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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB49E5 it is the complementary color #34B61A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB49E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB49E5 shade: #D049E0, #E15BF3, #F26DFF, #FF7FFF and #FF91FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB49E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB49E5 shade: #CB49E5, #BA37D2, #A925BF, #9813AC and #870199

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB49E5 shade: #CB48E5, #E548D5, #E548AA, #E54880 and #E54856

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB49E5 shade: #CB48E5, #A048E5, #7648E5, #4C48E5 and #4848E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB49E5 shade matches the following richer shades: #CB48E5 and #D637F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB49E5 shade: #CB48E5, #BF59D4, #B46AC3, #A97BB2 and #9E8CA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB49E5 shade: #7748E5, #A148E5, #CB48E5, #E548D5 and #E548AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB49E5 shade: #A41BBF, #C024E0, #CB48E5, #D56CEA and #DF90EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB49E5 shade: #CB49E5, #E54D48 and #48E58C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB49E5 shade: #CB49E5, #E5CB48 and #48E5CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB49E5 shade: #CB49E5, #E54D48, #62E548 and #48E0E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB49E5 shade: #CB49E5, #E57C48, #62E548 and #48B1E5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 68 / 0 / 10

HEX #CB49E5

RGB 203 73 229

HSL 290, 0.75%, 0.59%

LAB 55.19, 71.39, -54.99

 

Complementary color

CMYK 71 / 0 / 86 / 29

HEX #34B61A

RGB 52 182 26

HSL 110, 0.75%, 0.41%

LAB 65.17, -60.99, 61.29

 

CMYK 7 / 67 / 0 / 12

HEX #D049E0

RGB 208 73 224

HSL 293.64, 0.71%, 0.58%

LAB 55.64, 71.58, -51.42

 

CMYK 7 / 63 / 0 / 5

HEX #E15BF3

RGB 225 91 243

HSL 292.89, 0.86%, 0.65%

LAB 61.62, 71.65, -52.39

 

CMYK 5 / 57 / 0 / 0

HEX #F26DFF

RGB 242 109 255

HSL 294.66, 1%, 0.71%

LAB 67.3, 70.18, -49.86

 

CMYK 0 / 50 / 0 / 0

HEX #FF7FFF

RGB 255 127 255

HSL 300, 1%, 0.75%

LAB 72, 65.41, -42.36

 

CMYK 0 / 43 / 0 / 0

HEX #FF91FF

RGB 255 145 255

HSL 300, 1%, 0.78%

LAB 75.28, 56.81, -37.25

 

CMYK 11 / 68 / 0 / 10

HEX #CB49E5

RGB 203 73 229

HSL 290, 0.75%, 0.59%

LAB 55.19, 71.39, -54.99

 

CMYK 11 / 74 / 0 / 18

HEX #BA37D2

RGB 186 55 210

HSL 290.71, 0.63%, 0.52%

LAB 49.28, 70.91, -53.8

 

CMYK 12 / 81 / 0 / 25

HEX #A925BF

RGB 169 37 191

HSL 291.43, 0.68%, 0.45%

LAB 43.54, 69.72, -52.17

 

CMYK 12 / 89 / 0 / 33

HEX #9813AC

RGB 152 19 172

HSL 292.16, 0.8%, 0.37%

LAB 38.06, 67.47, -49.91

 

CMYK 12 / 99 / 0 / 40

HEX #870199

RGB 135 1 153

HSL 292.89, 0.99%, 0.3%

LAB 32.86, 64.04, -46.98

 

CMYK 11 / 69 / 0 / 10

HEX #CB48E5

RGB 203 72 229

HSL 290.06, 0.75%, 0.59%

LAB 55.06, 71.77, -55.2

 

CMYK 0 / 69 / 7 / 10

HEX #E548D5

RGB 229 72 213

HSL 306.11, 0.75%, 0.59%

LAB 58.13, 74.86, -41.05

 

CMYK 0 / 69 / 26 / 10

HEX #E548AA

RGB 229 72 170

HSL 322.55, 0.75%, 0.59%

LAB 56.28, 68.93, -19.2

 

CMYK 0 / 69 / 44 / 10

HEX #E54880

RGB 229 72 128

HSL 338.6, 0.75%, 0.59%

LAB 54.92, 64.35, 3.5

 

CMYK 0 / 69 / 62 / 10

HEX #E54856

RGB 229 72 86

HSL 354.65, 0.75%, 0.59%

LAB 53.99, 61.12, 27.16

 

CMYK 11 / 69 / 0 / 10

HEX #CB48E5

RGB 203 72 229

HSL 290.06, 0.75%, 0.59%

LAB 55.06, 71.77, -55.2

 

CMYK 30 / 69 / 0 / 10

HEX #A048E5

RGB 160 72 229

HSL 273.63, 0.75%, 0.59%

LAB 49.21, 62.94, -64.92

 

CMYK 48 / 69 / 0 / 10

HEX #7648E5

RGB 118 72 229

HSL 257.58, 0.75%, 0.59%

LAB 44.44, 55.22, -72.89

 

CMYK 67 / 69 / 0 / 10

HEX #4C48E5

RGB 76 72 229

HSL 241.53, 0.75%, 0.59%

LAB 40.94, 49.16, -78.76

 

CMYK 69 / 69 / 0 / 10

HEX #4848E5

RGB 72 72 229

HSL 240, 0.75%, 0.59%

LAB 40.69, 48.7, -79.19

 

CMYK 11 / 69 / 0 / 10

HEX #CB48E5

RGB 203 72 229

HSL 290.06, 0.75%, 0.59%

LAB 55.06, 71.77, -55.2

 

CMYK 13 / 78 / 0 / 4

HEX #D637F6

RGB 214 55 246

HSL 289.95, 0.91%, 0.59%

LAB 55.77, 82.45, -63.51

 

CMYK 11 / 69 / 0 / 10

HEX #CB48E5

RGB 203 72 229

HSL 290.06, 0.75%, 0.59%

LAB 55.06, 71.77, -55.2

 

CMYK 10 / 58 / 0 / 17

HEX #BF59D4

RGB 191 89 212

HSL 289.76, 0.59%, 0.59%

LAB 55.05, 58.66, -45.71

 

CMYK 8 / 46 / 0 / 24

HEX #B46AC3

RGB 180 106 195

HSL 289.89, 0.43%, 0.59%

LAB 56.04, 43.82, -34.56

 

CMYK 5 / 31 / 0 / 30

HEX #A97BB2

RGB 169 123 178

HSL 290.18, 0.26%, 0.59%

LAB 57.86, 27.58, -22.12

 

CMYK 2 / 13 / 0 / 37

HEX #9E8CA1

RGB 158 140 161

HSL 291.43, 0.1%, 0.59%

LAB 60.43, 10.68, -8.62

 

CMYK 48 / 69 / 0 / 10

HEX #7748E5

RGB 119 72 229

HSL 257.96, 0.75%, 0.59%

LAB 44.54, 55.39, -72.73

 

CMYK 30 / 69 / 0 / 10

HEX #A148E5

RGB 161 72 229

HSL 274.01, 0.75%, 0.59%

LAB 49.34, 63.13, -64.71

 

CMYK 11 / 69 / 0 / 10

HEX #CB48E5

RGB 203 72 229

HSL 290.06, 0.75%, 0.59%

LAB 55.06, 71.77, -55.2

 

CMYK 0 / 69 / 7 / 10

HEX #E548D5

RGB 229 72 213

HSL 306.11, 0.75%, 0.59%

LAB 58.13, 74.86, -41.05

 

CMYK 0 / 69 / 25 / 10

HEX #E548AB

RGB 229 72 171

HSL 322.17, 0.75%, 0.59%

LAB 56.32, 69.06, -19.72

 

CMYK 14 / 86 / 0 / 25

HEX #A41BBF

RGB 164 27 191

HSL 290.12, 0.75%, 0.43%

LAB 41.9, 71.22, -54.84

 

CMYK 14 / 84 / 0 / 12

HEX #C024E0

RGB 192 36 224

HSL 289.79, 0.75%, 0.51%

LAB 49.31, 79.65, -61.7

 

CMYK 11 / 69 / 0 / 10

HEX #CB48E5

RGB 203 72 229

HSL 290.06, 0.75%, 0.59%

LAB 55.06, 71.77, -55.2

 

CMYK 9 / 54 / 0 / 8

HEX #D56CEA

RGB 213 108 234

HSL 290, 0.75%, 0.67%

LAB 62.35, 59.51, -46.34

 

CMYK 7 / 40 / 0 / 6

HEX #DF90EF

RGB 223 144 239

HSL 289.89, 0.75%, 0.75%

LAB 70.78, 45.08, -35.82

 

CMYK 11 / 68 / 0 / 10

HEX #CB49E5

RGB 203 73 229

HSL 290, 0.75%, 0.59%

LAB 55.19, 71.39, -54.99

 

CMYK 0 / 66 / 69 / 10

HEX #E54D48

RGB 229 77 72

HSL 1.91, 0.75%, 0.59%

LAB 54.48, 58.41, 35.86

 

CMYK 69 / 0 / 39 / 10

HEX #48E58C

RGB 72 229 140

HSL 145.99, 0.75%, 0.59%

LAB 81.46, -60.26, 31.83

 

CMYK 11 / 68 / 0 / 10

HEX #CB49E5

RGB 203 73 229

HSL 290, 0.75%, 0.59%

LAB 55.19, 71.39, -54.99

 

CMYK 0 / 11 / 69 / 10

HEX #E5CB48

RGB 229 203 72

HSL 50.06, 0.75%, 0.59%

LAB 81.75, -5.09, 65.72

 

CMYK 69 / 0 / 11 / 10

HEX #48E5CB

RGB 72 229 203

HSL 170.06, 0.75%, 0.59%

LAB 82.77, -46.49, 0.83

 

CMYK 11 / 68 / 0 / 10

HEX #CB49E5

RGB 203 73 229

HSL 290, 0.75%, 0.59%

LAB 55.19, 71.39, -54.99

 

CMYK 0 / 66 / 69 / 10

HEX #E54D48

RGB 229 77 72

HSL 1.91, 0.75%, 0.59%

LAB 54.48, 58.41, 35.86

 

CMYK 57 / 0 / 69 / 10

HEX #62E548

RGB 98 229 72

HSL 110.06, 0.75%, 0.59%

LAB 81.35, -63.88, 62.89

 

CMYK 69 / 2 / 0 / 10

HEX #48E0E5

RGB 72 224 229

HSL 181.91, 0.75%, 0.59%

LAB 82.03, -37.29, -14.04

 

CMYK 11 / 68 / 0 / 10

HEX #CB49E5

RGB 203 73 229

HSL 290, 0.75%, 0.59%

LAB 55.19, 71.39, -54.99

 

CMYK 0 / 46 / 69 / 10

HEX #E57C48

RGB 229 124 72

HSL 19.87, 0.75%, 0.59%

LAB 62.96, 36.49, 45.68

 

CMYK 57 / 0 / 69 / 10

HEX #62E548

RGB 98 229 72

HSL 110.06, 0.75%, 0.59%

LAB 81.35, -63.88, 62.89

 

CMYK 69 / 23 / 0 / 10

HEX #48B1E5

RGB 72 177 229

HSL 199.87, 0.75%, 0.59%

LAB 68.37, -13.9, -34.88

 

Description

Color code: HEX #CB49E5 | qconv.com Color code: HEX #CB49E5 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 73 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 73 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 68 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 68% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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