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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB4695 it is the complementary color #34B96A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB4695. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB4695 shade: #D04690, #E158A3, #F26AB6, #FF7CC9 and #FF8EDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB4695. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB4695 shade: #CB4695, #BA3482, #A9226F, #98105C and #870049

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB4695 shade: #CB4896, #CB4873, #CB484F and #CB4848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB4695 shade: #CB4896, #CB48B9, #BA48CB, #9648CB and #7348CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB4695 shade matches the following richer shades: #CB4896, #DE359A and #F1229D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB4695 shade: #CB4896, #B85B92, #A56E8F, #92818B and #7F9488

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB4695 shade: #BA48CB, #CB48BA, #CB4897, #CB4874 and #CB4851

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB4695 shade: #962A6B, #B73481, #CB4896, #D468A9 and #DE88BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB4695 shade: #CB4695, #CB9748 and #48CBCB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB4695 shade: #CB4695, #97CB48 and #4897CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB4695 shade: #CB4695, #CB9748, #48CB7D and #487DCB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB4695 shade: #CB4695, #CBBE48, #48CB7D and #4855CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 27 / 20

HEX #CB4695

RGB 203 70 149

HSL 324.36, 0.56%, 0.54%

LAB 50.97, 60.03, -15.31

 

Complementary color

CMYK 72 / 0 / 43 / 27

HEX #34B96A

RGB 52 185 106

HSL 144.36, 0.56%, 0.46%

LAB 66.88, -53.21, 30.06

 

CMYK 0 / 66 / 31 / 18

HEX #D04690

RGB 208 70 144

HSL 327.83, 0.59%, 0.55%

LAB 51.61, 60.82, -11.29

 

CMYK 0 / 61 / 28 / 12

HEX #E158A3

RGB 225 88 163

HSL 327.15, 0.7%, 0.61%

LAB 57.69, 60.65, -13.06

 

CMYK 0 / 56 / 25 / 5

HEX #F26AB6

RGB 242 106 182

HSL 326.47, 0.84%, 0.68%

LAB 63.81, 60.22, -14.51

 

CMYK 0 / 51 / 21 / 0

HEX #FF7CC9

RGB 255 124 201

HSL 324.73, 1%, 0.74%

LAB 69.39, 58.43, -16.6

 

CMYK 0 / 44 / 14 / 0

HEX #FF8EDC

RGB 255 142 220

HSL 318.58, 1%, 0.78%

LAB 73.4, 52.52, -21.06

 

CMYK 0 / 66 / 27 / 20

HEX #CB4695

RGB 203 70 149

HSL 324.36, 0.56%, 0.54%

LAB 50.97, 60.03, -15.31

 

CMYK 0 / 72 / 30 / 27

HEX #BA3482

RGB 186 52 130

HSL 325.07, 0.56%, 0.47%

LAB 44.95, 59.79, -13.28

 

CMYK 0 / 80 / 34 / 34

HEX #A9226F

RGB 169 34 111

HSL 325.78, 0.67%, 0.4%

LAB 39.12, 58.85, -10.66

 

CMYK 0 / 89 / 39 / 40

HEX #98105C

RGB 152 16 92

HSL 326.47, 0.81%, 0.33%

LAB 33.6, 56.79, -7.17

 

CMYK 0 / 100 / 46 / 47

HEX #870049

RGB 135 0 73

HSL 327.56, 1%, 0.26%

LAB 28.46, 53.43, -2.69

 

CMYK 0 / 65 / 26 / 20

HEX #CB4896

RGB 203 72 150

HSL 324.27, 0.56%, 0.54%

LAB 51.31, 59.35, -15.41

 

CMYK 0 / 65 / 43 / 20

HEX #CB4873

RGB 203 72 115

HSL 340.31, 0.56%, 0.54%

LAB 50.18, 55.33, 3.89

 

CMYK 0 / 65 / 61 / 20

HEX #CB484F

RGB 203 72 79

HSL 356.79, 0.56%, 0.54%

LAB 49.37, 52.34, 24.45

 

CMYK 0 / 65 / 65 / 20

HEX #CB4848

RGB 203 72 72

HSL 0, 0.56%, 0.54%

LAB 49.25, 51.89, 28.44

 

CMYK 0 / 65 / 26 / 20

HEX #CB4896

RGB 203 72 150

HSL 324.27, 0.56%, 0.54%

LAB 51.31, 59.35, -15.41

 

CMYK 0 / 65 / 9 / 20

HEX #CB48B9

RGB 203 72 185

HSL 308.24, 0.56%, 0.54%

LAB 52.77, 64.35, -33.69

 

CMYK 8 / 65 / 0 / 20

HEX #BA48CB

RGB 186 72 203

HSL 292.21, 0.56%, 0.54%

LAB 51.14, 63.27, -46.83

 

CMYK 26 / 65 / 0 / 20

HEX #9648CB

RGB 150 72 203

HSL 275.73, 0.56%, 0.54%

LAB 46.22, 55.03, -54.97

 

CMYK 43 / 65 / 0 / 20

HEX #7348CB

RGB 115 72 203

HSL 259.69, 0.56%, 0.54%

LAB 42.14, 47.61, -61.76

 

CMYK 0 / 65 / 26 / 20

HEX #CB4896

RGB 203 72 150

HSL 324.27, 0.56%, 0.54%

LAB 51.31, 59.35, -15.41

 

CMYK 0 / 76 / 31 / 13

HEX #DE359A

RGB 222 53 154

HSL 324.14, 0.72%, 0.54%

LAB 52.3, 71.46, -15.98

 

CMYK 0 / 86 / 35 / 5

HEX #F1229D

RGB 241 34 157

HSL 324.35, 0.88%, 0.54%

LAB 54.32, 80.53, -14.36

 

CMYK 0 / 65 / 26 / 20

HEX #CB4896

RGB 203 72 150

HSL 324.27, 0.56%, 0.54%

LAB 51.31, 59.35, -15.41

 

CMYK 0 / 51 / 21 / 28

HEX #B85B92

RGB 184 91 146

HSL 324.52, 0.4%, 0.54%

LAB 51.55, 44.26, -12.94

 

CMYK 0 / 33 / 13 / 35

HEX #A56E8F

RGB 165 110 143

HSL 324, 0.23%, 0.54%

LAB 53.1, 26.96, -9.09

 

CMYK 0 / 12 / 5 / 43

HEX #92818B

RGB 146 129 139

HSL 324.71, 0.07%, 0.54%

LAB 55.76, 8.3, -3.02

 

CMYK 14 / 0 / 8 / 42

HEX #7F9488

RGB 127 148 136

HSL 145.71, 0.09%, 0.54%

LAB 59.41, -9.94, 3.83

 

CMYK 8 / 65 / 0 / 20

HEX #BA48CB

RGB 186 72 203

HSL 292.21, 0.56%, 0.54%

LAB 51.14, 63.27, -46.83

 

CMYK 0 / 65 / 8 / 20

HEX #CB48BA

RGB 203 72 186

HSL 307.79, 0.56%, 0.54%

LAB 52.81, 64.51, -34.2

 

CMYK 0 / 65 / 26 / 20

HEX #CB4897

RGB 203 72 151

HSL 323.82, 0.56%, 0.54%

LAB 51.34, 59.48, -15.94

 

CMYK 0 / 65 / 43 / 20

HEX #CB4874

RGB 203 72 116

HSL 339.85, 0.56%, 0.54%

LAB 50.21, 55.43, 3.33

 

CMYK 0 / 65 / 60 / 20

HEX #CB4851

RGB 203 72 81

HSL 355.88, 0.56%, 0.54%

LAB 49.41, 52.47, 23.3

 

CMYK 0 / 72 / 29 / 41

HEX #962A6B

RGB 150 42 107

HSL 323.89, 0.56%, 0.38%

LAB 36.37, 50.69, -12.63

 

CMYK 0 / 72 / 30 / 28

HEX #B73481

RGB 183 52 129

HSL 324.73, 0.56%, 0.46%

LAB 44.39, 58.86, -13.58

 

CMYK 0 / 65 / 26 / 20

HEX #CB4896

RGB 203 72 150

HSL 324.27, 0.56%, 0.54%

LAB 51.31, 59.35, -15.41

 

CMYK 0 / 51 / 20 / 17

HEX #D468A9

RGB 212 104 169

HSL 323.89, 0.56%, 0.62%

LAB 58.75, 50.17, -15.1

 

CMYK 0 / 39 / 16 / 13

HEX #DE88BB

RGB 222 136 187

HSL 324.42, 0.57%, 0.7%

LAB 67.07, 39.83, -12.68

 

CMYK 0 / 66 / 27 / 20

HEX #CB4695

RGB 203 70 149

HSL 324.36, 0.56%, 0.54%

LAB 50.97, 60.03, -15.31

 

CMYK 0 / 26 / 65 / 20

HEX #CB9748

RGB 203 151 72

HSL 36.18, 0.56%, 0.54%

LAB 65.98, 11.28, 48.19

 

CMYK 65 / 0 / 0 / 20

HEX #48CBCB

RGB 72 203 203

HSL 180, 0.56%, 0.54%

LAB 75.08, -34.85, -10.51

 

CMYK 0 / 66 / 27 / 20

HEX #CB4695

RGB 203 70 149

HSL 324.36, 0.56%, 0.54%

LAB 50.97, 60.03, -15.31

 

CMYK 26 / 0 / 65 / 20

HEX #97CB48

RGB 151 203 72

HSL 83.82, 0.56%, 0.54%

LAB 75.92, -36.85, 57.84

 

CMYK 65 / 26 / 0 / 20

HEX #4897CB

RGB 72 151 203

HSL 203.82, 0.56%, 0.54%

LAB 59.73, -8.13, -33.93

 

CMYK 0 / 66 / 27 / 20

HEX #CB4695

RGB 203 70 149

HSL 324.36, 0.56%, 0.54%

LAB 50.97, 60.03, -15.31

 

CMYK 0 / 26 / 65 / 20

HEX #CB9748

RGB 203 151 72

HSL 36.18, 0.56%, 0.54%

LAB 65.98, 11.28, 48.19

 

CMYK 65 / 0 / 38 / 20

HEX #48CB7D

RGB 72 203 125

HSL 144.27, 0.56%, 0.54%

LAB 73.27, -53.15, 28.67

 

CMYK 65 / 38 / 0 / 20

HEX #487DCB

RGB 72 125 203

HSL 215.73, 0.56%, 0.54%

LAB 52.24, 7.11, -45.71

 

CMYK 0 / 66 / 27 / 20

HEX #CB4695

RGB 203 70 149

HSL 324.36, 0.56%, 0.54%

LAB 50.97, 60.03, -15.31

 

CMYK 0 / 6 / 65 / 20

HEX #CBBE48

RGB 203 190 72

HSL 54.05, 0.56%, 0.54%

LAB 76.06, -9.42, 59.13

 

CMYK 65 / 0 / 38 / 20

HEX #48CB7D

RGB 72 203 125

HSL 144.27, 0.56%, 0.54%

LAB 73.27, -53.15, 28.67

 

CMYK 65 / 58 / 0 / 20

HEX #4855CB

RGB 72 85 203

HSL 234.05, 0.56%, 0.54%

LAB 41.51, 32.16, -62.94

 

Description

Color code: HEX #CB4695 | qconv.com Color code: HEX #CB4695 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 70 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 70 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 27 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 27% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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