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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB466E it is the complementary color #34B991. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB466E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB466E shade: #D04669, #E1587C, #F26A8F, #FF7CA2 and #FF8EB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB466E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB466E shade: #CB466E, #BA345B, #A92248, #981035 and #870022

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB466E shade: #CB4870, #CB484C and #CB4848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB466E shade: #CB4870, #CB4893, #CB48B6, #BD48CB and #9A48CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB466E shade matches the following richer shades: #CB4870, #DE3568 and #F12260

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB466E shade: #CB4870, #B85B77, #A56E7F, #928186 and #7F948E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB466E shade: #CB48B8, #CB4895, #CB4872, #CB484F and #CB6448

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB466E shade: #962A4B, #B7345B, #CB4870, #D46889 and #DE88A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB466E shade: #CB466E, #CBBC48 and #48A6CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB466E shade: #CB466E, #72CB48 and #4872CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB466E shade: #CB466E, #CBBC48, #48CBA2 and #4857CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB466E shade: #CB466E, #B3CB48, #48CBA2 and #6048CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 46 / 20

HEX #CB466E

RGB 203 70 110

HSL 341.95, 0.56%, 0.54%

LAB 49.74, 55.67, 6.28

 

Complementary color

CMYK 72 / 0 / 22 / 27

HEX #34B991

RGB 52 185 145

HSL 161.95, 0.56%, 0.46%

LAB 67.63, -44.99, 10.17

 

CMYK 0 / 66 / 50 / 18

HEX #D04669

RGB 208 70 105

HSL 344.78, 0.59%, 0.55%

LAB 50.46, 56.77, 10.45

 

CMYK 0 / 61 / 45 / 12

HEX #E1587C

RGB 225 88 124

HSL 344.23, 0.7%, 0.61%

LAB 56.53, 56.3, 8.09

 

CMYK 0 / 56 / 41 / 5

HEX #F26A8F

RGB 242 106 143

HSL 343.68, 0.84%, 0.68%

LAB 62.65, 55.62, 6.13

 

CMYK 0 / 51 / 36 / 0

HEX #FF7CA2

RGB 255 124 162

HSL 342.6, 1%, 0.74%

LAB 68.23, 53.52, 3.58

 

CMYK 0 / 44 / 29 / 0

HEX #FF8EB5

RGB 255 142 181

HSL 339.29, 1%, 0.78%

LAB 72.19, 47, -1.29

 

CMYK 0 / 66 / 46 / 20

HEX #CB466E

RGB 203 70 110

HSL 341.95, 0.56%, 0.54%

LAB 49.74, 55.67, 6.28

 

CMYK 0 / 72 / 51 / 27

HEX #BA345B

RGB 186 52 91

HSL 342.54, 0.56%, 0.47%

LAB 43.73, 55.78, 8.99

 

CMYK 0 / 80 / 57 / 34

HEX #A92248

RGB 169 34 72

HSL 343.11, 0.67%, 0.4%

LAB 37.93, 55.24, 12.42

 

CMYK 0 / 89 / 65 / 40

HEX #981035

RGB 152 16 53

HSL 343.68, 0.81%, 0.33%

LAB 32.49, 53.65, 16.83

 

CMYK 0 / 100 / 75 / 47

HEX #870022

RGB 135 0 34

HSL 344.89, 1%, 0.26%

LAB 27.48, 50.81, 22.3

 

CMYK 0 / 65 / 45 / 20

HEX #CB4870

RGB 203 72 112

HSL 341.68, 0.56%, 0.54%

LAB 50.1, 55.04, 5.58

 

CMYK 0 / 65 / 63 / 20

HEX #CB484C

RGB 203 72 76

HSL 358.17, 0.56%, 0.54%

LAB 49.32, 52.14, 26.16

 

CMYK 0 / 65 / 65 / 20

HEX #CB4848

RGB 203 72 72

HSL 0, 0.56%, 0.54%

LAB 49.25, 51.89, 28.44

 

CMYK 0 / 65 / 45 / 20

HEX #CB4870

RGB 203 72 112

HSL 341.68, 0.56%, 0.54%

LAB 50.1, 55.04, 5.58

 

CMYK 0 / 65 / 28 / 20

HEX #CB4893

RGB 203 72 147

HSL 325.65, 0.56%, 0.54%

LAB 51.2, 58.97, -13.79

 

CMYK 0 / 65 / 10 / 20

HEX #CB48B6

RGB 203 72 182

HSL 309.62, 0.56%, 0.54%

LAB 52.63, 63.89, -32.17

 

CMYK 7 / 65 / 0 / 20

HEX #BD48CB

RGB 189 72 203

HSL 293.59, 0.56%, 0.54%

LAB 51.57, 63.97, -46.11

 

CMYK 24 / 65 / 0 / 20

HEX #9A48CB

RGB 154 72 203

HSL 277.56, 0.56%, 0.54%

LAB 46.73, 55.93, -54.11

 

CMYK 0 / 65 / 45 / 20

HEX #CB4870

RGB 203 72 112

HSL 341.68, 0.56%, 0.54%

LAB 50.1, 55.04, 5.58

 

CMYK 0 / 76 / 53 / 13

HEX #DE3568

RGB 222 53 104

HSL 341.89, 0.72%, 0.54%

LAB 50.78, 66.75, 11.85

 

CMYK 0 / 86 / 60 / 5

HEX #F12260

RGB 241 34 96

HSL 342.03, 0.88%, 0.54%

LAB 52.61, 75.69, 19.79

 

CMYK 0 / 65 / 45 / 20

HEX #CB4870

RGB 203 72 112

HSL 341.68, 0.56%, 0.54%

LAB 50.1, 55.04, 5.58

 

CMYK 0 / 51 / 35 / 28

HEX #B85B77

RGB 184 91 119

HSL 341.94, 0.4%, 0.54%

LAB 50.69, 40.56, 1.86

 

CMYK 0 / 33 / 23 / 35

HEX #A56E7F

RGB 165 110 127

HSL 341.45, 0.23%, 0.54%

LAB 52.6, 24.34, -0.41

 

CMYK 0 / 12 / 8 / 43

HEX #928186

RGB 146 129 134

HSL 342.35, 0.07%, 0.54%

LAB 55.62, 7.37, -0.33

 

CMYK 14 / 0 / 4 / 42

HEX #7F948E

RGB 127 148 142

HSL 162.86, 0.09%, 0.54%

LAB 59.57, -8.7, 0.65

 

CMYK 0 / 65 / 9 / 20

HEX #CB48B8

RGB 203 72 184

HSL 308.7, 0.56%, 0.54%

LAB 52.72, 64.2, -33.18

 

CMYK 0 / 65 / 27 / 20

HEX #CB4895

RGB 203 72 149

HSL 324.73, 0.56%, 0.54%

LAB 51.27, 59.22, -14.87

 

CMYK 0 / 65 / 44 / 20

HEX #CB4872

RGB 203 72 114

HSL 340.76, 0.56%, 0.54%

LAB 50.15, 55.23, 4.45

 

CMYK 0 / 65 / 61 / 20

HEX #CB484F

RGB 203 72 79

HSL 356.79, 0.56%, 0.54%

LAB 49.37, 52.34, 24.45

 

CMYK 0 / 51 / 65 / 20

HEX #CB6448

RGB 203 100 72

HSL 12.82, 0.56%, 0.54%

LAB 54.32, 38.66, 34.67

 

CMYK 0 / 72 / 50 / 41

HEX #962A4B

RGB 150 42 75

HSL 341.67, 0.56%, 0.38%

LAB 35.3, 47.13, 6.27

 

CMYK 0 / 72 / 50 / 28

HEX #B7345B

RGB 183 52 91

HSL 342.14, 0.56%, 0.46%

LAB 43.18, 54.88, 8.14

 

CMYK 0 / 65 / 45 / 20

HEX #CB4870

RGB 203 72 112

HSL 341.68, 0.56%, 0.54%

LAB 50.1, 55.04, 5.58

 

CMYK 0 / 51 / 35 / 17

HEX #D46889

RGB 212 104 137

HSL 341.67, 0.56%, 0.62%

LAB 57.75, 45.91, 1.98

 

CMYK 0 / 39 / 27 / 13

HEX #DE88A2

RGB 222 136 162

HSL 341.86, 0.57%, 0.7%

LAB 66.33, 36.14, 0.29

 

CMYK 0 / 66 / 46 / 20

HEX #CB466E

RGB 203 70 110

HSL 341.95, 0.56%, 0.54%

LAB 49.74, 55.67, 6.28

 

CMYK 0 / 7 / 65 / 20

HEX #CBBC48

RGB 203 188 72

HSL 53.13, 0.56%, 0.54%

LAB 75.53, -8.39, 58.56

 

CMYK 65 / 18 / 0 / 20

HEX #48A6CB

RGB 72 166 203

HSL 196.95, 0.56%, 0.54%

LAB 64.13, -16.35, -27.11

 

CMYK 0 / 66 / 46 / 20

HEX #CB466E

RGB 203 70 110

HSL 341.95, 0.56%, 0.54%

LAB 49.74, 55.67, 6.28

 

CMYK 44 / 0 / 65 / 20

HEX #72CB48

RGB 114 203 72

HSL 100.76, 0.56%, 0.54%

LAB 74.03, -49.68, 55.25

 

CMYK 65 / 44 / 0 / 20

HEX #4872CB

RGB 72 114 203

HSL 220.76, 0.56%, 0.54%

LAB 49.16, 13.88, -50.61

 

CMYK 0 / 66 / 46 / 20

HEX #CB466E

RGB 203 70 110

HSL 341.95, 0.56%, 0.54%

LAB 49.74, 55.67, 6.28

 

CMYK 0 / 7 / 65 / 20

HEX #CBBC48

RGB 203 188 72

HSL 53.13, 0.56%, 0.54%

LAB 75.53, -8.39, 58.56

 

CMYK 65 / 0 / 20 / 20

HEX #48CBA2

RGB 72 203 162

HSL 161.22, 0.56%, 0.54%

LAB 74, -45.41, 10.06

 

CMYK 65 / 57 / 0 / 20

HEX #4857CB

RGB 72 87 203

HSL 233.13, 0.56%, 0.54%

LAB 42.01, 30.9, -62.13

 

CMYK 0 / 66 / 46 / 20

HEX #CB466E

RGB 203 70 110

HSL 341.95, 0.56%, 0.54%

LAB 49.74, 55.67, 6.28

 

CMYK 12 / 0 / 65 / 20

HEX #B3CB48

RGB 179 203 72

HSL 70.99, 0.56%, 0.54%

LAB 77.74, -25.88, 60.31

 

CMYK 65 / 0 / 20 / 20

HEX #48CBA2

RGB 72 203 162

HSL 161.22, 0.56%, 0.54%

LAB 74, -45.41, 10.06

 

CMYK 53 / 65 / 0 / 20

HEX #6048CB

RGB 96 72 203

HSL 250.99, 0.56%, 0.54%

LAB 40.3, 44.03, -64.83

 

Description

Color code: HEX #CB466E | qconv.com Color code: HEX #CB466E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 70 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 70 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 46 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 46% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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