0.06%, 0.54%

LAB 56.09, 8.33, -5.44

 

CMYK 15 / 0 / 13 / 42

HEX #7E9581

RGB 126 149 129

HSL 127.83, 0.1%, 0.54%

LAB 59.45, -12.22, 7.86

 

CMYK 28 / 64 / 0 / 21

HEX #9249CA

RGB 146 73 202

HSL 273.95, 0.55%, 0.54%

LAB 45.83, 53.43, -55.05

 

CMYK 10 / 64 / 0 / 21

HEX #B549CA

RGB 181 73 202

HSL 290.23, 0.55%, 0.54%

LAB 50.51, 61.49, -47.28

 

CMYK 0 / 64 / 6 / 21

HEX #CA49BD

RGB 202 73 189

HSL 306.05, 0.55%, 0.54%

LAB 52.94, 64.34, -35.74

 

CMYK 0 / 64 / 23 / 21

HEX #CA499B

RGB 202 73 155

HSL 321.86, 0.55%, 0.54%

LAB 51.48, 59.32, -18.11

 

CMYK 0 / 64 / 41 / 21

HEX #CA4978

RGB 202 73 120

HSL 338.14, 0.55%, 0.54%

LAB 50.31, 55.11, 1.04

 

CMYK 0 / 71 / 8 / 42

HEX #952B89

RGB 149 43 137

HSL 306.79, 0.55%, 0.38%

LAB 37.7, 54.44, -29.29

 

CMYK 0 / 71 / 8 / 29

HEX #B535A6

RGB 181 53 166

HSL 307.03, 0.55%, 0.46%

LAB 45.8, 63.15, -33.71

 

CMYK 0 / 64 / 7 / 21

HEX #CA49BB

RGB 202 73 187

HSL 306.98, 0.55%, 0.54%

LAB 52.85, 64.02, -34.73

 

CMYK 0 / 50 / 6 / 17

HEX #D369C7

RGB 211 105 199

HSL 306.79, 0.55%, 0.62%

LAB 59.96, 54.11, -30.44

 

CMYK 0 / 38 / 5 / 13

HEX #DD89D3

RGB 221 137 211

HSL 307.14, 0.55%, 0.7%

LAB 68, 42.98, -24.69

 

CMYK 0 / 64 / 7 / 20

HEX #CB4ABC

RGB 203 74 188

HSL 306.98, 0.55%, 0.54%

LAB 53.19, 64.03, -34.76

 

CMYK 0 / 45 / 64 / 21

HEX #CA7049

RGB 202 112 73

HSL 18.14, 0.55%, 0.54%

LAB 56.71, 32.08, 36.95

 

CMYK 64 / 0 / 19 / 21

HEX #49CAA4

RGB 73 202 164

HSL 162.33, 0.55%, 0.54%

LAB 73.76, -44.34, 8.65

 

CMYK 0 / 64 / 7 / 20

HEX #CB4ABC

RGB 203 74 188

HSL 306.98, 0.55%, 0.54%

LAB 53.19, 64.03, -34.76

 

CMYK 6 / 0 / 64 / 21

HEX #BDCA49

RGB 189 202 73

HSL 66.05, 0.55%, 0.54%

LAB 78.19, -21.25, 60.61

 

CMYK 64 / 6 / 0 / 21

HEX #49BDCA

RGB 73 189 202

HSL 186.05, 0.55%, 0.54%

LAB 70.92, -28.27, -16.2

 

CMYK 0 / 64 / 7 / 20

HEX #CB4ABC

RGB 203 74 188

HSL 306.98, 0.55%, 0.54%

LAB 53.19, 64.03, -34.76

 

CMYK 0 / 45 / 64 / 21

HEX #CA7049

RGB 202 112 73

HSL 18.14, 0.55%, 0.54%

LAB 56.71, 32.08, 36.95

 

CMYK 64 / 0 / 57 / 21

HEX #49CA56

RGB 73 202 86

HSL 126.05, 0.55%, 0.54%

LAB 72.45, -58.56, 46.93

 

CMYK 64 / 19 / 0 / 21

HEX #49A4CA

RGB 73 164 202

HSL 197.67, 0.55%, 0.54%

LAB 63.53, -15.42, -27.47

 

CMYK 0 / 64 / 7 / 20

HEX #CB4ABC

RGB 203 74 188

HSL 306.98, 0.55%, 0.54%

LAB 53.19, 64.03, -34.76

 

CMYK 0 / 25 / 64 / 21

HEX #CA9749

RGB 202 151 73

HSL 36.28, 0.55%, 0.54%

LAB 65.88, 10.91, 47.57

 

CMYK 64 / 0 / 57 / 21

HEX #49CA56

RGB 73 202 86

HSL 126.05, 0.55%, 0.54%

LAB 72.45, -58.56, 46.93

 

CMYK 64 / 38 / 0 / 21

HEX #497DCA

RGB 73 125 202

HSL 215.81, 0.55%, 0.54%

LAB 52.23, 6.94, -45.15

 

Description

Color code: HEX #CB4ABC | qconv.com Color code: HEX #CB4ABC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 74 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 74 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 7 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 7% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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